An Introduction to TEI simplePrint

Lou Burnard, Martin Mueller, Sebastian Rahtz, James Cummings, and Magdalena Turska

An Introduction to TEI simplePrint

Lou Burnard

Martin Mueller

Sebastian Rahtz

James Cummings

Magdalena Turska

January 2017

Table of contents

i. Preface

1. A Short Example

2. The Structure of a TEI simplePrint Document

3. Encoding the Body

3.1. Text Division Elements and Global Attributes

3.2. Headings and Closings

3.3. Textual Components

3.3.1. Verse

3.3.2. Drama

3.3.3. Other Kinds of Text Block

3.4. Page and Line Numbers

3.5. Marking Highlighted Phrases

3.5.1. Changes of Typeface, etc.

3.5.2. Quotations and Related Features

3.5.3. Foreign Words or Expressions

3.6. Notes

3.7. Cross References and Links

3.7.1. Simple Cross References

3.7.2. Pointing to other documents

3.7.3. Special Kinds of Linking

4. Editorial Interventions

4.1. Correction and Normalization

4.2. Omissions, Deletions, and Additions

4.3. Abbreviation and their Expansion

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

5.2. Formulae, Codes, and Special Characters

5.3. Dates and Times

5.4. Numbers and Measurements

6. Lists

7. Bibliographic Citations

8. Tables

9. Figures and Graphics

10. Analysis

10.1. Orthographic Sentences

10.2. Words and Punctuation

10.3. General-Purpose Interpretation Elements

11. Common Attributes

12. Composite and Floating Texts

13. Front and Back Matter

13.1. Front Matter

13.1.1. Title Page

13.1.2. Prefatory Matter

13.1.3. Liminal Elements

13.2. Back Matter

13.2.1. Structural Divisions of Back Matter

13.2.2. Specialized Front and Back Matter

14. Encoding a Digital Facsimile

15. The Electronic Title Page

15.1. The File Description

15.1.1. The Title Statement

15.1.2. The Edition Statement

15.1.3. The Extent Statement

15.1.4. The Publication Statement

15.1.5. Series and Notes Statements

15.1.6. The Source Description

15.2. The Encoding Description

15.2.1. Project Description and Sampling Declaration

15.2.2. Editorial Declarations

15.2.3. Tagging Declaration

15.2.4. Reference, Prefix, and Classification Declarations

15.2.5. The character declaration

15.3. The Profile Description

15.4. Other forms of metadata

15.5. The Revision Description

16. The Simple Processing Model

17. The TEI simplePrint schema

17.1. Summary of changes

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This document is the formal specification for TEI simplePrint, an entry-level customization of the Text Encoding Initiative (TEI) Guidelines, intended to be generally useful to a large variety of encoders attempting to cope with the standardized representation of a variety of documents in digital form.

Like every other TEI customization, TEI simplePrint was designed for use with a particular type of material. If the material you are planning to encode matches the following criteria, then TEI simplePrint is for you. If it does not, it may not be.

You are encoding print material, rather than manuscript: simplePrint provides no way of encoding manuscript features such as correction, deletion, or scribal variation

You are encoding material from the Early Modern period (i.e., up to the end of the nineteenth century): some of the features for which simplePrint provides encodings are rarely found in modern materials.

You are encoding material written, broadly speaking, within the Western European tradition, using largely Western European characters. simplePrint does provide facilities for encoding short passages in non Western European languages, but many features needed to cope with Asian or ancient scripts are missing.

Your intention is to provide a relatively simple encoding for a large amount of material, rather than a rich encoding of a small amount of material: simplePrint is intended to help libraries and archives wishing to go beyond basic digital facsimiles, rather than to support specialist research. It does not, for example, include features for detailed linguistic tagging beyond simple word-level tagging, nor for specialised text types such as dictionaries, historical or biographical databases, etc.

If your needs go beyond those summarized here, simplePrint may still be a good point of departure, and may be very useful as a basis for the creation of your own TEI customisation. We don't however discuss the creation of a TEI customization in this document: the TEI website provides a number of links to tutorial material and tools which may assist in this process.

The present document is intended to be generally comprehensible and accessible, but does assume some knowledge of XML (the encoding language used by the TEI), and of the way it is used by the TEI. Further information on both these topics are available from many places, not least the TEI's own web site at http://www.tei-c.org.

The TEI simplePrint schema was first elaborated as a part of the TEI Simple project funded by the Andrew W. Mellon Foundation (2012-2014). The project sought to define a new ‘highly-constrained and prescriptive subset’ of the Text Encoding Initiative (TEI) Guidelines suited to the representation of early modern print materials, a formally-defined set of processing rules which permit modern web applications to easily present and analyze the encoded texts, mapping to other ontologies, and processes to describe the encoding status and richness of a TEI digital text. Its choice of elements reflected the practices followed in the encoding of large-scale literary archives, notably those produced by the Text Creation Partnership. Practice of other comparable archives such as the German Text Archive was also taken into account.

The most distinctive feature of TEI simplePrint is its use of the TEI Processing Model, which provides explicit and recommended options for the display or processing of every textual element. Programmers developing systems to handle texts encoded with TEI simplePrint do not have to look beyond this when building stylesheets or other components. This greatly reduces the complexity of developing applications that will work reliably and consistently for many users and across large corpora of documents.

The TEI simplePrint schema and the TEI Processing Model were first defined by a working group led by Martin Mueller (Northwestern University) and Sebastian Rahtz (Oxford University). Major contributions to the project were made by Magdalena Turska (Oxford University), James Cummings (Oxford University), and Brian Pytlik Zillig. The changes to the TEI scheme needed to support the TEI Processing Model were reviewed and approved by the TEI Technical Council for inclusion in release 3.0.0 of TEI P5 in February 2016. The present document was extensively revised and extended by Lou Burnard in July 2016 for submission to the TEI Technical Council.

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We begin with a short example. How should we go about transferring into a computer a passage of prose, such as the start of the last chapter of Charlotte Brontë's novel Jane Eyre? We might start by simply copying what we see on the printed page, typing it in such a way that what appears on the screen looks as similar as possible, for example, by retaining the original line breaks, by introducing blanks to represent the layout of the original headings, page breaks, and paragraphs, and so forth. Of course, the possibilities are limited by the nature of the computer program we use to capture the text: it may not be possible for example to reflect accurately the typographic characteristics of our source with all such software. Some characters in the printed text (such as the accented letter a in faàl or the long dash) may not be available on the keyboard; some typographic distinctions (such as that between small capitals and full capitals) may not be readily accessible. Our first attempt tries to mimic the appearance of the former, and simply ignores the latter.

                                CHAPTER 38

READER, I married him. A quiet wedding we had: he and I, the par-
son and clerk, were alone present. When we got back from church, I
went into the kitchen of the manor-house, where Mary was cooking
the dinner, and John cleaning the knives, and I said --
  'Mary, I have been married to Mr Rochester this morning.' The
housekeeper and her husband were of that decent, phlegmatic
order of people, to whom one may at any time safely communicate a
remarkable piece of news without incurring the danger of having
one's ears pierced by some shrill ejaculation and subsequently stunned
by a torrent of wordy wonderment. Mary did look up, and she did
stare at me; the ladle with which she was basting a pair of chickens
roasting at the fire, did for some three minutes hang suspended in air,
and for the same space of time John's knives also had rest from the
polishing process; but Mary, bending again over the roast, said only --
   'Have you, miss? Well, for sure!'
   A short time after she pursued, 'I seed you go out with the master,
but I didn't know you were gone to church to be wed'; and she
basted away. John, when I turned to him, was grinning from ear to
ear.
   'I telled Mary how it would be,' he said: 'I knew what Mr Ed-
ward' (John was an old servant, and had known his master when he
was the cadet of the house, therefore he often gave him his Christian
name) -- 'I knew what Mr Edward would do; and I was certain he
would not wait long either: and he's done right, for aught I know. I
wish you joy, miss!' and he politely pulled his forelock.
   'Thank you, John. Mr Rochester told me to give you and Mary
this.'
   I put into his hand a five-pound note.  Without waiting to hear
more, I left the kitchen. In passing the door of that sanctum some time
after, I caught the words --
   'She'll happen do better for him nor ony o' t' grand ladies.' And
again, 'If she ben't one o' th' handsomest, she's noan faa\l, and varry
good-natured; and i' his een she's fair beautiful, onybody may see
that.'
   I wrote to Moor House and to Cambridge immediately, to say what
I had done: fully explaining also why I had thus acted. Diana and

                            474

                 JANE EYRE                      475

Mary approved the step unreservedly. Diana announced that she
would just give me time to get over the honeymoon, and then she
would come and see me.
   'She had better not wait till then, Jane,' said Mr Rochester, when I
read her letter to him; 'if she does, she will be too late, for our honey-
moon will shine our life long: its beams will only fade over your
grave or mine.'
   How St John received the news I don't know: he never answered
the letter in which I communicated it: yet six months after he wrote
to me, without, however, mentioning Mr Rochester's name or allud-
ing to my marriage. His letter was then calm, and though very serious,
kind. He has maintained a regular, though not very frequent correspond-
ence ever since: he hopes I am happy, and trusts I am not of those who
live without God in the world, and only mind earthly things.

      ⚓

This transcription suffers from a number of shortcomings:

the page numbers and running titles are intermingled with the text in a way which makes it difficult for software to distinguish them;

no distinction is made between single quotation marks and apostrophe, so it is difficult to be certain exactly which passages are in direct speech;

the preservation of the copy text's hyphenation means that simple-minded search programs will not find words broken across a line;

the accented letter in faàl and the long dash have been rendered by ad hoc keying conventions (faa\l) which follow no standard pattern and will be processed correctly only if the transcriber remembers to mention them in the documentation;

paragraph divisions are marked only by the use of white space, and hard carriage returns have been introduced at the end of each line. Consequently, if the size of type used to display the text changes, reformatting will be problematic.

We now present the same passage, as it might be encoded in TEI simplePrint. As we shall see, there are many ways in which this encoding could be extended, but as a minimum, the TEI approach allows us to represent the following distinctions in a standardized way:

Paragraph and chapter divisions are now marked explicitly by means of tags rather than implicitly by white space.

Apostrophes are retained, but the quotation marks indicating direct speech have been removed, and direct speech is now marked explicitly by means of a tag.

The accented letter and the long dash are accurately represented, using the appropriate Unicode character.

Page divisions have been marked with an empty pb tag; the page heading and running text have been suppressed.

The lineation of the original has also been suppressed and words broken by typographic accident at the end of a line have been re-assembled without comment.

For convenience of proof reading, a new line has been introduced at the start of each paragraph, but the indentation is removed.

<pb n="474"/>
<div type="chapter" n="38">
 <p>Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were
   alone present. When we got back from church, I went into the kitchen of the
   manor-house, where Mary was cooking the dinner, and John cleaning the knives, and I
   said —</p>
 <p>
  <q>Mary, I have been married to Mr Rochester this morning.</q> The housekeeper and
   her husband were of that decent, phlegmatic order of people, to whom one may at any
   time safely communicate a remarkable piece of news without incurring the danger of
   having one's ears pierced by some shrill ejaculation and subsequently stunned by a
   torrent of wordy wonderment. Mary did look up, and she did stare at me; the ladle
   with which she was basting a pair of chickens roasting at the fire, did for some
   three minutes hang suspended in air, and for the same space of time John's knives
   also had rest from the polishing process; but Mary, bending again over the roast,
   said only —</p>
 <p>
  <q>Have you, miss? Well, for sure!</q>
 </p>
 <p>A short time after she pursued, <q>I seed you go out with the master, but I didn't
     know you were gone to church to be wed</q>; and she basted away. John, when I
   turned to him, was grinning from ear to ear. <q>I telled Mary how it would be,</q>
   he said: <q>I knew what Mr Edward</q> (John was an old servant, and had known his
   master when he was the cadet of the house, therefore he often gave him his Christian
   name) — <q>I knew what Mr Edward would do; and I was certain he would not wait long
     either: and he's done right, for aught I know. I wish you joy, miss!</q> and he
   politely pulled his forelock.</p>
 <p>
  <q>Thank you, John. Mr Rochester told me to give you and Mary this.</q>
 </p>
 <p>I put into his hand a five-pound note. Without waiting to hear more, I left the
   kitchen. In passing the door of that sanctum some time after, I caught the words
   —</p>
 <p>
  <q>She'll happen do better for him nor ony o' t' grand ladies.</q> And again, <q>If
     she ben't one o' th' handsomest, she's noan faàl, and varry good-natured; and i'
     his een she's fair beautiful, onybody may see that.</q>
 </p>
 <p>I wrote to Moor House and to Cambridge immediately, to say what I had done: fully
   explaining also why I had thus acted. Diana and <pb n="475"/> Mary approved the step
   unreservedly. Diana announced that she would just give me time to get over the
   honeymoon, and then she would come and see me.</p>
 <p>
  <q>She had better not wait till then, Jane,</q> said Mr Rochester, when I read her
   letter to him; <q>if she does, she will be too late, for our honeymoon will shine
     our life long: its beams will only fade over your grave or mine.</q>
 </p>
 <p>How St John received the news I don't know: he never answered the letter in which I
   communicated it: yet six months after he wrote to me, without, however, mentioning
   Mr Rochester's name or alluding to my marriage. His letter was then calm, and though
   very serious, kind. He has maintained a regular, though not very frequent
   correspondence ever since: he hopes I am happy, and trusts I am not of those who
   live without God in the world, and only mind earthly things.</p>
</div>

⚓︎

This encoding is expressed in TEI XML, a very widely used and standardized method of representing information about a document within the document itself. The transcribed words are complemented by special flags within angle brackets, called tags, which both characterise and mark the beginning and end of a string of characters. For example, each paragraph is marked by a tag <p> at its start, and a corresponding </p> at its end. We don't elaborate further on the syntax of TEI XML here. ¹

Aside from its syntax, it is important to note that this particular encoding represents a set of choices or priorities. We have chosen to prioritize and simplify the representation of the words of the text over the representation of the typographic layout associated with them in this source document. This makes it easier for a computer to answer questions about the words in the document than about its typesetting, reflecting our research priorities. This priority also leads us to suppress end-of-line hyphenation. Conceivably Brontë (or her printer) intended the word ‘honeymoon’ to appear as ‘honey-moon’ on its second appearance, though this seems unlikely: our decision to focus on Brontë's text, rather than on the printing of it in this particular edition, makes it impossible to be certain. Similarly, our decision makes it impossible to use this transcription as a means of statistically analysing hyphenation practice. An encoding makes explicit all and only those textual features of importance to the encoder.

It is not difficult to think of ways in which the encoding of even this short passage might readily be extended to address other research priorities. For example:

a regularized form of the passages in dialect could be provided;

footnotes glossing or commenting on any passage could be added;

pointers linking parts of this text to others could be added;

proper names of various kinds could be distinguished from the surrounding text;

names could be classified as personal, geographical, or institutional

detailed bibliographic information about the text's provenance and context could be prefixed to it;

a linguistic analysis of the passage into sentences, clauses, words, etc., could be provided, each unit being associated with appropriate category codes;

the text could be segmented into narrative or discourse units;

systematic analysis or interpretation of the text could be included in the encoding, with potentially complex alignment or linkage between the text and the analysis, or between the text and one or more translations of it;

passages in the text could be linked to images or sound held on other media.

In the remainder of this document, we present a number of TEI-recommended ways of supporting these and other encoding requirements. These ways generally involve the application of specific TEI XML elements, selected from the full range of possibilities documented in the TEI Guidelines. Like every other TEI project, TEI Simple proposes a view of the TEI Guidelines. This document defines and documents that view.

Notes

1

Many introductory tutorials on XML are available on the web, for example at http://www.w3schools.com/xml/. The way the TEI uses XML is fully documented in section v of the TEI Guidelines; a very basic introduction to TEI XML is also available at http://www.ultraslavonic.info/intro-to-xml. The formal specification of the XML language is at http://www.w3.org/TR/xml.

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A TEI-conformant text contains (a) a TEI header (marked up as a teiHeader element) and (b) one or more representations of a text. These representations may be of three kinds: a transcribed text, marked up as a text element; a collection of digital images representing the text, marked up using a facsimile element; or a literal transcription of one or more documents instantiating the text, marked up using the <sourceDoc> element.

These elements are combined together to form a single TEI element, which must be declared within the TEI namespace, and therefore usually takes the form <TEI xmlns="http://www.tei-c.org/ns/1.0"> ².

Some aspects of the TEI header are described in more detail in section 15. The Electronic Title Page. In what follows, we will focus chiefly on the use of the text element, though we describe one way of using the facsimile element in combination with it or alone in section 14. Encoding a Digital Facsimile. We do not consider the <sourceDoc> element further, since it is mainly used in very specialised applications for which TEI simplePrint would not be appropriate.

A text may be unitary (a single work) or composite (a collection of single works, such as an anthology). In either case, the text may have optional front or back matter such as title pages, prefaces, appendixes etc. We use the term body for whatever comes between these in the source document. We discuss various kinds of composite text in section 12. Composite and Floating Texts below.

A unitary text will be encoded using an overall structure like this:

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

⚓︎

In each of the following sections we include a short list of the TEI elements under discussion, along with a brief description, and in most cases an example of how they are used. Throughout the text, element names are linked to their detailed reference documentation, as given in the TEI Guidelines. Note that most of the examples provided by the reference documentation, and all of the links, are not specific to TEI simplePrint.

For example, here are the elements discussed so far:

TEI (TEI document) contains a single TEI-conformant document, combining a single TEI header with one or more members of the model.resource class. Multiple TEI elements may be combined within a TEI (or teiCorpus) element.

teiHeader (TEI header) supplies descriptive and declarative metadata associated with a digital resource or set of resources.

text (text) contains a single text of any kind, whether unitary or composite, for example a poem or drama, a collection of essays, a novel, a dictionary, or a corpus sample.

facsimile contains a representation of some written source in the form of a set of images rather than as transcribed or encoded text.

Notes

2

A namespace is an XML concept. Its function is to identify the vocabulary from which a group of element names are drawn, using a standard identifier resembling a web address. The namespace for TEI elements is http://www.tei-c.org/ns/1.0

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An Introduction to TEI simplePrint

3. Encoding the Body

Table of contents

3.1. Text Division Elements and Global Attributes

3.2. Headings and Closings

3.3. Textual Components

3.4. Page and Line Numbers

3.5. Marking Highlighted Phrases

3.6. Notes

3.7. Cross References and Links

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As indicated above, a unitary text is encoded by means of a text element, which may contain the following elements:

front (front matter) contains any prefatory matter (headers, abstracts, title page, prefaces, dedications, etc.) found at the start of a document, before the main body.

group (group) contains the body of a composite text, grouping together a sequence of distinct texts (or groups of such texts) which are regarded as a unit for some purpose, for example the collected works of an author, a sequence of prose essays, etc.

body (text body) contains the whole body of a single unitary text, excluding any front or back matter.

back (back matter) contains any appendixes, etc. following the main part of a text.

Elements specific to front and back matter are described below in section 13. Front and Back Matter. In this section we discuss the elements making up the body of a text. A text must always have a body.

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TEI: Text Division Elements and Global Attributes⚓︎3.1. Text Division Elements and Global Attributes

The body of a prose text may be just a series of paragraphs or similar blocks of text, or these may be grouped together into chapters, sections, subsections, etc. The div element is used to represent any such grouping of blocks.

div (text division) contains a subdivision of the front, body, or back of a text.

type [att.typed]
characterizes the element in some sense, using any convenient classification scheme or typology.

The type attribute on the div element may be used to supply a conventional name for this category of text division in order to distinguish them. Typical values might be book, chapter, section, part, poem, song, etc. TEI simplePrint does not constrain the range of values that may be used here.

A div element may itself contain further, nested, divs, thus mimicking the traditional structure of a book, which can be decomposed hierarchically into units such as parts, containing chapters, containing sections, and so on. TEI texts in general conform to this simple hierarchic model.

Here as elsewhere the xml:id attribute may be used to supply a unique identifier for the division, which may be used for cross references or other links to it, such as a commentary, as further discussed in section 3.7. Cross References and Links. It is good practice to provide an xml:id attribute for every major structural unit in a text, and to derive its values in some systematic way, for example by appending a section number to a short code for the title of the work in question, as in the examples below.

The n attribute may be used to supply (additionally or alternatively) a short mnemonic name or number for a division, or any other element. If a conventional form of reference or abbreviation for the parts of a work already exists (such as the book/chapter/verse pattern of Biblical citations), the n attribute is the place to record it; unlike the identifier supplied by the xml:id attribute, it does not need to be unique.

The xml:lang attribute may be used to specify the language of the division. Languages are identified by an internationally defined code, as further discussed in section 3.5.3. Foreign Words or Expressions below.

The rendition attribute may be used to supply information about the rendition (appearance) of a division, or any other element, as further discussed in section 3.5. Marking Highlighted Phrases below. Note that this attribute is used to describe the appearance of the source text, rather than the appearance of any intended output when the encoded text is displayed. The two may of course be similar, or identical, but the TEI does not assume or require this.

These four attributes, xml:id, n, xml:lang, and rendition are so widely useful that they are allowed on any element in any TEI schema: they are called global attributes. Other attributes defined in the TEI simplePrint schema are discussed in section 3.7.3. Special Kinds of Linking.

As noted above, the value of every xml:id attribute must be unique within a document. One simple way of ensuring this is to make it reflect the hierarchic structure of the document. For example, Smith's Wealth of Nations as first published consists of five books, each of which is divided into chapters, while some chapters are further subdivided into parts. We might define xml:id values for this structure as follows:

<body>
 <div xml:id="WN1" n="I" type="book">
  <div xml:id="WN101" n="I.1" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="WN102" n="I.2" type="chapter">
<!-- ... -->
  </div>
<!-- ... -->
  <div xml:id="WN110" n="I.10"
   type="chapter">
   <div xml:id="WN1101" n="I.10.1"
    type="part">
<!-- ... -->
   </div>
   <div xml:id="WN1102" n="I.10.2"
    type="part">
<!-- ... -->
   </div>
  </div>
<!-- ... -->
 </div>
 <div xml:id="WN2" n="II" type="book">
<!-- ... -->
 </div>
</body>

⚓︎

A different numbering scheme may be used for xml:id and n attributes: this is often useful where a canonical reference scheme is used which does not tally with the structure of the work. For example, in a novel divided into books each containing chapters, where the chapters are numbered sequentially through the whole work, rather than within each book, one might use a scheme such as the following:

<body>
 <div xml:id="TS01" n="1" type="volume">
  <div xml:id="TS011" n="1" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="TS012" n="2" type="chapter">
<!-- ... -->
  </div>
 </div>
 <div xml:id="TS02" n="2" type="volume">
  <div xml:id="TS021" n="3" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="TS022" n="4" type="chapter">
<!-- ... -->
  </div>
 </div>
</body>

⚓︎

Here the work has two volumes, each containing two chapters. The chapters are numbered conventionally 1 to 4, but the xml:id values specified allow them to be regarded additionally as if they were numbered 1.1, 1.2, 2.1, 2.2.

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TEI: Headings and Closings⚓︎3.2. Headings and Closings

Every div may have a title or heading at its start, and (less commonly) a trailer such as ‘End of Chapter 1’ at its end. The following elements may be used to transcribe them:

head (heading) contains any type of heading, for example the title of a section, or the heading of a list, glossary, manuscript description, etc.

trailer contains a closing title or footer appearing at the end of a division of a text.

Some other elements which may be found at the beginning or ending of text divisions are discussed below in section 13.1.2. Prefatory Matter.

Whether or not headings and trailers are included in a transcription is a matter for the individual transcriber to decide. Where a heading is completely regular (for example ‘Chapter 1’) or may be automatically constructed from attribute values (e.g. <div type="chapter" n="1">), it may be omitted; where it contains otherwise unrecoverable text it should always be included. For example, the start of Hardy's Under the Greenwood Tree might be encoded as follows:

<div xml:id="UGT1" n="Winter" type="part">
 <div xml:id="UGT101" n="1" type="chapter">
  <head>Mellstock-Lane</head>
  <p>To dwellers in a wood almost every species of tree ... </p>
 </div>
</div>

⚓︎

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TEI: Textual Components⚓︎3.3. Textual Components

In prose texts such as the Brontë example above, the divisions are generally composed of paragraphs, represented as p elements, though in some circumstances it may be preferred to use the ‘anonymous block’ element ab. In poetic or dramatic texts different elements are used, representing stanzas and verse lines in the first case, and individual speeches or stage directions in the second:

p (paragraph) marks paragraphs in prose.

ab (anonymous block) contains any component-level unit of text, acting as a container for phrase or inter level elements analogous to, but without the same constraints as, a paragraph.

l (verse line) contains a single, possibly incomplete, line of verse.

lg (line group) contains one or more verse lines functioning as a formal unit, e.g. a stanza, refrain, verse paragraph, etc.

sp (speech) contains an individual speech in a performance text, or a passage presented as such in a prose or verse text.

speaker contains a specialized form of heading or label, giving the name of one or more speakers in a dramatic text or fragment.

stage (stage direction) contains any kind of stage direction within a dramatic text or fragment.

We discuss each of these kinds of component separately below.

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TEI: Verse⚓︎3.3.1. Verse

Here, for example, is the start of a poetic text in which verse lines and stanzas are tagged:

<lg n="I">
 <l>I Sing the progresse of a deathlesse soule,</l>
 <l>Whom Fate, with God made, but doth not controule,</l>
<!-- ... -->
 <l>A worke t'out weare Seths pillars, bricke and stone,</l>
 <l>And (holy writs excepted) made to yeeld to none,</l>
</lg>

⚓︎

Note that the l element marks verse lines, not typographic lines: as elsewhere the original lineation of the source text is not therefore preserved by this encoding. The lb element described in section 3.4. Page and Line Numbers might additionally be used to mark typographic lines if so desired.

In a poetic text it may also be considered useful to identify the rhymes, for which the following element may be used:

rhyme marks the rhyming part of a metrical line.

label
provides a label (usually a single letter) to identify which part of a rhyme scheme this rhyming string instantiates.

The following example shows how this element might be used both to identify rhyming words or word parts and to assign each rhyme to a part of a rhyming pattern by means of its label attribute. The rhyming pattern here is specified by the rhyme attribute supplied on the lg representing the stanza within which the pattern operates:

<lg rhyme="AABCCBBA">
 <l>The sunlight on the <rhyme label="A">garden</rhyme>
 </l>
 <l>
  <rhyme label="A">Harden</rhyme>s and grows <rhyme label="B">cold</rhyme>,</l>
 <l>We cannot cage the <rhyme label="C">minute</rhyme>
 </l>
 <l>Wi<rhyme label="C">thin it</rhyme>s nets of <rhyme label="B">gold</rhyme>
 </l>
 <l>When all is <rhyme label="B">told</rhyme>
 </l>
 <l>We cannot beg for <rhyme label="A">pardon</rhyme>.</l>
</lg>

⚓︎

The rhyme attribute may be used independently of the rhyme element, or in combination with it, as above.

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TEI: Drama⚓︎3.3.2. Drama

A dramatic text contains speeches, which may be in prose or verse, and will also contain stage directions. The sp element is used to represent each identified speech. It contains an optional speaker indication, marked with the speaker element, which can be followed by one or more l or p elements, depending on whether the speech is considered to be in prose or in verse. Stage directions, whether within or between speeches, are marked using the stage element.

For example:

<sp>
 <speaker>Vladimir</speaker>
 <p>Pull on your trousers.</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>You want me to pull off my trousers?</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>Pull <hi>on</hi> your trousers.</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>
  <stage>(realizing his trousers are down)</stage>. True</p>
</sp>
<stage>He pulls up his trousers</stage>
<sp>
 <speaker>Vladimir</speaker>
 <p>Well? Shall we go?</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>Yes, let's go.</p>
</sp>
<stage>They do not move.</stage>

⚓︎

In a verse drama, it is quite common to find that verse lines are split between speakers. The easiest way of encoding this is to use the part attribute to indicate that the lines so fragmented are incomplete:

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

⚓︎

The value of the part attribute may indicate just that the element bearing is fragmented in some (unspecified) respect rather than a complete verse line (part="Y"); alternatively it may indicate whether this is an initial (I), medial (M) or F (final) fragment.

The same mechanism may be applied to stanzas which are divided between two speakers:

<div>
 <sp>
  <speaker>First voice</speaker>
  <lg type="stanza" part="I">
   <l>But why drives on that ship so fast</l>
   <l>Withouten wave or wind?</l>
  </lg>
 </sp>
 <sp>
  <speaker>Second Voice</speaker>
  <lg type="stanza" part="F">
   <l>The air is cut away before.</l>
   <l>And closes from behind.</l>
  </lg>
 </sp>
<!-- ... -->
</div>

⚓︎

The sp element can also be used for dialogue presented in a prose work as if it were drama, as in the next example, which also demonstrates the use of the who attribute to bear a code identifying the speaker of the piece of dialogue concerned:

<div>
 <sp who="#OPI">
  <speaker>The reverend Doctor Opimian</speaker>
  <p>I do not think I have named a single unpresentable fish.</p>
 </sp>
 <sp who="#GRM">
  <speaker>Mr Gryll</speaker>
  <p>Bream, Doctor: there is not much to be said for bream.</p>
 </sp>
 <sp who="#OPI">
  <speaker>The Reverend Doctor Opimian</speaker>
  <p>On the contrary, sir, I think there is much to be said for him. In the first
     place....</p>
  <p>Fish, Miss Gryll -- I could discourse to you on fish by the hour: but for the
     present I will forbear.</p>
 </sp>
</div>

⚓︎

Here the who attribute values (#OPI etc.) are links, pointing to items in a list of the characters in the novel. In the case of a play, this list of characters might appear in the original source as a cast list or dramatic personae, which might be marked up using the castList element described in section 13.2.2. Specialized Front and Back Matter below. Such a list would not, of course, be appropriate to provide descriptive information about each character, much of which does not appear in the original source. Instead a particDesc (participant description) element should be provided in the TEI header, as further discussed in section 15.3. The Profile Description below.

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TEI: Other Kinds of Text Block⚓︎3.3.3. Other Kinds of Text Block

As mentioned above, the ab element may also be used in preference to the p element. It should be used for blocks of text which are not clearly paragraphs, verse lines, or dramatic speeches. Typical examples include the canonical verses of the Bible, and the textual blocks of other ancient documents which predate the invention of the paragraph, such as Greek inscriptions or Egyptian hieroglyphs. The element is also useful as a means of encoding more specialized kinds of textual block, such as the question and answer structure of a catechism, or the highly formalized substructure of a legal document (if div is not considered appropriate for these). In more modern documents, it can be used to encode semi-organized or fragmentary materials such as an artist's notebook or work in progress; or to faithfully capture the substructure of a file produced by an OCR system.

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TEI: Page and Line Numbers⚓︎3.4. Page and Line Numbers

Page and line breaks etc. may be marked with the following elements:

pb (page beginning) marks the beginning of a new page in a paginated document.

lb (line beginning) marks the beginning of a topographic line in some edition or version of a text.

cb (column beginning) marks the beginning of a new column of a text on a multi-column page.

milestone (milestone) marks a boundary point separating any kind of section of a text, typically but not necessarily indicating a point at which some part of a standard reference system changes, where the change is not represented by a structural element.

fw (forme work) contains a running head (e.g. a header, footer), catchword, or similar material appearing on the current page.

The pb, lb, and cb elements are special cases of a general class of elements known as milestones because they mark reference points within a text. The generic milestone element can mark any kind of reference point: for example, a column break, the start of a new kind of section not otherwise tagged, a change of author or style, or in general any significant change in the text not enclosed by an XML element. Unlike other elements, milestone elements do not enclose a piece of text and make an assertion about it; instead they indicate a point in the text where something changes, as indicated by a change in the values of the milestone's attributes unit, which indicates the ‘something’ concerned, and n which indicates the new value.

The pb, lb, and cb elements are shortcuts or syntactic sugar for <milestone unit="page"/> <milestone unit="line"/> and <milestone unit="column"/> respectively.

When working from a paginated original, it is often useful to record its pagination, whether to simplify later proof-reading, or to align the transcribed text with a set of page images, as further discussed below.

Because pb and other milestone elements are empty, they may be placed freely within or between other elements. However, it is recommended practice always to put them at the beginning of whatever unit it is that their presence implies, and not to nest them within elements contained by that unit. For example, in the following example a page break occurs between two lines of a poem:

<l>Mary had a little lamb</l>
<pb n="13"/>
<l>Its fleece was white as snow</l>

⚓︎

The pb element should be placed ahead of all the text encoded on the 13th page. Contrast this with the following less accurate encoding:

<l>Mary had a little lamb</l>
<l>
 <pb n="13"/>Its fleece was white as snow
</l>

⚓︎

This is less accurate because it implies that the second verse line actually begins before the page break.

Similar considerations apply to line breaks (lb), though these are less frequently considered useful when encoding modern printed textual sources. When transcribing manuscripts or early printed books, however, it is often helpful to retain them in an encoding, if only to facilitate alignment of transcription and original. Like pb, the lb element should appear before the text of the line whose start it signals.

If features such as pagination or lineation are marked for more than one edition, the edition in question may be specified by the ed attribute. For example, in the following passage we indicate where the page breaks occur in two different editions (ED1 and ED2):

<p>I wrote to Moor House and to Cambridge immediately, to say what I had done:
fully explaining also why I had thus acted. Diana and <pb ed="ED1" n="475"/> Mary
approved the step unreservedly. Diana announced that she would <pb ed="ED2" n="485"/>just give me time to get over the honeymoon, and then she would come and see
me.</p>

⚓︎

When transcribing from a paginated source, the encoder must decide whether to suppress such features as running titles, page signatures, catch words etc., to replace them by a simplified representation using the pb element, perhaps using the n attribute to preserve some of the information, or to preserve them entirely using the fw element. The latter strategy is appropriate in encodings which aim to retain as much information as possible about the original typography; it will however make more complex the processing of the source for other purposes, as in the following example:

<l>He also fix'd the wandering
QUEEN OF NIGHT,</l>
<fw type="sig">Ii 2</fw>
<fw type="catch">Whether</fw>
<pb n="244"/>
<l>Whether she wanes into a scanty orb</l>...
<!-- Thomson, Seasons, 1730-->

⚓︎

The pb element is also used to align parts of a transcription with a digital image of the page concerned. This may be done in a very simple but inflexible way by using the facs attribute to point to each page image concerned:

<p>I wrote to Moor House and to Cambridge
immediately, to say what I had done: fully explaining also why I had thus acted.
Diana and <pb ed="ED1" n="475" facs="ed1p475.png"/> Mary approved the step
unreservedly... </p>

⚓︎

The facs attribute can supply (as here) a filename, or any other form of URI, if for example the page image is stored remotely. One drawback of this simplistic approach is that there must be exactly one image file per page of text. It is not therefore suitable in the case where the available page images represent double page spreads, or where there are multiple images of the same page (for example at different resolutions).

A more powerful approach, discussed in section 14. Encoding a Digital Facsimile below, is to use the facsimile element to define the organisation of the set of images representing the text, and then use the facs attribute to point to individual components of that representation.

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TEI: Marking Highlighted Phrases⚓︎3.5. Marking Highlighted Phrases

TEI: Changes of Typeface, etc.⚓︎3.5.1. Changes of Typeface, etc.

Highlighted words or phrases are those made visibly different from the rest of the text, typically by a change of type font, handwriting style, ink colour etc., which is intended to draw the reader's attention to some associated change.

The global rendition attribute can be attached to any element, and used wherever necessary to specify details of the highlighting used for it in the source. For example, a heading rendered in bold might be tagged <head rendition="simple:bold">, and one in italic <head rendition="simple:italic">.

The values used for the rendition attribute point to definitions provided for the formatting concerned. These definitions are typically provided by a rendition element in the document's header, as further discussed in section 15.2.3. Tagging Declaration.

It is not always possible or desirable to interpret the reasons for such changes of rendering in a text. In such cases, the element hi may be used to mark a sequence of highlighted text without making any claim as to its status.

hi (highlighted) marks a word or phrase as graphically distinct from the surrounding text, for reasons concerning which no claim is made.

In the following example, the use of a distinct typeface for the subheading and for the included name are recorded but not interpreted:

<p>
 <hi rendition="simple:blackletter">And
   this Indenture further witnesseth</hi> that the said <hi rendition="simple:italic">Walter Shandy</hi>, merchant, in consideration of the
said intended marriage ...
</p>

⚓︎

Alternatively, where the cause for the highlighting can be identified with confidence, a number of other, more specific, elements are available.

foreign (foreign) identifies a word or phrase as belonging to some language other than that of the surrounding text.

label (label) contains any label or heading used to identify part of a text, typically but not exclusively in a list or glossary.

title (title) contains a title for any kind of work.

Some features (notably quotations, titles, and foreign words) may be found in a text either marked by highlighting, or with quotation marks. In either case, the element q (as discussed in the following section) should be used. Again, the global rendition attribute can be used to record details of the highlighting used in the source if this is thought useful.

As an example of the elements defined here, consider the following sentence: On the one hand the Nibelungenlied is associated with the new rise of romance of twelfth-century France, the romans d'antiquité, the romances of Chrétien de Troyes, and the German adaptations of these works by Heinrich van Veldeke, Hartmann von Aue, and Wolfram von Eschenbach. Interpreting the role of the highlighting, the sentence might be encoded as follows:

<p>On the one hand the
<title>Nibelungenlied</title> is associated with the new rise of romance of
twelfth-century France, the <foreign>romans d'antiquité</foreign>, the romances of
Chrétien de Troyes, ...</p>

⚓︎

Describing only the appearance of the original, it might be encoded like this:

<p>On the one hand the <hi rendition="simple:italic">Nibelungenlied</hi> is associated with the new rise of
romance of twelfth-century France, the <hi rendition="simple:italic">romans
   d'antiquité</hi>, the romances of Chrétien de Troyes, ...</p>

⚓︎

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TEI: Quotations and Related Features⚓︎3.5.2. Quotations and Related Features

Like changes of typeface, quotation marks are conventionally used to denote several different features within a text, of which the most frequent is quotation, though many other features are possible. The full TEI Guidelines provide additional elements such as <mentioned> or <said> to distinguish some of these features, but these more specialised elements are not included in TEI simplePrint. In TEI Simple however, we use the quote element for quotation only, and the q element for all other material found within quotation marks in the text.

q (quoted) contains material which is distinguished from the surrounding text using quotation marks or a similar method, for any one of a variety of reasons including, but not limited to: direct speech or thought, technical terms or jargon, authorial distance, quotations from elsewhere, and passages that are mentioned but not used.

quote (quotation) contains a phrase or passage attributed by the narrator or author to some agency external to the text.

Here is a simple example of a quotation:

<p>Few dictionary makers are likely to
forget Dr. Johnson's description of the lexicographer as <quote>a harmless
   drudge.</quote>
</p>

⚓︎

As elsewhere, the way that a citation or quotation was printed (for example, in-line or set off as a display or block quotation), may be represented using the rendition attribute. This may also be used to indicate the kind of quotation marks used.

Direct speech interrupted by a narrator can be represented simply by ending the q element and beginning it again after the interruption, as in the following example:

<p>
 <q>Who-e debel
   you?</q> — he at last said — <q>you no speak-e, damme, I kill-e.</q> And so
saying, the lighted tomahawk began flourishing about me in the dark.
</p>

⚓︎

If it is important to convey the idea that the two q elements together make up a single speech, the linking attributes next and prev may be used, as described in section 3.7.3. Special Kinds of Linking.

Direct speech may be accompanied by a reference to the source or speaker, using the who attribute, whether or not this is explicit in the text, as in the following example:

<q who="#Wilson">Spaulding, he came down into the office just this day eight weeks with this very
paper in his hand, and he says:—<q who="#Spaulding">I wish to the Lord, Mr.
   Wilson, that I was a red-headed man.</q>
</q>

⚓︎

This example also demonstrates how quotations may be embedded within other quotations: one speaker (Wilson) quotes another speaker (Spaulding).

The creator of the electronic text must decide whether quotation marks are replaced by the tags or whether the tags are added and the quotation marks kept. If the quotation marks are removed from the text, the rendition attribute may be used to record the way in which they were rendered in the copy text.

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TEI: Foreign Words or Expressions⚓︎3.5.3. Foreign Words or Expressions

Words, phrases, or longer stretches of text that are not in the main language of the texts may be tagged as such in one of two ways. The global xml:lang attribute may be attached to any element to show that it uses some other language than that of the surrounding text. Where there is no applicable element, the element foreign may be used, again using the xml:lang attribute. For example:

<p>John has real <foreign xml:lang="fr">savoir-faire</foreign>.</p>
<p>Have you read <title xml:lang="de">Die Dreigroschenoper</title>?</p>

⚓︎

As these examples show, the foreign element should not be used to tag foreign words if some other more specific element such as title, or div applies.

The value of the xml:lang attribute on an element applies hierarchically to everything contained by that element, unless overridden:

<div xml:lang="la">
 <p>Pars haec Latine composita est.</p>
 <p xml:lang="en">Except that this sentence is in English.</p>
 <p>Vita brevis, ars longa.</p>
</div>

⚓︎

Here we specify that the whole div element uses the language with the coded identifier la i.e., Latin. Since it is contained by that div there is no need to supply this information again for the first s element. The second s element however overrides this value, and indicates that its content is in English (the language with identifier en). The third s element is again in Latin.

The codes used to identify languages, supplied on the xml:lang attribute, are defined by an international standard³, as further explained in the relevant section of the TEI Guidelines. Some simple example codes for a few languages are given here:

zh | Chinese | grc | Ancient Greek
en | English | el | Greek
enm | Middle English | ja | Japanese
fr | French | la | Latin
de | German | sa | Sanskrit

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TEI: Notes⚓︎3.6. Notes

A note is any additional comment found in a text, marked in some way as being out of the main textual stream. A note is always attached to some part of the text, implicitly or explicitly: we call this its target, or its point of attachment. The element note should be used to mark any kind of note whether it appears as a separate block of text in the main text area, at the foot of the page, at the end of the chapter or volume, in the margin, or in some other place.

note (note) contains a note or annotation.

Notes may be in a different hand or typeface, may be authorial or editorial, and may have been added later. The attributes type and resp can be used to distinguish between different kinds of notes or identify their authors.

In a printed or written text, the point of attachment for a note is typically represented by a siglum such as an alphanumerical or other character, often in superscripted form. When encoding such a text, it is conventional to replace this siglum by a note element containing the annotation itself, as in the following example:

<p>...some text <note xml:id="n6">a note about some text</note> .... </p>

⚓︎

An alternative approach is to encode the point of attachment wherever it appears in the text, using for example the ref element discussed in the next section, and to place the note element anywhere convenient. The two can then be associated by using the target attribute on the ref element to point to the note element, as in the following example, in which the superscripted ‘7’ indicating the point of attachment has been retained as part of the encoding:

<p>...some text <ref target="#n7"
  rendition="simple:superscript">7</ref> .... <note xml:id="n7">a note about some text</note>
</p>

⚓︎

It may however be problematic to determine the precise position of the point of attachment, particularly in the case of marginal notes. A marginal note may also be hard to distinguish from a label or subheading which introduces the text with which it is associated. Where the purpose of the note is clearly to label the associated text, rather than to comment on it, the element label may be preferable. Where it is clearly a subheading attached to a distinct subdivision, it may be preferable to start a new element div and encode the subheading as a head. Note however that a head cannot be inserted anywhere except at the beginning of a div. And where (as in some Early Modern English plays) marginal annotation is systematically used to identify speakers, it may be better to represent these using the speaker element introduced above. In cases of doubt, the encoder should decide on a clear policy and preferably document it for the use of others.

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TEI: Cross References and Links⚓︎3.7. Cross References and Links

Any kind of cross reference or link found at one point in a text which points to another part of the same or another document may be encoded using the ref element discussed in this section. Implicit links (such as the association between two parallel texts, or that between a text and its interpretation) may be encoded using the linking attributes discussed in section 3.7.3. Special Kinds of Linking.

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TEI: Simple Cross References⚓︎3.7.1. Simple Cross References

ref (reference) defines a reference to another location, possibly modified by additional text or comment.

Usually, the presence of a cross-reference or link will be indicated by some text or symbol in the source being encoded, which will then become the content of the ref element. Occasionally, however, and frequently in the case of a born digital document, the exact form and appearance of the cross reference text will be determined dynamically by the software processing the document. In such cases, the ref element will have no content, and serve simply to mark a point from which a link is to be made, along with the target of the link.

The following two forms, for example, are logically equivalent:

See especially <ref target="#SEC12">section
12 on page 34</ref>.

⚓︎

See especially <ref target="#SEC12"/>.

⚓︎

In both cases, there is a cross reference from the position in the source document immediately following the word especially to whatever element in the encoded document has the identifier SEC12. In the first case, the encoder has supplied the original form of the cross reference ‘section 12 on page 34’; in the second, the task of generating an appropriate form of cross reference has been left to the formatting software. Perhaps the pagination and section numbers of the document in question are not yet determined; perhaps the cross reference should be replaced by a big red button. In either case, however, the value of the target attribute must be the identifier of some other element within the current document. Since the passage or phrase being pointed at must bear an identifier, it must be an element of some kind. In the following example, the cross reference is to a div element:

... see especially <ref target="#SEC12"/>.
...
<div xml:id="SEC12">
 <head>Concerning Identifiers</head>
<!-- ... -->
</div>

⚓︎

Because the xml:id attribute is global, any element in a TEI document may be pointed to in this way. In the following example, a paragraph has been given an identifier so that it may be pointed at:

... this is discussed in <ref target="#pspec">the paragraph on links</ref> ...
<p xml:id="pspec">Links may be
made to any kind of element ...</p>

⚓︎

Sometimes the target of a cross reference does not correspond with any particular feature of a text, and so may not be tagged as an element of some kind. If the desired target is simply a point in the current document, the easiest way to mark it is by introducing an anchor element at the appropriate spot. If the target is some sequence of words not otherwise tagged, the seg element may be used to mark them. These two elements are described as follows:

anchor (anchor point) attaches an identifier to a point within a text, whether or not it corresponds with a textual element.

seg (arbitrary segment) represents any segmentation of text below the ‘chunk’ level.

In the following example, ref elements have been used to represent points in this text which are to be linked in some way to other parts of it; in the first case to a point, and in the second, to a sequence of words:

Returning to <ref target="#ABCD">the point
where I dozed off</ref>, I noticed that <ref target="#EFGH">three words</ref> had
been circled in red by a previous reader

⚓︎

This encoding requires that elements with the specified identifiers (ABCD and EFGH in this example) are to be found somewhere else in the current document. Assuming that no element already exists to carry these identifiers, the anchor and seg elements may be used:

.... <anchor type="bookmark" xml:id="ABCD"/> .... ....<seg type="target" xml:id="EFGH"> ... </seg> ...

⚓︎

The type attribute should be used (as above) to distinguish amongst different purposes for which these general purpose elements might be used in a text. Some other uses are discussed in section 3.7.3. Special Kinds of Linking below.

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TEI: Pointing to other documents⚓︎3.7.2. Pointing to other documents

So far, we have shown how the ref element may be used for cross-references or links whose targets occur within the same document as their source. The element may also be used to refer to elements in any other XML document or resource, such as a document on the web, or a database component. This is possible because the value of the target attribute may be any valid Uniform Resource Identifier (URI)⁴.

A URI may reference a web page or just a part of one, for example http://www.tei-c.org/index.xml#SEC2. The hash sign indicates that what follows it is the identifier of an element to be located within the XML document identified by what precedes it: this example will therefore locate an element which has an xml:id attribute value of SEC2 within the document retrieved from http://www.tei-c.org/index.xml. In the examples we have discussed so far, the part to the left of the sharp sign has been omitted: this is understood to mean that the referenced element is to be located within the current document.

It is also possible to define an abbreviated form of the URI, using a predefined prefix separated from the rest of the code by a colon, as for example cesr:SEC2. This is known as a private URI, since the prefix is not standardized (except that the prefix xml: is reserved for use by XML itself). A prefixDef element should be supplied within the TEI header specifying how the prefix (here cesr) should be translated to give a full URL for the link. This is particularly useful if a document contains many references to an external document such as an authority file.

Parts of an XML document can be specified by means of other more sophisticated mechanisms using a language called Xpointer, also defined by the W3C. This is useful when, for example, the elements to be linked to do not bear identifiers. Further information about this and other forms of link addressing is provided in chapter 16 of the TEI Guidelines but is beyond the scope of the present document.

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TEI: Special Kinds of Linking⚓︎3.7.3. Special Kinds of Linking

The following special purpose linking attributes are defined for every element in the TEI simplePrint schema:

ana

links an element with its interpretation.

corresp

links an element with one or more other corresponding elements.

next

links an element to the next element in an aggregate.

prev

links an element to the previous element in an aggregate.

The ana (analysis) attribute is intended for use where a set of abstract analyses or interpretations have been defined somewhere within a document, as further discussed in section 10. Analysis. For example, a linguistic analysis of the sentence ‘John loves Nancy’ might be encoded as follows:

<seg type="sentence" ana="#SVO">
 <seg type="lex" ana="#NP1">John</seg>
 <seg type="lex" ana="#VVI">loves</seg>
 <seg type="lex" ana="#NP1">Nancy</seg>
</seg>

⚓︎

This encoding implies the existence elsewhere in the document of elements with identifiers SVO, NP1, and VV1 where the significance of these particular codes is explained. Note the use of the seg element to mark particular components of the analysis, distinguished by the type attribute.

The corresp (corresponding) attribute provides a simple way of representing some form of correspondence between two elements in a text. For example, in a multilingual text, it may be used to link translation equivalents, as in the following example:

<seg xml:lang="fr" xml:id="FR1"
 corresp="#EN1">Jean aime Nancy</seg>
<seg xml:lang="en" xml:id="EN1"
 corresp="#FR1">John loves Nancy</seg>

⚓︎

The same mechanism may be used for a variety of purposes. In the following example, it has been used to represent the correspondences between ‘the show’ and ‘Shirley’, and between ‘NBC’ and ‘the network’:

<p>
 <title xml:id="shirley">Shirley</title>,
which made its Friday night debut only a month ago, was not listed on <name xml:id="nbc">NBC</name>'s new schedule, although <seg xml:id="network" corresp="#nbc">the network</seg> says <seg xml:id="show" corresp="#shirley">the
   show</seg> still is being considered.
</p>

⚓︎

The next and prev attributes provide a simple way of linking together the components of a discontinuous element, as in the following example:

<q xml:id="Q1a" next="#Q1b">Who-e
debel you?</q> — he at last said — <q xml:id="Q1b" prev="#Q1a">you no speak-e,
damme, I kill-e.</q> And so saying, the lighted tomahawk began flourishing about
me in the dark.

⚓︎

Notes

3

The relevant Internet standard is Best Current Practice 47 (http://tools.ietf.org/html/bcp47). The authoritative list of registered subtags is maintained by IANA and is available at http://www.iana.org/assignments/language-subtag-registry. For a general overview of the construction of language tags, see http://www.w3.org/International/articles/language-tags/, and for a practical step-by-step guide, see http://www.w3.org/International/questions/qa-choosing-language-tags.

↵

4

A full definition of this term, defined by the W3C (the consortium which manages the development and maintenance of the World Wide Web), is beyond the scope of this tutorial: however, the most frequently encountered version of a URI is the familiar URL used to indicate a web page, such as http://www.tei-c.org/index.xml

↵

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

An Introduction to TEI simplePrint

4. Editorial Interventions

Table of contents

4.1. Correction and Normalization

4.2. Omissions, Deletions, and Additions

4.3. Abbreviation and their Expansion

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The process of encoding an electronic text has much in common with the process of editing a manuscript or other text for printed publication. In either case a conscientious editor may wish to record both the original state of the source and any editorial correction or other change made in it. The elements discussed in this and the next section provide some facilities for meeting these needs.

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TEI: Correction and Normalization⚓︎4.1. Correction and Normalization

The following elements may be used to mark corrections, that is editorial changes introduced where the editor believes the original to be erroneous:

corr (correction) contains the correct form of a passage apparently erroneous in the copy text.

sic (Latin for thus or so) contains text reproduced although apparently incorrect or inaccurate.

The following elements may be used to mark normalization, that is editorial changes introduced for the sake of consistency or modernization of a text:

orig (original form) contains a reading which is marked as following the original, rather than being normalized or corrected.

reg (regularization) contains a reading which has been regularized or normalized in some sense.

Consider, for example, the following famous passage as it appears in the first quarto printing of Shakespeare's Henry V:

Figure 1. Detail from Henry V, first quarto (1600)

in particular the phrase we might transcribe directly as

... for his Nose was as sharpe as a Pen, and a Table of greene fields⚓

A modern editor might wish to make a number of interventions here, specifically to modernize (or normalize) the Elizabethan spellings of a' and sharpe for he and sharp respectively. They might also want to emend table to babbl'd, following an editorial tradition that goes back to the 18th century Shakespearian scholar Lewis Theobald. The following encoding would then be appropriate:

... for his Nose was as <reg>sharp</reg> as a
Pen and
<reg>he</reg>
<corr resp="#Theobald">babbl'd</corr> of green fields

⚓︎

A more conservative or source-oriented editor, however, might want to retain the original, but at the same time signal that some of the readings it contains are in some sense anomalous:

... for his Nose was as
<orig>sharpe</orig> as a Pen, and
<orig>a</orig>
<sic>Table</sic> of green fields

⚓︎

Finally, a modern digital editor may decide to combine both possibilities in a single composite text, using the choice element.

choice (choice) groups a number of alternative encodings for the same point in a text.

This allows an editor to indicate where alternative encodings are possible:

... for his Nose was as <choice>
 <orig>sharpe</orig>
 <reg>sharp</reg>
</choice> as a Pen, and
<choice>
 <orig>a</orig>
 <reg>he</reg>
</choice>
<choice>
 <corr resp="#Theobald">babbl'd</corr>
 <sic>Table</sic>
</choice> of green fields

⚓︎

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TEI: Omissions, Deletions, and Additions⚓︎4.2. Omissions, Deletions, and Additions

In addition to correcting or normalizing words and phrases, editors and transcribers may also supply missing material, omit material, or transcribe material deleted or crossed out in the source. In addition, some material may be particularly hard to transcribe because it is hard to make out on the page. The following elements may be used to record such phenomena:

add (addition) contains letters, words, or phrases inserted in the source text by an author, scribe, or a previous annotator or corrector.

gap (gap) indicates a point where material has been omitted in a transcription, whether for editorial reasons described in the TEI header, as part of sampling practice, or because the material is illegible, invisible, or inaudible.

del (deletion) contains a letter, word, or passage deleted, marked as deleted, or otherwise indicated as superfluous or spurious in the copy text by an author, scribe, or a previous annotator or corrector.

unclear (unclear) contains a word, phrase, or passage which cannot be transcribed with certainty because it is illegible or inaudible in the source.

supplied (supplied) signifies text supplied by the transcriber or editor for any reason; for example because the original cannot be read due to physical damage, or because of an obvious omission by the author or scribe.

subst (substitution) groups one or more deletions (or surplus text) with one or more additions when the combination is to be regarded as a single intervention in the text.

These elements may be used to record changes made by an editor, by the transcriber, or (in manuscript material) by the author or scribe. For example, if the source for an electronic text read ‘The following elements are provided for for simple editorial interventions.’ then it might be felt desirable to correct the obvious error, but at the same time to record the deletion of the superfluous second for, thus:

The
following elements are provided for <del resp="#LB">for</del> simple editorial
interventions.

⚓︎

The attribute value #LB on the resp attribute is used to point to a fuller definition (typically in a respStmt element) of the person or other agency responsible for correcting the duplication of for.

If the source read ‘The following elements provided for simple editorial interventions.’ (i.e. if the word are had been inadvertently dropped) then the scholar identified as LB might choose to encode the corrected text as follows:

The following
elements <add resp="#LB">are</add> provided for simple editorial
interventions.

⚓︎

These elements may also be used to record the actual writing process, for example to record passages which have been deleted, added, corrected etc., whether by the author of a literary text or by a scribe copying out a manuscript. An analysis of such documentary modifications may be essential before a reading text can be presented, and is clearly of importance in the editorial process.

The example is taken from the surviving authorial manuscript of a poem by the English writer Wilfred Owen, a part of which is shown here:

Figure 2. Detail from Dulce et decorum est autograph manuscript in the English Faculty Library, Oxford University.

Owen first wrote ‘Helping the worst amongst us’, but then deleted it, adding ‘Dragging the worst amongt us’ over the top. In the same way, he revised the phrase ‘half–blind’ by deleting the ‘half–’ and adding ‘all’ above it. In the last line, he started a word beginning ‘fif’ before deleting it and writing the word ‘five–nines’. We can encode all of this as follows:

<l>And towards our distant rest began to trudge,</l>
<l>
 <subst>
  <del>Helping the worst amongst us</del>
  <add>Dragging the worst amongt us</add>
 </subst>, who’d no boots
</l>
<l>But limped on, blood–shod. All went lame; <subst>
  <del status="shortEnd">half–</del>
  <add>all</add>
 </subst> blind;</l>
<l>Drunk with fatigue ; deaf even to the hoots</l>
<l>Of tired, outstripped <del>fif</del> five–nines that dropped behind.</l>

⚓︎

The tags add and del elements are used to enclose passages added or deleted respectively. Additional attributes are available such as resp to indicate responsibility for the modification, or place to indicate where in the text (for example, above or below the line) the modification has been made. Where the encoder wishes to assert that the addition and deletion make up a single editorial act of substitution, these elements can be combined within a subst element as shown above.

A very careful examination of Owen’s second modification shows that he really did write ‘amongt’ rather than ‘amongst’, presumably in error. An equally careful editor wishing to restore the missing ‘s’ might use the supplied element to indicate that they have done so:

<add>Dragging the worst among<supplied resp="#ED">s</supplied>t us</add>

⚓︎

Here the resp attribute has been used to indicate that the ‘s’ was not supplied by Owen but by someone else, specifically the person documented elsewhere by an element with the identifier ED.

The unclear element is useful where material in the source is so hard to read that the transcriber is uncertain as to whether they have done so correctly. The gap element by contrast should be used where the material is so illegible that the transcriber does not wish even to attempt it. The two may however be used together as in the following example:

One hundred &amp; twenty good regulars joined <unclear>to me <gap extent="2 words"
  reason="indecipherable"/> and </unclear> instantly, would aid me signally in an
enterprise against Wilmington.

⚓︎

The del element marks material which is deleted in a source, but has been transcribed as part of the electronic text all the same, while gap marks the location of source material which is omitted from the electronic text, whether it is legible or not. A language corpus, for example, might omit long quotations in foreign languages. An extent attribute is available on the gap element to indicate how much material has been omitted. The desc element can be used inside the gap element to provide a brief characterisation of the omitted material, as in the following examples:

<p> ... An example of a list appearing in a fief ledger of <name type="place">Koldinghus</name>
 <date>1611/12</date> is given below. It shows cash income from a sale of
honey.</p>
<gap extent="50 lines">
 <desc>quotation from ledger (in Danish)</desc>
</gap>
<p>A description of the overall structure of the account is once again ...
</p>

⚓︎

(The name and date elements used in this example are discussed further below)

Language corpora (particular those constructed before the widespread use of scanners) often systematically omit figures and mathematics:

<p>At the bottom of your screen below the
mode line is the <hi>minibuffer</hi>. This is the area where Emacs echoes the
commands you enter and where you specify filenames for Emacs to find, values for
search and replace, and so on. <gap reason="graphic">
  <desc>diagram of Emacs screen</desc>
 </gap>
</p>

⚓︎

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TEI: Abbreviation and their Expansion⚓︎4.3. Abbreviation and their Expansion

Like names, dates, and numbers, abbreviations may be transcribed as they stand or expanded; they may be left unmarked, or encoded using the following elements:

abbr (abbreviation) contains an abbreviation of any sort.

expan (expansion) contains the expansion of an abbreviation.

The abbr element is useful as a means of distinguishing semi-lexical items such as acronyms or jargon:

Every
manufacturer of <abbr>3GL</abbr> or <abbr>4GL</abbr> languages is currently nailing on
<abbr>OOP</abbr> extensions

⚓︎

The type attribute may be used to distinguish types of abbreviation by their function.

The expan element is used to mark an expansion supplied by an encoder. This element is particularly useful in the transcription of manuscript materials. For example, the character p with a bar through its descender as a conventional representation for the word per is commonly encountered in Medieval European manuscripts. An encoder may choose to expand this as follows:

<expan>per</expan>

⚓︎

To record both an abbreviation and its expansion, the choice element mentioned above may be used to group the abbreviated form with its proposed expansion:

<choice>
 <abbr>wt</abbr>
 <expan>with</expan>
</choice>

⚓︎

The elements expan and abbr should contain a full word, or the abbreviated form of a full word respectively. For a fuller discussion of abbreviations and the intricacies of representing them consult the section on Abbreviation and Expansion in the TEI Guidelines.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

An Introduction to TEI simplePrint

5. Names, Codes, and Numbers

Table of contents

5.1. Names and Referring Strings

5.2. Formulae, Codes, and Special Characters

5.3. Dates and Times

5.4. Numbers and Measurements

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The TEI scheme defines elements for a large number of ‘data-like’ features which may appear almost anywhere within almost any kind of text. These features may be of particular interest in a range of disciplines; they all relate to objects external to the text itself, such as the names of persons and places, strings of code, formulae, or numbers and dates. These items may also pose particular problems for natural language processing (NLP) applications. The elements described here, by making such features explicit, reduce the complexity of processing texts containing them.

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TEI: Names and Referring Strings⚓︎5.1. Names and Referring Strings

A referring string is any phrase which refers to some person, place, object, etc. A name is a referring string which contains proper nouns and honorifics only. Two elements are provided to mark such strings:

rs (referencing string) contains a general purpose name or referring string.

name (name, proper noun) contains a proper noun or noun phrase.

The type attribute is used to distinguish amongst (for example) names of persons, places and organizations, where this is possible:

<q>My dear <name type="person">Mr.
   Bennet</name>, </q>said his lady to him one day,
<q>have you heard that <name type="place">Netherfield Park</name> is let at last?</q>

⚓︎

It being one of the principles of the
<name type="org">Circumlocution Office</name> never, on any account whatsoever, to
give a straightforward answer, <name type="person">Mr Barnacle</name> said,

<q>Possibly.</q>

⚓︎

As the following example shows, the rs element may be used for a reference to a person, place, etc., which does not contain a proper noun or noun phrase:

<q>My dear <name type="person">Mr.
   Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day...

⚓︎

Simply tagging something as a name is rarely enough to enable automatic processing of personal names into the canonical forms usually required for reference purposes. The name as it appears in the text may be inconsistently spelled, partial, or vague. Moreover, name prefixes such as van or de la, may or may not be included as part of the reference form of a name, depending on the language and country of origin of the bearer.

The ref attribute provides a way of linking a name with a description of the object being named, and may thus act as a normalized identifier for it. It is also very useful as a means of gathering together all references to the same individual or location scattered throughout a document:

<q>My dear <name type="person" ref="#BENM1">Mr. Bennet</name>, </q> said <rs type="person" ref="#BENM2">his lady</rs> to him
one day,
<q>have you heard that <name type="place" ref="#NETP1">Netherfield
   Park</name> is let at last?</q>

⚓︎

The values used for the ref attribute here (#BENM1 etc.) are pointers; in this case indicating an element with the identifier BENM1 etc. somewhere in the current document, though any form of URI could be used. The element indicated will typically (for a person) be a person element, listed within a particDesc element, or (for a place) a place element, listed within a settingDesc element in the TEI header, as further discussed in 15.3. The Profile Description below.

This use should be distinguished from the case of the reg (regularization) element, which provides a means of marking the standard form of a referencing string as demonstrated below:

<name type="person" ref="#WADLM1">
 <choice>
  <orig>Walter de la Mare</orig>
  <reg>de la Mare, Walter</reg>
 </choice>
</name> was born at <name ref="https://en.wikipedia.org/wiki/Charlton,_London"
 type="place">Charlton</name>,
in <name type="place">Kent</name>, in 1873.

⚓︎

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TEI: Formulae, Codes, and Special Characters⚓︎5.2. Formulae, Codes, and Special Characters

The following elements may be useful when marking up sequences of text that represent mathematical expressions, chemical formulae, and the like:

formula (formula) contains a mathematical or other formula.

g (character or glyph) represents a glyph, or a non-standard character.

In many cases, a simple Unicode character suffices to represent the superscript or subscript digits and other symbols which may appear inside a mathematical formula:

<formula>E=mc²</formula>

⚓︎

In other more complex cases, the encoder may choose to use a different XML scheme (such as MathML) to encode the content of a formula, or a non-XML notation. These possibilities are not discussed further here.

The g element is useful in the case that no Unicode character exists to represent the character or glyph required. Its ref attribute can be used to point to a definition of the symbol intended, while its content (if any) represents a Unicode approximation to it:

...Thereto
<g ref="#air">[air]</g> and ...

⚓︎

The TEI header provides a number of additional elements for the definition of such non-Unicode characters, as further discussed in section 15.2.5. The character declaration below.

The following elements are useful for stretches of code or similar formal language appearing within a text:

code contains literal code from some formal language such as a programming language.

email (electronic mail address) contains an email address identifying a location to which email messages can be delivered.

This can be expressed in XML as follows:
<code>&amp;lt;date notBefore="2016-06-23"/></code> Contact the author at

<email>lou.burnard@gmail.com</email>

⚓︎

Note in this example that characters which have a syntactic function in XML (such as the ampersand or the angle bracket) must be represented within a TEI simplePrint document by means of an entity reference such as &lt; or &amp;.

The element ref discussed in section 3.7. Cross References and Links should be used to represent a coded reference such as a link given as a URL within a text, either as content or as an attribute value:

<p>Further discussion of <ref target="http://www.tei-c.org/">the Text Encoding
   Initiative website</ref> may be found at <ref>http://www.tei-c.org/</ref>
</p>

⚓︎

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TEI: Dates and Times⚓︎5.3. Dates and Times

The following elements are provided for the detailed encoding of times and dates:

date (date) contains a date in any format.

time (time) contains a phrase defining a time of day in any format.

These elements have a number of attributes which can be used to provide normalized versions of their values in various ways.

att.datable provides attributes for normalization of elements that contain dates, times, or datable events.

period | supplies pointers to one or more definitions of named periods of time (typically categorys, dates, or <event>s) within which the datable item is understood to have occurred.
when [att.datable.w3c] | supplies the value of the date or time in a standard form, e.g. yyyy-mm-dd.
notBefore [att.datable.w3c] | specifies the earliest possible date for the event in standard form, e.g. yyyy-mm-dd.
notAfter [att.datable.w3c] | specifies the latest possible date for the event in standard form, e.g. yyyy-mm-dd.

The when attribute specifies a normalized form for the date or time, using one of the standard formats defined by ISO 8601. Partial dates or times (e.g. ‘1990’, ‘September 1990’, ‘twelvish’) can be expressed by omitting a part of the value supplied, as in the following examples:

<date when="1980-02-21">21 Feb
1980</date>
<date when="1990">1990</date>
<date when="1990-09">September
1990</date>
<date when="--09">September</date>
<date when="2001-09-11T12:48:00">Sept
11th, 12 minutes before 9 am</date>

⚓︎

These attributes are typically used to make a date or time more easily processable, as in the following examples:

Given on the
<date when="1977-06-12">Twelfth Day of June in the Year of Our Lord One Thousand
Nine Hundred and Seventy-seven of the Republic the Two Hundredth and first and of
the University the Eighty-Sixth.</date>

⚓︎

<l>specially when it's nine below zero</l>
<l>and <time when="15:00:00">three o'clock in the afternoon</time>
</l>

⚓︎

They are also useful in cases where the date concerned is uncertain or only vaguely specified:

<p>... <date period="secondEmpire">during the second empire</date>
</p>

⚓︎

<date notAfter="1946-12-09"
 notBefore="1946-11-01">in the weeks shortly before my
birth</date>

⚓︎

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TEI: Numbers and Measurements⚓︎5.4. Numbers and Measurements

Like dates, both numbers and quantities can be written with either letters or digits and may therefore need to be normalized for ease of processing. Their presentation is also highly language-dependent (e.g. English 5th becomes Greek 5.; English 123,456.78 equals French 123.456,78).

The following elements are provided for the detailed encoding of numbers and quantities:

num (number) contains a number, written in any form.

type | indicates the type of numeric value. Suggested values include: 1] cardinal; 2] ordinal; 3] fraction; 4] percentage
value | supplies the value of the number in standard form.

measure (measure) contains a word or phrase referring to some quantity of an object or commodity, usually comprising a number, a unit, and a commodity name.

quantity [att.measurement]
(quantity) specifies the number of the specified units that comprise the measurement

unit [att.measurement]
(unit) indicates the units used for the measurement, usually using the standard symbol for the desired units. Suggested values include: 1] m (metre); 2] kg (kilogram); 3] s (second); 4] Hz (hertz); 5] Pa (pascal); 6] Ω (ohm); 7] L (litre); 8] t (tonne); 9] ha (hectare); 10] Å (ångström); 11] mL (millilitre); 12] cm (centimetre); 13] dB (decibel); 14] kbit (kilobit); 15] Kibit (kibibit); 16] kB (kilobyte); 17] KiB (kibibyte); 18] MB (megabyte); 19] MiB (mebibyte)

commodity [att.measurement]
(commodity) indicates the substance that is being measured

For example:

<num value="33">xxxiii</num>
<num type="cardinal" value="21">twenty-one</num>
<num type="percentage" value="10">ten percent</num>
<num type="percentage" value="10">10%</num>
<num type="ordinal" value="5">5th</num>

⚓︎

<measure quantity="40" unit="hogshead"
 commodity="rum">2 score hh rum</measure>
<measure quantity="1" unit="dozen"
 commodity="blooms">1 doz. roses</measure>
<measure quantity="1" unit="count"
 commodity="blooms">a yellow tulip</measure>

⚓︎

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An Introduction to TEI simplePrint

6. Lists

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The element list is used to mark any kind of list. A list is a sequence of text items, which may be numbered, bulleted, or arranged as a glossary list. Each item may be preceded by an item label (in a glossary list, this label is the term being defined):

list (list) contains any sequence of items organized as a list.

item (item) contains one component of a list.

label (label) contains any label or heading used to identify part of a text, typically but not exclusively in a list or glossary.

Individual list items are tagged with item. The first item may optionally be preceded by a head, which gives a heading for the list. The numbering of items within the list may be omitted, indicated using the n attribute on each item, or (rarely) tagged as content using the label element. The following are all thus equivalent:

<list>
 <head>A short list</head>
 <item>First item in list.</item>
 <item>Second item in list.</item>
 <item>Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <item n="1">First item in list.</item>
 <item n="2">Second item in list.</item>
 <item n="3">Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <label>1</label>
 <item>First item in list.</item>
 <label>2</label>
 <item>Second item in list.</item>
 <label>3</label>
 <item>Third item in list.</item>
</list>

⚓︎

The styles should not be mixed in the same list.

A simple two-column table may be treated as a glossary list, tagged <list type="gloss">. Here, each item comprises a term and a gloss, marked with label and item respectively.

<list type="gloss">
 <head>Vocabulary</head>
 <label xml:lang="enm">nu</label>
 <item>now</item>
 <label xml:lang="enm">lhude</label>
 <item>loudly</item>
 <label xml:lang="enm">bloweth</label>
 <item>blooms</item>
 <label xml:lang="enm">med</label>
 <item>meadow</item>
 <label xml:lang="enm">wude</label>
 <item>wood</item>
 <label xml:lang="enm">awe</label>
 <item>ewe</item>
<!-- <label xml:lang="enm">lhouth</label> <item>lows</item> <label xml:lang="enm">sterteth</label> <item>bounds, frisks</item> <label xml:lang="enm">verteth</label> <item xml:lang="la">pedit</item> <label xml:lang="enm">murie</label> <item>merrily</item> <label xml:lang="enm">swik</label> <item>cease</item> <label xml:lang="enm">naver</label> <item>never</item>-->
</list>

⚓︎

Where the internal structure of a list item is more complex, it may be preferable to regard the list as a table, for which special-purpose tagging is defined in section 8. Tables.

Lists of whatever kind can, of course, nest within list items to any depth required. Here, for example, a glossary list contains two items, each of which is itself a simple list:

<list type="gloss">
 <label>EVIL</label>
 <item>
  <list type="simple">
   <item>I am cast upon a horrible desolate island, void of all hope of
       recovery.</item>
   <item>I am singled out and separated as it were from all the world to be
       miserable.</item>
   <item>I am divided from mankind — a solitaire; one banished from human
       society.</item>
  </list>
 </item>
 <label>GOOD</label>
 <item>
  <list type="simple">
   <item>But I am alive; and not drowned, as all my ship's company were.</item>
   <item>But I am singled out, too, from all the ship's crew, to be spared from
       death...</item>
   <item>But I am not starved, and perishing on a barren place, affording no
       sustenances....</item>
  </list>
 </item>
</list>

⚓︎

Lists of bibliographic items should be tagged using the listBibl element, described in the next section.

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It is often useful to distinguish bibliographic citations where they occur within texts being transcribed for research, if only so that they will be properly formatted when the text is printed out. The element bibl is provided for this purpose. Where the components of a bibliographic reference are to be distinguished, the following elements may be used as appropriate. It is generally useful to distinguish at least those parts (such as the titles of articles, books, and journals) which will need special formatting. The other elements are provided for cases where particular interest attaches to such details:

bibl (bibliographic citation) contains a loosely-structured bibliographic citation of which the sub-components may or may not be explicitly tagged.

author (author) in a bibliographic reference, contains the name(s) of an author, personal or corporate, of a work; for example in the same form as that provided by a recognized bibliographic name authority.

biblScope (scope of bibliographic reference) defines the scope of a bibliographic reference, for example as a list of page numbers, or a named subdivision of a larger work.

date (date) contains a date in any format.

editor contains a secondary statement of responsibility for a bibliographic item, for example the name of an individual, institution or organization, (or of several such) acting as editor, compiler, translator, etc.

publisher (publisher) provides the name of the organization responsible for the publication or distribution of a bibliographic item.

pubPlace (publication place) contains the name of the place where a bibliographic item was published.

relatedItem contains or references some other bibliographic item which is related to the present one in some specified manner, for example as a constituent or alternative version of it.

title (title) contains a title for any kind of work.

Consider, for example the following editorial note:

He was a member of Parliament for Warwickshire in 1445, and died March 14, 1470 (according to Kittredge, Harvard Studies 5. 88ff).

This might be encoded as follows:

He was a member of Parliament for Warwickshire
in 1445, and died March 14, 1470 (according to <bibl>
 <author>Kittredge</author>,
<title>Harvard Studies</title> 5. 88ff
</bibl>).

⚓︎

The bibliographic elements listed above are particularly useful in a born digital document which contains a bibliography encoded using the listBibl element. Entries in the bibliography should be given an identifier, which can then be used as the target of cross references from elsewhere in the document:

<p>Perec citing, amongst others <ref target="#MK_73">Sturm und Drang, 1973</ref>,
concludes ... </p>

⚓︎

A bibl element may contain simply text, with possibly a few of its components distinguished by tagging, and much use of conventionalized punctuation, as in this example:

<bibl xml:id="MK_73">Sturm, U. &amp; Drang, F. : <title>Musikalische
   Katastrophe</title>. (Berlin, W. de Gruyter, 1973)</bibl>

⚓︎

Alternatively, each of the components of the bibliographic reference may be clearly distinguished by tagging; in this case there is no requirement for conventionalized punctuation, since the processor will be able to generate this appropriately:

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

⚓︎

The element biblFull is also provided for convience in cases where bibliographic citations following a more sophisticated model have been used; it is permitted only in the TEI header.

biblFull (fully-structured bibliographic citation) contains a fully-structured bibliographic citation, in which all components of the TEI file description are present.

listBibl (citation list) contains a list of bibliographic citations of any kind.

The listBibl element is used to group lists of bibliographic citations. It may contain a series of bibl or biblFull elements.

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The following elements are provided for the description of tabular matter, commonly found in many kinds of narrative text. Note that TEI simplePrint provides no sophisticated ways of describing the detailed layout of a table beyond its organization into rows and columns.

table (table) contains text displayed in tabular form, in rows and columns.

row (row) contains one row of a table.

cell (cell) contains one cell of a table.

The role attribute may be used on either cell or rowto indicate the function of a cell, or of a row of cells. Its values should be taken from the following list:

data

data cell

label

label cell

sum

row or column sum data

total

table total data

For example, Defoe uses mortality tables like the following in the Journal of the Plague Year to show the rise and ebb of the epidemic:

<p>It was indeed coming on amain, for the
burials that same week were in the next adjoining parishes thus:— <table rows="5" cols="4">
  <row role="data">
   <cell role="label">St. Leonard's, Shoreditch</cell>
   <cell>64</cell>
   <cell>84</cell>
   <cell>119</cell>
  </row>
  <row role="data">
   <cell role="label">St. Botolph's, Bishopsgate</cell>
   <cell>65</cell>
   <cell>105</cell>
   <cell>116</cell>
  </row>
  <row role="data">
   <cell role="label">St. Giles's, Cripplegate</cell>
   <cell>213</cell>
   <cell>421</cell>
   <cell>554</cell>
  </row>
 </table>
</p>
<p>This shutting up of houses was at first counted a very cruel and
unchristian method, and the poor people so confined made bitter lamentations. ...
</p>

⚓︎

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Not all the components of a document are necessarily textual. The most straightforward text will often contain diagrams or illustrations, to say nothing of documents in which image and text are inextricably intertwined, or electronic resources in which the two are complementary.

The encoder may simply record the presence of a graphic within the text, possibly with a brief description of its content, and may also provide a link to a digitized version of the graphic, using the following elements:

graphic (graphic) indicates the location of a graphic or illustration, either forming part of a text, or providing an image of it.

figure (figure) groups elements representing or containing graphic information such as an illustration, formula, or figure.

figDesc (description of figure) contains a brief prose description of the appearance or content of a graphic figure, for use when documenting an image without displaying it.

Any textual information accompanying the graphic, such as a heading and/or caption, may be included within the figure element itself, in a head and one or more p elements, as may any text appearing within the graphic itself. It is strongly recommended that a prose description of the image be supplied, as the content of a figDesc element, for the use of applications which are not able to render the graphic, and to render the document accessible to vision-impaired readers. (Such text is not normally considered part of the document proper.)

The simplest use for these elements is to mark the position of a graphic and provide a link to it, as in this example:

<pb n="412"/>
<figure>
 <graphic url="images/p412fig.png"
  width="40%"/>
</figure>
<pb n="413"/>

⚓︎

This indicates that the graphic contained by the file p412fig.png appears between pages 412 and 413.

The graphic element can appear anywhere that textual content is permitted, within but not between paragraphs or headings. In the following example, the encoder has decided to treat a specific printer's ornament as a heading:

<head>
 <graphic url="http://www.iath.virginia.edu/gants/Ornaments/Heads/hp-ral02.gif"/>
</head>

⚓︎

More usually, a graphic will have at the least an identifying title, which may be encoded using the head element, or a number of figures may be grouped together in a particular structure, as in the following example:

Figure 3. Mr Fezziwig's Ball: illustration by George Cruikshank from Dickens' A Christmas Carol (1843)

The figure element provides a means of wrapping one or more such elements together as a kind of graphic ‘block’. It may also include a brief description of the image:

<figure>
 <graphic url="images/fezzipic.png"/>
 <head>Mr Fezziwig's Ball</head>
 <figDesc>A Cruikshank engraving showing Mr Fezziwig leading a group of
   revellers.</figDesc>
</figure>

⚓︎

These cases should be carefully distinguished from the case where an encoded text is complemented by a collection of digital images, maintained as a distinct resource. The facs attribute may be used to associate any element in an encoded text with a digital facsimile of it. In the simplest case, the facs attribute on the pb element may be used to supply a location for an image file corresponding with that point in the text:

<div>
 <pb facs="page1.png" n="1"/>
<!-- text contained on page 1 is encoded here -->
 <pb facs="page2.png" n="2"/>
<!-- text contained on page 2 is encoded here -->
</div>

⚓︎

This method is only appropriate in the simple case where each digital image file page1.png etc. corresponds with a single transcribed and encoded page. If multiple images are provided for each page, or more detailed alignment of image and transcription is required, for example because the image files actually represent double page spreads, more sophisticated mechanisms are needed, as further discussed in 14. Encoding a Digital Facsimile below.

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10. Analysis

Table of contents

10.1. Orthographic Sentences

10.2. Words and Punctuation

10.3. General-Purpose Interpretation Elements

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TEI: Orthographic Sentences⚓︎10.1. Orthographic Sentences

Interpretation typically ranges across the whole of a text, with no particular respect to other structural units. A useful preliminary to intensive interpretation is therefore to segment the text into discrete and identifiable units, each of which can then bear a label for use as a sort of ‘canonical reference’. To facilitate such uses, these units may not cross each other, nor nest within each other. They may conveniently be represented using the following element:

s (s-unit) contains a sentence-like division of a text.

As the name suggests, the s element is most commonly used (in linguistic applications at least) for marking orthographic sentences, that is, units defined by orthographic features such as punctuation. For example, the passage from Jane Eyre discussed earlier might be divided into s-units as follows:

<div type="chapter" n="38">
 <pb n="474"/>
 <p>
  <s n="001">Reader, I married him.</s>
  <s n="002">A quiet wedding we had:</s>
  <s n="003">he and I, the parson and clerk, were alone present.</s>
  <s n="004">When
     we got back from church, I went into the kitchen of the manor-house, where Mary
     was cooking the dinner, and John cleaning the knives, and I said —</s>
 </p>
 <p>
  <q>
   <s n="005">Mary, I have been married to Mr Rochester this morning.</s>
  </q> ...
 </p>
</div>

⚓︎

Note that s elements cannot nest: the beginning of one s element implies that the previous one has finished. When s-units are tagged as shown above, it is advisable to tag the entire text end-to-end, so that every word in the text being analyzed will be contained by exactly one s element, whose identifier can then be used to specify a unique reference for it. If the identifiers used are unique within the document, then the xml:id attribute might be used in preference to the n attribute used in the above example.

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TEI: Words and Punctuation⚓︎10.2. Words and Punctuation

Tokenization, that is, the identification of lexical or non-lexical tokens within a text, is a very common requirement for all kinds of textual analysis, and not an entirely trivial one. The decision as to whether, for example, ‘can't’ in English or ‘du’ in French should be treated as one word or two is not simple. Consequently it is often useful to make explicit the preferred tokenization in a marked up text. The following elements are available for this purpose:

w (word) represents a grammatical (not necessarily orthographic) word.

c (character) represents a character.

pc (punctuation character) contains a character or string of characters regarded as constituting a single punctuation mark.

For example, the output from a part of speech tagger might be recorded in TEI simplePrint as follows:

<s n="1">
 <w ana="#NP0">Marley</w>
 <w ana="#VBD">was</w>
 <w ana="#AJ0">dead</w>
 <pc>:</pc>
 <w ana="#TO0">to</w>
 <w ana="#VBB">begin</w>
 <w ana="#PRP">with</w>
 <pc ana="#SENT">.</pc>
</s>

⚓︎

In this example, each token in the input has been decorated with an automatically generated part of speech code, using the ana attribute discussed in section 3.7.3. Special Kinds of Linking above. The system has also distinguished between tokens to be treated as words (tagged w) and tokens considered to be punctuation (tagged pc). It may also sometimes be useful to distinguish tokens which consist of a single letter or character: the c element is provided for this purpose.

The w also provides for each word to be associated with a root form or lemma, either explicitly using the lemma attribute, or by reference, using the lemmaRef attribute, as in this example:

...<w ana="#VBD" lemma="be"
 lemmaRef="http://www.myLexicon.com/be">was</w> ...

⚓︎

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TEI: General-Purpose Interpretation Elements⚓︎10.3. General-Purpose Interpretation Elements

The w element is a specialisation of the seg element which has already been introduced for use in identifying otherwise unmarked targets of cross references and hypertext links (see section 3.7. Cross References and Links); it can be used to distinguish any portion of text to which the encoder wishes to assign a user-specified type or a unique identifier; it may thus be used to tag textual features for which there is no other provision in the published TEI Guidelines.

For example, the TEI Guidelines provide no ‘apostrophe’ element to mark parts of a literary text in which the narrator addresses the reader (or hearer) directly. One approach might be to regard these as instances of the q element, distinguished from others by an appropriate value for the who attribute. A possibly simpler, and certainly more general, solution would however be to use the seg element as follows:

<div type="chapter" n="38">
 <p>
  <seg type="apostrophe">Reader, I married him.</seg> A quiet wedding we had:
   ...</p>
</div>

⚓︎

The type attribute on the seg element can take any value, and so can be used to distinguish phrase-level phenomena of any kind; it is good practice to record the values used and their significance in the TEI header or in the documentation of the encoding system.

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Some attributes are available on many elements, though not on all. These attributes are defined using a TEI attribute class, a concept which is discussed further in the TEI Guidelines. We list here some attribute classes which have been adapted or customized for use in TEI simplePrint.

The elements add, figure, fw, label, note and stage all take the attribute place to indicate whereabouts on the page they appear. In TEI simplePrint the possible values for this attribute are limited as indicated below:

att.placement provides attributes for describing where on the source page or object a textual element appears.

place
specifies where this item is placed.

above

above the line

below

below the line

top

at the top of the page

top-right

at the top right of the page

top-left

at the top left of the page

top-centre

at the top center of the page

bottom-right

at the bottom right of the page

bottom-left

at the bottom left of the page

bottom-centre

at the bottom centre of the page

bottom

at the foot of the page

tablebottom

underneath a table

margin-right

in the right-hand margin

margin

in the outer margin

margin-inner

in the inner margin

margin-left

in the left-hand margin

opposite

on the opposite, i.e. facing, page

overleaf

on the other side of the leaf

overstrike

superimposed on top of the current context

end

at the end of the volume

divend

at the end of the current division

parend

at the end of the current paragraph

inline

within the body of the text

inspace

in a predefined space, for example left by an earlier scribe

block

formatted as an indented paragraph

The elements add, <am>, corr, date, del, <ex>, expan, gap, name, reg, <space>, subst, supplied, time and unclear all use the attribute unit to indicate the units in which the size of the feature concerned is expressed. In TEI simplePrint the possible values for this attribute are limited as indicated below:

att.dimensions provides attributes for describing the size of physical objects.

unit
names the unit used for the measurement

chars

characters

lines

lines

pages

pages

words

words

cm

centimetres

mm

millimetres

in

inches

Very many TEI elements take the value type (see the specification for att.typed for a full list). In most cases, no constraint is placed on the possible values for this attribute. In the case of the element name however, the possible values for this attribute are limited as indicated below:

name (name, proper noun) contains a proper noun or noun phrase.

type

person

person

forename

forename

surname

surname

personGenName

generational name component

personRoleName

role or position in society

personAddName

additional name component (e.g. nickname)

nameLink

connecting link within a name (e.g. van der)

org

organization

country

country

placeGeog

geographical name

place

place

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A composite text, like a simple text, has an optional front and back matter. In between however, instead of a single body, it contains one or more discrete texts, each with its own optional front and back matter. The following elements are provided to handle composite texts of various kinds.

group (group) contains the body of a composite text, grouping together a sequence of distinct texts (or groups of such texts) which are regarded as a unit for some purpose, for example the collected works of an author, a sequence of prose essays, etc.

floatingText (floating text) contains a single text of any kind, whether unitary or composite, which interrupts the text containing it at any point and after which the surrounding text resumes.

teiCorpus (TEI corpus) contains the whole of a TEI encoded corpus, comprising a single corpus header and one or more TEI elements, each containing a single text header and a text.

A typical example might be an anthology containing several distinct works, or any other kind of collection, encoded using an overall structure like this:

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

⚓︎

A different kind of composite text occurs when one text is embedded within another, as for example in the Arabian Nights or similar collections of stories, or in other cases where one narrative is interrupted by another. The element floatingText may be preferred to encode such materials as the following:

<p>The Gentleman having finish'd his Story, Galecia waited on him to the Stairs-head;
and at her return, casting her Eyes on the Table, she saw lying there an old dirty
rumpled Book, and found in it the following story:</p>
<floatingText>
 <body>
  <p>IN the time of the Holy War when Christians from all parts went into the Holy
     Land to oppose the Turks; Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
  <p>The King graciously pardoned the Knight; Richard was kindly receiv'd into his
     Convent, and all things went on in good order: But from hence came the Proverb, We
     must not strike <hi>Robert</hi> for <hi>Richard.</hi>
  </p>
 </body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she cast her Eyes
again on the foresaid little Book, where she found the following Story ....</p>

⚓︎

Note that there is only a single TEI header for composite texts of either kind, since the assumption is that the composite is at some level describable as a single work. However, it is also possible to define a composite of complete TEI texts, each with its own TEI header. Such a collection is known as a TEI corpus, and must itself have a TEI header:

<teiCorpus xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[header information for the corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[header information for first text]-->
  </teiHeader>
  <text>
<!--[first text in corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[header information for second text]-->
  </teiHeader>
  <text>
<!--[second text in corpus]-->
  </text>
 </TEI>
</teiCorpus>

⚓︎

It is also possible to create a composite of corpora -- that is, one teiCorpus element may contain many nested teiCorpus elements rather than many nested TEI elements, to any depth considered necessary.

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TEI: Front Matter⚓︎13.1. Front Matter

For many purposes, particularly in older texts, the preliminary material such as title pages, prefatory epistles, etc., may provide very useful additional linguistic or social information.The TEI Guidelines provide a set of recommendations for distinguishing the textual elements most commonly encountered in front matter, which are summarized here.

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TEI: Title Page⚓︎13.1.1. Title Page

The start of a title page should be marked with the element titlePage. All text contained on the page should be transcribed and tagged with the appropriate element from the following list:

titlePage (title page) contains the title page of a text, appearing within the front or back matter.

docTitle (document title) contains the title of a document, including all its constituents, as given on a title page.

titlePart (title part) contains a subsection or division of the title of a work, as indicated on a title page.

byline (byline) contains the primary statement of responsibility given for a work on its title page or at the head or end of the work.

docAuthor (document author) contains the name of the author of the document, as given on the title page (often but not always contained in a byline).

docDate (document date) contains the date of a document, as given on a title page or in a dateline.

docEdition (document edition) contains an edition statement as presented on a title page of a document.

docImprint (document imprint) contains the imprint statement (place and date of publication, publisher name), as given (usually) at the foot of a title page.

epigraph (epigraph) contains a quotation, anonymous or attributed, appearing at the start or end of a section or on a title page.

Typeface distinctions should be marked with the rendition attribute when necessary, as described above though a very detailed description of the letter spacing and sizing used in ornamental titles is not easily done. Changes of language should be marked by appropriate use of the xml:lang attribute or the foreign element, as necessary. Names of people, places, or organizations, may be tagged using the name element wherever they appear if no other more specific element is available.

Two example title pages follow:

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

⚓︎

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

⚓︎

As elsewhere, the ref attribute may be used to link a name with a canonical definition of the entity being named. For example:

<byline>By <docAuthor>
  <name ref="http://en.wikipedia.org/wiki/Agnes_Strickland">Agnes Strickland</name>
 </docAuthor>
</byline>

⚓︎

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TEI: Prefatory Matter⚓︎13.1.2. Prefatory Matter

Major blocks of text within the front matter should be marked using div elements; the following suggested values for the type attribute may be used to distinguish various common types of prefatory matter:

preface

A foreword or preface addressed to the reader in which the author or publisher explains the content, purpose, or origin of the text.

dedication

A formal offering or dedication of a text to one or more persons or institutions by the author.

abstract

A summary of the content of a text as continuous prose.

ack

A formal declaration of acknowledgment by the author in which persons and institutions are thanked for their part in the creation of a text.

contents

A table of contents, specifying the structure of a work and listing its constituents. The list element should be used to mark its structure.

frontispiece

A pictorial frontispiece, possibly including some text.

Where other kinds of prefatory matter are encountered, the encoder is at liberty to invent other values for the type attribute.

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TEI: Liminal Elements⚓︎13.1.3. Liminal Elements

All text divisions, whether in front matter or elsewhere, may begin and end with one or more components which we term liminal elements, because they begin or end the division. A typical example is a heading or title of some kind which should be tagged using the head element; but there are many other possibilities:

salute (salutation) contains a salutation or greeting prefixed to a foreword, dedicatory epistle, or other division of a text, or the salutation in the closing of a letter, preface, etc.

signed (signature) contains the closing salutation, etc., appended to a foreword, dedicatory epistle, or other division of a text.

byline (byline) contains the primary statement of responsibility given for a work on its title page or at the head or end of the work.

dateline (dateline) contains a brief description of the place, date, time, etc. of production of a letter, newspaper story, or other work, prefixed or suffixed to it as a kind of heading or trailer.

argument (argument) contains a formal list or prose description of the topics addressed by a subdivision of a text.

cit (cited quotation) contains a quotation from some other document, together with a bibliographic reference to its source. In a dictionary it may contain an example text with at least one occurrence of the word form, used in the sense being described, or a translation of the headword, or an example.

imprimatur (imprimatur) contains a formal statement authorizing the publication of a work, sometimes required to appear on a title page or its verso.

opener (opener) groups together dateline, byline, salutation, and similar phrases appearing as a preliminary group at the start of a division, especially of a letter.

closer (closer) groups together salutations, datelines, and similar phrases appearing as a final group at the end of a division, especially of a letter.

postscript contains a postscript, e.g. to a letter.

As an example, the beginning and end of the dedication to Milton's Comus might be marked up as follows:

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

⚓︎

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TEI: Back Matter⚓︎13.2. Back Matter

TEI: Structural Divisions of Back Matter⚓︎13.2.1. Structural Divisions of Back Matter

Because of variations in publishing practice, back matter can contain virtually any of the elements listed above for front matter, and the same elements should be used where this is so. Additionally, back matter may contain the following types of matter within the back element. Like the structural divisions of the body, these should be marked as div elements, and distinguished by the following suggested values of the type attribute:

appendix

An ancillary self-contained section of a work, often providing additional but in some sense extra-canonical text.

glossary

A list of terms associated with definition texts (‘glosses’): this should be encoded as a <list type="gloss"> element.

notes

A section in which textual or other kinds of notes are gathered together.

bibliogr

A list of bibliographic citations: this should be encoded as a listBibl.

index

Any form of pre-existing index to the work

colophon

A statement appearing at the end of a book describing the conditions of its physical production.

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TEI: Specialized Front and Back Matter⚓︎13.2.2. Specialized Front and Back Matter

TEI simplePrint also provides elements for some additional components of front or back matter which are characteristic of particular kinds of text, in particular old play texts. These often include lists of dramatis personae and notes about the setting of a play, for which the following elements are provided:

castList (cast list) contains a single cast list or dramatis personae.

castItem (cast list item) contains a single entry within a cast list, describing either a single role or a list of non-speaking roles.

castGroup (cast list grouping) groups one or more individual castItem elements within a cast list.

role (role) contains the name of a dramatic role, as given in a cast list.

roleDesc (role description) describes a character's role in a drama.

actor contains the name of an actor appearing within a cast list.

set (setting) contains a description of the setting, time, locale, appearance, etc., of the action of a play, typically found in the front matter of a printed performance text (not a stage direction).

Note that these elements are intended for use in marking up cast lists and setting notes as they appear in a source document. They are not intended for use when marking up definitive lists of the different roles identified in a play, except in so far as that may have been their original purpose.

The following example shows one way of encoding the last part of Shakespeare's Tempest, as printed in the first folio:

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

⚓︎

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

An Introduction to TEI simplePrint

14. Encoding a Digital Facsimile

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The following elements may be used to encode a text represented by a collection of digital images, either alone or in conjunction with a textual transcription.

facsimile contains a representation of some written source in the form of a set of images rather than as transcribed or encoded text.

surface defines a written surface as a two-dimensional coordinate space, optionally grouping one or more graphic representations of that space, zones of interest within that space, and, when using an embedded transcription approach, transcriptions of the writing within them.

zone defines any two-dimensional area within a surface element.

As mentioned in section 9. Figures and Graphics above, a TEI simplePrint document may reference a set of page images, alone, or in combination with a transcription. For ease of management, it is strongly recommended that the graphic elements representing those page images be grouped together within a facsimile element, as in the following example:

<facsimile>
 <graphic url="page1.png" xml:id="pg1"/>
 <graphic url="page2.png" xml:id="pg2"/>
</facsimile>

⚓︎

If a transcription is supplied in addition, the xml:id values can be used to align the page breaks within it with the relevant image, rather than using the URL given on the graphic element.

<text>
<!-- ...-->
 <pb facs="#page1"/>
<!-- text contained on page 1 -->
 <pb facs="#page2"/>
<!-- text contained on page 2 -->
<!-- ...-->
</text>

⚓︎

The surface element is useful in two situations: when it is desired to group different images of the same page, for example of different resolutions; and when it is desired to align parts of a page image with parts of a transcription. The zone element is used to define (and hence provide an identifier for) the location of a part of an image with reference to the surface on which it appears.

In this example, a thumbnail and a high resolution image are associated with the same surface:

<facsimile>
 <surface>
  <graphic xml:id="page1T"
   url="thumbs/page1.png"/>
  <graphic xml:id="page1" url="page1.png"/>
 </surface>
</facsimile>

⚓︎

In this example, the head element in the transcription is aligned with the top half of a square image:

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

⚓︎

A more detailed explanation of the use of these attributes and other associated elements is given in the full TEI Guidelines.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

An Introduction to TEI simplePrint

15. The Electronic Title Page

Table of contents

15.1. The File Description

15.2. The Encoding Description

15.3. The Profile Description

15.4. Other forms of metadata

15.5. The Revision Description

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Every TEI text has a header which provides information analogous to that provided by the title page of printed text. The header is introduced by the element teiHeader and has four major parts:

fileDesc (file description) contains a full bibliographic description of an electronic file.

encodingDesc (encoding description) documents the relationship between an electronic text and the source or sources from which it was derived.

profileDesc (text-profile description) provides a detailed description of non-bibliographic aspects of a text, specifically the languages and sublanguages used, the situation in which it was produced, the participants and their setting.

revisionDesc (revision description) summarizes the revision history for a file.

A corpus or collection of texts with many shared characteristics may have one header for the corpus and individual headers for each component of the corpus. In this case the type attribute indicates the type of header. <teiHeader type="corpus"> introduces the header for corpus-level information.

Some of the header elements contain running prose which consists of one or more ps. Others are grouped:

Elements whose names end in Stmt (for statement) usually enclose a group of elements recording some structured information.

Elements whose names end in Decl (for declaration) enclose information about specific encoding practices.

Elements whose names end in Desc (for description) contain a prose description.

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TEI: The File Description⚓︎15.1. The File Description

The fileDesc element is mandatory. It contains a full bibliographic description of the file with the following elements:

titleStmt (title statement) groups information about the title of a work and those responsible for its content.

editionStmt (edition statement) groups information relating to one edition of a text.

extent (extent) describes the approximate size of a text stored on some carrier medium or of some other object, digital or non-digital, specified in any convenient units.

publicationStmt (publication statement) groups information concerning the publication or distribution of an electronic or other text.

seriesStmt (series statement) groups information about the series, if any, to which a publication belongs.

notesStmt (notes statement) collects together any notes providing information about a text additional to that recorded in other parts of the bibliographic description.

sourceDesc (source description) describes the source(s) from which an electronic text was derived or generated, typically a bibliographic description in the case of a digitized text, or a phrase such as ‘born digital’ for a text which has no previous existence.

A minimal TEI header has the following structure:

<teiHeader>
 <fileDesc>
  <titleStmt>
<!-- [ bibliographic description of the digital resource ] -->
  </titleStmt>
  <publicationStmt>
<!-- [ information about how the resource is distributed ] -->
  </publicationStmt>
  <sourceDesc>
<!-- [ information about the sources from which the digital resource is derived ] -->
  </sourceDesc>
 </fileDesc>
</teiHeader>

⚓︎

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TEI: The Title Statement⚓︎15.1.1. The Title Statement

The following elements can be used in the titleStmt to provide information about the title of a work and those responsible for its content:

title (title) contains a title for any kind of work.

author (author) in a bibliographic reference, contains the name(s) of an author, personal or corporate, of a work; for example in the same form as that provided by a recognized bibliographic name authority.

respStmt (statement of responsibility) supplies a statement of responsibility for the intellectual content of a text, edition, recording, or series, where the specialized elements for authors, editors, etc. do not suffice or do not apply. May also be used to encode information about individuals or organizations which have played a role in the production or distribution of a bibliographic work.

The title of a digital resource derived from a non-digital original may be similar to that of its source but should be distinct from it, for example: [title of source]: TEI XML edition or A machine readable version of: [title of source]

The generic respStmt element may be used to indicate any kind of responsibility, ranging from a funder or sponsor to an illustrator or editor. It contains the following subcomponents:

resp (responsibility) contains a phrase describing the nature of a person's intellectual responsibility, or an organization's role in the production or distribution of a work.

name (name, proper noun) contains a proper noun or noun phrase.

Example:

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

⚓︎

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TEI: The Edition Statement⚓︎15.1.2. The Edition Statement

The editionStmt groups information relating to one edition of the digital resource (where edition is used as elsewhere in bibliography), and may include the following elements:

edition (edition) describes the particularities of one edition of a text.

respStmt (statement of responsibility) supplies a statement of responsibility for the intellectual content of a text, edition, recording, or series, where the specialized elements for authors, editors, etc. do not suffice or do not apply. May also be used to encode information about individuals or organizations which have played a role in the production or distribution of a bibliographic work.

Example:

<editionStmt>
 <edition n="U2">Third draft, substantially revised <date>1987</date>
 </edition>
</editionStmt>

⚓︎

Determining exactly what constitutes a new edition of an electronic text is left to the encoder.

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TEI: The Extent Statement⚓︎15.1.3. The Extent Statement

The extent statement describes the approximate size of the digital resource.

Example:

<extent>15 Mb
</extent>

⚓︎

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TEI: The Publication Statement⚓︎15.1.4. The Publication Statement

The publicationStmt is mandatory. It may contain a simple prose description or groups of the elements described below:

publisher (publisher) provides the name of the organization responsible for the publication or distribution of a bibliographic item.

distributor (distributor) supplies the name of a person or other agency responsible for the distribution of a text.

At least one of these elements must be present, unless the entire publication statement is in prose. The following elements may occur within them:

pubPlace (publication place) contains the name of the place where a bibliographic item was published.

address (address) contains a postal address, for example of a publisher, an organization, or an individual.

addrLine (address line) contains one line of a postal address.

idno (identifier) supplies any form of identifier used to identify some object, such as a bibliographic item, a person, a title, an organization, etc. in a standardized way.

availability (availability) supplies information about the availability of a text, for example any restrictions on its use or distribution, its copyright status, any licence applying to it, etc.

licence contains information about a licence or other legal agreement applicable to the text.

date (date) contains a date in any format.

Example:

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

⚓︎

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TEI: Series and Notes Statements⚓︎15.1.5. Series and Notes Statements

The seriesStmt element groups information about the series, if any, to which a publication belongs. It may contain title, idno, or respStmt elements.

The notesStmt, if used, contains one or more note elements which contain a note or annotation. Some information found in the notes area in conventional bibliography has been assigned specific elements in the TEI scheme.

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TEI: The Source Description⚓︎15.1.6. The Source Description

The sourceDesc is a mandatory element which records details of the source or sources from which the computer file is derived. It may contain simple prose or a bibliographic citation, using one or more of the following elements:

bibl (bibliographic citation) contains a loosely-structured bibliographic citation of which the sub-components may or may not be explicitly tagged.

listBibl (citation list) contains a list of bibliographic citations of any kind.

Examples:

<sourceDesc>
 <bibl>The first folio of Shakespeare, prepared by Charlton Hinman (The Norton
   Facsimile, 1968)</bibl>
</sourceDesc>

⚓︎

<sourceDesc>
 <bibl>
  <author>CNN Network News</author>
  <title>News headlines</title>
  <date>12 Jun 1989</date>
 </bibl>
</sourceDesc>

⚓︎

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TEI: The Encoding Description⚓︎15.2. The Encoding Description

The encodingDesc element specifies the methods and editorial principles which governed the transcription of the text. Its use is highly recommended. It may be prose description or may contain more specialized elements chosen from the following list:

projectDesc (project description) describes in detail the aim or purpose for which an electronic file was encoded, together with any other relevant information concerning the process by which it was assembled or collected.

samplingDecl (sampling declaration) contains a prose description of the rationale and methods used in selecting texts, or parts of a text, for inclusion in the resource.

editorialDecl (editorial practice declaration) provides details of editorial principles and practices applied during the encoding of a text.

tagsDecl (tagging declaration) provides detailed information about the tagging applied to a document.

refsDecl (references declaration) specifies how canonical references are constructed for this text.

listPrefixDef (list of prefix definitions) contains a list of definitions of prefixing schemes used in teidata.pointer values, showing how abbreviated URIs using each scheme may be expanded into full URIs.

prefixDef (prefix definition) defines a prefixing scheme used in teidata.pointer values, showing how abbreviated URIs using the scheme may be expanded into full URIs.

classDecl (classification declarations) contains one or more taxonomies defining any classificatory codes used elsewhere in the text.

charDecl (character declarations) provides information about nonstandard characters and glyphs.

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TEI: Project Description and Sampling Declaration⚓︎15.2.1. Project Description and Sampling Declaration

Examples of projectDesc and samplingDecl:

<encodingDesc>
 <projectDesc>
  <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990. </p>
 </projectDesc>
</encodingDesc>

⚓︎

<encodingDesc>
 <samplingDecl>
  <p>Samples of 2000 words taken from the beginning of the text</p>
 </samplingDecl>
</encodingDesc>

⚓︎

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TEI: Editorial Declarations⚓︎15.2.2. Editorial Declarations

The editorialDecl contains a prose description of the practices used when encoding the text. Typically this description should cover such topics as the following, each of which may conveniently be given as a separate paragraph:

correction

how and under what circumstances corrections have been made in the text.

normalization

the extent to which the original source has been regularized or normalized.

quotation

what has been done with quotation marks in the original -- have they been retained or replaced by entity references, are opening and closing quotes distinguished, etc.

hyphenation

what has been done with hyphens (especially end-of-line hyphens) in the original -- have they been retained, replaced by entity references, etc.

segmentation

how has the text has been segmented, for example into sentences, tone-units, graphemic strata, etc.

interpretation

what analytic or interpretive information has been added to the text.

Example:

<editorialDecl>
 <p>The part of speech analysis applied throughout section 4 was added by hand and
   has not been checked.</p>
 <p>Errors in transcription controlled by using the WordPerfect spelling
   checker.</p>
 <p>All words converted to Modern American spelling using Webster's 9th Collegiate
   dictionary.</p>
</editorialDecl>

⚓︎

The full TEI Guidelines provide specialized elements for each of the topics above; these are not however included in TEI simplePrint.

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TEI: Tagging Declaration⚓︎15.2.3. Tagging Declaration

When it does not consist simply of a prose description, the tagsDecl element may contain a number of more specialized elements providing additional information about how the document concerned has been marked up. The following elements may be used:

rendition (rendition) supplies information about the rendition or appearance of one or more elements in the source text.

namespace (namespace) supplies the formal name of the namespace to which the elements documented by its children belong.

tagUsage (element usage) documents the usage of a specific element within a specified document.

Here is a simple example, showing how these elements may be used. It indicates the number of times the elements hi and title from the TEI namespace have been used in the document. It also documents how the way that the source document was originally printed has been represented using TEI tagging:

<tagsDecl partial="true">
 <rendition xml:id="rend-bo">font-weight:bold</rendition>
 <rendition xml:id="rend-it"
  selector="hi, title">font-style:italic</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
</tagsDecl>

⚓︎

The rendition elements here contain fragments expressed in the W3C standard Cascading Stylesheets language (CSS). Their function here is to associate the particular styles concerned with an identifier (for example rend-bo) which can then be pointed to from elsewhere within the document by means of the rendition attribute mentioned in section 3.5.1. Changes of Typeface, etc. above. To indicate, for example, that a particular name in the document was rendered in a bold font it might be tagged <name rendition="#rend-bo">. The selector attribute used in the preceding example is used to indicate once for all a default rendition value to be associated with several elements: in this example, unless otherwise indicated, it is assumed that the content of each hi and each title element was originally rendered using an italic font.

For TEI simplePrint, a large set of such rendition definitions has been predefined. The encoder is not therefore required to supply any detailed declarations, but can refer to the predefined list using the following list:

simple:allcaps

all capitals

simple:blackletter

black letter or gothic typeface

simple:bold

bold typeface

simple:bottombraced

marked with a brace under the bottom of the text

simple:boxed

border around the text

simple:centre

centred text

simple:cursive

cursive typeface

simple:display

block display

simple:doublestrikethrough

strikethrough with double line

simple:doubleunderline

underlined with double line

simple:dropcap

initial letter larger or decorated

simple:float

floated out of main flow

simple:hyphen

with a hyphen here (e.g. in line break)

simple:inline

inline rendering

simple:justify

justified text

simple:italic

italic typeface

simple:larger

larger type

simple:left

aligned to the left or left-justified

simple:leftbraced

marked with a brace on the left side of the text

simple:letterspace

larger-than-normal spacing between letters, usually for emphasis

simple:literal

fixed-width typeface, spacing preserved

simple:normalstyle

upright shape and default weight of typeface

simple:normalweight

normal typeface weight

simple:right

aligned to the right or right-justified

simple:rightbraced

marked with a brace to the right of the text

simple:rotateleft

rotated to the left

simple:rotateright

rotated to the right

simple:smallcaps

small caps

simple:smaller

smaller type

simple:strikethrough

strikethrough

simple:subscript

subscript

simple:superscript

superscript

simple:topbraced

marked with a brace above the text

simple:typewriter

fixed-width typeface, like typewriter

simple:underline

underlined with single line

simple:wavyunderline

underlined with wavy line

The simple: prefix used here must be mapped to a location at which the full rendition declaration can be found, by default the XML source of the present document.

Full details of the way these elements may be used are provided in the relevant section of the TEI Guidelines (http://www.tei-c.org/release/doc/tei-p5-doc/en/html/HD.html#HD57).

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TEI: Reference, Prefix, and Classification Declarations⚓︎15.2.4. Reference, Prefix, and Classification Declarations

The refsDecl element is used to document the way in which any standard referencing scheme built into the encoding works. In its simplest form, it consists of prose description.

Example:

<refsDecl>
 <p>The @n attribute on each <div> element contains the canonical reference for
   each division in the form XX.yyy where XX is the book number in roman numeral
   and yyy is the section number in arabic.</p>
 <p>Milestone tags refer to the edition of 1830 as E30 and that of 1850 as E50.</p>
</refsDecl>

⚓︎

The listPrefixDef element contains one or more prefixDef elements, each defining a prefix which has been used to abbreviate references to other documents, for example as the value of a target or other pointing attribute. The definition provides information about how the prefix can be translated automatically into a full URL, as in the following example:

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="http://www.example.com/personography.xml#$1"/>
</listPrefixDef>

⚓︎

In this case, a pointer value in the form psn:MDH would be translated to http://www.example.com/personography.xml#MDH.

The classDecl element groups together definitions or sources for any descriptive classification schemes or taxonomies used by other parts of the header. These schemes may be defined in a number of different ways, using one or more of the following elements:

taxonomy (taxonomy) defines a typology either implicitly, by means of a bibliographic citation, or explicitly by a structured taxonomy.

bibl (bibliographic citation) contains a loosely-structured bibliographic citation of which the sub-components may or may not be explicitly tagged.

category (category) contains an individual descriptive category, possibly nested within a superordinate category, within a user-defined taxonomy.

catDesc (category description) describes some category within a taxonomy or text typology, either in the form of a brief prose description or in terms of the situational parameters used by the TEI formal <textDesc>.

In the simplest case, the taxonomy may be defined by a bibliographic reference, as in the following example:

<classDecl>
 <taxonomy xml:id="LC-SH">
  <bibl>Library of Congress Subject Headings </bibl>
 </taxonomy>
</classDecl>

⚓︎

Alternatively, or in addition, the encoder may define a special purpose classification scheme, as in the following example:

<taxonomy xml:id="B">
 <bibl>Brown Corpus</bibl>
 <category xml:id="B.A">
  <catDesc>Press Reportage</catDesc>
  <category xml:id="B.A1">
   <catDesc>Daily</catDesc>
  </category>
  <category xml:id="B.A2">
   <catDesc>Sunday</catDesc>
  </category>
  <category xml:id="B.A3">
   <catDesc>National</catDesc>
  </category>
  <category xml:id="B.A4">
   <catDesc>Provincial</catDesc>
  </category>
  <category xml:id="B.A5">
   <catDesc>Political</catDesc>
  </category>
  <category xml:id="B.A6">
   <catDesc>Sports</catDesc>
  </category>
 </category>
 <category xml:id="B.D">
  <catDesc>Religion</catDesc>
  <category xml:id="B.D1">
   <catDesc>Books</catDesc>
  </category>
  <category xml:id="B.D2">
   <catDesc>Periodicals and tracts</catDesc>
  </category>
 </category>
</taxonomy>

⚓︎

Linkage between a particular text and a category within such a taxonomy is made by means of the catRef element within the textClass element, as described in the next section.

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TEI: The character declaration⚓︎15.2.5. The character declaration

As mentioned in section 5.2. Formulae, Codes, and Special Characters above, the element g is used to indicate the presence of a nonstandard character or glyph in a transcription, and to reference a definition or description of it in the Header. These definitions are provided by means of the following specialised elements given within the charDecl component of the encodingDesc:

char (character) provides descriptive information about a character.

glyph (character glyph) provides descriptive information about a character glyph.

desc (description) contains a short description of the purpose, function, or use of its parent element, or when the parent is a documentation element, describes or defines the object being documented.

mapping (character mapping) contains one or more characters which are related to the parent character or glyph in some respect, as specified by the type attribute.

For example, the alchemical symbol for air might be encoded where it appears in a text using a g element, whose ref attribute might have a value #air to link to the following simple definition for the symbol concerned:

<char xml:id="air">
 <unicodeProp name="Name"
  value="ALCHEMICAL SYMBOL FOR AIR"/>
 <mapping type="standard">🜁</mapping>
</char>

⚓︎

Further details of these and related elements are provided in section http://www.tei-c.org/release/doc/tei-p5-doc/en/html/WD.html#D25-20 of the TEI Guidelines.

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TEI: The Profile Description⚓︎15.3. The Profile Description

The profileDesc element gathers together information about various descriptive aspects of a text. It has the following optional components:

creation (creation) contains information about the creation of a text.

abstract contains a summary or formal abstract prefixed to an existing source document by the encoder.

particDesc (participation description) describes the identifiable speakers, voices, or other participants in any kind of text or other persons named or otherwise referred to in a text, edition, or metadata.

settingDesc (setting description) describes the setting or settings within which a language interaction takes place, or other places otherwise referred to in a text, edition, or metadata.

langUsage (language usage) describes the languages, sublanguages, registers, dialects, etc. represented within a text.

textClass (text classification) groups information which describes the nature or topic of a text in terms of a standard classification scheme, thesaurus, etc.

The creation element documents where a work was created, even though it may not have been published or recorded there:

Example:

<creation>
 <date when="1992-08">August 1992</date>
 <name type="place">Taos, New Mexico</name>
</creation>

⚓︎

The abstract element may be used to provide a brief summary or abstract of the document concerned. It is most usually applied to texts born digital:

<profileDesc>
 <abstract>
  <p>This paper is a draft studying various aspects of using the TEI as a reference
     serialization framework for LMF. Comments are welcome to bring this to a useful
     document for the community.</p>
 </abstract>
</profileDesc>

⚓︎

The particDesc element is used to list descriptive information about the real or fictional participants in a text, for example the characters in a novel or a play. It contains at least one listPerson element, which contains individual person elements.

listPerson (list of persons) contains a list of descriptions, each of which provides information about an identifiable person or a group of people, for example the participants in a language interaction, or the people referred to in a historical source.

person (person) provides information about an identifiable individual, for example a participant in a language interaction, or a person referred to in a historical source.

For example:

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

⚓︎

In the same way, the settingDesc element can be used to list descriptive information about the real or fictional places mentioned in a text. It contains at least one listPlace element, which contains individual place elements.

listPlace (list of places) contains a list of places, optionally followed by a list of relationships (other than containment) defined amongst them.

place (place) contains data about a geographic location.

For example:

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

⚓︎

The full TEI Guidelines provide a rich range of additional elements to define more structured information about persons and places; these are not however available in TEI Simple.

The langUsage element is useful where a text contains many different languages. It may contain language elements to document each particular language used:

language (language) characterizes a single language or sublanguage used within a text.

For example, a text containing predominantly text in French as spoken in Quebec, but also smaller amounts of British and Canadian English might be documented as follows:

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian Business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

⚓︎

The textClass element classifies a text. This may be done with reference to a classification system locally defined by means of the classDecl element, or by reference to some externally defined established scheme such as the Universal Decimal Classification. Texts may also be classified using lists of keywords, which may themselves be drawn from locally or externally defined control lists. The following elements are used to supply such classifications:

classCode (classification code) contains the classification code used for this text in some standard classification system.

catRef (category reference) specifies one or more defined categories within some taxonomy or text typology.

keywords (keywords) contains a list of keywords or phrases identifying the topic or nature of a text.

The simplest way of classifying a text is by means of the classCode element. For example, a text with classification 410 in the Universal Decimal Classification might be documented as follows:

<classCode scheme="http://www.udc.org">410</classCode>

⚓︎

When a classification scheme has been locally defined using the taxonomy element discussed in the preceding subsection, the catRef element should be used to reference it. To continue the earlier example, a work classified in the Brown Corpus as Press reportage - Sunday and also as Religion might be documented as follows:

<catRef target="#B.A3 #B.D"/>

⚓︎

The element keywords contains one or more keywords or phrases identifying the topic or nature of a text, each tagged as a term. As usual, the attribute scheme identifies the source from which these terms are taken. For example, if the LC Subject Headings are used, following declaration of that classification system in a taxonomy element as above:

<textClass>
 <keywords scheme="#LCSH">
  <term>English literature</term>
  <term>History and criticism</term>
  <term>Data processing.</term>
 </keywords>
</textClass>

⚓︎

Multiple classifications may be supplied using any of the mechanisms described in this section.

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TEI: Other forms of metadata⚓︎15.4. Other forms of metadata

The TEI header was one of the first attempts to provide a full range of metadata elements, but it is by no means the only standard now used for this purpose. To facilitate the management of large digital collections and to simplify interoperability of TEI and non-TEI resources, the following element may be found useful:

xenoData (non-TEI metadata) provides a container element into which metadata in non-TEI formats may be placed.

A typical use for this element might be to store a set of descriptors conforming to the Dublin Core standard in the TEI header rather than to generate them automatically from the corresponding TEI elements. For examples and discussion, see the TEI Guidelines at http://www.tei-c.org/release/doc/tei-p5-doc/en/html/HD.html#HD9

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TEI: The Revision Description⚓︎15.5. The Revision Description

The revisionDesc element provides a change log in which each significant change made to a text may be recorded. It is always the last element in a teiHeader and contains the following elements:

change (change) documents a change or set of changes made during the production of a source document, or during the revision of an electronic file.

listChange groups a number of change descriptions associated with either the creation of a source text or the revision of an encoded text.

Each change element contains a brief description of a significant change. The attributes when and who may be used to identify when the change was carried out and the person responsible for it.

It is good practice (but not required) to group changes together within a listChange element.

Example:

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB">deleted chapter 10</change>
  <change when="1991-11-02" who="#MSM">completed first draft</change>
 </listChange>
</revisionDesc>

⚓︎

In a production environment it will usually be found preferable to use some kind of automated system to track and record changes. Many such version control systems, as they are known, can also be configured to update the TEI header of a file automatically.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

An Introduction to TEI simplePrint

16. The Simple Processing Model

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Unlike most other TEI customizations, TEI simplePrint includes documentation of the intended processing associated with the majority of elements. As noted above, the TEI provides components such as the rendition attribute to indicate the appearance of particular parts of a document in the non-digital source from which it is derived. With TEI simplePrint, it is also possible to indicate how in general an element should be processed, in particular its intended appearance when processed for display on a screen or on paper. This ability derives from a number of capabilities recently added to the TEI architecture for the specification of processing, which were developed as part of the project that defined the TEI simplePrint schema.

The key feature of this ‘Processing Model’ is a notation that allows the encoder to associate each element with one or more categories, which we call its behaviours. In addition, the Processing Model indicates how the element should be rendered, possibly differently in differing circumstances, using the W3C Cascading Style Sheets (CSS) mentioned above. It is consequently much easier to develop processors for documents conforming to TEI simplePrint, since the complexity of the task is much reduced.

Twenty-five different behaviours are currently defined by the TEI Processing Model. Their names indicate informally the categorization concerned, and should be readily comprehensible for most programmers. The following table indicates the TEI simplePrint elements associated with each:

Behaviour
Used by
Effect

alternate
choice date
support display of alternative visualizations, for example by displaying the preferred content, by displaying both in parallel, or by toggling between the two.

anchor
anchor
create an identifiable anchor point in the output.

block
address addrLine argument back body byline closer dateline div docTitle epigraph figure floatingText formula front fw group head imprimatur l lg listBibl note opener postscript q quote role roleDesc salute signed sp speaker spGrp stage titlePage titlePart trailer
create a block structure

body
text
create the body of a document

break
cb lb pb
create a line, column, or page break according to the value of type

cell
cell
create a table cell

cit
cit
show the content, with an indication of the source

document
TEI
start a new output document

glyph
g
show a character by looking up reference to a chardesc at the given URI

graphic
graphic
if URL is present, use it to display graphic, else display a placeholder image

heading
head
creates a heading

index
body
generate list according to type

inline
abbr actor add am author bibl biblScope c choice code corr date del desc docAuthor docDate docEdition docImprint editor email ex expan figDesc figure foreign formula fw g gap hi label measure milestone name note num orig pc q quote ref reg relatedItem rhyme rs s salute seg sic signed subst supplied time title unclear w
creates inline element out of content if there's something in <outputRendition>, use that formatting; otherwise just show text of selected content

link
ref
create hyperlink

list
castGroup castList list listBibl
create a list

listItem
bibl castItem item
create a list item

metadata
teiHeader
create metadata section

note
note
create a note, often out of line, depending on the value of place; could be margin, footnote, endnote, inline

omit
author editor publisher pubPlace profileDesc revisionDesc encodingDesc
do nothing, do not process children

paragraph
ab p
create a paragraph out of content

row
row
create a table row

section
div
create a new section of the output document

table
table
create a table

text
title
create literal text

title
fileDesc
create document title

Full documentation of the Processing Model is provided in section http://www.tei-c.org/release/doc/tei-p5-doc/en/html/TD.html#TDPM of the TEI Guidelines, and we do not describe it further here.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

An Introduction to TEI simplePrint

17. The TEI simplePrint schema

Table of contents

17.1. Summary of changes

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Like other TEI customizations, TEI simplePrint is defined by reference to the TEI Guidelines. The following reference documentation provides formal specifications for each element, model class, attribute class, macro and datatype it uses. These concepts are further explained in the TEI Guidelines.

Specifications are provided here for each component which has been modified for inclusion in TEI simplePrint. Almost every textual element has been modified, if only to include a processing model component. Note that the cross references included in these specifications are to the section of the full TEI Guidelines where the subject is treated, and not to sections of the present document.

Schema tei_simplePrint: changed components

Schema tei_simplePrint: unchanged components

abstract: contains a summary or formal abstract prefixed to an existing source document by the encoder. [2.4.4. Abstracts]

att.anchoring: (anchoring) provides attributes for use on annotations, e.g. notes and groups of notes describing the existence and position of an anchor for annotations.

att.ascribed: provides attributes for elements representing speech or action that can be ascribed to a specific individual. [3.3.3. Quotation 8.3. Elements Unique to Spoken Texts]

att.ascribed.directed: provides attributes for elements representing speech or action that can be directed at a group or individual. [3.3.3. Quotation 8.3. Elements Unique to Spoken Texts]

att.breaking: provides attributes to indicate whether or not the element concerned is considered to mark the end of an orthographic token in the same way as whitespace. [3.11.3. Milestone Elements]

att.calendarSystem: provides attributes for indicating calendar systems to which a date belongs. [3.6.4. Dates and Times 14.4. Dates]

att.citing: provides attributes for specifying the specific part of a bibliographic item being cited. [1.3.1. Attribute Classes]

att.cmc: (computer-mediated communication) provides attributes categorizing how the element content was created in a CMC environment.

att.coordinated: provides attributes that can be used to position their parent element within a two dimensional coordinate system.

att.cReferencing: provides attributes that may be used to supply a canonical reference as a means of identifying the target of a pointer.

att.datable: provides attributes for normalization of elements that contain dates, times, or datable events. [3.6.4. Dates and Times 14.4. Dates]

att.datable.w3c: provides attributes for normalization of elements that contain datable events conforming to the W3C XML Schema Part 2: Datatypes Second Edition. [3.6.4. Dates and Times 14.4. Dates]

att.divLike: provides attributes common to all elements which behave in the same way as divisions. [4. Default Text Structure]

att.docStatus: provides attributes for use on metadata elements describing the status of a document.

att.edition: provides attributes identifying the source edition from which some encoded feature derives.

att.fragmentable: provides attributes for representing fragmentation of a structural element, typically as a consequence of some overlapping hierarchy.

att.gaijiProp: provides attributes for defining the properties of non-standard characters or glyphs. [5. Characters, Glyphs, and Writing Modes]

att.global: provides attributes common to all elements in the TEI encoding scheme. [1.3.1.1. Global Attributes]

att.global.analytic: provides additional global attributes for associating specific analyses or interpretations with appropriate portions of a text. [18.2. Global Attributes for Simple Analyses 18.3. Spans and Interpretations]

att.global.facs: provides attributes used to express correspondence between an element and all or part of a facsimile image or surface. [12.1. Digital Facsimiles]

att.global.responsibility: provides attributes indicating the agent responsible for some aspect of the text, the markup or something asserted by the markup, and the degree of certainty associated with it. [1.3.1.1.4. Sources, certainty, and responsibility 3.5. Simple Editorial Changes 12.3.2.2. Hand, Responsibility, and Certainty Attributes 18.3. Spans and Interpretations 14.1.1. Linking Names and Their Referents]

att.global.source: provides attributes used by elements to point to an external source. [1.3.1.1.4. Sources, certainty, and responsibility 3.3.3. Quotation 8.3.4. Writing]

att.internetMedia: provides attributes for specifying the type of a computer resource using a standard taxonomy.

att.linguistic: provides a set of attributes concerning linguistic features of tokens, for usage within token-level elements, specifically w and pc in the analysis module. [18.4.2. Lightweight Linguistic Annotation]

att.measurement: provides attributes to represent a regularized or normalized measurement.

att.media: provides attributes for specifying display and related properties of external media.

att.metrical: defines a set of attributes that certain elements may use to represent metrical information. [6.4. Rhyme and Metrical Analysis]

att.milestoneUnit: provides attributes to indicate the type of section which is changing at a specific milestone. [3.11.3. Milestone Elements 2.3.6.3. Milestone Method 2.3.6. The Reference System Declaration]

att.naming: provides attributes common to elements which refer to named persons, places, organizations etc. [3.6.1. Referring Strings 14.3.7. Names and Nyms]

att.notated: provides attributes to indicate any specialised notation used for element content.

att.patternReplacement: provides attributes for regular-expression matching and replacement. [17.2.3. Using Abbreviated Pointers 2.3.6.3. Milestone Method 2.3.6. The Reference System Declaration 2.3.6.2. Search-and-Replace Method]

att.personal: (attributes for components of names usually, but not necessarily, personal names) common attributes for those elements which form part of a name usually, but not necessarily, a personal name. [14.2.1. Personal Names]

att.resourced: provides attributes by which a resource (such as an externally held media file) may be located.

att.scope: provides attributes to describe, in general terms, the scope of an element’s application.

att.segLike: provides attributes for elements used for arbitrary segmentation. [17.3. Blocks, Segments, and Anchors 18.1. Linguistic Segment Categories]

att.sortable: provides attributes for elements in lists or groups that are sortable, but whose sorting key cannot be derived mechanically from the element content. [10.1. Dictionary Body and Overall Structure]

att.spanning: provides attributes for elements which delimit a span of text by pointing mechanisms rather than by enclosing it. [12.3.1.4. Additions and Deletions 1.3.1. Attribute Classes]

att.styleDef: provides attributes to specify the name of a formal definition language used to provide formatting or rendition information.

att.tableDecoration: provides attributes used to decorate rows or cells of a table. [15. Tables, Formulæ, Graphics, and Notated Music]

att.timed: provides attributes common to those elements which have a duration in time, expressed either absolutely or by reference to an alignment map. [8.3.5. Temporal Information]

att.transcriptional: provides attributes specific to elements encoding authorial or scribal intervention in a text when transcribing manuscript or similar sources. [12.3.1.4. Additions and Deletions]

att.typed: provides attributes that can be used to classify or subclassify elements in any way. [1.3.1. Attribute Classes 18.1.1. Words and Above 3.6.1. Referring Strings 3.7. Simple Links and Cross-References 3.6.5. Abbreviations and Their Expansions 3.13.1. Core Tags for Verse 7.2.5. Speech Contents 4.1.1. Un-numbered Divisions 4.1.2. Numbered Divisions 4.2.1. Headings and Trailers 4.4. Virtual Divisions 14.3.2.3. Personal Relationships 12.3.1.1. Core Elements for Transcriptional Work 17.1.1. Pointers and Links 17.3. Blocks, Segments, and Anchors 13.2. Linking the Apparatus to the Text 23.5.1.2. Defining Content Models: RELAX NG 8.3. Elements Unique to Spoken Texts 24.3.1.3. Modification of Attribute and Attribute Value Lists]

att.written: provides attributes to indicate the hand in which the content of an element was written in the source being transcribed. [1.3.1. Attribute Classes]

availability: (availability) supplies information about the availability of a text, for example any restrictions on its use or distribution, its copyright status, any licence applying to it, etc. [2.2.4. Publication, Distribution, Licensing, etc.]

catDesc: (category description) describes some category within a taxonomy or text typology, either in the form of a brief prose description or in terms of the situational parameters used by the TEI formal <textDesc>. [2.3.7. The Classification Declaration]

category: (category) contains an individual descriptive category, possibly nested within a superordinate category, within a user-defined taxonomy. [2.3.7. The Classification Declaration]

catRef: (category reference) specifies one or more defined categories within some taxonomy or text typology. [2.4.3. The Text Classification]

change: (change) documents a change or set of changes made during the production of a source document, or during the revision of an electronic file. [2.6. The Revision Description 2.4.1. Creation 12.7. Identifying Changes and Revisions]

char: (character) provides descriptive information about a character. [5.2. Markup Constructs for Representation of Characters and Glyphs]

charDecl: (character declarations) provides information about nonstandard characters and glyphs. [5.2. Markup Constructs for Representation of Characters and Glyphs]

classCode: (classification code) contains the classification code used for this text in some standard classification system. [2.4.3. The Text Classification]

classDecl: (classification declarations) contains one or more taxonomies defining any classificatory codes used elsewhere in the text. [2.3.7. The Classification Declaration 2.3. The Encoding Description]

creation: (creation) contains information about the creation of a text. [2.4.1. Creation 2.4. The Profile Description]

distributor: (distributor) supplies the name of a person or other agency responsible for the distribution of a text. [2.2.4. Publication, Distribution, Licensing, etc.]

edition: (edition) describes the particularities of one edition of a text. [2.2.2. The Edition Statement]

editionStmt: (edition statement) groups information relating to one edition of a text. [2.2.2. The Edition Statement 2.2. The File Description]

extent: (extent) describes the approximate size of a text stored on some carrier medium or of some other object, digital or non-digital, specified in any convenient units. [2.2.3. Type and Extent of File 2.2. The File Description 3.12.2.4. Imprint, Size of a Document, and Reprint Information 11.7.1. Object Description]

facsimile: contains a representation of some written source in the form of a set of images rather than as transcribed or encoded text. [12.1. Digital Facsimiles]

glyph: (character glyph) provides descriptive information about a character glyph. [5.2. Markup Constructs for Representation of Characters and Glyphs]

idno: (identifier) supplies any form of identifier used to identify some object, such as a bibliographic item, a person, a title, an organization, etc. in a standardized way. [14.3.1. Basic Principles 2.2.4. Publication, Distribution, Licensing, etc. 2.2.5. The Series Statement 3.12.2.4. Imprint, Size of a Document, and Reprint Information]

keywords: (keywords) contains a list of keywords or phrases identifying the topic or nature of a text. [2.4.3. The Text Classification]

language: (language) characterizes a single language or sublanguage used within a text. [2.4.2. Language Usage]

langUsage: (language usage) describes the languages, sublanguages, registers, dialects, etc. represented within a text. [2.4.2. Language Usage 2.4. The Profile Description 16.3.2. Declarable Elements]

licence: contains information about a licence or other legal agreement applicable to the text. [2.2.4. Publication, Distribution, Licensing, etc.]

listChange: groups a number of change descriptions associated with either the creation of a source text or the revision of an encoded text. [2.6. The Revision Description 12.7. Identifying Changes and Revisions]

listPerson: (list of persons) contains a list of descriptions, each of which provides information about an identifiable person or a group of people, for example the participants in a language interaction, or the people referred to in a historical source. [14.3.2. The Person Element 16.2. Contextual Information 2.4. The Profile Description 16.3.2. Declarable Elements]

listPlace: (list of places) contains a list of places, optionally followed by a list of relationships (other than containment) defined amongst them. [2.2.7. The Source Description 14.3.4. Places]

listPrefixDef: (list of prefix definitions) contains a list of definitions of prefixing schemes used in teidata.pointer values, showing how abbreviated URIs using each scheme may be expanded into full URIs. [17.2.3. Using Abbreviated Pointers]

localProp: (locally defined property) provides a locally defined character (or glyph) property. [5.2.1. Character Properties]

macro.abContent: (anonymous block content) defines the content of anonymous block elements. [1.3. The TEI Class System]

macro.limitedContent: (paragraph content) defines the content of prose elements that are not used for transcription of extant materials. [1.3. The TEI Class System]

macro.paraContent: (paragraph content) defines the content of paragraphs and similar elements. [1.3. The TEI Class System]

macro.phraseSeq: (phrase sequence) defines a sequence of character data and phrase-level elements. [1.4.1. Standard Content Models]

macro.phraseSeq.limited: (limited phrase sequence) defines a sequence of character data and those phrase-level elements that are not typically used for transcribing extant documents. [1.4.1. Standard Content Models]

macro.specialPara: ('special' paragraph content) defines the content model of elements such as notes or list items, which either contain a series of component-level elements or else have the same structure as a paragraph, containing a series of phrase-level and inter-level elements. [1.3. The TEI Class System]

macro.xtext: (extended text) defines a sequence of character data and gaiji elements.

mapping: (character mapping) contains one or more characters which are related to the parent character or glyph in some respect, as specified by the type attribute. [5.2. Markup Constructs for Representation of Characters and Glyphs]

model.addressLike: groups elements used to represent a postal or email address. [1. The TEI Infrastructure]

model.addrPart: groups elements such as names or postal codes which may appear as part of a postal address. [3.6.2. Addresses]

model.attributable: groups elements that contain a word or phrase that can be attributed to a source. [3.3.3. Quotation 4.3.2. Floating Texts]

model.availabilityPart: groups elements such as licences and paragraphs of text which may appear as part of an availability statement. [2.2.4. Publication, Distribution, Licensing, etc.]

model.biblLike: groups elements containing a bibliographic description. [3.12. Bibliographic Citations and References]

model.biblPart: groups elements which represent components of a bibliographic description. [3.12. Bibliographic Citations and References]

model.castItemPart: groups component elements of an entry in a cast list, such as dramatic role or actor's name.

model.catDescPart: groups component elements of the TEI header Category Description.

model.choicePart: groups elements (other than choice itself) which can be used within a choice alternation. [3.5. Simple Editorial Changes]

model.cmc: includes the CMC-specific element <post> and makes it available on the divPart level. This allows for using (and combining) occurrences of <post>, <u>, <incident>, and <kinesic> in one and the same div in order to be able to represent the combined use of written and spoken posts, utterances, and nonverbal acts on the GUI of multimodal CMC environments.

model.common: groups common chunk- and inter-level elements. [1.3. The TEI Class System]

model.dateLike: groups elements containing temporal expressions. [3.6.4. Dates and Times 14.4. Dates]

model.descLike: groups elements which contain a description of their function.

model.describedResource: groups elements which contain the content of a digital resource and its metadata; these elements may serve as the outermost or ‘root’ element of a TEI-conformant document. [1.3. The TEI Class System]

model.div1Like: groups top-level structural divisions.

model.divBottom: groups elements appearing at the end of a text division. [4.2. Elements Common to All Divisions]

model.divBottomPart: groups elements which can occur only at the end of a text division. [4.6. Title Pages]

model.divGenLike: groups elements used to represent a structural division which is generated rather than explicitly present in the source.

model.divLike: groups elements used to represent un-numbered generic structural divisions.

model.divPart: groups paragraph-level elements appearing directly within divisions. [1.3. The TEI Class System]

model.divTop: groups elements appearing at the beginning of a text division. [4.2. Elements Common to All Divisions]

model.divTopPart: groups elements which can occur only at the beginning of a text division. [4.6. Title Pages]

model.divWrapper: groups elements which can appear at either top or bottom of a textual division. [4.2. Elements Common to All Divisions]

model.editorialDeclPart: groups elements which may be used inside editorialDecl and appear multiple times.

model.emphLike: groups phrase-level elements which are typographically distinct and to which a specific function can be attributed. [3.3. Highlighting and Quotation]

model.encodingDescPart: groups elements which may be used inside encodingDesc and appear multiple times.

model.eventLike: groups elements which describe events.

model.frontPart: groups elements which appear at the level of divisions within front or back matter. [7.1. Front and Back Matter ]

model.frontPart.drama: groups elements which appear at the level of divisions within front or back matter of performance texts only. [7.1. Front and Back Matter ]

model.gLike: groups elements used to represent individual non-Unicode characters or glyphs.

model.global: groups elements which may appear at any point within a TEI text. [1.3. The TEI Class System]

model.global.edit: groups globally available elements which perform a specifically editorial function. [1.3. The TEI Class System]

model.global.meta: groups globally available elements which describe the status of other elements. [1.3. The TEI Class System]

model.graphicLike: groups elements containing images, formulae, and similar objects. [3.10. Graphics and Other Non-textual Components]

model.headLike: groups elements used to provide a title or heading at the start of a text division.

model.highlighted: groups phrase-level elements which are typographically distinct. [3.3. Highlighting and Quotation]

model.hiLike: groups phrase-level elements which are typographically distinct but to which no specific function can be attributed. [3.3. Highlighting and Quotation]

model.imprintPart: groups the bibliographic elements which occur inside imprints. [3.12. Bibliographic Citations and References]

model.inter: groups elements which can appear either within or between paragraph-like elements. [1.3. The TEI Class System]

model.labelLike: groups elements used to gloss or explain other parts of a document.

model.limitedPhrase: groups phrase-level elements excluding those elements primarily intended for transcription of existing sources. [1.3. The TEI Class System]

model.linePart: groups transcriptional elements which appear within lines or zones of a source-oriented transcription within a <sourceDoc> element.

model.listLike: groups list-like elements. [3.8. Lists]

model.lLike: groups elements representing metrical components such as verse lines.

model.lPart: groups phrase-level elements which may appear within verse only. [6.2. Components of the Verse Line]

model.measureLike: groups elements which denote a number, a quantity, a measurement, or similar piece of text that conveys some numerical meaning. [3.6.3. Numbers and Measures]

model.milestoneLike: groups milestone-style elements used to represent reference systems. [1.3. The TEI Class System 3.11.3. Milestone Elements]

model.nameLike: groups elements which name or refer to a person, place, or organization.

model.nameLike.agent: groups elements which contain names of individuals or corporate bodies. [3.6. Names, Numbers, Dates, Abbreviations, and Addresses]

model.noteLike: groups globally-available note-like elements. [3.9. Notes, Annotation, and Indexing]

model.paraPart: groups elements that may appear in paragraphs and similar elements. [3.1. Paragraphs]

model.personLike: groups elements which provide information about people and their relationships.

model.personPart: groups elements which form part of the description of a person. [16.2.2. The Participant Description]

model.persStateLike: groups elements describing changeable characteristics of a person which have a definite duration, for example occupation, residence, or name.

model.phrase: groups elements which can occur at the level of individual words or phrases. [1.3. The TEI Class System]

model.phrase.xml: groups phrase-level elements used to encode XML constructs such as element names, attribute names, and attribute values. [23. Documentation Elements]

model.placeLike: groups elements used to provide information about places and their relationships.

model.pLike: groups paragraph-like elements.

model.pLike.front: groups paragraph-like elements which can occur as direct constituents of front matter. [4.6. Title Pages]

model.pPart.data: groups phrase-level elements containing names, dates, numbers, measures, and similar data. [3.6. Names, Numbers, Dates, Abbreviations, and Addresses]

model.pPart.edit: groups phrase-level elements for simple editorial correction and transcription. [3.5. Simple Editorial Changes]

model.pPart.editorial: groups phrase-level elements for simple editorial interventions that may be useful both in transcribing and in authoring. [3.5. Simple Editorial Changes]

model.pPart.transcriptional: groups phrase-level elements used for editorial transcription of pre-existing source materials. [3.5. Simple Editorial Changes]

model.profileDescPart: groups elements which may be used inside profileDesc and appear multiple times.

model.ptrLike: groups elements used for purposes of location and reference. [3.7. Simple Links and Cross-References]

model.publicationStmtPart.agency: groups the child elements of a publicationStmt element of the TEI header that indicate an authorising agent. [2.2.4. Publication, Distribution, Licensing, etc.]

model.publicationStmtPart.detail: groups the agency-specific child elements of the publicationStmt element of the TEI header. [2.2.4. Publication, Distribution, Licensing, etc.]

model.quoteLike: groups elements used to directly contain quotations.

model.resource: groups separate elements which constitute the content of a digital resource, as opposed to its metadata. [1.3. The TEI Class System]

model.respLike: groups elements which are used to indicate intellectual or other significant responsibility, for example within a bibliographic element.

model.segLike: groups elements used for arbitrary segmentation. [17.3. Blocks, Segments, and Anchors 18.1. Linguistic Segment Categories]

model.sourceDescPart: groups elements which may be used inside sourceDesc and appear multiple times.

model.stageLike: groups elements containing stage directions or similar things defined by the module for performance texts. [7.3. Other Types of Performance Text]

model.teiHeaderPart: groups high level elements which may appear more than once in a TEI header.

model.titlepagePart: groups elements which can occur as direct constituents of a title page, such as docTitle, docAuthor, docImprint, or epigraph. [4.6. Title Pages]

namespace: (namespace) supplies the formal name of the namespace to which the elements documented by its children belong. [2.3.4. The Tagging Declaration]

notesStmt: (notes statement) collects together any notes providing information about a text additional to that recorded in other parts of the bibliographic description. [2.2.6. The Notes Statement 2.2. The File Description]

prefixDef: (prefix definition) defines a prefixing scheme used in teidata.pointer values, showing how abbreviated URIs using the scheme may be expanded into full URIs. [17.2.3. Using Abbreviated Pointers]

projectDesc: (project description) describes in detail the aim or purpose for which an electronic file was encoded, together with any other relevant information concerning the process by which it was assembled or collected. [2.3.1. The Project Description 2.3. The Encoding Description 16.3.2. Declarable Elements]

publicationStmt: (publication statement) groups information concerning the publication or distribution of an electronic or other text. [2.2.4. Publication, Distribution, Licensing, etc. 2.2. The File Description]

refsDecl: (references declaration) specifies how canonical references are constructed for this text. [2.3.6.3. Milestone Method 2.3. The Encoding Description 2.3.6. The Reference System Declaration]

rendition: (rendition) supplies information about the rendition or appearance of one or more elements in the source text. [2.3.4. The Tagging Declaration]

resp: (responsibility) contains a phrase describing the nature of a person's intellectual responsibility, or an organization's role in the production or distribution of a work. [3.12.2.2. Titles, Authors, and Editors 2.2.1. The Title Statement 2.2.2. The Edition Statement 2.2.5. The Series Statement]

respStmt: (statement of responsibility) supplies a statement of responsibility for the intellectual content of a text, edition, recording, or series, where the specialized elements for authors, editors, etc. do not suffice or do not apply. May also be used to encode information about individuals or organizations which have played a role in the production or distribution of a bibliographic work. [3.12.2.2. Titles, Authors, and Editors 2.2.1. The Title Statement 2.2.2. The Edition Statement 2.2.5. The Series Statement]

samplingDecl: (sampling declaration) contains a prose description of the rationale and methods used in selecting texts, or parts of a text, for inclusion in the resource. [2.3.2. The Sampling Declaration 2.3. The Encoding Description 16.3.2. Declarable Elements]

seriesStmt: (series statement) groups information about the series, if any, to which a publication belongs. [2.2.5. The Series Statement 2.2. The File Description]

settingDesc: (setting description) describes the setting or settings within which a language interaction takes place, or other places otherwise referred to in a text, edition, or metadata. [16.2. Contextual Information 2.4. The Profile Description]

sourceDesc: (source description) describes the source(s) from which an electronic text was derived or generated, typically a bibliographic description in the case of a digitized text, or a phrase such as ‘born digital’ for a text which has no previous existence. [2.2.7. The Source Description]

surface: defines a written surface as a two-dimensional coordinate space, optionally grouping one or more graphic representations of that space, zones of interest within that space, and, when using an embedded transcription approach, transcriptions of the writing within them. [12.1. Digital Facsimiles 12.2.2. Embedded Transcription]

tagsDecl: (tagging declaration) provides detailed information about the tagging applied to a document. [2.3.4. The Tagging Declaration 2.3. The Encoding Description]

tagUsage: (element usage) documents the usage of a specific element within a specified document. [2.3.4. The Tagging Declaration]

teiCorpus: (TEI corpus) contains the whole of a TEI encoded corpus, comprising a single corpus header and one or more TEI elements, each containing a single text header and a text. [4. Default Text Structure 16.1. Varieties of Composite Text]

teidata.certainty: defines the range of attribute values expressing a degree of certainty.

teidata.count: defines the range of attribute values used for a non-negative integer value used as a count.

teidata.duration.iso: defines the range of attribute values available for representation of a duration in time using ISO 8601 standard formats.

teidata.duration.w3c: defines the range of attribute values available for representation of a duration in time using W3C datatypes.

teidata.enumerated: defines the range of attribute values expressed as a single XML name taken from a list of documented possibilities.

teidata.gender: defines the range of attribute values used to represent the gender of a person, persona, or character.

teidata.language: defines the range of attribute values used to identify a particular combination of human language and writing system. [6.1. Language Identification]

teidata.name: defines the range of attribute values expressed as an XML Name.

teidata.namespace: defines the range of attribute values used to indicate XML namespaces as defined by the W3C Namespaces in XML Technical Recommendation.

teidata.numeric: defines the range of attribute values used for numeric values.

teidata.outputMeasurement: defines a range of values for use in specifying the size of an object that is intended for display.

teidata.pattern: defines attribute values which are expressed as a regular expression.

teidata.point: defines the data type used to express a point in cartesian space.

teidata.pointer: defines the range of attribute values used to provide a single URI, absolute or relative, pointing to some other resource, either within the current document or elsewhere.

teidata.prefix: defines a range of values that may function as a URI scheme name.

teidata.probability: defines the range of attribute values expressing a probability.

teidata.probCert: defines a range of attribute values which can be expressed either as a numeric probability or as a coded certainty value.

teidata.replacement: defines attribute values which contain a replacement template.

teidata.sex: defines the range of attribute values used to identify the sex of an organism.

teidata.temporal.w3c: defines the range of attribute values expressing a temporal expression such as a date, a time, or a combination of them, that conform to the W3C XML Schema Part 2: Datatypes Second Edition specification.

teidata.text: defines the range of attribute values used to express some kind of identifying string as a single sequence of Unicode characters possibly including whitespace.

teidata.truthValue: defines the range of attribute values used to express a truth value.

teidata.version: defines the range of attribute values which may be used to specify a TEI or Unicode version number.

teidata.versionNumber: defines the range of attribute values used for version numbers.

teidata.word: defines the range of attribute values expressed as a single word or token.

teidata.xmlName: defines attribute values which contain an XML name.

teidata.xpath: defines attribute values which contain an XPath expression.

textClass: (text classification) groups information which describes the nature or topic of a text in terms of a standard classification scheme, thesaurus, etc. [2.4.3. The Text Classification]

titleStmt: (title statement) groups information about the title of a work and those responsible for its content. [2.2.1. The Title Statement 2.2. The File Description]

unicodeProp: (unicode property) provides a Unicode property for a character (or glyph). [5.2.1. Character Properties]

unihanProp: (unihan property) holds the name and value of a normative or informative Unihan character (or glyph) property as part of its attributes. [5.2.1. Character Properties]

xenoData: (non-TEI metadata) provides a container element into which metadata in non-TEI formats may be placed. [2.5. Non-TEI Metadata]

zone: defines any two-dimensional area within a surface element. [12.1. Digital Facsimiles 12.2.2. Embedded Transcription]

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TEI: Summary of changes⚓︎17.1. Summary of changes

The TEI simplePrint schema uses the TEI infrastructure and gaiji modules unchanged.

Module tei |
Module gaiji |

A subset of 45 elements is selected from the TEI header module. In addition, elements particDesc and settingDesc are provided from the corpus module. The class membership of particDesc is changed to ensure that it can only appear inside profileDesc. Secondly, a Schematron rule is added to the text element to ensure that elements term and biblFull can appear only in the header element, even though the schema permits them additionally in text.

Module header |
Module corpus |

Some attributes and attribute classes are removed. The range of values available for several attributes is constrained.

Class att.datcat | delete
Class att.declarable | delete
Class att.declaring | delete
Class att.ranging | delete
Class att.global.linking | change
Class att.canonical | change
Class att.editLike | change
Class att.pointing | change
Class att.global.rendition | change
Class att.placement | change
Class att.dimensions | change

The following unused model classes are removed.

Class model.certLike | delete
Class model.egLike | delete
Class model.entryPart | delete
Class model.glossLike | delete
Class model.oddDecl | delete
Class model.offsetLike | delete
Class model.pPart.msdesc | delete
Class model.placeNamePart | delete
Class model.placeStateLike | delete
Class model.specDescLike | delete

The following elements are modified by the TEI simplePrint specification, mostly by the addition of a processing model, but in other cases by additional constraints on the attributes they may have, or the values those attributes may take. Additional examples are also provided for some of them.

Element ab | change
Element abbr | change
Element actor | change
Element add | change
Element address | change
Element addrLine | change
Element <am> | change
Element anchor | change
Element argument | change
Element author | change
Element back | change
Element bibl | change
Element biblFull | change
Element biblScope | change
Element body | change
Element byline | change
Element c | change
Element castGroup | change
Element castItem | change
Element castList | change
Element cb | change
Element cell | change
Element choice | change
Element cit | change
Element closer | change
Element code | change
Element corr | change
Element date | change
Element dateline | change
Element del | change
Element desc | change
Element div | change
Element docAuthor | change
Element docDate | change
Element docEdition | change
Element docImprint | change
Element docTitle | change
Element editor | change
Element editorialDecl | change
Element email | change
Element epigraph | change
Element <ex> | change
Element expan | change
Element figDesc | change
Element figure | change
Element floatingText | change
Element foreign | change
Element formula | change
Element front | change
Element fw | change
Element g | change
Element gap | change
Element graphic | change
Element group | change
Element head | change
Element hi | change
Element imprimatur | change
Element item | change
Element l | change
Element label | change
Element lb | change
Element lg | change
Element list | change
Element listBibl | change
Element measure | change
Element milestone | change
Element name | change
Element note | change
Element num | change
Element opener | change
Element orig | change
Element p | change
Element particDesc | change
Element pb | change
Element pc | change
Element person | change
Element place | change
Element postscript | change
Element profileDesc | change
Element publisher | change
Element pubPlace | change
Element q | change
Element quote | change
Element ref | change
Element reg | change
Element relatedItem | change
Element rhyme | change
Element role | change
Element roleDesc | change
Element row | change
Element rs | change
Element s | change
Element salute | change
Element seg | change
Element set | change
Element sic | change
Element signed | change
Element sp | change
Element speaker | change
Element <spGrp> | change
Element stage | change
Element subst | change
Element supplied | change
Element table | change
Element taxonomy | change
Element fileDesc | change
Element revisionDesc | change
Element encodingDesc | change
Element teiHeader | change
Element TEI | change
Element term | change
Element text | change
Element time | change
Element title | change
Element titlePage | change
Element titlePart | change
Element trailer | change
Element unclear | change
Element w | change

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

Information about this book

Title statement

An Introduction to TEI simplePrint

Publication

For distribution from TEI

Source

This document was derived from the tutorial for TEI Lite, with substantial additions and modifications carried out within the TEI Simple project. It was also revised considerably for approval by the TEI Council.

The following definitions provide support for the style of rendition URI recommended by the Simple documentation. For them to be effective in a given document, it will be necessary to include in that document a prefix definition which specifies the location of the Simple documentation (i.e. the present document) in its replacementPattern attribute. A suggested URI is given below.

P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <charDecl> (character declarations)

These search results reproduce every example of the use of <charDecl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <charDecl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

17. The TEI simplePrint schema

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

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Home

Example: <char> (character)

These search results reproduce every example of the use of <char> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <char> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

15. The Electronic Title Page

15.2.5. The character declaration

<char xml:id="air">
 <unicodeProp name="Name"
  value="ALCHEMICAL SYMBOL FOR AIR"/>
 <mapping type="standard">🜁</mapping>
</char>

17. The TEI simplePrint schema

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <glyph> (character glyph)

These search results reproduce every example of the use of <glyph> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <glyph> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="fr_napos">
 <localProp name="nom"
  value="N latin minuscule précédé d'une apostrophe"/>
 <localProp name="entity" value="napos"/>
 <graphic url="glyph-napos.png"/>
</glyph>

<g>

<glyph xml:id="ctlig">
<!-- here we describe the particular ct-ligature intended -->
</glyph>

<g>

<glyph xml:id="flig"/>

<g>

<glyph xml:id="zh-tw_flig">
<!--...-->
</glyph>

<g>

<glyph xml:id="per-glyph">
<!-- ... -->
</glyph>

17. The TEI simplePrint schema

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="fr_napos">
 <localProp name="nom"
  value="N latin minuscule précédé d'une apostrophe"/>
 <localProp name="entity" value="napos"/>
 <graphic url="glyph-napos.png"/>
</glyph>

<g>

<glyph xml:id="ctlig">
<!-- here we describe the particular ct-ligature intended -->
</glyph>

<g>

<glyph xml:id="flig"/>

<g>

<glyph xml:id="zh-tw_flig">
<!--...-->
</glyph>

<g>

<glyph xml:id="per-glyph">
<!-- ... -->
</glyph>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <localProp> (locally defined property)

These search results reproduce every example of the use of <localProp> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <localProp> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="fr_napos">
 <localProp name="nom"
  value="N latin minuscule précédé d'une apostrophe"/>
 <localProp name="entity" value="napos"/>
 <graphic url="glyph-napos.png"/>
</glyph>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

17. The TEI simplePrint schema

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="fr_napos">
 <localProp name="nom"
  value="N latin minuscule précédé d'une apostrophe"/>
 <localProp name="entity" value="napos"/>
 <graphic url="glyph-napos.png"/>
</glyph>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

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Example: <mapping> (character mapping)

These search results reproduce every example of the use of <mapping> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <mapping> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<mapping>

<mapping type="modern">r</mapping>
<mapping type="standard">人</mapping>

<mapping>

<mapping type="modern">r</mapping>
<mapping type="standard">人</mapping>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

15. The Electronic Title Page

15.2.5. The character declaration

<char xml:id="air">
 <unicodeProp name="Name"
  value="ALCHEMICAL SYMBOL FOR AIR"/>
 <mapping type="standard">🜁</mapping>
</char>

17. The TEI simplePrint schema

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<mapping>

<mapping type="modern">r</mapping>
<mapping type="standard">人</mapping>

<mapping>

<mapping type="modern">r</mapping>
<mapping type="standard">人</mapping>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

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Example: <unihanProp> (unihan property)

These search results reproduce every example of the use of <unihanProp> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <unihanProp> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<unihanProp>

<unihanProp name="kRSKangXi" value="120.5"
 version="12.1"/>

17. The TEI simplePrint schema

<unihanProp>

<unihanProp name="kRSKangXi" value="120.5"
 version="12.1"/>

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Example: <unicodeProp> (unicode property)

These search results reproduce every example of the use of <unicodeProp> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <unicodeProp> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.gaijiProp

<unicodeProp name="Decomposition_Mapping"
 value="circle"/>

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

15. The Electronic Title Page

15.2.5. The character declaration

<char xml:id="air">
 <unicodeProp name="Name"
  value="ALCHEMICAL SYMBOL FOR AIR"/>
 <mapping type="standard">🜁</mapping>
</char>

17. The TEI simplePrint schema

att.gaijiProp

<unicodeProp name="Decomposition_Mapping"
 value="circle"/>

<charDecl>

<charDecl>
 <char xml:id="aENL">
  <unicodeProp name="Name"
   value="LATIN LETTER ENLARGED SMALL A"/>
  <mapping type="standard">a</mapping>
 </char>
</charDecl>

<char>

<char xml:id="circledU4EBA">
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<char>

<char xml:id="fr_circledU4EBA">
 <localProp name="nom"
  value="IDEOGRAMME ENCADRE 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<localProp>

<char xml:id="daikanwaU4EBA">
 <localProp name="name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="entity" value="daikanwa"/>
 <unicodeProp name="Decomposition_Mapping"
  value="circle"/>
 <mapping type="standard">人</mapping>
</char>

<unicodeProp>

<char xml:id="U4EBA_circled">
 <unicodeProp name="Decomposition_Mapping"
  value="circle" version="12.1"/>
 <localProp name="Name"
  value="CIRCLED IDEOGRAPH 4EBA"/>
 <localProp name="daikanwa" value="36"/>
 <mapping type="standard">人</mapping>
</char>

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<teiHeader>

<teiHeader> (TEI header) supplies descriptive and declarative metadata associated with a digital resource or set of resources. [2.1.1. The TEI Header and Its Components 16.1. Varieties of Composite Text]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

type type⚓︎

Status
Optional

Contained by

core: teiCorpus

textstructure: TEI

May contain

header: encodingDesc fileDesc profileDesc revisionDesc xenoData

Note

One of the few elements unconditionally required in any TEI document.

Example

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <elementRef key="fileDesc"/>
  <classRef key="model.teiHeaderPart"
   minOccurs="0" maxOccurs="unbounded"/>
  <elementRef key="revisionDesc"
   minOccurs="0"/>
 </sequence>
</content>

Schema Declaration

element teiHeader
{
   attribute type { text }?,
   ( fileDesc, model.teiHeaderPart*, revisionDesc? )
}

Processing Model

<model behaviour="metadata"/>

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Example: <teiHeader> (TEI header)

These search results reproduce every example of the use of <teiHeader> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <teiHeader> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

2. The Structure of a TEI simplePrint Document

11. Common Attributes

12. Composite and Floating Texts

15. The Electronic Title Page

17. The TEI simplePrint schema

2. The Structure of a TEI simplePrint Document

2. The Structure of a TEI simplePrint Document

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

<teiCorpus xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[header information for the corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[header information for first text]-->
  </teiHeader>
  <text>
<!--[first text in corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[header information for second text]-->
  </teiHeader>
  <text>
<!--[second text in corpus]-->
  </text>
 </TEI>
</teiCorpus>

15. The Electronic Title Page

15. The Electronic Title Page

<teiHeader>
 <fileDesc>
  <titleStmt>
<!-- [ bibliographic description of the digital resource ] -->
  </titleStmt>
  <publicationStmt>
<!-- [ information about how the resource is distributed ] -->
  </publicationStmt>
  <sourceDesc>
<!-- [ information about the sources from which the digital resource is derived ] -->
  </sourceDesc>
 </fileDesc>
</teiHeader>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<fileDesc>

<fileDesc> (file description) contains a full bibliographic description of an electronic file. [2.2. The File Description 2.1.1. The TEI Header and Its Components]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

header: biblFull teiHeader

May contain

header: editionStmt extent notesStmt publicationStmt seriesStmt sourceDesc titleStmt

Note

The major source of information for those seeking to create a catalogue entry or bibliographic citation for an electronic file. As such, it provides a title and statements of responsibility together with details of the publication or distribution of the file, of any series to which it belongs, and detailed bibliographic notes for matters not addressed elsewhere in the header. It also contains a full bibliographic description for the source or sources from which the electronic text was derived.

Example

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <sequence minOccurs="1" maxOccurs="1">
   <elementRef key="titleStmt"/>
   <elementRef key="editionStmt"
    minOccurs="0"/>
   <elementRef key="extent" minOccurs="0"/>
   <elementRef key="publicationStmt"/>
   <elementRef key="seriesStmt"
    minOccurs="0" maxOccurs="unbounded"/>
   <elementRef key="notesStmt"
    minOccurs="0"/>
  </sequence>
  <elementRef key="sourceDesc"
   minOccurs="1" maxOccurs="unbounded"/>
 </sequence>
</content>

Schema Declaration

element fileDesc
{
   (
      titleStmt,
      editionStmt?,
      extent?,
      publicationStmt,
      seriesStmt*,
      notesStmt?
   ),
   sourceDesc+
}

Processing Model

<model behaviour="title">
<param name="content" value="titleStmt"/>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <fileDesc> (file description)

These search results reproduce every example of the use of <fileDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <fileDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

15. The Electronic Title Page

15. The Electronic Title Page

<teiHeader>
 <fileDesc>
  <titleStmt>
<!-- [ bibliographic description of the digital resource ] -->
  </titleStmt>
  <publicationStmt>
<!-- [ information about how the resource is distributed ] -->
  </publicationStmt>
  <sourceDesc>
<!-- [ information about the sources from which the digital resource is derived ] -->
  </sourceDesc>
 </fileDesc>
</teiHeader>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <titleStmt> (title statement)

These search results reproduce every example of the use of <titleStmt> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <titleStmt> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

15. The Electronic Title Page

15. The Electronic Title Page

<teiHeader>
 <fileDesc>
  <titleStmt>
<!-- [ bibliographic description of the digital resource ] -->
  </titleStmt>
  <publicationStmt>
<!-- [ information about how the resource is distributed ] -->
  </publicationStmt>
  <sourceDesc>
<!-- [ information about the sources from which the digital resource is derived ] -->
  </sourceDesc>
 </fileDesc>
</teiHeader>

15. The Electronic Title Page

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <editionStmt> (edition statement)

These search results reproduce every example of the use of <editionStmt> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <editionStmt> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>初版<date>1991年，上學期</date>
 </p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>First edition, <date>Michaelmas Term, 1991.</date>
 </p>
</editionStmt>

15. The Electronic Title Page

15. The Electronic Title Page

<editionStmt>
 <edition n="U2">Third draft, substantially revised <date>1987</date>
 </edition>
</editionStmt>

17. The TEI simplePrint schema

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>初版<date>1991年，上學期</date>
 </p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>First edition, <date>Michaelmas Term, 1991.</date>
 </p>
</editionStmt>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <edition> (edition)

These search results reproduce every example of the use of <edition> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <edition> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<edition>

<edition>First edition <date>Oct 1990</date>
</edition>
<edition n="S2">Students' edition</edition>

<edition>

<edition>Première édition électronique, Nancy <date>2002</date>
</edition>

<edition>

<edition>初版<date>1990年10月</date>
</edition>
<edition n="S2">學生版</edition>

15. The Electronic Title Page

15. The Electronic Title Page

<editionStmt>
 <edition n="U2">Third draft, substantially revised <date>1987</date>
 </edition>
</editionStmt>

17. The TEI simplePrint schema

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<edition>

<edition>First edition <date>Oct 1990</date>
</edition>
<edition n="S2">Students' edition</edition>

<edition>

<edition>Première édition électronique, Nancy <date>2002</date>
</edition>

<edition>

<edition>初版<date>1990年10月</date>
</edition>
<edition n="S2">學生版</edition>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <extent> (extent)

These search results reproduce every example of the use of <extent> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <extent> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<extent>

<extent>3200 sentences</extent>
<extent>between 10 and 20 Mb</extent>
<extent>ten 3.5 inch high density diskettes</extent>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">About four megabytes</measure>
 <measure unit="pages" quantity="245">245 pages of source
   material</measure>
</extent>

<extent>

<extent>400 Seiten</extent>
<extent>ungefähr 10MB</extent>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">Ungefähr vier Megabyte</measure>
 <measure unit="pages" quantity="245">Textumfang 245 Seiten</measure>
</extent>

<extent>

<extent>198 pages</extent>
<extent>90 195 mots</extent>
<extent>1 Mo</extent>

<extent>

<extent>3200個句子</extent>
<extent>介於10 到20 Mb</extent>
<extent>10片3.5吋磁碟片</extent>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

15. The Electronic Title Page

15. The Electronic Title Page

<extent>15 Mb
</extent>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<extent>

<extent>3200 sentences</extent>
<extent>between 10 and 20 Mb</extent>
<extent>ten 3.5 inch high density diskettes</extent>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">About four megabytes</measure>
 <measure unit="pages" quantity="245">245 pages of source
   material</measure>
</extent>

<extent>

<extent>400 Seiten</extent>
<extent>ungefähr 10MB</extent>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">Ungefähr vier Megabyte</measure>
 <measure unit="pages" quantity="245">Textumfang 245 Seiten</measure>
</extent>

<extent>

<extent>198 pages</extent>
<extent>90 195 mots</extent>
<extent>1 Mo</extent>

<extent>

<extent>3200個句子</extent>
<extent>介於10 到20 Mb</extent>
<extent>10片3.5吋磁碟片</extent>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <publicationStmt> (publication statement)

These search results reproduce every example of the use of <publicationStmt> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <publicationStmt> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

15. The Electronic Title Page

15. The Electronic Title Page

<teiHeader>
 <fileDesc>
  <titleStmt>
<!-- [ bibliographic description of the digital resource ] -->
  </titleStmt>
  <publicationStmt>
<!-- [ information about how the resource is distributed ] -->
  </publicationStmt>
  <sourceDesc>
<!-- [ information about the sources from which the digital resource is derived ] -->
  </sourceDesc>
 </fileDesc>
</teiHeader>

15. The Electronic Title Page

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <distributor> (distributor)

These search results reproduce every example of the use of <distributor> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <distributor> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<distributor>

<distributor>Oxford Text Archive</distributor>
<distributor>Redwood and Burn Ltd</distributor>

<distributor>

<distributor>Laboratoire : Analyse et Traitement Informatique de la Langue Française)</distributor>
<distributor>Centre National de la Recherche Scientifique</distributor>

<distributor>

<distributor>中央研究院</distributor>
<distributor>中華電子佛典協會</distributor>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<distributor>

<distributor>Oxford Text Archive</distributor>
<distributor>Redwood and Burn Ltd</distributor>

<distributor>

<distributor>Laboratoire : Analyse et Traitement Informatique de la Langue Française)</distributor>
<distributor>Centre National de la Recherche Scientifique</distributor>

<distributor>

<distributor>中央研究院</distributor>
<distributor>中華電子佛典協會</distributor>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <idno> (identifier)

These search results reproduce every example of the use of <idno> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <idno> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<idno>

<idno type="ISSN">0143-3385</idno>
<idno type="OTA">116</idno>
<idno type="ISBN">1-896016-00-6</idno>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<idno>

<idno type="ISSN">0143-3385</idno>
<idno type="OTA">116</idno>
<idno type="ISBN">1-896016-00-6</idno>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <availability> (availability)

These search results reproduce every example of the use of <availability> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <availability> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<availability>

<availability status="restricted">
 <p>Available for academic research purposes only.</p>
</availability>
<availability status="free">
 <p>In the public domain</p>
</availability>
<availability status="restricted">
 <p>Available under licence from the publishers.</p>
</availability>

<availability>

<availability status="restricted">
 <p>L' ABES a adopté le système Créative Commons pour permettre à tous ceux qui le
   souhaitent, de reproduire tout ou partie des rubriques du site de l'ABES sur support
   papier ou support électronique.</p>
</availability>

<availability>

<availability status="restricted">
 <p>僅供學術研究使用</p>
</availability>
<availability status="free">
 <p>用於公共領域</p>
</availability>
<availability status="restricted">
 <p>需徵求出版商授權</p>
</availability>

<availability>

<availability>
 <licence target="http://opensource.org/licenses/MIT">
  <p>The MIT License
     applies to this document.</p>
  <p>Copyright (C) 2011 by The University of Victoria</p>
  <p>Permission is hereby granted, free of charge, to any person obtaining a copy
     of this software and associated documentation files (the "Software"), to deal
     in the Software without restriction, including without limitation the rights
     to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
     copies of the Software, and to permit persons to whom the Software is
     furnished to do so, subject to the following conditions:</p>
  <p>The above copyright notice and this permission notice shall be included in
     all copies or substantial portions of the Software.</p>
  <p>THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
     IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
     FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
     AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
     LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
     OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
     THE SOFTWARE.</p>
 </licence>
</availability>

<licence>

<availability>
 <licence target="http://creativecommons.org/licenses/by/3.0/"
  notBefore="2013-01-01">
  <p>The Creative Commons Attribution 3.0 Unported (CC BY 3.0) Licence
     applies to this document.</p>
  <p>The licence was added on January 1, 2013.</p>
 </licence>
</availability>

15. The Electronic Title Page

15. The Electronic Title Page

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<availability>

<availability status="restricted">
 <p>Available for academic research purposes only.</p>
</availability>
<availability status="free">
 <p>In the public domain</p>
</availability>
<availability status="restricted">
 <p>Available under licence from the publishers.</p>
</availability>

<availability>

<availability status="restricted">
 <p>L' ABES a adopté le système Créative Commons pour permettre à tous ceux qui le
   souhaitent, de reproduire tout ou partie des rubriques du site de l'ABES sur support
   papier ou support électronique.</p>
</availability>

<availability>

<availability status="restricted">
 <p>僅供學術研究使用</p>
</availability>
<availability status="free">
 <p>用於公共領域</p>
</availability>
<availability status="restricted">
 <p>需徵求出版商授權</p>
</availability>

<availability>

<availability>
 <licence target="http://opensource.org/licenses/MIT">
  <p>The MIT License
     applies to this document.</p>
  <p>Copyright (C) 2011 by The University of Victoria</p>
  <p>Permission is hereby granted, free of charge, to any person obtaining a copy
     of this software and associated documentation files (the "Software"), to deal
     in the Software without restriction, including without limitation the rights
     to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
     copies of the Software, and to permit persons to whom the Software is
     furnished to do so, subject to the following conditions:</p>
  <p>The above copyright notice and this permission notice shall be included in
     all copies or substantial portions of the Software.</p>
  <p>THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
     IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
     FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
     AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
     LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
     OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
     THE SOFTWARE.</p>
 </licence>
</availability>

<licence>

<availability>
 <licence target="http://creativecommons.org/licenses/by/3.0/"
  notBefore="2013-01-01">
  <p>The Creative Commons Attribution 3.0 Unported (CC BY 3.0) Licence
     applies to this document.</p>
  <p>The licence was added on January 1, 2013.</p>
 </licence>
</availability>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <licence>

These search results reproduce every example of the use of <licence> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <licence> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<availability>

<availability>
 <licence target="http://opensource.org/licenses/MIT">
  <p>The MIT License
     applies to this document.</p>
  <p>Copyright (C) 2011 by The University of Victoria</p>
  <p>Permission is hereby granted, free of charge, to any person obtaining a copy
     of this software and associated documentation files (the "Software"), to deal
     in the Software without restriction, including without limitation the rights
     to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
     copies of the Software, and to permit persons to whom the Software is
     furnished to do so, subject to the following conditions:</p>
  <p>The above copyright notice and this permission notice shall be included in
     all copies or substantial portions of the Software.</p>
  <p>THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
     IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
     FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
     AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
     LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
     OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
     THE SOFTWARE.</p>
 </licence>
</availability>

<licence>

<licence target="http://www.nzetc.org/tm/scholarly/tei-NZETC-Help.html#licensing"> Licence: Creative Commons Attribution-Share Alike 3.0 New Zealand Licence
</licence>

<licence>

<licence target="http://creativecommons.org/licenses/by/3.0/deed.fr"> Creative Commons Attribution 3.0 non transposé (CC BY 3.0)
</licence>

<licence>

<licence target="http://creativecommons.org/licenses/by-sa/2.0/"> Ce document
est publié librement sur le web à destination de la communauté scientifique
dans le cadre de la licence Creative Commons « Paternité-Pas d’Utilisation
Commerciale-Partage des Conditions Initiales à l’Identique 2.0 France ».
</licence>

<licence>

<availability>
 <licence target="http://creativecommons.org/licenses/by/3.0/"
  notBefore="2013-01-01">
  <p>The Creative Commons Attribution 3.0 Unported (CC BY 3.0) Licence
     applies to this document.</p>
  <p>The licence was added on January 1, 2013.</p>
 </licence>
</availability>

15. The Electronic Title Page

15. The Electronic Title Page

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<availability>

<availability>
 <licence target="http://opensource.org/licenses/MIT">
  <p>The MIT License
     applies to this document.</p>
  <p>Copyright (C) 2011 by The University of Victoria</p>
  <p>Permission is hereby granted, free of charge, to any person obtaining a copy
     of this software and associated documentation files (the "Software"), to deal
     in the Software without restriction, including without limitation the rights
     to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
     copies of the Software, and to permit persons to whom the Software is
     furnished to do so, subject to the following conditions:</p>
  <p>The above copyright notice and this permission notice shall be included in
     all copies or substantial portions of the Software.</p>
  <p>THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
     IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
     FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
     AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
     LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
     OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
     THE SOFTWARE.</p>
 </licence>
</availability>

<licence>

<licence target="http://www.nzetc.org/tm/scholarly/tei-NZETC-Help.html#licensing"> Licence: Creative Commons Attribution-Share Alike 3.0 New Zealand Licence
</licence>

<licence>

<licence target="http://creativecommons.org/licenses/by/3.0/deed.fr"> Creative Commons Attribution 3.0 non transposé (CC BY 3.0)
</licence>

<licence>

<licence target="http://creativecommons.org/licenses/by-sa/2.0/"> Ce document
est publié librement sur le web à destination de la communauté scientifique
dans le cadre de la licence Creative Commons « Paternité-Pas d’Utilisation
Commerciale-Partage des Conditions Initiales à l’Identique 2.0 France ».
</licence>

<licence>

<availability>
 <licence target="http://creativecommons.org/licenses/by/3.0/"
  notBefore="2013-01-01">
  <p>The Creative Commons Attribution 3.0 Unported (CC BY 3.0) Licence
     applies to this document.</p>
  <p>The licence was added on January 1, 2013.</p>
 </licence>
</availability>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <seriesStmt> (series statement)

These search results reproduce every example of the use of <seriesStmt> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <seriesStmt> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

17. The TEI simplePrint schema

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <notesStmt> (notes statement)

These search results reproduce every example of the use of <notesStmt> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <notesStmt> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<notesStmt>

<notesStmt>
 <note>Historical commentary provided by Mark Cohen</note>
 <note>OCR scanning done at University of Toronto</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>Les photographies, héliogravures et cartes postales colorisées signées Lehnert
   &amp; Landrock, de techniques novatrices, sont réellement des œuvres d'art ; elles
   apportent en outre une documentation considérable sur la Tunisie du début du XXe
   siècle.</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>歷史評論由馬克．可漢提共</note>
 <note>OCR光學辨識掃描於多倫多大學</note>
</notesStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

17. The TEI simplePrint schema

<notesStmt>

<notesStmt>
 <note>Historical commentary provided by Mark Cohen</note>
 <note>OCR scanning done at University of Toronto</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>Les photographies, héliogravures et cartes postales colorisées signées Lehnert
   &amp; Landrock, de techniques novatrices, sont réellement des œuvres d'art ; elles
   apportent en outre une documentation considérable sur la Tunisie du début du XXe
   siècle.</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>歷史評論由馬克．可漢提共</note>
 <note>OCR光學辨識掃描於多倫多大學</note>
</notesStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <sourceDesc> (source description)

These search results reproduce every example of the use of <sourceDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <sourceDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>Texte original : le texte a été créé sous sa forme électronique.</p>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>無來源：以電腦可讀格式建立</p>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>Born digital: no previous source exists.</p>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

15. The Electronic Title Page

15. The Electronic Title Page

<teiHeader>
 <fileDesc>
  <titleStmt>
<!-- [ bibliographic description of the digital resource ] -->
  </titleStmt>
  <publicationStmt>
<!-- [ information about how the resource is distributed ] -->
  </publicationStmt>
  <sourceDesc>
<!-- [ information about the sources from which the digital resource is derived ] -->
  </sourceDesc>
 </fileDesc>
</teiHeader>

15. The Electronic Title Page

<sourceDesc>
 <bibl>The first folio of Shakespeare, prepared by Charlton Hinman (The Norton
   Facsimile, 1968)</bibl>
</sourceDesc>

15. The Electronic Title Page

<sourceDesc>
 <bibl>
  <author>CNN Network News</author>
  <title>News headlines</title>
  <date>12 Jun 1989</date>
 </bibl>
</sourceDesc>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>Texte original : le texte a été créé sous sa forme électronique.</p>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>無來源：以電腦可讀格式建立</p>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>Born digital: no previous source exists.</p>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<biblFull>

<biblFull> (fully-structured bibliographic citation) contains a fully-structured bibliographic citation, in which all components of the TEI file description are present. [3.12.1. Methods of Encoding Bibliographic References and Lists of References 2.2. The File Description 2.2.7. The Source Description 16.3.2. Declarable Elements]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

att.cmc

@generatedBy

att.docStatus

@status

att.sortable

@sortKey

Member of

model.biblLike

Contained by

core: add cit corr del desc head hi item l listBibl note orig p q quote ref reg relatedItem sic stage title unclear

drama: castList set

figures: cell figDesc figure

header: change licence rendition sourceDesc tagUsage taxonomy

linking: ab seg

namesdates: person place

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

header: editionStmt extent fileDesc notesStmt profileDesc publicationStmt seriesStmt sourceDesc titleStmt

Example

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1" maxOccurs="1">
  <sequence minOccurs="1" maxOccurs="1">
   <sequence minOccurs="1" maxOccurs="1">
    <elementRef key="titleStmt"/>
    <elementRef key="editionStmt"
     minOccurs="0"/>
    <elementRef key="extent" minOccurs="0"/>
    <elementRef key="publicationStmt"/>
    <elementRef key="seriesStmt"
     minOccurs="0" maxOccurs="unbounded"/>
    <elementRef key="notesStmt"
     minOccurs="0"/>
   </sequence>
   <elementRef key="sourceDesc"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <sequence minOccurs="1" maxOccurs="1">
   <elementRef key="fileDesc"/>
   <elementRef key="profileDesc"/>
  </sequence>
 </alternate>
</content>

Schema Declaration

element biblFull
{
   (
      (
         titleStmt,
         editionStmt?,
         extent?,
         publicationStmt,
         seriesStmt*,
         notesStmt?
      ),
      sourceDesc*
   )
 | ( fileDesc, profileDesc )
}

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

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Example: <biblFull> (fully-structured bibliographic citation)

These search results reproduce every example of the use of <biblFull> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <biblFull> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<encodingDesc>

<encodingDesc> (encoding description) documents the relationship between an electronic text and the source or sources from which it was derived. [2.3. The Encoding Description 2.1.1. The TEI Header and Its Components]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.teiHeaderPart

Contained by

header: teiHeader

May contain

core: p

gaiji: charDecl

header: classDecl editorialDecl listPrefixDef projectDesc refsDecl samplingDecl tagsDecl

linking: ab

Example

<encodingDesc>
 <p>Basic encoding, capturing lexical information only. All
   hyphenation, punctuation, and variant spellings normalized. No
   formatting or layout information preserved.</p>
</encodingDesc>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1"
  maxOccurs="unbounded">
  <classRef key="model.encodingDescPart"/>
  <classRef key="model.pLike"/>
 </alternate>
</content>

Schema Declaration

element encodingDesc { ( model.encodingDescPart | model.pLike )+ }

Processing Model

<model behaviour="omit"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <encodingDesc> (encoding description)

These search results reproduce every example of the use of <encodingDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <encodingDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<encodingDesc>

<encodingDesc>
 <p>Basic encoding, capturing lexical information only. All
   hyphenation, punctuation, and variant spellings normalized. No
   formatting or layout information preserved.</p>
</encodingDesc>

<encodingDesc>

<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
 </projectDesc>
 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

15. The Electronic Title Page

15. The Electronic Title Page

<encodingDesc>
 <projectDesc>
  <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990. </p>
 </projectDesc>
</encodingDesc>

15. The Electronic Title Page

<encodingDesc>
 <samplingDecl>
  <p>Samples of 2000 words taken from the beginning of the text</p>
 </samplingDecl>
</encodingDesc>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<encodingDesc>

<encodingDesc>
 <p>Basic encoding, capturing lexical information only. All
   hyphenation, punctuation, and variant spellings normalized. No
   formatting or layout information preserved.</p>
</encodingDesc>

<encodingDesc>

<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
 </projectDesc>
 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <projectDesc> (project description)

These search results reproduce every example of the use of <projectDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <projectDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<encodingDesc>

<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
 </projectDesc>
 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<projectDesc>

<projectDesc>
 <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990</p>
</projectDesc>

<projectDesc>

<projectDesc>
 <p>La saisie a été effectuée par notre partenaire Datactivity. Le texte saisi a été
   ensuite converti et remis en forme selon les normes du format XML, standard d’échange ou
   d’affichage de documents permettant de séparer la forme et le contenu et offrant une
   déclinaison d’outils qui donnent la possibilité d’exploiter un texte comme une véritable
   base de données. La norme adoptée (DTD) est le TEI (Text Encoding Initiative). </p>
 <p> Affichage et manipulation du texte (mise au format, filtrage, réorganisation) se font
   sur un serveur Apache à l'aide de l'infrastructure Axkit.</p>
 <p> Le moteur logiciel du site a été développé en Xpathscript et s'appuie sur les travaux
   de Dominique Quatravaux (Alliance Francophone Pour l'Avancement d'XPathScript) et de
   Yanick Champoux (support de Libxml via YPathScript).</p>
 <p>Les programmes développés pour le site sont mis à la disposition en open-source sur
   demande (contacter Alexandre Gefen). </p>
 <p>Les fonctions de recherche plein texte sont fournies par Philologic dans le cadre du
   partenariat du projet avec ARTFL.</p>
 <p>L’architecture de travail, sous Linux, est destinée à garantir une haute disponibilité
   et des performances optimales. La liaison avec Internet est assurée par les services
   informatiques de l’Université de Neuchâtel (SITEL).</p>
</projectDesc>

<projectDesc>

<projectDesc>
 <p>文件收集於1990年7月，杭州杜甫詩作研討會使用</p>
</projectDesc>

15. The Electronic Title Page

15. The Electronic Title Page

<encodingDesc>
 <projectDesc>
  <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990. </p>
 </projectDesc>
</encodingDesc>

17. The TEI simplePrint schema

<encodingDesc>

<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
 </projectDesc>
 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<projectDesc>

<projectDesc>
 <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990</p>
</projectDesc>

<projectDesc>

<projectDesc>
 <p>La saisie a été effectuée par notre partenaire Datactivity. Le texte saisi a été
   ensuite converti et remis en forme selon les normes du format XML, standard d’échange ou
   d’affichage de documents permettant de séparer la forme et le contenu et offrant une
   déclinaison d’outils qui donnent la possibilité d’exploiter un texte comme une véritable
   base de données. La norme adoptée (DTD) est le TEI (Text Encoding Initiative). </p>
 <p> Affichage et manipulation du texte (mise au format, filtrage, réorganisation) se font
   sur un serveur Apache à l'aide de l'infrastructure Axkit.</p>
 <p> Le moteur logiciel du site a été développé en Xpathscript et s'appuie sur les travaux
   de Dominique Quatravaux (Alliance Francophone Pour l'Avancement d'XPathScript) et de
   Yanick Champoux (support de Libxml via YPathScript).</p>
 <p>Les programmes développés pour le site sont mis à la disposition en open-source sur
   demande (contacter Alexandre Gefen). </p>
 <p>Les fonctions de recherche plein texte sont fournies par Philologic dans le cadre du
   partenariat du projet avec ARTFL.</p>
 <p>L’architecture de travail, sous Linux, est destinée à garantir une haute disponibilité
   et des performances optimales. La liaison avec Internet est assurée par les services
   informatiques de l’Université de Neuchâtel (SITEL).</p>
</projectDesc>

<projectDesc>

<projectDesc>
 <p>文件收集於1990年7月，杭州杜甫詩作研討會使用</p>
</projectDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <samplingDecl> (sampling declaration)

These search results reproduce every example of the use of <samplingDecl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <samplingDecl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<encodingDesc>

<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
 </projectDesc>
 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<samplingDecl>

<samplingDecl>
 <p>Samples of up to 2000 words taken at random from the beginning, middle, or end of each
   text identified as relevant by respondents.</p>
</samplingDecl>

<samplingDecl>

<samplingDecl>
 <p>Corpus
   d'échantillons de 2000 mots pris au début de chaque texte. </p>
</samplingDecl>

15. The Electronic Title Page

15. The Electronic Title Page

<encodingDesc>
 <samplingDecl>
  <p>Samples of 2000 words taken from the beginning of the text</p>
 </samplingDecl>
</encodingDesc>

17. The TEI simplePrint schema

<encodingDesc>

<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
 </projectDesc>
 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<samplingDecl>

<samplingDecl>
 <p>Samples of up to 2000 words taken at random from the beginning, middle, or end of each
   text identified as relevant by respondents.</p>
</samplingDecl>

<samplingDecl>

<samplingDecl>
 <p>Corpus
   d'échantillons de 2000 mots pris au début de chaque texte. </p>
</samplingDecl>

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§

Home

<editorialDecl>

<editorialDecl> (editorial practice declaration) provides details of editorial principles and practices applied during the encoding of a text. [2.3.3. The Editorial Practices Declaration 2.3. The Encoding Description 16.3.2. Declarable Elements]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.encodingDescPart

Contained by

header: encodingDesc

May contain

core: p

linking: ab

Example

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1"
  maxOccurs="unbounded">
  <classRef key="model.pLike"/>
  <classRef key="model.editorialDeclPart"/>
 </alternate>
</content>

Schema Declaration

element editorialDecl { ( model.pLike | model.editorialDeclPart )+ }

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <editorialDecl> (editorial practice declaration)

These search results reproduce every example of the use of <editorialDecl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <editorialDecl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

15. The Electronic Title Page

15. The Electronic Title Page

<editorialDecl>
 <p>The part of speech analysis applied throughout section 4 was added by hand and
   has not been checked.</p>
 <p>Errors in transcription controlled by using the WordPerfect spelling
   checker.</p>
 <p>All words converted to Modern American spelling using Webster's 9th Collegiate
   dictionary.</p>
</editorialDecl>

17. The TEI simplePrint schema

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

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Example: <tagsDecl> (tagging declaration)

These search results reproduce every example of the use of <tagsDecl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <tagsDecl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<rendition>

<tagsDecl>
 <rendition xml:id="r-center" scheme="css">text-align: center;</rendition>
 <rendition xml:id="r-small" scheme="css">font-size: small;</rendition>
 <rendition xml:id="r-large" scheme="css">font-size: large;</rendition>
 <rendition xml:id="initcaps"
  scope="first-letter" scheme="css">font-size: xx-large</rendition>
</tagsDecl>

15. The Electronic Title Page

15.2.3. Tagging Declaration

<tagsDecl partial="true">
 <rendition xml:id="rend-bo">font-weight:bold</rendition>
 <rendition xml:id="rend-it"
  selector="hi, title">font-style:italic</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
</tagsDecl>

17. The TEI simplePrint schema

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<rendition>

<tagsDecl>
 <rendition xml:id="r-center" scheme="css">text-align: center;</rendition>
 <rendition xml:id="r-small" scheme="css">font-size: small;</rendition>
 <rendition xml:id="r-large" scheme="css">font-size: large;</rendition>
 <rendition xml:id="initcaps"
  scope="first-letter" scheme="css">font-size: xx-large</rendition>
</tagsDecl>

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Example: <tagUsage> (element usage)

These search results reproduce every example of the use of <tagUsage> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <tagUsage> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> Used only to mark English words
   italicized in the copy text </tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="foreign">Employé pour marquer des mots non-français dans le
   texte.</tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> 僅用於標示副本上的斜體英文字</tagUsage>
</namespace>

15. The Electronic Title Page

15.2.3. Tagging Declaration

<tagsDecl partial="true">
 <rendition xml:id="rend-bo">font-weight:bold</rendition>
 <rendition xml:id="rend-it"
  selector="hi, title">font-style:italic</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
</tagsDecl>

17. The TEI simplePrint schema

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> Used only to mark English words
   italicized in the copy text </tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="foreign">Employé pour marquer des mots non-français dans le
   texte.</tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> 僅用於標示副本上的斜體英文字</tagUsage>
</namespace>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <namespace> (namespace)

These search results reproduce every example of the use of <namespace> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <namespace> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> Used only to mark English words
   italicized in the copy text </tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="foreign">Employé pour marquer des mots non-français dans le
   texte.</tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> 僅用於標示副本上的斜體英文字</tagUsage>
</namespace>

15. The Electronic Title Page

15.2.3. Tagging Declaration

<tagsDecl partial="true">
 <rendition xml:id="rend-bo">font-weight:bold</rendition>
 <rendition xml:id="rend-it"
  selector="hi, title">font-style:italic</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
</tagsDecl>

17. The TEI simplePrint schema

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> Used only to mark English words
   italicized in the copy text </tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="foreign">Employé pour marquer des mots non-français dans le
   texte.</tagUsage>
</namespace>

<namespace>

<namespace name="http://www.tei-c.org/ns/1.0">
 <tagUsage gi="hi" occurs="28" withId="2"> 僅用於標示副本上的斜體英文字</tagUsage>
</namespace>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <rendition> (rendition)

These search results reproduce every example of the use of <rendition> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <rendition> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>épître dédicatoire <lb/>à <lb/>Monsieur de Coucy <lb/>
</head>
<rendition xml:id="fr_sc" scheme="css">font-variant: uppercase</rendition>
<rendition xml:id="fr_ac" scheme="css">text-align: center</rendition>

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<rendition>

<rendition scheme="css"
 selector="text, front, back, body, div, p, ab">
display: block;
</rendition>

<rendition>

<rendition scheme="css"
 selector="*[rend*=italic]"> font-style: italic;
</rendition>

<rendition>

<tagsDecl>
 <rendition xml:id="r-center" scheme="css">text-align: center;</rendition>
 <rendition xml:id="r-small" scheme="css">font-size: small;</rendition>
 <rendition xml:id="r-large" scheme="css">font-size: large;</rendition>
 <rendition xml:id="initcaps"
  scope="first-letter" scheme="css">font-size: xx-large</rendition>
</tagsDecl>

15. The Electronic Title Page

15.2.3. Tagging Declaration

<tagsDecl partial="true">
 <rendition xml:id="rend-bo">font-weight:bold</rendition>
 <rendition xml:id="rend-it"
  selector="hi, title">font-style:italic</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
</tagsDecl>

17. The TEI simplePrint schema

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>épître dédicatoire <lb/>à <lb/>Monsieur de Coucy <lb/>
</head>
<rendition xml:id="fr_sc" scheme="css">font-variant: uppercase</rendition>
<rendition xml:id="fr_ac" scheme="css">text-align: center</rendition>

<tagsDecl>

<tagsDecl partial="true">
 <rendition xml:id="rend-it" scheme="css"
  selector="emph, hi, name, title">font-style: italic;</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="467"/>
  <tagUsage gi="title" occurs="45"/>
 </namespace>
 <namespace name="http://docbook.org/ns/docbook">
  <tagUsage gi="para" occurs="10"/>
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl partial="true">
 <rendition xml:id="it" scheme="css"
  selector="foreign, hi"> font-style: italic; </rendition>
<!-- ... -->
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="hi" occurs="28" withId="2"> Used to mark English words italicized in the copy text.</tagUsage>
  <tagUsage gi="foreign">Used to mark non-English words in the copy text.</tagUsage>
<!-- ... -->
 </namespace>
</tagsDecl>

<tagUsage>

<tagsDecl>
 <rendition xml:id="fr_it">A noter l'emploi d'une variante penchée ou italique dans la fonte
   actuelle.</rendition>
 <namespace name="http://www.tei-c.org/ns/1.0">
  <tagUsage gi="abbr"> Les abréviations étant très courantes et de type
  <term>brevigraph</term> (voir le manuel TEI), l'attribut "type" a cette valeur par
     défaut. Dans les autres cas, ("Sénécial" abrégé par "Sénat") , l'attribut "type " a
     explicitement la valeur "contraction" et l'attribut "expan" contient la forme
     développée.</tagUsage>
  <tagUsage gi="lb">Chaque ligne est numérotée depuis le début du corps de la lettre (sauf
     le titre).</tagUsage>
  <tagUsage gi="lb">Chaque page est numérotée sous la forme d'un numéro de folio suivi de
     "recto" ou "verso". Dans certains cas, le foliotage réel n'est pas celui qui est
     indiqué sur le registre. Dans ce cas, les deux numérotations sont gardées.</tagUsage>
  <tagUsage gi="unclear">Mots difficiles à lire</tagUsage>
  <tagUsage gi="opener">Phrase(s) d'introduction de la lettre.</tagUsage>
  <tagUsage gi="signed">Signature du copiste.</tagUsage>
 </namespace>
</tagsDecl>

<rendition>

<rendition scheme="css"
 selector="text, front, back, body, div, p, ab">
display: block;
</rendition>

<rendition>

<rendition scheme="css"
 selector="*[rend*=italic]"> font-style: italic;
</rendition>

<rendition>

<tagsDecl>
 <rendition xml:id="r-center" scheme="css">text-align: center;</rendition>
 <rendition xml:id="r-small" scheme="css">font-size: small;</rendition>
 <rendition xml:id="r-large" scheme="css">font-size: large;</rendition>
 <rendition xml:id="initcaps"
  scope="first-letter" scheme="css">font-size: xx-large</rendition>
</tagsDecl>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <refsDecl> (references declaration)

These search results reproduce every example of the use of <refsDecl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <refsDecl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<refsDecl>

<refsDecl>
 <cRefPattern matchPattern="([A-Za-z0-9]+) ([0-9]+):([0-9]+)"
  replacementPattern="#xpath(//body/div[@n='$1']/div[$2]/div3[$3])"/>
</refsDecl>

<refsDecl>

<refsDecl>
 <cRefPattern matchPattern="([A-Za-z0-9]+) ([0-9]+):([0-9]+)"
  replacementPattern="#xpath(//body/div[@n='$1']/div[$2]/div3[$3])"/>
</refsDecl>

<refsDecl>

<refsDecl xml:id="fr_ASLREF">
 <cRefPattern matchPattern="(\S+) ([^.]+)\.(.*)"
  replacementPattern="#fr_xpath(//div1[@n='$1']/div2/[@n='$2']//lb[@n='$3'])">
  <p>Une référence a été créée en assemblant les éléments suivants dans l'ordre inverse de
     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
    <item>la valeur <att>n</att> de l'ancêtre <gi>div2</gi>
    </item>
    <item>un espace</item>
    <item>la valeur<att>n</att> du parent <gi>div1</gi>
    </item>
   </list>
  </p>
 </cRefPattern>
</refsDecl>

<refsDecl>

<refsDecl>
 <p>參照是將位於最高層級的<gi>div</gi>元素的屬性<att>n</att>值串聯起來，
   其後跟著空格和續接的下一層級<gi>div</gi>，接著冒點，
   然後是續接的下一(最低) 層級的<gi>div</gi>所組成。</p>
</refsDecl>

<refsDecl>

<refsDecl>
 <p>References are made up by concatenating the value for the
 <att>n</att> attribute on the highest level <gi>div</gi>
   element, followed by a space, followed by the sequential
   number of the next level <gi>div</gi> followed by a colon
   followed by the sequential number of the next (and lowest)
   level <gi>div</gi>.</p>
</refsDecl>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<refsDecl>
 <p>The @n attribute on each <div> element contains the canonical reference for
   each division in the form XX.yyy where XX is the book number in roman numeral
   and yyy is the section number in arabic.</p>
 <p>Milestone tags refer to the edition of 1830 as E30 and that of 1850 as E50.</p>
</refsDecl>

17. The TEI simplePrint schema

<refsDecl>

<refsDecl>
 <cRefPattern matchPattern="([A-Za-z0-9]+) ([0-9]+):([0-9]+)"
  replacementPattern="#xpath(//body/div[@n='$1']/div[$2]/div3[$3])"/>
</refsDecl>

<refsDecl>

<refsDecl>
 <cRefPattern matchPattern="([A-Za-z0-9]+) ([0-9]+):([0-9]+)"
  replacementPattern="#xpath(//body/div[@n='$1']/div[$2]/div3[$3])"/>
</refsDecl>

<refsDecl>

<refsDecl xml:id="fr_ASLREF">
 <cRefPattern matchPattern="(\S+) ([^.]+)\.(.*)"
  replacementPattern="#fr_xpath(//div1[@n='$1']/div2/[@n='$2']//lb[@n='$3'])">
  <p>Une référence a été créée en assemblant les éléments suivants dans l'ordre inverse de
     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
    <item>la valeur <att>n</att> de l'ancêtre <gi>div2</gi>
    </item>
    <item>un espace</item>
    <item>la valeur<att>n</att> du parent <gi>div1</gi>
    </item>
   </list>
  </p>
 </cRefPattern>
</refsDecl>

<refsDecl>

<refsDecl>
 <p>參照是將位於最高層級的<gi>div</gi>元素的屬性<att>n</att>值串聯起來，
   其後跟著空格和續接的下一層級<gi>div</gi>，接著冒點，
   然後是續接的下一(最低) 層級的<gi>div</gi>所組成。</p>
</refsDecl>

<refsDecl>

<refsDecl>
 <p>References are made up by concatenating the value for the
 <att>n</att> attribute on the highest level <gi>div</gi>
   element, followed by a space, followed by the sequential
   number of the next level <gi>div</gi> followed by a colon
   followed by the sequential number of the next (and lowest)
   level <gi>div</gi>.</p>
</refsDecl>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <prefixDef> (prefix definition)

These search results reproduce every example of the use of <prefixDef> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <prefixDef> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<prefixDef>

<prefixDef ident="ref"
 matchPattern="([a-z]+)"
 replacementPattern="../../references/references.xml#$1">
 <p> In the context of this project, private URIs with
   the prefix "ref" point to <gi>div</gi> elements in
   the project's global references.xml file.
 </p>
</prefixDef>

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="http://www.example.com/personography.xml#$1"/>
</listPrefixDef>

17. The TEI simplePrint schema

<prefixDef>

<prefixDef ident="ref"
 matchPattern="([a-z]+)"
 replacementPattern="../../references/references.xml#$1">
 <p> In the context of this project, private URIs with
   the prefix "ref" point to <gi>div</gi> elements in
   the project's global references.xml file.
 </p>
</prefixDef>

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <listPrefixDef> (list of prefix definitions)

These search results reproduce every example of the use of <listPrefixDef> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <listPrefixDef> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="http://www.example.com/personography.xml#$1"/>
</listPrefixDef>

17. The TEI simplePrint schema

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <classDecl> (classification declarations)

These search results reproduce every example of the use of <classDecl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <classDecl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<taxonomy>

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<classDecl>
 <taxonomy xml:id="LC-SH">
  <bibl>Library of Congress Subject Headings </bibl>
 </taxonomy>
</classDecl>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<taxonomy>

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

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<taxonomy>

<taxonomy> (taxonomy) defines a typology either implicitly, by means of a bibliographic citation, or explicitly by a structured taxonomy. [2.3.7. The Classification Declaration]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

header: classDecl taxonomy

May contain

core: bibl desc listBibl

header: biblFull category taxonomy

Note

Nested taxonomies are common in many fields, so the taxonomy element can be nested.

Example

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

Show all ⚓︎

Example

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1" maxOccurs="1">
  <alternate minOccurs="1" maxOccurs="1">
   <alternate minOccurs="1"
    maxOccurs="unbounded">
    <elementRef key="category"/>
    <elementRef key="taxonomy"/>
   </alternate>
   <sequence minOccurs="1" maxOccurs="1">
    <alternate minOccurs="1"
     maxOccurs="unbounded">
     <classRef key="model.descLike"
      minOccurs="1" maxOccurs="1"/>
     <elementRef key="equiv" minOccurs="1"
      maxOccurs="1"/>
     <elementRef key="gloss" minOccurs="1"
      maxOccurs="1"/>
    </alternate>
    <alternate minOccurs="0"
     maxOccurs="unbounded">
     <elementRef key="category"/>
     <elementRef key="taxonomy"/>
    </alternate>
   </sequence>
  </alternate>
  <sequence minOccurs="1" maxOccurs="1">
   <classRef key="model.biblLike"/>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <elementRef key="category"/>
    <elementRef key="taxonomy"/>
   </alternate>
  </sequence>
 </alternate>
</content>

Schema Declaration

element taxonomy
{
   (
      ( category | taxonomy )+
    | ( ( model.descLike | equiv | gloss )+, ( category | taxonomy )* )
   )
 | ( model.biblLike, ( category | taxonomy )* )
}

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <taxonomy> (taxonomy)

These search results reproduce every example of the use of <taxonomy> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <taxonomy> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<taxonomy>

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<classDecl>
 <taxonomy xml:id="LC-SH">
  <bibl>Library of Congress Subject Headings </bibl>
 </taxonomy>
</classDecl>

15.2.4. Reference, Prefix, and Classification Declarations

<taxonomy xml:id="B">
 <bibl>Brown Corpus</bibl>
 <category xml:id="B.A">
  <catDesc>Press Reportage</catDesc>
  <category xml:id="B.A1">
   <catDesc>Daily</catDesc>
  </category>
  <category xml:id="B.A2">
   <catDesc>Sunday</catDesc>
  </category>
  <category xml:id="B.A3">
   <catDesc>National</catDesc>
  </category>
  <category xml:id="B.A4">
   <catDesc>Provincial</catDesc>
  </category>
  <category xml:id="B.A5">
   <catDesc>Political</catDesc>
  </category>
  <category xml:id="B.A6">
   <catDesc>Sports</catDesc>
  </category>
 </category>
 <category xml:id="B.D">
  <catDesc>Religion</catDesc>
  <category xml:id="B.D1">
   <catDesc>Books</catDesc>
  </category>
  <category xml:id="B.D2">
   <catDesc>Periodicals and tracts</catDesc>
  </category>
 </category>
</taxonomy>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<taxonomy>

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <category> (category)

These search results reproduce every example of the use of <category> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <category> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<category>

<category xml:id="b1">
 <catDesc>Prose reportage</catDesc>
</category>

<category>

<category xml:id="fr_tax.a.d2">
 <catDesc>Récits de voyage</catDesc>
</category>
<bibl>indexation selon le système d'indexation RAMEAU, géré par la Bibliothèque nationale de
France</bibl>

<category>

<category xml:id="fr_b1">
 <catDesc>Devinettes et énigmes </catDesc>
 <category xml:id="fr_b11">
  <catDesc>Anagrammes </catDesc>
 </category>
</category>

<category>

<category xml:id="zh-tw_b1">
 <catDesc>報導文學</catDesc>
</category>

<category>

<category xml:id="zh-tw_b2">
 <catDesc>散文 </catDesc>
 <category xml:id="zh-tw_b11">
  <catDesc>報導性質</catDesc>
 </category>
 <category xml:id="zh-tw_b12">
  <catDesc>虛構</catDesc>
 </category>
</category>

<category>

<category xml:id="b2">
 <catDesc>Prose </catDesc>
 <category xml:id="b11">
  <catDesc>journalism</catDesc>
 </category>
 <category xml:id="b12">
  <catDesc>fiction</catDesc>
 </category>
</category>

<category>

<category xml:id="LIT">
 <catDesc xml:lang="pl">literatura piękna</catDesc>
 <catDesc xml:lang="en">fiction</catDesc>
 <category xml:id="LPROSE">
  <catDesc xml:lang="pl">proza</catDesc>
  <catDesc xml:lang="en">prose</catDesc>
 </category>
 <category xml:id="LPOETRY">
  <catDesc xml:lang="pl">poezja</catDesc>
  <catDesc xml:lang="en">poetry</catDesc>
 </category>
 <category xml:id="LDRAMA">
  <catDesc xml:lang="pl">dramat</catDesc>
  <catDesc xml:lang="en">drama</catDesc>
 </category>
</category>

<catDesc>

<category>
 <catDesc>genre</catDesc>
 <category>
  <catDesc>Géneral</catDesc>
 </category>
 <category>
  <catDesc>Journal</catDesc>
 </category>
 <category>
  <catDesc>Manuel technique</catDesc>
 </category>
</category>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<taxonomy xml:id="B">
 <bibl>Brown Corpus</bibl>
 <category xml:id="B.A">
  <catDesc>Press Reportage</catDesc>
  <category xml:id="B.A1">
   <catDesc>Daily</catDesc>
  </category>
  <category xml:id="B.A2">
   <catDesc>Sunday</catDesc>
  </category>
  <category xml:id="B.A3">
   <catDesc>National</catDesc>
  </category>
  <category xml:id="B.A4">
   <catDesc>Provincial</catDesc>
  </category>
  <category xml:id="B.A5">
   <catDesc>Political</catDesc>
  </category>
  <category xml:id="B.A6">
   <catDesc>Sports</catDesc>
  </category>
 </category>
 <category xml:id="B.D">
  <catDesc>Religion</catDesc>
  <category xml:id="B.D1">
   <catDesc>Books</catDesc>
  </category>
  <category xml:id="B.D2">
   <catDesc>Periodicals and tracts</catDesc>
  </category>
 </category>
</taxonomy>

17. The TEI simplePrint schema

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<category>

<category xml:id="b1">
 <catDesc>Prose reportage</catDesc>
</category>

<category>

<category xml:id="fr_tax.a.d2">
 <catDesc>Récits de voyage</catDesc>
</category>
<bibl>indexation selon le système d'indexation RAMEAU, géré par la Bibliothèque nationale de
France</bibl>

<category>

<category xml:id="fr_b1">
 <catDesc>Devinettes et énigmes </catDesc>
 <category xml:id="fr_b11">
  <catDesc>Anagrammes </catDesc>
 </category>
</category>

<category>

<category xml:id="zh-tw_b1">
 <catDesc>報導文學</catDesc>
</category>

<category>

<category xml:id="zh-tw_b2">
 <catDesc>散文 </catDesc>
 <category xml:id="zh-tw_b11">
  <catDesc>報導性質</catDesc>
 </category>
 <category xml:id="zh-tw_b12">
  <catDesc>虛構</catDesc>
 </category>
</category>

<category>

<category xml:id="b2">
 <catDesc>Prose </catDesc>
 <category xml:id="b11">
  <catDesc>journalism</catDesc>
 </category>
 <category xml:id="b12">
  <catDesc>fiction</catDesc>
 </category>
</category>

<category>

<category xml:id="LIT">
 <catDesc xml:lang="pl">literatura piękna</catDesc>
 <catDesc xml:lang="en">fiction</catDesc>
 <category xml:id="LPROSE">
  <catDesc xml:lang="pl">proza</catDesc>
  <catDesc xml:lang="en">prose</catDesc>
 </category>
 <category xml:id="LPOETRY">
  <catDesc xml:lang="pl">poezja</catDesc>
  <catDesc xml:lang="en">poetry</catDesc>
 </category>
 <category xml:id="LDRAMA">
  <catDesc xml:lang="pl">dramat</catDesc>
  <catDesc xml:lang="en">drama</catDesc>
 </category>
</category>

<catDesc>

<category>
 <catDesc>genre</catDesc>
 <category>
  <catDesc>Géneral</catDesc>
 </category>
 <category>
  <catDesc>Journal</catDesc>
 </category>
 <category>
  <catDesc>Manuel technique</catDesc>
 </category>
</category>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <catDesc> (category description)

These search results reproduce every example of the use of <catDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <catDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<category>

<category xml:id="b1">
 <catDesc>Prose reportage</catDesc>
</category>

<category>

<category xml:id="fr_tax.a.d2">
 <catDesc>Récits de voyage</catDesc>
</category>
<bibl>indexation selon le système d'indexation RAMEAU, géré par la Bibliothèque nationale de
France</bibl>

<category>

<category xml:id="fr_b1">
 <catDesc>Devinettes et énigmes </catDesc>
 <category xml:id="fr_b11">
  <catDesc>Anagrammes </catDesc>
 </category>
</category>

<category>

<category xml:id="zh-tw_b1">
 <catDesc>報導文學</catDesc>
</category>

<category>

<category xml:id="zh-tw_b2">
 <catDesc>散文 </catDesc>
 <category xml:id="zh-tw_b11">
  <catDesc>報導性質</catDesc>
 </category>
 <category xml:id="zh-tw_b12">
  <catDesc>虛構</catDesc>
 </category>
</category>

<category>

<category xml:id="b2">
 <catDesc>Prose </catDesc>
 <category xml:id="b11">
  <catDesc>journalism</catDesc>
 </category>
 <category xml:id="b12">
  <catDesc>fiction</catDesc>
 </category>
</category>

<category>

<category xml:id="LIT">
 <catDesc xml:lang="pl">literatura piękna</catDesc>
 <catDesc xml:lang="en">fiction</catDesc>
 <category xml:id="LPROSE">
  <catDesc xml:lang="pl">proza</catDesc>
  <catDesc xml:lang="en">prose</catDesc>
 </category>
 <category xml:id="LPOETRY">
  <catDesc xml:lang="pl">poezja</catDesc>
  <catDesc xml:lang="en">poetry</catDesc>
 </category>
 <category xml:id="LDRAMA">
  <catDesc xml:lang="pl">dramat</catDesc>
  <catDesc xml:lang="en">drama</catDesc>
 </category>
</category>

<catDesc>

<catDesc>Prose reportage</catDesc>

<catDesc>

<catDesc>Texte documentaire</catDesc>

<catDesc>

<category>
 <catDesc>genre</catDesc>
 <category>
  <catDesc>Géneral</catDesc>
 </category>
 <category>
  <catDesc>Journal</catDesc>
 </category>
 <category>
  <catDesc>Manuel technique</catDesc>
 </category>
</category>

<catDesc>

<catDesc>報導文學</catDesc>

<catDesc>

<catDesc>
 <textDesc n="novel">
  <channel mode="w">出版品；專輯</channel>
  <constitution type="single"/>
  <derivation type="original"/>
  <domain type="art"/>
  <factuality type="fiction"/>
  <interaction type="none"/>
  <preparedness type="prepared"/>
  <purpose type="entertain" degree="high"/>
  <purpose type="inform" degree="medium"/>
 </textDesc>
</catDesc>

<catDesc>

<catDesc>
 <textDesc n="novel">
  <channel mode="w">print; part issues</channel>
  <constitution type="single"/>
  <derivation type="original"/>
  <domain type="art"/>
  <factuality type="fiction"/>
  <interaction type="none"/>
  <preparedness type="prepared"/>
  <purpose type="entertain" degree="high"/>
  <purpose type="inform" degree="medium"/>
 </textDesc>
</catDesc>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

15. The Electronic Title Page

15.2.4. Reference, Prefix, and Classification Declarations

<taxonomy xml:id="B">
 <bibl>Brown Corpus</bibl>
 <category xml:id="B.A">
  <catDesc>Press Reportage</catDesc>
  <category xml:id="B.A1">
   <catDesc>Daily</catDesc>
  </category>
  <category xml:id="B.A2">
   <catDesc>Sunday</catDesc>
  </category>
  <category xml:id="B.A3">
   <catDesc>National</catDesc>
  </category>
  <category xml:id="B.A4">
   <catDesc>Provincial</catDesc>
  </category>
  <category xml:id="B.A5">
   <catDesc>Political</catDesc>
  </category>
  <category xml:id="B.A6">
   <catDesc>Sports</catDesc>
  </category>
 </category>
 <category xml:id="B.D">
  <catDesc>Religion</catDesc>
  <category xml:id="B.D1">
   <catDesc>Books</catDesc>
  </category>
  <category xml:id="B.D2">
   <catDesc>Periodicals and tracts</catDesc>
  </category>
 </category>
</taxonomy>

17. The TEI simplePrint schema

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<category>

<category xml:id="b1">
 <catDesc>Prose reportage</catDesc>
</category>

<category>

<category xml:id="fr_tax.a.d2">
 <catDesc>Récits de voyage</catDesc>
</category>
<bibl>indexation selon le système d'indexation RAMEAU, géré par la Bibliothèque nationale de
France</bibl>

<category>

<category xml:id="fr_b1">
 <catDesc>Devinettes et énigmes </catDesc>
 <category xml:id="fr_b11">
  <catDesc>Anagrammes </catDesc>
 </category>
</category>

<category>

<category xml:id="zh-tw_b1">
 <catDesc>報導文學</catDesc>
</category>

<category>

<category xml:id="zh-tw_b2">
 <catDesc>散文 </catDesc>
 <category xml:id="zh-tw_b11">
  <catDesc>報導性質</catDesc>
 </category>
 <category xml:id="zh-tw_b12">
  <catDesc>虛構</catDesc>
 </category>
</category>

<category>

<category xml:id="b2">
 <catDesc>Prose </catDesc>
 <category xml:id="b11">
  <catDesc>journalism</catDesc>
 </category>
 <category xml:id="b12">
  <catDesc>fiction</catDesc>
 </category>
</category>

<category>

<category xml:id="LIT">
 <catDesc xml:lang="pl">literatura piękna</catDesc>
 <catDesc xml:lang="en">fiction</catDesc>
 <category xml:id="LPROSE">
  <catDesc xml:lang="pl">proza</catDesc>
  <catDesc xml:lang="en">prose</catDesc>
 </category>
 <category xml:id="LPOETRY">
  <catDesc xml:lang="pl">poezja</catDesc>
  <catDesc xml:lang="en">poetry</catDesc>
 </category>
 <category xml:id="LDRAMA">
  <catDesc xml:lang="pl">dramat</catDesc>
  <catDesc xml:lang="en">drama</catDesc>
 </category>
</category>

<catDesc>

<catDesc>Prose reportage</catDesc>

<catDesc>

<catDesc>Texte documentaire</catDesc>

<catDesc>

<category>
 <catDesc>genre</catDesc>
 <category>
  <catDesc>Géneral</catDesc>
 </category>
 <category>
  <catDesc>Journal</catDesc>
 </category>
 <category>
  <catDesc>Manuel technique</catDesc>
 </category>
</category>

<catDesc>

<catDesc>報導文學</catDesc>

<catDesc>

<catDesc>
 <textDesc n="novel">
  <channel mode="w">出版品；專輯</channel>
  <constitution type="single"/>
  <derivation type="original"/>
  <domain type="art"/>
  <factuality type="fiction"/>
  <interaction type="none"/>
  <preparedness type="prepared"/>
  <purpose type="entertain" degree="high"/>
  <purpose type="inform" degree="medium"/>
 </textDesc>
</catDesc>

<catDesc>

<catDesc>
 <textDesc n="novel">
  <channel mode="w">print; part issues</channel>
  <constitution type="single"/>
  <derivation type="original"/>
  <domain type="art"/>
  <factuality type="fiction"/>
  <interaction type="none"/>
  <preparedness type="prepared"/>
  <purpose type="entertain" degree="high"/>
  <purpose type="inform" degree="medium"/>
 </textDesc>
</catDesc>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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Home

<profileDesc>

<profileDesc> (text-profile description) provides a detailed description of non-bibliographic aspects of a text, specifically the languages and sublanguages used, the situation in which it was produced, the participants and their setting. [2.4. The Profile Description 2.1.1. The TEI Header and Its Components]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.teiHeaderPart

Contained by

header: biblFull teiHeader

May contain

corpus: particDesc settingDesc

header: abstract creation langUsage textClass

Note

Although the content model permits it, it is rarely meaningful to supply multiple occurrences for any of the child elements of profileDesc unless these are documenting multiple texts.

Example

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

Show all ⚓︎

Content model

<content>
 <classRef key="model.profileDescPart"
  minOccurs="0" maxOccurs="unbounded"/>
</content>

Schema Declaration

element profileDesc { model.profileDescPart* }

Processing Model

<model behaviour="omit"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <profileDesc> (text-profile description)

These search results reproduce every example of the use of <profileDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <profileDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<abstract>

<profileDesc>
 <abstract resp="#LB">
  <p>Good database design involves the acquisition and deployment of
     skills which have a wider relevance to the educational process. From
     a set of more or less instinctive rules of thumb a formal discipline
     or "methodology" of database design has evolved. Applying that
     methodology can be of great benefit to a very wide range of academic
     subjects: it requires fundamental skills of abstraction and
     generalisation and it provides a simple mechanism whereby complex
     ideas and information structures can be represented and manipulated,
     even without the use of a computer. </p>
 </abstract>
</profileDesc>

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <abstract>
  <p>This paper is a draft studying various aspects of using the TEI as a reference
     serialization framework for LMF. Comments are welcome to bring this to a useful
     document for the community.</p>
 </abstract>
</profileDesc>

15.3. The Profile Description

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<abstract>

<profileDesc>
 <abstract resp="#LB">
  <p>Good database design involves the acquisition and deployment of
     skills which have a wider relevance to the educational process. From
     a set of more or less instinctive rules of thumb a formal discipline
     or "methodology" of database design has evolved. Applying that
     methodology can be of great benefit to a very wide range of academic
     subjects: it requires fundamental skills of abstraction and
     generalisation and it provides a simple mechanism whereby complex
     ideas and information structures can be represented and manipulated,
     even without the use of a computer. </p>
 </abstract>
</profileDesc>

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <abstract>

These search results reproduce every example of the use of <abstract> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <abstract> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<abstract>

<profileDesc>
 <abstract resp="#LB">
  <p>Good database design involves the acquisition and deployment of
     skills which have a wider relevance to the educational process. From
     a set of more or less instinctive rules of thumb a formal discipline
     or "methodology" of database design has evolved. Applying that
     methodology can be of great benefit to a very wide range of academic
     subjects: it requires fundamental skills of abstraction and
     generalisation and it provides a simple mechanism whereby complex
     ideas and information structures can be represented and manipulated,
     even without the use of a computer. </p>
 </abstract>
</profileDesc>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <abstract>
  <p>This paper is a draft studying various aspects of using the TEI as a reference
     serialization framework for LMF. Comments are welcome to bring this to a useful
     document for the community.</p>
 </abstract>
</profileDesc>

17. The TEI simplePrint schema

<abstract>

<profileDesc>
 <abstract resp="#LB">
  <p>Good database design involves the acquisition and deployment of
     skills which have a wider relevance to the educational process. From
     a set of more or less instinctive rules of thumb a formal discipline
     or "methodology" of database design has evolved. Applying that
     methodology can be of great benefit to a very wide range of academic
     subjects: it requires fundamental skills of abstraction and
     generalisation and it provides a simple mechanism whereby complex
     ideas and information structures can be represented and manipulated,
     even without the use of a computer. </p>
 </abstract>
</profileDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <creation> (creation)

These search results reproduce every example of the use of <creation> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <creation> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<creation>

<creation>
 <date>Before 1987</date>
</creation>

<creation>

<creation>
 <date>Avant 1987</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 Juillet 1988</date>
</creation>

<creation>

<creation>
 <date>1987年之前</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">1988年7月10日</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 July 1988</date>
</creation>

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

15. The Electronic Title Page

15.3. The Profile Description

<creation>
 <date when="1992-08">August 1992</date>
 <name type="place">Taos, New Mexico</name>
</creation>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<creation>

<creation>
 <date>Before 1987</date>
</creation>

<creation>

<creation>
 <date>Avant 1987</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 Juillet 1988</date>
</creation>

<creation>

<creation>
 <date>1987年之前</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">1988年7月10日</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 July 1988</date>
</creation>

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <langUsage> (language usage)

These search results reproduce every example of the use of <langUsage> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <langUsage> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.scope

<langUsage>
 <language ident="en" scope="major"/>
 <language ident="es" scope="minor"/>
 <language ident="x-ww" scope="minor">An invented language the children call <name>Wikwah</name>.</language>
</langUsage>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Anglais canadien des affaires</language>
 <language ident="en-GB" usage="20">Anglais de Grande-Bretagne</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">加拿大魁北克省法語</language>
 <language ident="en-CA" usage="20">加拿大商用英語</language>
 <language ident="en-GB" usage="20">英式英語</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">modern American English</language>
 <language ident="az-Arab" usage="20">Azerbaijani in Arabic script</language>
 <language ident="x-lap" usage="05">Pig Latin</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">Anglais américain moderne</language>
 <language ident="az-Arab" usage="20">Azerbaijanais en caractères arabes</language>
 <language ident="x-verlan" usage="05">verlan</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">現代美語</language>
 <language ident="az-Arab" usage="20">阿拉伯文手寫的亞塞拜然語</language>
 <language ident="x-lap" usage="05">一種行話，將字頭的子音調至字尾，再多加一個音節</language>
</langUsage>

15. The Electronic Title Page

15.3. The Profile Description

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian Business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

17. The TEI simplePrint schema

att.scope

<langUsage>
 <language ident="en" scope="major"/>
 <language ident="es" scope="minor"/>
 <language ident="x-ww" scope="minor">An invented language the children call <name>Wikwah</name>.</language>
</langUsage>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Anglais canadien des affaires</language>
 <language ident="en-GB" usage="20">Anglais de Grande-Bretagne</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">加拿大魁北克省法語</language>
 <language ident="en-CA" usage="20">加拿大商用英語</language>
 <language ident="en-GB" usage="20">英式英語</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">modern American English</language>
 <language ident="az-Arab" usage="20">Azerbaijani in Arabic script</language>
 <language ident="x-lap" usage="05">Pig Latin</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">Anglais américain moderne</language>
 <language ident="az-Arab" usage="20">Azerbaijanais en caractères arabes</language>
 <language ident="x-verlan" usage="05">verlan</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">現代美語</language>
 <language ident="az-Arab" usage="20">阿拉伯文手寫的亞塞拜然語</language>
 <language ident="x-lap" usage="05">一種行話，將字頭的子音調至字尾，再多加一個音節</language>
</langUsage>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <language> (language)

These search results reproduce every example of the use of <language> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <language> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.scope

<langUsage>
 <language ident="en" scope="major"/>
 <language ident="es" scope="minor"/>
 <language ident="x-ww" scope="minor">An invented language the children call <name>Wikwah</name>.</language>
</langUsage>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Anglais canadien des affaires</language>
 <language ident="en-GB" usage="20">Anglais de Grande-Bretagne</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">加拿大魁北克省法語</language>
 <language ident="en-CA" usage="20">加拿大商用英語</language>
 <language ident="en-GB" usage="20">英式英語</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">modern American English</language>
 <language ident="az-Arab" usage="20">Azerbaijani in Arabic script</language>
 <language ident="x-lap" usage="05">Pig Latin</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">Anglais américain moderne</language>
 <language ident="az-Arab" usage="20">Azerbaijanais en caractères arabes</language>
 <language ident="x-verlan" usage="05">verlan</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">現代美語</language>
 <language ident="az-Arab" usage="20">阿拉伯文手寫的亞塞拜然語</language>
 <language ident="x-lap" usage="05">一種行話，將字頭的子音調至字尾，再多加一個音節</language>
</langUsage>

15. The Electronic Title Page

15.3. The Profile Description

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian Business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

17. The TEI simplePrint schema

att.scope

<langUsage>
 <language ident="en" scope="major"/>
 <language ident="es" scope="minor"/>
 <language ident="x-ww" scope="minor">An invented language the children call <name>Wikwah</name>.</language>
</langUsage>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Canadian business English</language>
 <language ident="en-GB" usage="20">British English</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">Québecois</language>
 <language ident="en-CA" usage="20">Anglais canadien des affaires</language>
 <language ident="en-GB" usage="20">Anglais de Grande-Bretagne</language>
</langUsage>

<langUsage>

<langUsage>
 <language ident="fr-CA" usage="60">加拿大魁北克省法語</language>
 <language ident="en-CA" usage="20">加拿大商用英語</language>
 <language ident="en-GB" usage="20">英式英語</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">modern American English</language>
 <language ident="az-Arab" usage="20">Azerbaijani in Arabic script</language>
 <language ident="x-lap" usage="05">Pig Latin</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">Anglais américain moderne</language>
 <language ident="az-Arab" usage="20">Azerbaijanais en caractères arabes</language>
 <language ident="x-verlan" usage="05">verlan</language>
</langUsage>

<language>

<langUsage>
 <language ident="en-US" usage="75">現代美語</language>
 <language ident="az-Arab" usage="20">阿拉伯文手寫的亞塞拜然語</language>
 <language ident="x-lap" usage="05">一種行話，將字頭的子音調至字尾，再多加一個音節</language>
</langUsage>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <textClass> (text classification)

These search results reproduce every example of the use of <textClass> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <textClass> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <catRef target="#fr_forme_prose"/>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

15. The Electronic Title Page

15.3. The Profile Description

<textClass>
 <keywords scheme="#LCSH">
  <term>English literature</term>
  <term>History and criticism</term>
  <term>Data processing.</term>
 </keywords>
</textClass>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <catRef target="#fr_forme_prose"/>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <keywords> (keywords)

These search results reproduce every example of the use of <keywords> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <keywords> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<keywords>

<keywords scheme="http://classificationweb.net">
 <term>Babbage, Charles</term>
 <term>Mathematicians - Great Britain - Biography</term>
</keywords>

<keywords>

<keywords>
 <term>Fermented beverages</term>
 <term>Central Andes</term>
 <term>Schinus molle</term>
 <term>Molle beer</term>
 <term>Indigenous peoples</term>
 <term>Ethnography</term>
 <term>Archaeology</term>
</keywords>

<keywords>

<keywords scheme="#fr_RAMEAU">
 <term>Littérature française — 20ème siècle — Histoire et critique</term>
 <term>Littérature française — Histoire et critique — Théorie, etc.</term>
 <term>Français (langue) — Style — Bases de données.</term>
</keywords>

<keywords>

<keywords scheme="http://classificationweb.net">
 <term>李白</term>
 <term>詩人 - 唐代 - 傳記</term>
</keywords>

<term>

<keywords>
 <term>huntin</term>
 <term>shootin</term>
 <term>fishin</term>
</keywords>

15. The Electronic Title Page

15.3. The Profile Description

<textClass>
 <keywords scheme="#LCSH">
  <term>English literature</term>
  <term>History and criticism</term>
  <term>Data processing.</term>
 </keywords>
</textClass>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<keywords>

<keywords scheme="http://classificationweb.net">
 <term>Babbage, Charles</term>
 <term>Mathematicians - Great Britain - Biography</term>
</keywords>

<keywords>

<keywords>
 <term>Fermented beverages</term>
 <term>Central Andes</term>
 <term>Schinus molle</term>
 <term>Molle beer</term>
 <term>Indigenous peoples</term>
 <term>Ethnography</term>
 <term>Archaeology</term>
</keywords>

<keywords>

<keywords scheme="#fr_RAMEAU">
 <term>Littérature française — 20ème siècle — Histoire et critique</term>
 <term>Littérature française — Histoire et critique — Théorie, etc.</term>
 <term>Français (langue) — Style — Bases de données.</term>
</keywords>

<keywords>

<keywords scheme="http://classificationweb.net">
 <term>李白</term>
 <term>詩人 - 唐代 - 傳記</term>
</keywords>

<term>

<keywords>
 <term>huntin</term>
 <term>shootin</term>
 <term>fishin</term>
</keywords>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <classCode> (classification code)

These search results reproduce every example of the use of <classCode> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <classCode> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<classCode>

<classCode scheme="http://www.udc.org">410</classCode>

<classCode>

<classCode scheme="http://www.oclc.org/">801</classCode>
<bibl>classification Dewey</bibl>

15. The Electronic Title Page

15.3. The Profile Description

<classCode scheme="http://www.udc.org">410</classCode>

17. The TEI simplePrint schema

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<classCode>

<classCode scheme="http://www.udc.org">410</classCode>

<classCode>

<classCode scheme="http://www.oclc.org/">801</classCode>
<bibl>classification Dewey</bibl>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <catRef> (category reference)

These search results reproduce every example of the use of <catRef> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <catRef> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <catRef target="#fr_forme_prose"/>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

15. The Electronic Title Page

15.3. The Profile Description

<catRef target="#B.A3 #B.D"/>

17. The TEI simplePrint schema

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <catRef target="#fr_forme_prose"/>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<catRef>

<catRef scheme="#myTopics"
 target="#news #prov #sales2"/>
<!-- elsewhere -->
<taxonomy xml:id="myTopics">
 <category xml:id="news">
  <catDesc>Newspapers</catDesc>
 </category>
 <category xml:id="prov">
  <catDesc>Provincial</catDesc>
 </category>
 <category xml:id="sales2">
  <catDesc>Low to average annual sales</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef scheme="#mesTopos"
 target="#fr_lex #fr_dict #fr_gloss"/>
<!-- ailleurs dans le document -->
<taxonomy xml:id="mesTopos">
 <category xml:id="fr_lexique">
  <catDesc>Lexique</catDesc>
 </category>
 <category xml:id="fr_dict">
  <catDesc>Dictionnaire</catDesc>
 </category>
 <category xml:id="fr_gloss">
  <catDesc>Glossaire</catDesc>
 </category>
</taxonomy>

<catRef>

<catRef target="#zh-tw_news #zh-tw_prov #zh-tw_sales2"/>
<!-- elsewhere -->
<taxonomy>
 <category xml:id="zh-tw_news">
  <catDesc>報紙</catDesc>
 </category>
 <category xml:id="zh-tw_prov">
  <catDesc>全省的</catDesc>
 </category>
 <category xml:id="zh-tw_sales2">
  <catDesc>低於每年平均銷售額</catDesc>
 </category>
</taxonomy>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <xenoData> (non-TEI metadata)

These search results reproduce every example of the use of <xenoData> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <xenoData> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<xenoData>

<xenoData
   xmlns:dc="http://purl.org/dc/elements/1.1/"
   xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
 <rdf:RDF>
  <rdf:Description rdf:about="http://www.worldcat.org/oclc/606621663">
   <dc:title>The description of a new world, called the blazing-world</dc:title>
   <dc:creator>The Duchess of Newcastle</dc:creator>
   <dc:date>1667</dc:date>
   <dc:identifier>British Library, 8407.h.10</dc:identifier>
   <dc:subject>utopian fiction</dc:subject>
  </rdf:Description>
 </rdf:RDF>
</xenoData>
<xenoData>
 <rdf:RDF>
  <rdf:Description rdf:about="">
   <dc:title>The Description of a New World, Called the Blazing-World, 1668</dc:title>
   <dc:creator>Cavendish, Margaret (Lucas), Duchess of Newcastle</dc:creator>
   <dc:publisher>Women Writers Project</dc:publisher>
   <dc:date>2002-02-12</dc:date>
   <dc:subject>utopian fiction</dc:subject>
  </rdf:Description>
 </rdf:RDF>
</xenoData>

<xenoData>

<xenoData
   xmlns:cc="http://web.resource.org/cc/"
   xmlns:dc="http://purl.org/dc/elements/1.1/"
   xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
 <rdf:RDF>
  <cc:Work rdf:about="">
   <dc:title>Applied Software Project Management - review</dc:title>
   <dc:type rdf:resource="http://purl.org/dc/dcmitype/Text"/>
   <dc:license rdf:resource="http://creativecommons.org/licenses/by-sa/2.0/uk/"/>
  </cc:Work>
  <cc:License rdf:about="http://creativecommons.org/licenses/by-sa/2.0/uk/">
   <cc:permits rdf:resource="http://web.resource.org/cc/Reproduction"/>
   <cc:permits rdf:resource="http://web.resource.org/cc/Distribution"/>
   <cc:requires rdf:resource="http://web.resource.org/cc/Notice"/>
   <cc:requires rdf:resource="http://web.resource.org/cc/Attribution"/>
   <cc:permits rdf:resource="http://web.resource.org/cc/DerivativeWorks"/>
   <cc:requires rdf:resource="http://web.resource.org/cc/ShareAlike"/>
  </cc:License>
 </rdf:RDF>
</xenoData>

<xenoData>

<xenoData
   xmlns:dc="http://purl.org/dc/elements/1.1/"
   xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
 <oai_dc:dc>
  <dc:title>The colonial despatches of Vancouver Island and British
     Columbia 1846-1871: 11566, CO 60/2, p. 291; received 13 November.
     Trevelyan to Merivale (Permanent Under-Secretary)</dc:title>
  <dc:date>1858-11-12</dc:date>
  <dc:creator>Trevelyan</dc:creator>
  <dc:publisher>University of Victoria Humanities Computing and Media
     Centre, and UVic Libraries</dc:publisher>
  <dc:type>InteractiveResource</dc:type>
  <dc:format>application/xhtml+xml</dc:format>
  <dc:type>text</dc:type>
  <dc:identifier>http://bcgenesis.uvic.ca/getDoc.htm?id=B585TE13.scx</dc:identifier>
  <dc:rights>This document is licensed under a Creative Commons …</dc:rights>
  <dc:language>(SCHEME=ISO639) en</dc:language>
  <dc:source>Transcribed from microfilm and/or original documents, and
     marked up in TEI P5 XML. The interactive XHTML resource is generated
     from the XHTML using XQuery and XSLT.</dc:source>
  <dc:source>repository: CO</dc:source>
  <dc:source>coNumber: 60</dc:source>
  <dc:source>coVol: 2</dc:source>
  <dc:source>page: 291</dc:source>
  <dc:source>coRegistration: 11566</dc:source>
  <dc:source>received: received 13 November</dc:source>
  <dc:subject>Trevelyan, Sir Charles Edward</dc:subject>
  <dc:subject>Merivale, Herman</dc:subject>
  <dc:subject>Elliot, T. Frederick</dc:subject>
  <dc:subject>Moody, Colonel Richard Clement</dc:subject>
  <dc:subject>Lytton, Sir Edward George Earle Bulwer</dc:subject>
  <dc:subject>Jadis, Vane</dc:subject>
  <dc:subject>Carnarvon, Earl</dc:subject>
  <dc:subject>British Columbia</dc:subject>
  <dc:description>British Columbia correspondence: Public Offices
     document (normally correspondence between government
     departments)</dc:description>
 </oai_dc:dc>
</xenoData>

<xenoData>

<xenoData
   xmlns:mods="http://www.loc.gov/mods/v3">
 <mods:mods>
  <mods:titleInfo>
   <mods:title>Academic adaptation and cross-cultural
       learning experiences of Chinese students at American
       universities</mods:title>
   <mods:subTitle>a narrative inquiry</mods:subTitle>
  </mods:titleInfo>
  <mods:name type="personal"
   authority="local">
   <mods:namePart/>
   <mods:role>
    <mods:roleTerm authority="marcrelator"
     type="text">Author</mods:roleTerm>
   </mods:role>
   <mods:affiliation>Northeastern University</mods:affiliation>
   <mods:namePart type="given">Hong</mods:namePart>
   <mods:namePart type="family">Zhang</mods:namePart>
  </mods:name>
  <mods:name type="personal"
   authority="local">
   <mods:namePart/>
   <mods:role>
    <mods:roleTerm authority="local"
     type="text">Advisor</mods:roleTerm>
   </mods:role>
   <mods:namePart type="given">Liliana</mods:namePart>
   <mods:namePart type="family">Meneses</mods:namePart>
  </mods:name>

<!-- ... -->
  <mods:typeOfResource>text</mods:typeOfResource>
  <mods:genre>doctoral theses</mods:genre>
  <mods:originInfo>
   <mods:place>
    <mods:placeTerm type="text">Boston (Mass.)</mods:placeTerm>
   </mods:place>
   <mods:publisher>Northeastern University</mods:publisher>
   <mods:copyrightDate encoding="w3cdtf"
    keyDate="yes">2013</mods:copyrightDate>
  </mods:originInfo>
  <mods:language>
   <mods:languageTerm authority="iso639-2b"
    type="code">eng</mods:languageTerm>
  </mods:language>
  <mods:physicalDescription>
   <mods:form authority="marcform">electronic</mods:form>
   <mods:digitalOrigin>born digital</mods:digitalOrigin>
  </mods:physicalDescription>
<!-- ... -->
 </mods:mods>
</xenoData>

<xenoData>

<xenoData xml:space="preserve"> <![CDATA[ {     "features": [         {             "geometry": {                 "type": "Point",                 "coordinates": [                     68.388483,                     33.498616                 ]             },             "type": "Feature",             "id": "darmc-location-19727",             "properties": {                 "snippet": "Unknown; 330 BC - AD 300",                 "link": "https://pleiades.stoa.org/places/59694/darmc-location-19727",                 "description": "5M scale point location",                 "location_precision": "precise",                 "title": "DARMC location 19727"             }         }     ],     "id": "59694",     "subject": [         "dare:ancient=1",         "dare:feature=settlement",         "dare:major=0"     ],     "title": "Arachosiorum Oppidum/Alexandria",     "provenance": "Barrington Atlas: BAtlas 6 B3 Arachosiorum Oppidum/Alexandria",     "placeTypeURIs": [         "https://pleiades.stoa.org/vocabularies/place-types/settlement"     ],     "details": "<p>The Barrington Atlas Directory notes: Kalat-e-Ghilzai? AFG</p>",     "@context": {         "snippet": "dcterms:abstract",         "rights": "dcterms:rights",         "description": "dcterms:description",         "title": "dcterms:title",         "dcterms": "http://purl.org/dc/terms/",         "subject": "dcterms:subject",         "uri": "@id",         "created": "dcterms:created"     },     "review_state": "published",     "type": "FeatureCollection",     "description": "An ancient place, cited: BAtlas 6 B3 Arachosiorum Oppidum/Alexandria",     "reprPoint": [         68.388483,         33.498616     ],     "placeTypes": [         "settlement"     ],     "bbox": [         68.388483,         33.498616,         68.388483,         33.498616     ],     "rights": "Copyright © The Contributors. Sharing and remixing permitted under CC-BY.",     "created": "2010-09-23T04:31:55Z",     "uri": "https://pleiades.stoa.org/places/59694",     "creators": [         {             "username": null,             "name": "M.U. Erdosy"         }     ],     "@type": "Place" } ]]> </xenoData>

17. The TEI simplePrint schema

<xenoData>

<xenoData
   xmlns:dc="http://purl.org/dc/elements/1.1/"
   xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
 <rdf:RDF>
  <rdf:Description rdf:about="http://www.worldcat.org/oclc/606621663">
   <dc:title>The description of a new world, called the blazing-world</dc:title>
   <dc:creator>The Duchess of Newcastle</dc:creator>
   <dc:date>1667</dc:date>
   <dc:identifier>British Library, 8407.h.10</dc:identifier>
   <dc:subject>utopian fiction</dc:subject>
  </rdf:Description>
 </rdf:RDF>
</xenoData>
<xenoData>
 <rdf:RDF>
  <rdf:Description rdf:about="">
   <dc:title>The Description of a New World, Called the Blazing-World, 1668</dc:title>
   <dc:creator>Cavendish, Margaret (Lucas), Duchess of Newcastle</dc:creator>
   <dc:publisher>Women Writers Project</dc:publisher>
   <dc:date>2002-02-12</dc:date>
   <dc:subject>utopian fiction</dc:subject>
  </rdf:Description>
 </rdf:RDF>
</xenoData>

<xenoData>

<xenoData
   xmlns:cc="http://web.resource.org/cc/"
   xmlns:dc="http://purl.org/dc/elements/1.1/"
   xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
 <rdf:RDF>
  <cc:Work rdf:about="">
   <dc:title>Applied Software Project Management - review</dc:title>
   <dc:type rdf:resource="http://purl.org/dc/dcmitype/Text"/>
   <dc:license rdf:resource="http://creativecommons.org/licenses/by-sa/2.0/uk/"/>
  </cc:Work>
  <cc:License rdf:about="http://creativecommons.org/licenses/by-sa/2.0/uk/">
   <cc:permits rdf:resource="http://web.resource.org/cc/Reproduction"/>
   <cc:permits rdf:resource="http://web.resource.org/cc/Distribution"/>
   <cc:requires rdf:resource="http://web.resource.org/cc/Notice"/>
   <cc:requires rdf:resource="http://web.resource.org/cc/Attribution"/>
   <cc:permits rdf:resource="http://web.resource.org/cc/DerivativeWorks"/>
   <cc:requires rdf:resource="http://web.resource.org/cc/ShareAlike"/>
  </cc:License>
 </rdf:RDF>
</xenoData>

<xenoData>

<xenoData
   xmlns:dc="http://purl.org/dc/elements/1.1/"
   xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
 <oai_dc:dc>
  <dc:title>The colonial despatches of Vancouver Island and British
     Columbia 1846-1871: 11566, CO 60/2, p. 291; received 13 November.
     Trevelyan to Merivale (Permanent Under-Secretary)</dc:title>
  <dc:date>1858-11-12</dc:date>
  <dc:creator>Trevelyan</dc:creator>
  <dc:publisher>University of Victoria Humanities Computing and Media
     Centre, and UVic Libraries</dc:publisher>
  <dc:type>InteractiveResource</dc:type>
  <dc:format>application/xhtml+xml</dc:format>
  <dc:type>text</dc:type>
  <dc:identifier>http://bcgenesis.uvic.ca/getDoc.htm?id=B585TE13.scx</dc:identifier>
  <dc:rights>This document is licensed under a Creative Commons …</dc:rights>
  <dc:language>(SCHEME=ISO639) en</dc:language>
  <dc:source>Transcribed from microfilm and/or original documents, and
     marked up in TEI P5 XML. The interactive XHTML resource is generated
     from the XHTML using XQuery and XSLT.</dc:source>
  <dc:source>repository: CO</dc:source>
  <dc:source>coNumber: 60</dc:source>
  <dc:source>coVol: 2</dc:source>
  <dc:source>page: 291</dc:source>
  <dc:source>coRegistration: 11566</dc:source>
  <dc:source>received: received 13 November</dc:source>
  <dc:subject>Trevelyan, Sir Charles Edward</dc:subject>
  <dc:subject>Merivale, Herman</dc:subject>
  <dc:subject>Elliot, T. Frederick</dc:subject>
  <dc:subject>Moody, Colonel Richard Clement</dc:subject>
  <dc:subject>Lytton, Sir Edward George Earle Bulwer</dc:subject>
  <dc:subject>Jadis, Vane</dc:subject>
  <dc:subject>Carnarvon, Earl</dc:subject>
  <dc:subject>British Columbia</dc:subject>
  <dc:description>British Columbia correspondence: Public Offices
     document (normally correspondence between government
     departments)</dc:description>
 </oai_dc:dc>
</xenoData>

<xenoData>

<xenoData
   xmlns:mods="http://www.loc.gov/mods/v3">
 <mods:mods>
  <mods:titleInfo>
   <mods:title>Academic adaptation and cross-cultural
       learning experiences of Chinese students at American
       universities</mods:title>
   <mods:subTitle>a narrative inquiry</mods:subTitle>
  </mods:titleInfo>
  <mods:name type="personal"
   authority="local">
   <mods:namePart/>
   <mods:role>
    <mods:roleTerm authority="marcrelator"
     type="text">Author</mods:roleTerm>
   </mods:role>
   <mods:affiliation>Northeastern University</mods:affiliation>
   <mods:namePart type="given">Hong</mods:namePart>
   <mods:namePart type="family">Zhang</mods:namePart>
  </mods:name>
  <mods:name type="personal"
   authority="local">
   <mods:namePart/>
   <mods:role>
    <mods:roleTerm authority="local"
     type="text">Advisor</mods:roleTerm>
   </mods:role>
   <mods:namePart type="given">Liliana</mods:namePart>
   <mods:namePart type="family">Meneses</mods:namePart>
  </mods:name>

<!-- ... -->
  <mods:typeOfResource>text</mods:typeOfResource>
  <mods:genre>doctoral theses</mods:genre>
  <mods:originInfo>
   <mods:place>
    <mods:placeTerm type="text">Boston (Mass.)</mods:placeTerm>
   </mods:place>
   <mods:publisher>Northeastern University</mods:publisher>
   <mods:copyrightDate encoding="w3cdtf"
    keyDate="yes">2013</mods:copyrightDate>
  </mods:originInfo>
  <mods:language>
   <mods:languageTerm authority="iso639-2b"
    type="code">eng</mods:languageTerm>
  </mods:language>
  <mods:physicalDescription>
   <mods:form authority="marcform">electronic</mods:form>
   <mods:digitalOrigin>born digital</mods:digitalOrigin>
  </mods:physicalDescription>
<!-- ... -->
 </mods:mods>
</xenoData>

<xenoData>

<xenoData xml:space="preserve"> <![CDATA[ {     "features": [         {             "geometry": {                 "type": "Point",                 "coordinates": [                     68.388483,                     33.498616                 ]             },             "type": "Feature",             "id": "darmc-location-19727",             "properties": {                 "snippet": "Unknown; 330 BC - AD 300",                 "link": "https://pleiades.stoa.org/places/59694/darmc-location-19727",                 "description": "5M scale point location",                 "location_precision": "precise",                 "title": "DARMC location 19727"             }         }     ],     "id": "59694",     "subject": [         "dare:ancient=1",         "dare:feature=settlement",         "dare:major=0"     ],     "title": "Arachosiorum Oppidum/Alexandria",     "provenance": "Barrington Atlas: BAtlas 6 B3 Arachosiorum Oppidum/Alexandria",     "placeTypeURIs": [         "https://pleiades.stoa.org/vocabularies/place-types/settlement"     ],     "details": "<p>The Barrington Atlas Directory notes: Kalat-e-Ghilzai? AFG</p>",     "@context": {         "snippet": "dcterms:abstract",         "rights": "dcterms:rights",         "description": "dcterms:description",         "title": "dcterms:title",         "dcterms": "http://purl.org/dc/terms/",         "subject": "dcterms:subject",         "uri": "@id",         "created": "dcterms:created"     },     "review_state": "published",     "type": "FeatureCollection",     "description": "An ancient place, cited: BAtlas 6 B3 Arachosiorum Oppidum/Alexandria",     "reprPoint": [         68.388483,         33.498616     ],     "placeTypes": [         "settlement"     ],     "bbox": [         68.388483,         33.498616,         68.388483,         33.498616     ],     "rights": "Copyright © The Contributors. Sharing and remixing permitted under CC-BY.",     "created": "2010-09-23T04:31:55Z",     "uri": "https://pleiades.stoa.org/places/59694",     "creators": [         {             "username": null,             "name": "M.U. Erdosy"         }     ],     "@type": "Place" } ]]> </xenoData>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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Home

<revisionDesc>

<revisionDesc> (revision description) summarizes the revision history for a file. [2.6. The Revision Description 2.1.1. The TEI Header and Its Components]

Module
header

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.docStatus

@status

Contained by

header: teiHeader

May contain

core: list

header: change listChange

Note

If present on this element, the status attribute should indicate the current status of the document. The same attribute may appear on any change to record the status at the time of that change. Conventionally change elements should be given in reverse date order, with the most recent change at the start of the list.

Example

<revisionDesc status="embargoed">
 <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
</revisionDesc>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1" maxOccurs="1">
  <elementRef key="list" minOccurs="1"
   maxOccurs="unbounded"/>
  <elementRef key="listChange"
   minOccurs="1" maxOccurs="unbounded"/>
  <elementRef key="change" minOccurs="1"
   maxOccurs="unbounded"/>
 </alternate>
</content>

Schema Declaration

element revisionDesc { list+ | listChange+ | change+ }

Processing Model

<model behaviour="omit"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <revisionDesc> (revision description)

These search results reproduce every example of the use of <revisionDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <revisionDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.docStatus

<revisionDesc status="published">
 <change when="2010-10-21"
  status="published"/>
 <change when="2010-10-02" status="cleared"/>
 <change when="2010-08-02"
  status="embargoed"/>
 <change when="2010-05-01" status="frozen"
  who="#MSM"/>
 <change when="2010-03-01" status="draft"
  who="#LB"/>
</revisionDesc>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
</revisionDesc>

<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11"> 王大明刪除第十章</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<listChange>

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
  <change when="1991-11-02" who="#MSM"> completed first draft </change>
 </listChange>
</revisionDesc>

15. The Electronic Title Page

15. The Electronic Title Page

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB">deleted chapter 10</change>
  <change when="1991-11-02" who="#MSM">completed first draft</change>
 </listChange>
</revisionDesc>

17. The TEI simplePrint schema

att.docStatus

<revisionDesc status="published">
 <change when="2010-10-21"
  status="published"/>
 <change when="2010-10-02" status="cleared"/>
 <change when="2010-08-02"
  status="embargoed"/>
 <change when="2010-05-01" status="frozen"
  who="#MSM"/>
 <change when="2010-03-01" status="draft"
  who="#LB"/>
</revisionDesc>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
</revisionDesc>

<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11"> 王大明刪除第十章</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<listChange>

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
  <change when="1991-11-02" who="#MSM"> completed first draft </change>
 </listChange>
</revisionDesc>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <change> (change)

These search results reproduce every example of the use of <change> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <change> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.docStatus

<revisionDesc status="published">
 <change when="2010-10-21"
  status="published"/>
 <change when="2010-10-02" status="cleared"/>
 <change when="2010-08-02"
  status="embargoed"/>
 <change when="2010-05-01" status="frozen"
  who="#MSM"/>
 <change when="2010-03-01" status="draft"
  who="#LB"/>
</revisionDesc>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
</revisionDesc>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11"> 王大明刪除第十章</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<change>

<change n="P2.2" when="1991-12-21">張三新增範例於第三節</change>
<change when="1991-11-11">李四刪除第十章</change>

<listChange>

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
  <change when="1991-11-02" who="#MSM"> completed first draft </change>
 </listChange>
</revisionDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

15. The Electronic Title Page

15. The Electronic Title Page

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB">deleted chapter 10</change>
  <change when="1991-11-02" who="#MSM">completed first draft</change>
 </listChange>
</revisionDesc>

17. The TEI simplePrint schema

att.docStatus

<revisionDesc status="published">
 <change when="2010-10-21"
  status="published"/>
 <change when="2010-10-02" status="cleared"/>
 <change when="2010-08-02"
  status="embargoed"/>
 <change when="2010-05-01" status="frozen"
  who="#MSM"/>
 <change when="2010-03-01" status="draft"
  who="#LB"/>
</revisionDesc>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
</revisionDesc>

<revisionDesc>

<revisionDesc status="embargoed">
 <change when="1991-11-11"> 王大明刪除第十章</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<change>

<change n="P2.2" when="1991-12-21">張三新增範例於第三節</change>
<change when="1991-11-11">李四刪除第十章</change>

<listChange>

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
  <change when="1991-11-02" who="#MSM"> completed first draft </change>
 </listChange>
</revisionDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

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Example: <listChange>

These search results reproduce every example of the use of <listChange> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <listChange> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<listChange>

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
  <change when="1991-11-02" who="#MSM"> completed first draft </change>
 </listChange>
</revisionDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

15. The Electronic Title Page

15. The Electronic Title Page

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB">deleted chapter 10</change>
  <change when="1991-11-02" who="#MSM">completed first draft</change>
 </listChange>
</revisionDesc>

17. The TEI simplePrint schema

<change>

<profileDesc>
 <creation>
  <listChange>
   <change xml:id="DRAFT1">First draft in pencil</change>
   <change xml:id="DRAFT2"
    notBefore="1880-12-09">First revision, mostly
       using green ink</change>
   <change xml:id="DRAFT3"
    notBefore="1881-02-13">Final corrections as
       supplied to printer.</change>
  </listChange>
 </creation>
</profileDesc>

<listChange>

<revisionDesc>
 <listChange>
  <change when="1991-11-11" who="#LB"> deleted chapter 10 </change>
  <change when="1991-11-02" who="#MSM"> completed first draft </change>
 </listChange>
</revisionDesc>

<listChange>

<profileDesc>
 <creation>
  <listChange ordered="true">
   <change xml:id="CHG-1">First stage, written in ink by a writer</change>
   <change xml:id="CHG-2">Second stage, written in Goethe's hand using pencil</change>
   <change xml:id="CHG-3">Fixation of the revised passages and further revisions by
       Goethe using ink</change>
   <change xml:id="CHG-4">Addition of another stanza in a different hand,
       probably at a later stage</change>
  </listChange>
 </creation>
</profileDesc>

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<particDesc>

<particDesc> (participation description) describes the identifiable speakers, voices, or other participants in any kind of text or other persons named or otherwise referred to in a text, edition, or metadata. [16.2. Contextual Information]

Module
corpus

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.profileDescPart

Contained by

header: profileDesc

May contain

core: p

linking: ab

namesdates: listPerson person

Example

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1" maxOccurs="1">
  <classRef key="model.pLike" minOccurs="1"
   maxOccurs="unbounded"/>
  <alternate minOccurs="1"
   maxOccurs="unbounded">
   <classRef key="model.personLike"/>
   <elementRef key="listPerson"/>
   <elementRef key="listOrg"/>
  </alternate>
 </alternate>
</content>

Schema Declaration

element particDesc
{
   model.pLike+ | ( model.personLike | listPerson | listOrg )+
}

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <particDesc> (participation description)

These search results reproduce every example of the use of <particDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <particDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

17. The TEI simplePrint schema

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <settingDesc> (setting description)

These search results reproduce every example of the use of <settingDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <settingDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<settingDesc>

<settingDesc>
 <p>Texts recorded in the
   Canadian Parliament building in Ottawa, between April and November 1988 </p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>Pierre Mendès France,
   Entretiens avec Jean Lacouture (1980-1981 )</p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>文本錄於渥太華的加拿大國會大廈，介於1988年4月至11月間</p>
</settingDesc>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

<settingDesc>

<settingDesc>
 <p>Texts recorded in the
   Canadian Parliament building in Ottawa, between April and November 1988 </p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>Pierre Mendès France,
   Entretiens avec Jean Lacouture (1980-1981 )</p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>文本錄於渥太華的加拿大國會大廈，介於1988年4月至11月間</p>
</settingDesc>

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<ab>

<ab> (anonymous block) contains any component-level unit of text, acting as a container for phrase or inter level elements analogous to, but without the same constraints as, a paragraph. [17.3. Blocks, Segments, and Anchors]

Module
linking

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.fragmentable

@part

att.typed

@type

@subtype

att.written

@hand

Member of

macro.abContent model.pLike

Contained by

core: item note q quote sp stage

corpus: particDesc settingDesc

drama: castList set

figures: cell figure

header: abstract availability change editionStmt editorialDecl encodingDesc langUsage licence prefixDef projectDesc publicationStmt refsDecl samplingDecl seriesStmt sourceDesc

linking: ab

namesdates: person place

textstructure: argument back body div epigraph front postscript

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The ab element may be used at the encoder's discretion to mark any component-level elements in a text for which no other more specific appropriate markup is defined. Unlike paragraphs, ab may nest and may use the type and subtype attributes.

Example

<div type="book" n="Genesis">
 <div type="chapter" n="1">
  <ab>In the beginning God created the heaven and the earth.</ab>
  <ab>And the earth was without form, and void; and
     darkness was upon the face of the deep. And the
     spirit of God moved upon the face of the waters.</ab>
  <ab>And God said, Let there be light: and there was light.</ab>
<!-- ...-->
 </div>
</div>

Show all ⚓︎

Schematron

<sch:rule context="tei:l//tei:ab">
<sch:assert test="ancestor::tei:floatingText | parent::tei:figure | parent::tei:note"> Abstract model violation: Metrical lines may not contain higher-level divisions such as p or ab, unless ab is a child of figure or note, or is a descendant of floatingText.
</sch:assert>
</sch:rule>

Content model

<content>
 <macroRef key="macro.abContent"/>
</content>

Schema Declaration

element ab { macro.abContent }

Processing Model

<model behaviour="paragraph"/>

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Example: <ab> (anonymous block)

These search results reproduce every example of the use of <ab> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <ab> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.breaking

<ab> ...eƿesa tome iu icƿæs ȝeƿorden ƿita heardoſt .
leodum la<lb break="no"/> ðost ærþan ichim lifes
ƿeȝ rihtne ȝerymde reord be<lb break="no"/>
rendum hƿæt me þaȝeƿeorðode ƿuldres ealdor ofer...
</ab>

<ab>

<div type="book" n="Genesis">
 <div type="chapter" n="1">
  <ab>In the beginning God created the heaven and the earth.</ab>
  <ab>And the earth was without form, and void; and
     darkness was upon the face of the deep. And the
     spirit of God moved upon the face of the waters.</ab>
  <ab>And God said, Let there be light: and there was light.</ab>
<!-- ...-->
 </div>
</div>

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

17. The TEI simplePrint schema

att.breaking

<ab> ...eƿesa tome iu icƿæs ȝeƿorden ƿita heardoſt .
leodum la<lb break="no"/> ðost ærþan ichim lifes
ƿeȝ rihtne ȝerymde reord be<lb break="no"/>
rendum hƿæt me þaȝeƿeorðode ƿuldres ealdor ofer...
</ab>

<ab>

<div type="book" n="Genesis">
 <div type="chapter" n="1">
  <ab>In the beginning God created the heaven and the earth.</ab>
  <ab>And the earth was without form, and void; and
     darkness was upon the face of the deep. And the
     spirit of God moved upon the face of the waters.</ab>
  <ab>And God said, Let there be light: and there was light.</ab>
<!-- ...-->
 </div>
</div>

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

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<abbr>

<abbr> (abbreviation) contains an abbreviation of any sort. [3.6.5. Abbreviations and Their Expansions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

type type⚓︎
(type) allows the encoder to classify the abbreviation according to some convenient typology.

Status
Optional

Datatype
teidata.enumerated

Sample values include:

suspension

(suspension) the abbreviation provides the first letter(s) of the word or phrase, omitting the remainder.

contraction

(contraction) the abbreviation omits some letter(s) in the middle.

brevigraph

the abbreviation comprises a special symbol or mark.

superscription

(superscription) the abbreviation includes writing above the line.

acronym

(acronym) the abbreviation comprises the initial letters of the words of a phrase.

title

(title) the abbreviation is for a title of address (Dr, Ms, Mr, …)

organization

(organization) the abbreviation is for the name of an organization.

geographic

(geographic) the abbreviation is for a geographic name.

Member of

model.choicePart model.pPart.editorial

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

Show all ⚓︎

Example

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element abbr { attribute type { teidata.enumerated }?, macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

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Example: <abbr> (abbreviation)

These search results reproduce every example of the use of <abbr> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <abbr> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

Every
manufacturer of <abbr>3GL</abbr> or <abbr>4GL</abbr> languages is currently nailing on
<abbr>OOP</abbr> extensions

4. Editorial Interventions

<choice>
 <abbr>wt</abbr>
 <expan>with</expan>
</choice>

11. Common Attributes

<abbr>

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

<abbr>

<abbr>SPQR</abbr>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan xml:lang="la">senatus populusque romanorum</expan>
</choice>

<abbr>

<abbr>北大</abbr>

<abbr>

<choice>
 <abbr>北大</abbr>
 <expan>北京大學</expan>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

<expan>

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

<expan>

Il habite
<choice>
 <expan>Avenue</expan>
 <abbr>Av.</abbr>
</choice>de la Paix

<expan>

<choice>
 <expan>歐洲聯盟</expan>
 <abbr>歐盟</abbr>
</choice>

<expan>

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

17. The TEI simplePrint schema

<abbr>

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

<abbr>

<abbr>SPQR</abbr>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan xml:lang="la">senatus populusque romanorum</expan>
</choice>

<abbr>

<abbr>北大</abbr>

<abbr>

<choice>
 <abbr>北大</abbr>
 <expan>北京大學</expan>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

<expan>

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

<expan>

Il habite
<choice>
 <expan>Avenue</expan>
 <abbr>Av.</abbr>
</choice>de la Paix

<expan>

<choice>
 <expan>歐洲聯盟</expan>
 <abbr>歐盟</abbr>
</choice>

<expan>

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<actor>

<actor> contains the name of an actor appearing within a cast list. [7.1.4. Cast Lists]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

sex sex⚓︎
specifies the sex of the actor.

Status
Optional

Datatype
1–∞ occurrences of teidata.sex separated by whitespace

Note

Values for this attribute may be locally defined by a project, or may refer to an external standard.

gender gender⚓︎
specifies the gender of the actor.

Status
Optional

Datatype
1–∞ occurrences of teidata.gender separated by whitespace

Note

Values for this attribute may be locally defined by a project, or they may refer to an external standard.

Member of

model.castItemPart

Contained by

drama: castItem

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

This element should be used only to mark the name of the actor as given in the source. Chapter 14. Names, Dates, People, and Places discusses ways of marking the components of names, and also of associating names with biographical information about a person.

Example

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element actor
{
   attribute sex { list { teidata.sex+ } }?,
   attribute gender { list { teidata.gender+ } }?,
   macro.phraseSeq
}

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <actor>

These search results reproduce every example of the use of <actor> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <actor> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castItem>

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

<castItem>

<castItem>
 <role>Un marin</role>
 <actor>Henry Courseaux</actor>
</castItem>

<castItem>

<castItem>
 <role>段小樓</role>
 <actor>張豐毅</actor>
</castItem>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

17. The TEI simplePrint schema

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castItem>

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

<castItem>

<castItem>
 <role>Un marin</role>
 <actor>Henry Courseaux</actor>
</castItem>

<castItem>

<castItem>
 <role>段小樓</role>
 <actor>張豐毅</actor>
</castItem>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

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<add>

<add> (addition) contains letters, words, or phrases inserted in the source text by an author, scribe, or a previous annotator or corrector. [3.5.3. Additions, Deletions, and Omissions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.dimensions

@unit

@quantity

@extent

@scope

att.transcriptional

@status

@cause

@seq

att.editLike

att.placement

@place

att.written

@hand

att.typed

@type

@subtype

Member of

model.linePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw subst supplied zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

In a diplomatic edition attempting to represent an original source, the add element should not be used for additions to the current TEI electronic edition made by editors or encoders. In these cases, either the corr or supplied element are recommended.

In a TEI edition of a historical text with previous editorial emendations in which such additions or reconstructions are considered part of the source text, the use of add may be appropriate, dependent on the editorial philosophy of the project.

Example

The story I am
going to relate is true as to its main facts, and as to the
consequences <add place="above">of these facts</add> from which
this tale takes its title.

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element add { macro.paraContent }

Processing Model

<model behaviour="inline">
<outputRendition>color: green; text-decoration: underline;</outputRendition>
</model>

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Example: <add> (addition)

These search results reproduce every example of the use of <add> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <add> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

The following
elements <add resp="#LB">are</add> provided for simple editorial
interventions.

4.2. Omissions, Deletions, and Additions

<l>And towards our distant rest began to trudge,</l>
<l>
 <subst>
  <del>Helping the worst amongst us</del>
  <add>Dragging the worst amongt us</add>
 </subst>, who’d no boots
</l>
<l>But limped on, blood–shod. All went lame; <subst>
  <del status="shortEnd">half–</del>
  <add>all</add>
 </subst> blind;</l>
<l>Drunk with fatigue ; deaf even to the hoots</l>
<l>Of tired, outstripped <del>fif</del> five–nines that dropped behind.</l>

4.2. Omissions, Deletions, and Additions

<add>Dragging the worst among<supplied resp="#ED">s</supplied>t us</add>

11. Common Attributes

att.placement

<add place="margin">[An addition written in the margin]</add>
<add place="bottom opposite">[An addition written at the
foot of the current page and also on the facing page]</add>

<add>

The story I am
going to relate is true as to its main facts, and as to the
consequences <add place="above">of these facts</add> from which
this tale takes its title.

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

17. The TEI simplePrint schema

att.placement

<add place="margin">[An addition written in the margin]</add>
<add place="bottom opposite">[An addition written at the
foot of the current page and also on the facing page]</add>

<add>

The story I am
going to relate is true as to its main facts, and as to the
consequences <add place="above">of these facts</add> from which
this tale takes its title.

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

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<address>

<address> (address) contains a postal address, for example of a publisher, an organization, or an individual. [3.6.2. Addresses 2.2.4. Publication, Distribution, Licensing, etc. 3.12.2.4. Imprint, Size of a Document, and Reprint Information]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.addressLike model.publicationStmtPart.detail

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence publicationStmt rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

core: addrLine cb gap lb milestone name note pb rs

figures: figure

header: idno

linking: anchor

transcr: fw

Note

This element should be used for postal addresses only. Within it, the generic element addrLine may be used as an alternative to any of the more specialized elements available from the model.addrPart class, such as <street>, <postCode> etc.

Example

Using just the elements defined by the core module, an address could be represented as follows:

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <name>Bologna</name>
 <name>Italy</name>
</address>

Show all ⚓︎

Example

When a schema includes the names and dates module more specific elements such as country or settlement would be preferable over generic name:

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <settlement>Bologna</settlement>
 <country>Italy</country>
</address>

Show all ⚓︎

Example

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL 60680</addrLine>
 <addrLine>USA</addrLine>
</address>

Show all ⚓︎

Example

<address>
 <country key="FR"/>
 <settlement type="city">Lyon</settlement>
 <postCode>69002</postCode>
 <district type="arrondissement">IIème</district>
 <district type="quartier">Perrache</district>
 <street>
  <num>30</num>, Cours de Verdun</street>
</address>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <classRef key="model.addrPart"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element address { model.global*, ( ( model.addrPart, model.global* )+ ) }

Processing Model

<model behaviour="block">
<outputRendition>margin-top: 2em; margin-left: 2em; margin-right: 2em;
 margin-bottom: 2em;</outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <address> (address)

These search results reproduce every example of the use of <address> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <address> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <name>Bologna</name>
 <name>Italy</name>
</address>

<address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <settlement>Bologna</settlement>
 <country>Italy</country>
</address>

<address>

<address>
 <addrLine>Centre d'Études Supérieures de la Renaissance</addrLine>
 <addrLine>59, rue Néricault-Destouches</addrLine>
 <addrLine> 37013
   TOURS</addrLine>
 <addrLine>France</addrLine>
</address>

<address>

<address>
 <street>邯郸路220号</street>
 <postCode>200433</postCode>
 <name>上海市</name>
 <name n="I">中華人民共和國</name>
</address>

<address>

<address>
 <addrLine>沙田</addrLine>
 <addrLine>新界</addrLine>
 <addrLine>香港特別行政區</addrLine>
 <addrLine>中華人民共和國</addrLine>
</address>

<address>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL 60680</addrLine>
 <addrLine>USA</addrLine>
</address>

<address>

<address>
 <country key="FR"/>
 <settlement type="city">Lyon</settlement>
 <postCode>69002</postCode>
 <district type="arrondissement">IIème</district>
 <district type="quartier">Perrache</district>
 <street>
  <num>30</num>, Cours de Verdun</street>
</address>

<addrLine>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL</addrLine>
 <addrLine>60680 USA</addrLine>
</address>

<addrLine>

<address>
 <addrLine>44, avenue de la Libération</addrLine>
 <addrLine>B.P. 30687</addrLine>
 <addrLine>F 54063 NANCY CEDEX</addrLine>
 <addrLine>FRANCE</addrLine>
</address>

<addrLine>

<address>
 <addrLine> 276號4樓</addrLine>
 <addrLine>光明路</addrLine>
 <addrLine>北投區，台北市11246</addrLine>
 <addrLine>台灣，中華民國</addrLine>
</address>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <name>Bologna</name>
 <name>Italy</name>
</address>

<address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <settlement>Bologna</settlement>
 <country>Italy</country>
</address>

<address>

<address>
 <addrLine>Centre d'Études Supérieures de la Renaissance</addrLine>
 <addrLine>59, rue Néricault-Destouches</addrLine>
 <addrLine> 37013
   TOURS</addrLine>
 <addrLine>France</addrLine>
</address>

<address>

<address>
 <street>邯郸路220号</street>
 <postCode>200433</postCode>
 <name>上海市</name>
 <name n="I">中華人民共和國</name>
</address>

<address>

<address>
 <addrLine>沙田</addrLine>
 <addrLine>新界</addrLine>
 <addrLine>香港特別行政區</addrLine>
 <addrLine>中華人民共和國</addrLine>
</address>

<address>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL 60680</addrLine>
 <addrLine>USA</addrLine>
</address>

<address>

<address>
 <country key="FR"/>
 <settlement type="city">Lyon</settlement>
 <postCode>69002</postCode>
 <district type="arrondissement">IIème</district>
 <district type="quartier">Perrache</district>
 <street>
  <num>30</num>, Cours de Verdun</street>
</address>

<addrLine>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL</addrLine>
 <addrLine>60680 USA</addrLine>
</address>

<addrLine>

<address>
 <addrLine>44, avenue de la Libération</addrLine>
 <addrLine>B.P. 30687</addrLine>
 <addrLine>F 54063 NANCY CEDEX</addrLine>
 <addrLine>FRANCE</addrLine>
</address>

<addrLine>

<address>
 <addrLine> 276號4樓</addrLine>
 <addrLine>光明路</addrLine>
 <addrLine>北投區，台北市11246</addrLine>
 <addrLine>台灣，中華民國</addrLine>
</address>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<addrLine>

<addrLine> (address line) contains one line of a postal address. [3.6.2. Addresses 2.2.4. Publication, Distribution, Licensing, etc. 3.12.2.4. Imprint, Size of a Document, and Reprint Information]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.addrPart

Contained by

core: address

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Addresses may be encoded either as a sequence of lines, or using any sequence of component elements from the model.addrPart class. Other non-postal forms of address, such as telephone numbers or email, should not be included within an address element directly but may be wrapped within an addrLine if they form part of the printed address in some source text.

Example

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL</addrLine>
 <addrLine>60680 USA</addrLine>
</address>

Show all ⚓︎

Example

<addrLine>
 <ref target="tel:+1-201-555-0123">(201) 555 0123</ref>
</addrLine>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element addrLine { macro.phraseSeq }

Processing Model

<model behaviour="block">
<outputRendition>white-space: nowrap;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <addrLine> (address line)

These search results reproduce every example of the use of <addrLine> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <addrLine> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<address>

<address>
 <addrLine>Centre d'Études Supérieures de la Renaissance</addrLine>
 <addrLine>59, rue Néricault-Destouches</addrLine>
 <addrLine> 37013
   TOURS</addrLine>
 <addrLine>France</addrLine>
</address>

<address>

<address>
 <addrLine>沙田</addrLine>
 <addrLine>新界</addrLine>
 <addrLine>香港特別行政區</addrLine>
 <addrLine>中華人民共和國</addrLine>
</address>

<address>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL 60680</addrLine>
 <addrLine>USA</addrLine>
</address>

<addrLine>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL</addrLine>
 <addrLine>60680 USA</addrLine>
</address>

<addrLine>

<addrLine>
 <ref target="tel:+1-201-555-0123">(201) 555 0123</ref>
</addrLine>

<addrLine>

<address>
 <addrLine>44, avenue de la Libération</addrLine>
 <addrLine>B.P. 30687</addrLine>
 <addrLine>F 54063 NANCY CEDEX</addrLine>
 <addrLine>FRANCE</addrLine>
</address>

<addrLine>

<address>
 <addrLine> 276號4樓</addrLine>
 <addrLine>光明路</addrLine>
 <addrLine>北投區，台北市11246</addrLine>
 <addrLine>台灣，中華民國</addrLine>
</address>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<address>

<address>
 <addrLine>Centre d'Études Supérieures de la Renaissance</addrLine>
 <addrLine>59, rue Néricault-Destouches</addrLine>
 <addrLine> 37013
   TOURS</addrLine>
 <addrLine>France</addrLine>
</address>

<address>

<address>
 <addrLine>沙田</addrLine>
 <addrLine>新界</addrLine>
 <addrLine>香港特別行政區</addrLine>
 <addrLine>中華人民共和國</addrLine>
</address>

<address>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL 60680</addrLine>
 <addrLine>USA</addrLine>
</address>

<addrLine>

<address>
 <addrLine>Computing Center, MC 135</addrLine>
 <addrLine>P.O. Box 6998</addrLine>
 <addrLine>Chicago, IL</addrLine>
 <addrLine>60680 USA</addrLine>
</address>

<addrLine>

<addrLine>
 <ref target="tel:+1-201-555-0123">(201) 555 0123</ref>
</addrLine>

<addrLine>

<address>
 <addrLine>44, avenue de la Libération</addrLine>
 <addrLine>B.P. 30687</addrLine>
 <addrLine>F 54063 NANCY CEDEX</addrLine>
 <addrLine>FRANCE</addrLine>
</address>

<addrLine>

<address>
 <addrLine> 276號4樓</addrLine>
 <addrLine>光明路</addrLine>
 <addrLine>北投區，台北市11246</addrLine>
 <addrLine>台灣，中華民國</addrLine>
</address>

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<anchor>

<anchor> (anchor point) attaches an identifier to a point within a text, whether or not it corresponds with a textual element. [8.4.2. Synchronization and Overlap 17.5. Correspondence and Alignment]

Module
linking

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

Member of

model.milestoneLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list listBibl measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw subst supplied surface zone

verse: rhyme

May contain
Empty element

Note

On this element, the global xml:id attribute must be supplied to specify an identifier for the point at which this element occurs within a document. The value used may be chosen freely provided that it is unique within the document and is a syntactically valid name. There is no requirement for values containing numbers to be in sequence.

Example

<s>The anchor is he<anchor xml:id="A234"/>re somewhere.</s>
<s>Help me find it.<ptr target="#A234"/>
</s>

Show all ⚓︎

Content model

<content>
 <empty/>
</content>

Schema Declaration

element anchor { empty }

Processing Model

<model behaviour="anchor">
<param name="id" value="@xml:id"/>
</model>

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Example: <anchor> (anchor point)

These search results reproduce every example of the use of <anchor> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <anchor> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.7.1. Simple Cross References

.... <anchor type="bookmark" xml:id="ABCD"/> .... ....<seg type="target" xml:id="EFGH"> ... </seg> ...

11. Common Attributes

att.anchoring

<p>(...) tamen reuerendos dominos archiepiscopum et canonicos Leopolienses
necnon episcopum in duplicibus Quatuortemporibus<anchor xml:id="A55234"/> totaliter expediui...</p>
<!-- elsewhere in the document -->
<noteGrp targetEnd="#A55234">
 <note xml:lang="en"> Quatuor Tempora, so called dry fast days.
 </note>
 <note xml:lang="pl"> Quatuor Tempora, tzw. Suche dni postne.
 </note>
</noteGrp>

<anchor>

<s>The anchor is he<anchor xml:id="A234"/>re somewhere.</s>
<s>Help me find it.<ptr target="#A234"/>
</s>

<anchor>

<s>L'ancre est i<anchor xml:id="fr_A234"/>ci quelque part.</s>
<s>Aidez-moi à la trouver.<ptr target="#fr_A234"/>
</s>

<anchor>

<s>此錨點指向這<anchor xml:id="zh-tw_A234"/>裡</s>
<s>請搜尋此處<ptr target="#zh-tw_A234"/>
</s>

17. The TEI simplePrint schema

att.anchoring

<p>(...) tamen reuerendos dominos archiepiscopum et canonicos Leopolienses
necnon episcopum in duplicibus Quatuortemporibus<anchor xml:id="A55234"/> totaliter expediui...</p>
<!-- elsewhere in the document -->
<noteGrp targetEnd="#A55234">
 <note xml:lang="en"> Quatuor Tempora, so called dry fast days.
 </note>
 <note xml:lang="pl"> Quatuor Tempora, tzw. Suche dni postne.
 </note>
</noteGrp>

<anchor>

<s>The anchor is he<anchor xml:id="A234"/>re somewhere.</s>
<s>Help me find it.<ptr target="#A234"/>
</s>

<anchor>

<s>L'ancre est i<anchor xml:id="fr_A234"/>ci quelque part.</s>
<s>Aidez-moi à la trouver.<ptr target="#fr_A234"/>
</s>

<anchor>

<s>此錨點指向這<anchor xml:id="zh-tw_A234"/>裡</s>
<s>請搜尋此處<ptr target="#zh-tw_A234"/>
</s>

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<argument>

<argument> (argument) contains a formal list or prose description of the topics addressed by a subdivision of a text. [4.2. Elements Common to All Divisions 4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.divWrapper model.pLike.front model.titlepagePart

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body div front group opener titlePage

May contain

core: bibl cb cit desc gap head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: floatingText

transcr: fw

Example

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.global"/>
   <classRef key="model.headLike"/>
  </alternate>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <classRef key="model.common"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element argument
{
   ( model.global | model.headLike )*, ( ( model.common, model.global* )+ )
}

Processing Model

<model behaviour="block">
<outputRendition>margin-bottom: 0.5em;</outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <argument> (argument)

These search results reproduce every example of the use of <argument> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <argument> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<argument>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

<l>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

17. The TEI simplePrint schema

<argument>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

<l>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

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<author>

<author> (author) in a bibliographic reference, contains the name(s) of an author, personal or corporate, of a work; for example in the same form as that provided by a recognized bibliographic name authority. [3.12.2.2. Titles, Authors, and Editors 2.2.1. The Title Statement]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

att.naming

@role

@nymRef

att.canonical

@ref

Member of

model.respLike

Contained by

core: bibl

header: editionStmt titleStmt

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Particularly where cataloguing is likely to be based on the content of the header, it is advisable to use a generally recognized name authority file to supply the content for this element. The attributes key or ref may also be used to reference canonical information about the author(s) intended from any appropriate authority, such as a library catalogue or online resource.

In the case of a broadcast, use this element for the name of the company or network responsible for making the broadcast.

Where an author is unknown or unspecified, this element may contain text such as Unknown or Anonymous. When the appropriate TEI modules are in use, it may also contain detailed tagging of the names used for people, organizations or places, in particular where multiple names are given.

Example

<author>British Broadcasting Corporation</author>
<author>La Fayette, Marie Madeleine Pioche de la Vergne, comtesse de (1634–1693)</author>
<author>Anonymous</author>
<author>Bill and Melinda Gates Foundation</author>
<author>
 <persName>Beaumont, Francis</persName>
and
<persName>John Fletcher</persName>
</author>
<author>
 <orgName key="BBC">British Broadcasting
   Corporation</orgName>: Radio 3 Network
</author>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element author { macro.phraseSeq }

Processing Model

<model predicate="ancestor::teiHeader"
 behaviour="omit"/>
<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <author> (author)

These search results reproduce every example of the use of <author> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <author> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

7. Bibliographic Citations

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

7. Bibliographic Citations

7. Bibliographic Citations

He was a member of Parliament for Warwickshire
in 1445, and died March 14, 1470 (according to <bibl>
 <author>Kittredge</author>,
<title>Harvard Studies</title> 5. 88ff
</bibl>).

7. Bibliographic Citations

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

11. Common Attributes

att.canonical

<author n="1">
 <name ref="http://nzetc.victoria.ac.nz/tm/scholarly/name-427308.html"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="2">
 <name ref="nzvn:427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="3">
 <name ref="./named_entities.xml#o427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="4">
 <name key="name-427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<author>

<author>British Broadcasting Corporation</author>
<author>La Fayette, Marie Madeleine Pioche de la Vergne, comtesse de (1634–1693)</author>
<author>Anonymous</author>
<author>Bill and Melinda Gates Foundation</author>
<author>
 <persName>Beaumont, Francis</persName>
and
<persName>John Fletcher</persName>
</author>
<author>
 <orgName key="BBC">British Broadcasting
   Corporation</orgName>: Radio 3 Network
</author>

<author>

<author>La Fayette, Marie Madeleine Pioche de la Vergne, comtesse de (1634–1693)</author>
<author>Anonyme</author>
<author>Erckmann-Chatrian</author>
<author>
 <orgName key="ARTE">Association relative à la télévision européenne</orgName>
</author>

<author>

<author>中央日報</author>
<author>中央通訊社董事長馬星野</author>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

15. The Electronic Title Page

15. The Electronic Title Page

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

15. The Electronic Title Page

<sourceDesc>
 <bibl>
  <author>CNN Network News</author>
  <title>News headlines</title>
  <date>12 Jun 1989</date>
 </bibl>
</sourceDesc>

17. The TEI simplePrint schema

att.canonical

<author n="1">
 <name ref="http://nzetc.victoria.ac.nz/tm/scholarly/name-427308.html"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="2">
 <name ref="nzvn:427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="3">
 <name ref="./named_entities.xml#o427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="4">
 <name key="name-427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<author>

<author>British Broadcasting Corporation</author>
<author>La Fayette, Marie Madeleine Pioche de la Vergne, comtesse de (1634–1693)</author>
<author>Anonymous</author>
<author>Bill and Melinda Gates Foundation</author>
<author>
 <persName>Beaumont, Francis</persName>
and
<persName>John Fletcher</persName>
</author>
<author>
 <orgName key="BBC">British Broadcasting
   Corporation</orgName>: Radio 3 Network
</author>

<author>

<author>La Fayette, Marie Madeleine Pioche de la Vergne, comtesse de (1634–1693)</author>
<author>Anonyme</author>
<author>Erckmann-Chatrian</author>
<author>
 <orgName key="ARTE">Association relative à la télévision européenne</orgName>
</author>

<author>

<author>中央日報</author>
<author>中央通訊社董事長馬星野</author>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<back>

<back> (back matter) contains any appendixes, etc. following the main part of a text. [4.7. Back Matter 4. Default Text Structure]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

textstructure: floatingText text

transcr: facsimile

May contain

core: cb gap head lb list listBibl milestone note p pb

drama: castList set

figures: figure table

linking: ab anchor

namesdates: listPerson listPlace

textstructure: argument byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph postscript signed titlePage titlePart trailer

transcr: fw

Note

Because cultural conventions differ as to which elements are grouped as back matter and which as front matter, the content models for the back and front elements are identical.

Example

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.frontPart"/>
   <classRef key="model.pLike.front"/>
   <classRef key="model.pLike"/>
   <classRef key="model.listLike"/>
   <classRef key="model.global"/>
  </alternate>
  <alternate minOccurs="0" maxOccurs="1">
   <sequence minOccurs="1" maxOccurs="1">
    <classRef key="model.div1Like"/>
    <alternate minOccurs="0"
     maxOccurs="unbounded">
     <classRef key="model.frontPart"/>
     <classRef key="model.div1Like"/>
     <classRef key="model.global"/>
    </alternate>
   </sequence>
   <sequence minOccurs="1" maxOccurs="1">
    <classRef key="model.divLike"/>
    <alternate minOccurs="0"
     maxOccurs="unbounded">
     <classRef key="model.frontPart"/>
     <classRef key="model.divLike"/>
     <classRef key="model.global"/>
    </alternate>
   </sequence>
  </alternate>
  <sequence minOccurs="0" maxOccurs="1">
   <classRef key="model.divBottomPart"/>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <classRef key="model.divBottomPart"/>
    <classRef key="model.global"/>
   </alternate>
  </sequence>
 </sequence>
</content>

Schema Declaration

element back
{
   (
      model.frontPart
    | model.pLike.front
    | model.pLike
    | model.listLike
    | model.global
   )*,
   (
      ( model.div1Like, ( model.frontPart | model.div1Like | model.global )* )
    | ( model.divLike, ( model.frontPart | model.divLike | model.global )* )
   )?,
   ( ( model.divBottomPart, ( model.divBottomPart | model.global )* )? )
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <back> (back matter)

These search results reproduce every example of the use of <back> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <back> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

2. The Structure of a TEI simplePrint Document

11. Common Attributes

12. Composite and Floating Texts

13. Front and Back Matter

17. The TEI simplePrint schema

2. The Structure of a TEI simplePrint Document

2. The Structure of a TEI simplePrint Document

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

11. Common Attributes

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<bibl>

<bibl> (bibliographic citation) contains a loosely-structured bibliographic citation of which the sub-components may or may not be explicitly tagged. [3.12.1. Methods of Encoding Bibliographic References and Lists of References 2.2.7. The Source Description 16.3.2. Declarable Elements]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

att.cmc

@generatedBy

att.docStatus

@status

att.sortable

@sortKey

att.typed

@type

@subtype

Member of

model.biblLike model.biblPart

Contained by

core: add bibl cit corr del desc head hi item l listBibl note orig p q quote ref reg relatedItem sic stage title unclear

drama: castList set

figures: cell figDesc figure

header: change licence rendition sourceDesc tagUsage taxonomy

linking: ab seg

namesdates: person place

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address author bibl biblScope cb choice corr date del editor email expan foreign gap hi lb measure milestone name note num orig pb pubPlace publisher q quote ref reg relatedItem respStmt rs sic term time title unclear

figures: figure

gaiji: g

header: availability distributor edition extent idno

linking: anchor seg

tagdocs: code

transcr: fw subst supplied

character data

Note

Contains phrase-level elements, together with any combination of elements from the model.biblPart class

Example

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

Show all ⚓︎

Schematron

<sch:rule context="tei:bibl">
<sch:assert test="child::* or child::text()[normalize-space()]"
 role="ERROR">Element "<sch:name/>" may not be empty.
</sch:assert>
</sch:rule>

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.highlighted"/>
  <classRef key="model.pPart.data"/>
  <classRef key="model.pPart.edit"/>
  <classRef key="model.segLike"/>
  <classRef key="model.ptrLike"/>
  <classRef key="model.biblPart"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element bibl
{
   (
      text
    | model.gLike
    | model.highlighted
    | model.pPart.data
    | model.pPart.edit
    | model.segLike
    | model.ptrLike
    | model.biblPart
    | model.global
   )*
}

Processing Model

<model predicate="parent::listBibl"
 behaviour="listItem"/>
<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <bibl> (bibliographic citation)

These search results reproduce every example of the use of <bibl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <bibl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

7. Bibliographic Citations

11. Common Attributes

13. Front and Back Matter

15. The Electronic Title Page

17. The TEI simplePrint schema

7. Bibliographic Citations

7. Bibliographic Citations

He was a member of Parliament for Warwickshire
in 1445, and died March 14, 1470 (according to <bibl>
 <author>Kittredge</author>,
<title>Harvard Studies</title> 5. 88ff
</bibl>).

7. Bibliographic Citations

<bibl xml:id="MK_73">Sturm, U. &amp; Drang, F. : <title>Musikalische
   Katastrophe</title>. (Berlin, W. de Gruyter, 1973)</bibl>

7. Bibliographic Citations

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

11. Common Attributes

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... --> As Willard McCarty (<bibl xml:id="mcc_2012">2012, p.2</bibl>) tells us, <quote source="#mcc_2012">‘Collaboration’ is a problematic and should be a contested
   term.</quote>
<!-- ... -->
</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<taxonomy>

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

<category>

<category xml:id="fr_tax.a.d2">
 <catDesc>Récits de voyage</catDesc>
</category>
<bibl>indexation selon le système d'indexation RAMEAU, géré par la Bibliothèque nationale de
France</bibl>

<classCode>

<classCode scheme="http://www.oclc.org/">801</classCode>
<bibl>classification Dewey</bibl>

<bibl>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<cit>

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

<cit>

<cit>
 <quote>Regarde de tous tes yeux, regarde</quote>
 <bibl>Jules Verne, Michel Strogof</bibl>
</cit>

<cit>

<cit>
 <quote>棋開始了。上千人不再出聲兒。只有自願服務的人一會兒緊一會兒慢地用話傳出棋步，外邊兒自願服務的人就變動著棋子兒。</quote>
 <bibl>阿城，《棋王》。</bibl>
</cit>

<epigraph>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

15. The Electronic Title Page

15. The Electronic Title Page

<sourceDesc>
 <bibl>The first folio of Shakespeare, prepared by Charlton Hinman (The Norton
   Facsimile, 1968)</bibl>
</sourceDesc>

15. The Electronic Title Page

<sourceDesc>
 <bibl>
  <author>CNN Network News</author>
  <title>News headlines</title>
  <date>12 Jun 1989</date>
 </bibl>
</sourceDesc>

15.2.4. Reference, Prefix, and Classification Declarations

<classDecl>
 <taxonomy xml:id="LC-SH">
  <bibl>Library of Congress Subject Headings </bibl>
 </taxonomy>
</classDecl>

15.2.4. Reference, Prefix, and Classification Declarations

<taxonomy xml:id="B">
 <bibl>Brown Corpus</bibl>
 <category xml:id="B.A">
  <catDesc>Press Reportage</catDesc>
  <category xml:id="B.A1">
   <catDesc>Daily</catDesc>
  </category>
  <category xml:id="B.A2">
   <catDesc>Sunday</catDesc>
  </category>
  <category xml:id="B.A3">
   <catDesc>National</catDesc>
  </category>
  <category xml:id="B.A4">
   <catDesc>Provincial</catDesc>
  </category>
  <category xml:id="B.A5">
   <catDesc>Political</catDesc>
  </category>
  <category xml:id="B.A6">
   <catDesc>Sports</catDesc>
  </category>
 </category>
 <category xml:id="B.D">
  <catDesc>Religion</catDesc>
  <category xml:id="B.D1">
   <catDesc>Books</catDesc>
  </category>
  <category xml:id="B.D2">
   <catDesc>Periodicals and tracts</catDesc>
  </category>
 </category>
</taxonomy>

17. The TEI simplePrint schema

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... --> As Willard McCarty (<bibl xml:id="mcc_2012">2012, p.2</bibl>) tells us, <quote source="#mcc_2012">‘Collaboration’ is a problematic and should be a contested
   term.</quote>
<!-- ... -->
</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<classDecl>

<classDecl>
 <taxonomy xml:id="LCSH">
  <bibl>Library of Congress Subject Headings</bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#LCSH">
  <term>Political science</term>
  <term>United States — Politics and government —
     Revolution, 1775-1783</term>
 </keywords>
</textClass>

<classDecl>

<classDecl>
 <taxonomy xml:id="RAMEAU">
  <bibl>Répertoire d'autorité-matière encyclopédique et alphabétique unifié
     (RAMEAU) de la Bibliothèque nationale de France. <ptr target="http://rameau.bnf.fr/"/>
  </bibl>
 </taxonomy>
</classDecl>
<!-- ... -->
<textClass>
 <keywords scheme="#RAMEAU">
  <term>Bien et mal — Enseignement coranique</term>
 </keywords>
</textClass>

<taxonomy>

<classDecl>
 <taxonomy xml:id="OTASH">
  <bibl>University of Oxford Text Archive Subject Headings</bibl>
 </taxonomy>
</classDecl>

<category>

<category xml:id="fr_tax.a.d2">
 <catDesc>Récits de voyage</catDesc>
</category>
<bibl>indexation selon le système d'indexation RAMEAU, géré par la Bibliothèque nationale de
France</bibl>

<classCode>

<classCode scheme="http://www.oclc.org/">801</classCode>
<bibl>classification Dewey</bibl>

<bibl>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<cit>

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

<cit>

<cit>
 <quote>Regarde de tous tes yeux, regarde</quote>
 <bibl>Jules Verne, Michel Strogof</bibl>
</cit>

<cit>

<cit>
 <quote>棋開始了。上千人不再出聲兒。只有自願服務的人一會兒緊一會兒慢地用話傳出棋步，外邊兒自願服務的人就變動著棋子兒。</quote>
 <bibl>阿城，《棋王》。</bibl>
</cit>

<epigraph>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

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§

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<biblScope>

<biblScope> (scope of bibliographic reference) defines the scope of a bibliographic reference, for example as a list of page numbers, or a named subdivision of a larger work. [3.12.2.5. Scopes and Ranges in Bibliographic Citations]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.citing

@unit

@from

@to

Member of

model.imprintPart

Contained by

core: bibl

header: seriesStmt

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

When a single page is being cited, use the from and to attributes with an identical value. When no clear endpoint is provided, the from attribute may be used without to; for example a citation such as ‘p. 3ff’ might be encoded <biblScope from="3">p. 3ff</biblScope>.

It is now considered good practice to supply this element as a sibling (rather than a child) of <imprint>, since it supplies information which does not constitute part of the imprint.

Example

<biblScope>pp 12–34</biblScope>
<biblScope unit="page" from="12" to="34"/>
<biblScope unit="volume">II</biblScope>
<biblScope unit="page">12</biblScope>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element biblScope { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <biblScope> (scope of bibliographic reference)

These search results reproduce every example of the use of <biblScope> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <biblScope> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<biblScope>

<biblScope>pp 12–34</biblScope>
<biblScope unit="page" from="12" to="34"/>
<biblScope unit="volume">II</biblScope>
<biblScope unit="page">12</biblScope>

<biblScope>

<biblScope>pp 12–34</biblScope>
<biblScope unit="page" from="12" to="34"/>
<biblScope unit="volume">II</biblScope>
<biblScope unit="page">12</biblScope>

<biblScope>

<biblScope>頁數 12–34</biblScope>
<biblScope unit="頁數" from="12" to="34"/>
<biblScope unit="冊">II</biblScope>
<biblScope unit="頁數">12</biblScope>

17. The TEI simplePrint schema

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<biblScope>

<biblScope>pp 12–34</biblScope>
<biblScope unit="page" from="12" to="34"/>
<biblScope unit="volume">II</biblScope>
<biblScope unit="page">12</biblScope>

<biblScope>

<biblScope>pp 12–34</biblScope>
<biblScope unit="page" from="12" to="34"/>
<biblScope unit="volume">II</biblScope>
<biblScope unit="page">12</biblScope>

<biblScope>

<biblScope>頁數 12–34</biblScope>
<biblScope unit="頁數" from="12" to="34"/>
<biblScope unit="冊">II</biblScope>
<biblScope unit="頁數">12</biblScope>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<body>

<body> (text body) contains the whole body of a single unitary text, excluding any front or back matter. [4. Default Text Structure]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

textstructure: floatingText text

May contain

core: bibl cb cit desc gap head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: argument byline closer dateline div docAuthor docDate epigraph floatingText opener postscript salute signed trailer

transcr: fw

Example

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="0" maxOccurs="1">
   <classRef key="model.divTop"/>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <classRef key="model.global"/>
    <classRef key="model.divTop"/>
   </alternate>
  </sequence>
  <sequence minOccurs="0" maxOccurs="1">
   <classRef key="model.divGenLike"/>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <classRef key="model.global"/>
    <classRef key="model.divGenLike"/>
   </alternate>
  </sequence>
  <alternate minOccurs="1" maxOccurs="1">
   <sequence minOccurs="1"
    maxOccurs="unbounded">
    <classRef key="model.divLike"/>
    <alternate minOccurs="0"
     maxOccurs="unbounded">
     <classRef key="model.global"/>
     <classRef key="model.divGenLike"/>
    </alternate>
   </sequence>
   <sequence minOccurs="1"
    maxOccurs="unbounded">
    <classRef key="model.div1Like"/>
    <alternate minOccurs="0"
     maxOccurs="unbounded">
     <classRef key="model.global"/>
     <classRef key="model.divGenLike"/>
    </alternate>
   </sequence>
   <sequence minOccurs="1" maxOccurs="1">
    <sequence minOccurs="1"
     maxOccurs="unbounded">
     <alternate minOccurs="1" maxOccurs="1">
      <elementRef key="schemaSpec"/>
      <classRef key="model.common"/>
     </alternate>
     <classRef key="model.global"
      minOccurs="0" maxOccurs="unbounded"/>
    </sequence>
    <alternate minOccurs="0" maxOccurs="1">
     <sequence minOccurs="1"
      maxOccurs="unbounded">
      <classRef key="model.divLike"/>
      <alternate minOccurs="0"
       maxOccurs="unbounded">
       <classRef key="model.global"/>
       <classRef key="model.divGenLike"/>
      </alternate>
     </sequence>
     <sequence minOccurs="1"
      maxOccurs="unbounded">
      <classRef key="model.div1Like"/>
      <alternate minOccurs="0"
       maxOccurs="unbounded">
       <classRef key="model.global"/>
       <classRef key="model.divGenLike"/>
      </alternate>
     </sequence>
    </alternate>
   </sequence>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divBottom"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element body
{
   model.global*,
   ( ( model.divTop, ( model.global | model.divTop )* )? ),
   ( ( model.divGenLike, ( model.global | model.divGenLike )* )? ),
   (
      ( ( model.divLike, ( model.global | model.divGenLike )* )+ )
    | ( ( model.div1Like, ( model.global | model.divGenLike )* )+ )
    | (
         ( ( ( schemaSpec | model.common ), model.global* )+ ),
         (
            ( ( model.divLike, ( model.global | model.divGenLike )* )+ )
          | ( ( model.div1Like, ( model.global | model.divGenLike )* )+ )
         )?
      )
   ),
   ( ( model.divBottom, model.global* )* )
}

Processing Model

<modelSequence>
<model behaviour="index">
 <param name="type" value="'toc'"/>
</model>
<model behaviour="block"/>
</modelSequence>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <body> (text body)

These search results reproduce every example of the use of <body> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <body> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

2. The Structure of a TEI simplePrint Document

3. Encoding the Body

11. Common Attributes

12. Composite and Floating Texts

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

2. The Structure of a TEI simplePrint Document

2. The Structure of a TEI simplePrint Document

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

3. Encoding the Body

3.1. Text Division Elements and Global Attributes

<body>
 <div xml:id="WN1" n="I" type="book">
  <div xml:id="WN101" n="I.1" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="WN102" n="I.2" type="chapter">
<!-- ... -->
  </div>
<!-- ... -->
  <div xml:id="WN110" n="I.10"
   type="chapter">
   <div xml:id="WN1101" n="I.10.1"
    type="part">
<!-- ... -->
   </div>
   <div xml:id="WN1102" n="I.10.2"
    type="part">
<!-- ... -->
   </div>
  </div>
<!-- ... -->
 </div>
 <div xml:id="WN2" n="II" type="book">
<!-- ... -->
 </div>
</body>

3.1. Text Division Elements and Global Attributes

<body>
 <div xml:id="TS01" n="1" type="volume">
  <div xml:id="TS011" n="1" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="TS012" n="2" type="chapter">
<!-- ... -->
  </div>
 </div>
 <div xml:id="TS02" n="2" type="volume">
  <div xml:id="TS021" n="3" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="TS022" n="4" type="chapter">
<!-- ... -->
  </div>
 </div>
</body>

11. Common Attributes

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<body>

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png enthält eine Abbildung der Seite; der enthaltene Text ist hier kodiert -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- dasselbe gilt für Seite 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

<p>The Gentleman having finish'd his Story, Galecia waited on him to the Stairs-head;
and at her return, casting her Eyes on the Table, she saw lying there an old dirty
rumpled Book, and found in it the following story:</p>
<floatingText>
 <body>
  <p>IN the time of the Holy War when Christians from all parts went into the Holy
     Land to oppose the Turks; Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
  <p>The King graciously pardoned the Knight; Richard was kindly receiv'd into his
     Convent, and all things went on in good order: But from hence came the Proverb, We
     must not strike <hi>Robert</hi> for <hi>Richard.</hi>
  </p>
 </body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she cast her Eyes
again on the foresaid little Book, where she found the following Story ....</p>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<body>

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png enthält eine Abbildung der Seite; der enthaltene Text ist hier kodiert -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- dasselbe gilt für Seite 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<byline>

<byline> (byline) contains the primary statement of responsibility given for a work on its title page or at the head or end of the work. [4.2.2. Openers and Closers 4.5. Front Matter]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.divWrapper model.pLike.front model.titlepagePart

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body div front group opener titlePage

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: docAuthor

transcr: fw subst supplied

verse: rhyme

character data

Note

The byline on a title page may include either the name or a description for the document's author. Where the name is included, it may optionally be tagged using the docAuthor element.

Example

<byline>Written by a CITIZEN who continued all the
while in London. Never made publick before.</byline>

Show all ⚓︎

Example

<byline>Written from her own MEMORANDUMS</byline>

Show all ⚓︎

Example

<byline>By George Jones, Political Editor, in Washington</byline>

Show all ⚓︎

Example

<byline>BY
<docAuthor>THOMAS PHILIPOTT,</docAuthor>
Master of Arts,
(Somtimes)
Of Clare-Hall in Cambridge.</byline>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <elementRef key="docAuthor"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element byline
{
   ( text | model.gLike | model.phrase | docAuthor | model.global )*
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <byline> (byline)

These search results reproduce every example of the use of <byline> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <byline> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<byline>

<byline>Written by a CITIZEN who continued all the
while in London. Never made publick before.</byline>

<byline>

<byline>écrit par Costals sur le feuillet blanc de cette lettre : " cette correspondance n'
était pour vous qu' un jeu. "</byline>

<byline>

<byline>extraits de Villoison et de Schlegel. Commencé la rédaction du quatrième
livre.</byline>

<byline>

<byline>Reportage céleste de notre envoyé spécial au paradis</byline>

<byline>

<dateline>Zagreb :</dateline>
<byline>de notre envoyé spécial.</byline>

<byline>

<byline>Par le docteur <docAuthor>Martin Becanus</docAuthor>, au tome troisiesme de ses
opuscules</byline>

<byline>

<byline>由一個倫敦土生土長的市民撰寫，先前未曾出版過。</byline>

<byline>

<byline>錄自她自己的回憶錄</byline>

<byline>

<byline>來自華盛頓的政治編輯喬治．瓊斯</byline>

<byline>

<dateline>重慶:</dateline>
<byline>外交使節專用</byline>

<byline>

<byline>源自美國哥倫比亞大學博士<docAuthor>胡適</docAuthor>
</byline>

<byline>

<byline>Written from her own MEMORANDUMS</byline>

<byline>

<byline>By George Jones, Political Editor, in Washington</byline>

<byline>

<byline>BY
<docAuthor>THOMAS PHILIPOTT,</docAuthor>
Master of Arts,
(Somtimes)
Of Clare-Hall in Cambridge.</byline>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

13.1.1. Title Page

<byline>By <docAuthor>
  <name ref="http://en.wikipedia.org/wiki/Agnes_Strickland">Agnes Strickland</name>
 </docAuthor>
</byline>

17. The TEI simplePrint schema

<byline>

<byline>Written by a CITIZEN who continued all the
while in London. Never made publick before.</byline>

<byline>

<byline>écrit par Costals sur le feuillet blanc de cette lettre : " cette correspondance n'
était pour vous qu' un jeu. "</byline>

<byline>

<byline>extraits de Villoison et de Schlegel. Commencé la rédaction du quatrième
livre.</byline>

<byline>

<byline>Reportage céleste de notre envoyé spécial au paradis</byline>

<byline>

<dateline>Zagreb :</dateline>
<byline>de notre envoyé spécial.</byline>

<byline>

<byline>Par le docteur <docAuthor>Martin Becanus</docAuthor>, au tome troisiesme de ses
opuscules</byline>

<byline>

<byline>由一個倫敦土生土長的市民撰寫，先前未曾出版過。</byline>

<byline>

<byline>錄自她自己的回憶錄</byline>

<byline>

<byline>來自華盛頓的政治編輯喬治．瓊斯</byline>

<byline>

<dateline>重慶:</dateline>
<byline>外交使節專用</byline>

<byline>

<byline>源自美國哥倫比亞大學博士<docAuthor>胡適</docAuthor>
</byline>

<byline>

<byline>Written from her own MEMORANDUMS</byline>

<byline>

<byline>By George Jones, Political Editor, in Washington</byline>

<byline>

<byline>BY
<docAuthor>THOMAS PHILIPOTT,</docAuthor>
Master of Arts,
(Somtimes)
Of Clare-Hall in Cambridge.</byline>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

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<c>

<c> (character) represents a character. [18.1. Linguistic Segment Categories]

Module
analysis

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.notated

@notation

att.segLike

@function

att.fragmentable

@part

att.metrical

@rhyme

att.typed

@type

@subtype

Member of

model.linePart model.segLike

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

gaiji: g

character data

Note

Contains a single character, a g element, or a sequence of graphemes to be treated as a single character. The type attribute is used to indicate the function of this segmentation, taking values such as letter, punctuation, or digit etc.

Example

<phr>
 <c>M</c>
 <c>O</c>
 <c>A</c>
 <c>I</c>
 <w>doth</w>
 <w>sway</w>
 <w>my</w>
 <w>life</w>
</phr>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.xtext"/>
</content>

Schema Declaration

element c { macro.xtext }

Processing Model

<model behaviour="inline"/>

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Example: <c> (character)

These search results reproduce every example of the use of <c> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <c> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<c>

<phr>
 <c>M</c>
 <c>O</c>
 <c>A</c>
 <c>I</c>
 <w>doth</w>
 <w>sway</w>
 <w>my</w>
 <w>life</w>
</phr>

<c>

<c type="punctuation">?</c>

<c>

<c type="標點符號">?</c>

17. The TEI simplePrint schema

<c>

<phr>
 <c>M</c>
 <c>O</c>
 <c>A</c>
 <c>I</c>
 <w>doth</w>
 <w>sway</w>
 <w>my</w>
 <w>life</w>
</phr>

<c>

<c type="punctuation">?</c>

<c>

<c type="標點符號">?</c>

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<castGroup>

<castGroup> (cast list grouping) groups one or more individual castItem elements within a cast list. [7.1.4. Cast Lists]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

drama: castGroup castList

May contain

core: cb gap head lb milestone note pb

drama: castGroup castItem roleDesc

figures: figure

linking: anchor

textstructure: trailer

transcr: fw

Note

The rend attribute may be used, as here, to indicate whether the grouping is indicated by a brace, whitespace, font change, etc.

Note that in this example the role description ‘friends of Mathias’ is understood to apply to both roles equally.

Example

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.global"/>
   <classRef key="model.headLike"/>
  </alternate>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <alternate minOccurs="1" maxOccurs="1">
    <elementRef key="castItem"/>
    <elementRef key="castGroup"/>
    <elementRef key="roleDesc"/>
   </alternate>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <sequence minOccurs="0" maxOccurs="1">
   <elementRef key="trailer"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element castGroup
{
   ( model.global | model.headLike )*,
   ( ( ( castItem | castGroup | roleDesc ), model.global* )+ ),
   ( ( trailer, model.global* )? )
}

Processing Model

<model predicate="child::*" behaviour="list">
<desc>Insert list. </desc>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <castGroup> (cast list grouping)

These search results reproduce every example of the use of <castGroup> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <castGroup> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

17. The TEI simplePrint schema

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

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<castItem>

<castItem> (cast list item) contains a single entry within a cast list, describing either a single role or a list of non-speaking roles. [7.1.4. Cast Lists]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

type type⚓︎
characterizes the cast item.

Status
Optional

Datatype
teidata.enumerated

Legal values are:

role

the item describes a single role. [Default]

list

the item describes a list of non-speaking roles.

Contained by

drama: castGroup castList

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

drama: actor role roleDesc

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

transcr: fw subst supplied

verse: rhyme

character data

Example

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

Show all ⚓︎

Example

<castItem type="list">Constables, Drawer, Turnkey, etc.</castItem>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.castItemPart"/>
  <classRef key="model.phrase"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element castItem
{
   attribute type { "role" | "list" }?,
   ( text | model.gLike | model.castItemPart | model.phrase | model.global )*
}

Processing Model

<model behaviour="listItem">
<desc>Insert item, rendered as described in parent list rendition. </desc>
</model>

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Example: <castItem> (cast list item)

These search results reproduce every example of the use of <castItem> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <castItem> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castItem>

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

<castItem>

<castItem>
 <role>Un marin</role>
 <actor>Henry Courseaux</actor>
</castItem>

<castItem>

<castItem type="list">Agent de police, dessinateur, serrurier, etc.</castItem>

<castItem>

<castItem>
 <role>段小樓</role>
 <actor>張豐毅</actor>
</castItem>

<castItem>

<castItem type="list">張國榮、張豐毅、鞏俐…等等</castItem>

<castItem>

<castItem type="list">Constables, Drawer, Turnkey, etc.</castItem>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castItem>

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

<castItem>

<castItem>
 <role>Un marin</role>
 <actor>Henry Courseaux</actor>
</castItem>

<castItem>

<castItem type="list">Agent de police, dessinateur, serrurier, etc.</castItem>

<castItem>

<castItem>
 <role>段小樓</role>
 <actor>張豐毅</actor>
</castItem>

<castItem>

<castItem type="list">張國榮、張豐毅、鞏俐…等等</castItem>

<castItem>

<castItem type="list">Constables, Drawer, Turnkey, etc.</castItem>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

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<castList>

<castList> (cast list) contains a single cast list or dramatis personae. [7.1.4. Cast Lists 7.1. Front and Back Matter ]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.frontPart.drama model.inter

Contained by

core: add corr del desc head hi item l note orig p q quote ref reg sic stage title unclear

drama: castList set

figures: cell figDesc figure

header: change licence rendition tagUsage

linking: ab seg

textstructure: argument back body div docEdition epigraph front imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

core: bibl cb cit desc gap head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castGroup castItem castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: argument byline dateline docAuthor docDate epigraph floatingText opener salute signed

transcr: fw

Example

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divTop"/>
   <classRef key="model.global"/>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.common"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <alternate minOccurs="1" maxOccurs="1">
    <elementRef key="castItem"/>
    <elementRef key="castGroup"/>
   </alternate>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.common"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element castList
{
   ( model.divTop | model.global )*,
   ( ( model.common, model.global* )* ),
   ( ( ( castItem | castGroup ), model.global* )+ ),
   ( ( model.common, model.global* )* )
}

Processing Model

<model predicate="child::*" behaviour="list"
 useSourceRendition="true">
<outputRendition>list-style: ordered;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <castList> (cast list)

These search results reproduce every example of the use of <castList> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <castList> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

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<cb>

<cb> (column beginning) marks the beginning of a new column of a text on a multi-column page. [3.11.3. Milestone Elements]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.breaking

@break

att.cmc

@generatedBy

att.edition

@ed

@edRef

att.spanning

@spanTo

att.typed

@type

@subtype

Member of

model.milestoneLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list listBibl measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw subst supplied surface zone

verse: rhyme

May contain
Empty element

Note

On this element, the global n attribute indicates the number or other value associated with the column which follows the point of insertion of this cb element. Encoders should adopt a clear and consistent policy as to whether the numbers associated with column beginnings relate to the physical sequence number of the column in the whole text, or whether columns are numbered within the page. The cb element is placed at the head of the column to which it refers.

Example

Markup of an early English dictionary printed in two columns:

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

Show all ⚓︎

Content model

<content>
 <empty/>
</content>

Schema Declaration

element cb { empty }

Processing Model

<model behaviour="break">
<param name="type" value="'column'"/>
<param name="label" value="@n"/>
</model>

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Example: <cb> (column beginning)

These search results reproduce every example of the use of <cb> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <cb> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<cb>

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

17. The TEI simplePrint schema

<cb>

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

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<cell>

<cell> (cell) contains one cell of a table. [15.1.1. TEI Tables]

Module
figures

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.tableDecoration

@role

@rows

@cols

role role⚓︎

Status
Optional

Legal values are:

data

data cell

label

label cell

sum

row or column sum data

total

table total data

Contained by

figures: row

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig p pb q quote ref reg rs sic sp stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<row>
 <cell role="label">General conduct</cell>
 <cell role="data">Not satisfactory, on account of his great unpunctuality
   and inattention to duties</cell>
</row>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.specialPara"/>
</content>

Schema Declaration

element cell
{
   attribute role { "data" | "label" | "sum" | "total" }?,
   macro.specialPara
}

Processing Model

<model behaviour="cell">
<desc>Insert table cell. </desc>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <cell> (cell)

These search results reproduce every example of the use of <cell> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <cell> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

8. Tables

11. Common Attributes

17. The TEI simplePrint schema

8. Tables

8. Tables

<p>It was indeed coming on amain, for the
burials that same week were in the next adjoining parishes thus:— <table rows="5" cols="4">
  <row role="data">
   <cell role="label">St. Leonard's, Shoreditch</cell>
   <cell>64</cell>
   <cell>84</cell>
   <cell>119</cell>
  </row>
  <row role="data">
   <cell role="label">St. Botolph's, Bishopsgate</cell>
   <cell>65</cell>
   <cell>105</cell>
   <cell>116</cell>
  </row>
  <row role="data">
   <cell role="label">St. Giles's, Cripplegate</cell>
   <cell>213</cell>
   <cell>421</cell>
   <cell>554</cell>
  </row>
 </table>
</p>
<p>This shutting up of houses was at first counted a very cruel and
unchristian method, and the poor people so confined made bitter lamentations. ...
</p>

11. Common Attributes

<cell>

<row>
 <cell role="label">General conduct</cell>
 <cell role="data">Not satisfactory, on account of his great unpunctuality
   and inattention to duties</cell>
</row>

<cell>

<row>
 <cell role="label">Comportement général</cell>
 <cell role="data">Non satisfaisant, à cause de son inexactitude et de son
   inconséquence</cell>
</row>

<cell>

<row>
 <cell role="label">工作評價</cell>
 <cell role="data">不滿意；因為工作拖延、粗心。</cell>
</row>

<row>

<row role="data">
 <cell role="label">Classics</cell>
 <cell>Idle listless and unimproving</cell>
</row>

<row>

<row role="data">
 <cell role="label">Etudes classiques</cell>
 <cell>Inoccupé indolent et sans amélioration</cell>
</row>

<row>

<row role="data">
 <cell role="label">古文</cell>
 <cell>漫無目的且無精進的</cell>
</row>

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

17. The TEI simplePrint schema

<cell>

<row>
 <cell role="label">General conduct</cell>
 <cell role="data">Not satisfactory, on account of his great unpunctuality
   and inattention to duties</cell>
</row>

<cell>

<row>
 <cell role="label">Comportement général</cell>
 <cell role="data">Non satisfaisant, à cause de son inexactitude et de son
   inconséquence</cell>
</row>

<cell>

<row>
 <cell role="label">工作評價</cell>
 <cell role="data">不滿意；因為工作拖延、粗心。</cell>
</row>

<row>

<row role="data">
 <cell role="label">Classics</cell>
 <cell>Idle listless and unimproving</cell>
</row>

<row>

<row role="data">
 <cell role="label">Etudes classiques</cell>
 <cell>Inoccupé indolent et sans amélioration</cell>
</row>

<row>

<row role="data">
 <cell role="label">古文</cell>
 <cell>漫無目的且無精進的</cell>
</row>

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<choice>

<choice> (choice) groups a number of alternative encodings for the same point in a text. [3.5. Simple Editorial Changes]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.linePart model.pPart.editorial

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

core: abbr choice corr expan orig reg sic unclear

linking: seg

transcr: supplied

Note

Because the children of a choice element all represent alternative ways of encoding the same sequence, it is natural to think of them as mutually exclusive. However, there may be cases where a full representation of a text requires the alternative encodings to be considered as parallel.

Note also that choice elements may self-nest.

Where the purpose of an encoding is to record multiple witnesses of a single work, rather than to identify multiple possible encoding decisions at a given point, the <app> element and associated elements discussed in section 13.1. The Apparatus Entry, Readings, and Witnesses should be preferred.

Example

An American encoding of Gulliver's Travels which retains the British spelling but also provides a version regularized to American spelling might be encoded as follows.

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

Show all ⚓︎

Schematron

<sch:rule context="tei:choice">
<sch:assert test="( tei:corr and tei:sic ) or ( tei:expan and tei:abbr ) or ( tei:reg and tei:orig )"
 role="ERROR"> Element "<sch:name/>" must have corresponding corr/sic, expand/abbr, reg/orig
</sch:assert>
</sch:rule>

Content model

<content>
 <alternate minOccurs="2"
  maxOccurs="unbounded">
  <classRef key="model.choicePart"/>
  <elementRef key="choice"/>
 </alternate>
</content>

Schema Declaration

element choice
{
   ( model.choicePart | choice ),
   ( model.choicePart | choice ),
   ( model.choicePart | choice )*
}

Processing Model

<model output="plain"
 predicate="sic and corr" behaviour="inline">
<param name="content" value="corr[1]"/>
</model>
<model output="plain"
 predicate="abbr and expan" behaviour="inline">
<param name="content" value="expan[1]"/>
</model>
<model output="plain"
 predicate="orig and reg" behaviour="inline">
<param name="content" value="reg[1]"/>
</model>
<model predicate="sic and corr"
 behaviour="alternate">
<param name="default" value="corr[1]"/>
<param name="alternate" value="sic[1]"/>
</model>
<model predicate="abbr and expan"
 behaviour="alternate">
<param name="default" value="expan[1]"/>
<param name="alternate" value="abbr[1]"/>
</model>
<model predicate="orig and reg"
 behaviour="alternate">
<param name="default" value="reg[1]"/>
<param name="alternate" value="orig[1]"/>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <choice> (choice)

These search results reproduce every example of the use of <choice> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <choice> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

... for his Nose was as <choice>
 <orig>sharpe</orig>
 <reg>sharp</reg>
</choice> as a Pen, and
<choice>
 <orig>a</orig>
 <reg>he</reg>
</choice>
<choice>
 <corr resp="#Theobald">babbl'd</corr>
 <sic>Table</sic>
</choice> of green fields

4. Editorial Interventions

<choice>
 <abbr>wt</abbr>
 <expan>with</expan>
</choice>

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

<name type="person" ref="#WADLM1">
 <choice>
  <orig>Walter de la Mare</orig>
  <reg>de la Mare, Walter</reg>
 </choice>
</name> was born at <name ref="https://en.wikipedia.org/wiki/Charlton,_London"
 type="place">Charlton</name>,
in <name type="place">Kent</name>, in 1873.

11. Common Attributes

att.global.responsibility

Blessed are the
<choice>
 <sic>cheesemakers</sic>
 <corr resp="#editor" cert="high">peacemakers</corr>
</choice>: for they shall be called the children of God.

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<abbr>

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan xml:lang="la">senatus populusque romanorum</expan>
</choice>

<abbr>

<choice>
 <abbr>北大</abbr>
 <expan>北京大學</expan>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

不怨天，不尤人。下學而上達。<choice>
 <sic>我知</sic>
 <corr>知我</corr>
</choice>者，其天乎！

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<expan>

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

<expan>

Il habite
<choice>
 <expan>Avenue</expan>
 <abbr>Av.</abbr>
</choice>de la Paix

<expan>

<choice>
 <expan>歐洲聯盟</expan>
 <abbr>歐盟</abbr>
</choice>

<expan>

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<sic>

Ouvrage très
véridique et mirifique du Sieur Marcus Publius Dataficus du digne fils du seigneur comte,
vicomte, duc et archiduc Johannus de Bessinguya<choice>
 <sic> Percepteur</sic>
 <corr>Precepteur</corr>
</choice> du digne fils du seigneur comte, vicomte, duc et archiduc Johannus de
Bessinguya.

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<choice>
 <sic>嚴肅</sic>
 <corr>嚴寒</corr>
</choice> 好像冒著煙似的。

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<choice>
 <sic>鰻魚</sic>
 <corr>饅頭</corr>
</choice>，太陽一出來，就在街上叫喚。

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

17. The TEI simplePrint schema

att.global.responsibility

Blessed are the
<choice>
 <sic>cheesemakers</sic>
 <corr resp="#editor" cert="high">peacemakers</corr>
</choice>: for they shall be called the children of God.

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<abbr>

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan xml:lang="la">senatus populusque romanorum</expan>
</choice>

<abbr>

<choice>
 <abbr>北大</abbr>
 <expan>北京大學</expan>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

不怨天，不尤人。下學而上達。<choice>
 <sic>我知</sic>
 <corr>知我</corr>
</choice>者，其天乎！

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<expan>

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

<expan>

Il habite
<choice>
 <expan>Avenue</expan>
 <abbr>Av.</abbr>
</choice>de la Paix

<expan>

<choice>
 <expan>歐洲聯盟</expan>
 <abbr>歐盟</abbr>
</choice>

<expan>

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<sic>

Ouvrage très
véridique et mirifique du Sieur Marcus Publius Dataficus du digne fils du seigneur comte,
vicomte, duc et archiduc Johannus de Bessinguya<choice>
 <sic> Percepteur</sic>
 <corr>Precepteur</corr>
</choice> du digne fils du seigneur comte, vicomte, duc et archiduc Johannus de
Bessinguya.

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<choice>
 <sic>嚴肅</sic>
 <corr>嚴寒</corr>
</choice> 好像冒著煙似的。

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<choice>
 <sic>鰻魚</sic>
 <corr>饅頭</corr>
</choice>，太陽一出來，就在街上叫喚。

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<cit>

<cit> (cited quotation) contains a quotation from some other document, together with a bibliographic reference to its source. In a dictionary it may contain an example text with at least one occurrence of the word form, used in the sense being described, or a translation of the headword, or an example. [3.3.3. Quotation 4.3.1. Grouped Texts 10.3.5.1. Examples]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

Member of

model.quoteLike

Contained by

analysis: s

core: abbr add addrLine author biblScope cit corr del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic sp speaker stage term title unclear

drama: actor castList role roleDesc set

figures: cell figDesc figure

header: change distributor edition extent licence rendition tagUsage

linking: ab seg

textstructure: argument body div docAuthor docDate docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: pc

core: bibl cb cit gap graphic lb listBibl milestone note pb q quote ref

figures: figure formula

header: biblFull

linking: anchor

textstructure: floatingText

transcr: fw

Example

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

Show all ⚓︎

Example

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>to horrify</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="en">
   <quote>she was horrified at the expense.</quote>
  </cit>
 </cit>
</entry>

Show all ⚓︎

Example

<cit type="example">
 <quote xml:lang="mix">Ka'an yu tsa'a Pedro.</quote>
 <media url="soundfiles-gen:S_speak_1s_on_behalf_of_Pedro_01_02_03_TS.wav"
  mimeType="audio/wav"/>
 <cit type="translation">
  <quote xml:lang="en">I'm speaking on behalf of Pedro.</quote>
 </cit>
 <cit type="translation">
  <quote xml:lang="es">Estoy hablando de parte de Pedro.</quote>
 </cit>
</cit>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1"
  maxOccurs="unbounded">
  <classRef key="model.biblLike"/>
  <classRef key="model.egLike"/>
  <classRef key="model.entryPart"/>
  <classRef key="model.global"/>
  <classRef key="model.graphicLike"/>
  <classRef key="model.ptrLike"/>
  <classRef key="model.attributable"/>
  <elementRef key="pc"/>
  <elementRef key="q"/>
 </alternate>
</content>

Schema Declaration

element cit
{
   (
      model.biblLike
    | model.egLike
    | model.entryPart
    | model.global
    | model.graphicLike
    | model.ptrLike
    | model.attributable
    | pc
    | q
   )+
}

Processing Model

<model predicate="child::quote and child::bibl"
 behaviour="cit">
<desc>Insert citation </desc>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <cit> (cited quotation)

These search results reproduce every example of the use of <cit> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <cit> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<cit>

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

<cit>

<cit>
 <quote>Regarde de tous tes yeux, regarde</quote>
 <bibl>Jules Verne, Michel Strogof</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>to horrify</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>horrifier</quote>
 </cit>
 <cit type="example">
  <quote>she was horrified at the expense.</quote>
  <cit type="translation" xml:lang="en">
   <quote>elle était horrifiée par la dépense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit>
 <quote>棋開始了。上千人不再出聲兒。只有自願服務的人一會兒緊一會兒慢地用話傳出棋步，外邊兒自願服務的人就變動著棋子兒。</quote>
 <bibl>阿城，《棋王》。</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="zh">
  <quote>使驚嚇</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="zh">
   <quote>成本把她嚇呆了。</quote>
  </cit>
 </cit>
</entry>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>to horrify</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="en">
   <quote>she was horrified at the expense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit type="example">
 <quote xml:lang="mix">Ka'an yu tsa'a Pedro.</quote>
 <media url="soundfiles-gen:S_speak_1s_on_behalf_of_Pedro_01_02_03_TS.wav"
  mimeType="audio/wav"/>
 <cit type="translation">
  <quote xml:lang="en">I'm speaking on behalf of Pedro.</quote>
 </cit>
 <cit type="translation">
  <quote xml:lang="es">Estoy hablando de parte de Pedro.</quote>
 </cit>
</cit>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

17. The TEI simplePrint schema

<cit>

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

<cit>

<cit>
 <quote>Regarde de tous tes yeux, regarde</quote>
 <bibl>Jules Verne, Michel Strogof</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>to horrify</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>horrifier</quote>
 </cit>
 <cit type="example">
  <quote>she was horrified at the expense.</quote>
  <cit type="translation" xml:lang="en">
   <quote>elle était horrifiée par la dépense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit>
 <quote>棋開始了。上千人不再出聲兒。只有自願服務的人一會兒緊一會兒慢地用話傳出棋步，外邊兒自願服務的人就變動著棋子兒。</quote>
 <bibl>阿城，《棋王》。</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="zh">
  <quote>使驚嚇</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="zh">
   <quote>成本把她嚇呆了。</quote>
  </cit>
 </cit>
</entry>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>to horrify</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="en">
   <quote>she was horrified at the expense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit type="example">
 <quote xml:lang="mix">Ka'an yu tsa'a Pedro.</quote>
 <media url="soundfiles-gen:S_speak_1s_on_behalf_of_Pedro_01_02_03_TS.wav"
  mimeType="audio/wav"/>
 <cit type="translation">
  <quote xml:lang="en">I'm speaking on behalf of Pedro.</quote>
 </cit>
 <cit type="translation">
  <quote xml:lang="es">Estoy hablando de parte de Pedro.</quote>
 </cit>
</cit>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<closer>

<closer> (closer) groups together salutations, datelines, and similar phrases appearing as a final group at the end of a division, especially of a letter. [4.2.2. Openers and Closers 4.2. Elements Common to All Divisions]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.written

@hand

Member of

model.divBottomPart

Contained by

core: lg list

figures: figure table

textstructure: back body div front group postscript

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: dateline salute signed

transcr: fw subst supplied

verse: rhyme

character data

Example

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

Show all ⚓︎

Example

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <elementRef key="signed"/>
  <elementRef key="dateline"/>
  <elementRef key="salute"/>
  <classRef key="model.phrase"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element closer
{
   (
      text
    | model.gLike
    | signed
    | dateline
    | salute
    | model.phrase
    | model.global
   )*
}

Processing Model

<model behaviour="block">
<outputRendition>margin-top: 1em; margin-left: 1em; margin-left:
 1em;</outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <closer> (closer)

These search results reproduce every example of the use of <closer> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <closer> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

13. Front and Back Matter

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

17. The TEI simplePrint schema

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

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<code>

<code> contains literal code from some formal language such as a programming language. [23.1.1. Phrase Level Terms]

Module
tagdocs

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

lang lang⚓︎
(formal language) a name identifying the formal language in which the code is expressed.

Status
Optional

Datatype
teidata.word

Member of

model.emphLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain
Character data only

Example

<code lang="JAVA"> Size fCheckbox1Size = new Size();
fCheckbox1Size.Height = 500;
fCheckbox1Size.Width = 500;
xCheckbox1.setSize(fCheckbox1Size);
</code>

Show all ⚓︎

Content model

<content>
 <textNode/>
</content>

Schema Declaration

element code { attribute lang { teidata.word }?, text }

Processing Model

<model behaviour="inline">
<outputRendition>font-family:monospace</outputRendition>
</model>

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Example: <code>

These search results reproduce every example of the use of <code> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <code> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5.2. Formulae, Codes, and Special Characters

This can be expressed in XML as follows:
<code>&amp;lt;date notBefore="2016-06-23"/></code> Contact the author at

<email>lou.burnard@gmail.com</email>

11. Common Attributes

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

<code>

<code lang="JAVA"> Size fCheckbox1Size = new Size();
fCheckbox1Size.Height = 500;
fCheckbox1Size.Width = 500;
xCheckbox1.setSize(fCheckbox1Size);
</code>

17. The TEI simplePrint schema

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

<code>

<code lang="JAVA"> Size fCheckbox1Size = new Size();
fCheckbox1Size.Height = 500;
fCheckbox1Size.Width = 500;
xCheckbox1.setSize(fCheckbox1Size);
</code>

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<corr>

<corr> (correction) contains the correct form of a passage apparently erroneous in the copy text. [3.5.1. Apparent Errors]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.editLike

att.typed

@type

@subtype

Member of

model.choicePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

If all that is desired is to call attention to the fact that the copy text has been corrected, corr may be used alone:

I don't know,
Juan. It's so far in the past now — how <corr>can we</corr> prove
or disprove anyone's theories?

Show all ⚓︎

Example

It is also possible, using the choice and sic elements, to provide an uncorrected reading:

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element corr { macro.paraContent }

Processing Model

<model predicate="parent::choice and count(parent::*/*) gt 1"
 behaviour="inline">
<desc>simple inline, if in parent choice. </desc>
</model>
<model behaviour="inline">
<outputRendition scope="before">content: '[';</outputRendition>
<outputRendition scope="after">content: ']';</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

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Example: <corr> (correction)

These search results reproduce every example of the use of <corr> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <corr> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

... for his Nose was as <reg>sharp</reg> as a
Pen and
<reg>he</reg>
<corr resp="#Theobald">babbl'd</corr> of green fields

4. Editorial Interventions

... for his Nose was as <choice>
 <orig>sharpe</orig>
 <reg>sharp</reg>
</choice> as a Pen, and
<choice>
 <orig>a</orig>
 <reg>he</reg>
</choice>
<choice>
 <corr resp="#Theobald">babbl'd</corr>
 <sic>Table</sic>
</choice> of green fields

11. Common Attributes

att.global.responsibility

Blessed are the
<choice>
 <sic>cheesemakers</sic>
 <corr resp="#editor" cert="high">peacemakers</corr>
</choice>: for they shall be called the children of God.

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<corr>

I don't know,
Juan. It's so far in the past now — how <corr>can we</corr> prove
or disprove anyone's theories?

<corr>

I don't know,
Juan. It's so far in the past now — how <corr>can we</corr> prove
or disprove anyone's theories?

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui
furent <corr>brûlées</corr> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

不怨天，不尤人。下學而上達。<corr>知我</corr> 者，其天乎！

<corr>

不怨天，不尤人。下學而上達。<choice>
 <sic>我知</sic>
 <corr>知我</corr>
</choice>者，其天乎！

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<sic>

Ouvrage très
véridique et mirifique du Sieur Marcus Publius Dataficus du digne fils du seigneur comte,
vicomte, duc et archiduc Johannus de Bessinguya<choice>
 <sic> Percepteur</sic>
 <corr>Precepteur</corr>
</choice> du digne fils du seigneur comte, vicomte, duc et archiduc Johannus de
Bessinguya.

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<choice>
 <sic>嚴肅</sic>
 <corr>嚴寒</corr>
</choice> 好像冒著煙似的。

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<choice>
 <sic>鰻魚</sic>
 <corr>饅頭</corr>
</choice>，太陽一出來，就在街上叫喚。

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

17. The TEI simplePrint schema

att.global.responsibility

Blessed are the
<choice>
 <sic>cheesemakers</sic>
 <corr resp="#editor" cert="high">peacemakers</corr>
</choice>: for they shall be called the children of God.

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<corr>

I don't know,
Juan. It's so far in the past now — how <corr>can we</corr> prove
or disprove anyone's theories?

<corr>

I don't know,
Juan. It's so far in the past now — how <corr>can we</corr> prove
or disprove anyone's theories?

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui
furent <corr>brûlées</corr> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

不怨天，不尤人。下學而上達。<corr>知我</corr> 者，其天乎！

<corr>

不怨天，不尤人。下學而上達。<choice>
 <sic>我知</sic>
 <corr>知我</corr>
</choice>者，其天乎！

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<sic>

Ouvrage très
véridique et mirifique du Sieur Marcus Publius Dataficus du digne fils du seigneur comte,
vicomte, duc et archiduc Johannus de Bessinguya<choice>
 <sic> Percepteur</sic>
 <corr>Precepteur</corr>
</choice> du digne fils du seigneur comte, vicomte, duc et archiduc Johannus de
Bessinguya.

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<choice>
 <sic>嚴肅</sic>
 <corr>嚴寒</corr>
</choice> 好像冒著煙似的。

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<choice>
 <sic>鰻魚</sic>
 <corr>饅頭</corr>
</choice>，太陽一出來，就在街上叫喚。

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<date>

<date> (date) contains a date in any format. [3.6.4. Dates and Times 2.2.4. Publication, Distribution, Licensing, etc. 2.6. The Revision Description 3.12.2.4. Imprint, Size of a Document, and Reprint Information 16.2.3. The Setting Description 14.4. Dates]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.calendarSystem

@calendar

att.canonical

@ref

att.cmc

@generatedBy

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

att.dimensions

@unit

@quantity

@extent

@scope

att.editLike

att.typed

@type

@subtype

Member of

model.dateLike model.publicationStmtPart.detail

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence publicationStmt rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

transcr: fw subst supplied

verse: rhyme

character data

Example

<date when="1980-02">early February 1980</date>

Show all ⚓︎

Example

Given on the <date when="1977-06-12">Twelfth Day
of June in the Year of Our Lord One Thousand Nine Hundred and Seventy-seven of the Republic
the Two Hundredth and first and of the University the Eighty-Sixth.</date>

Show all ⚓︎

Example

<date when="1990-09">September 1990</date>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element date { ( text | model.gLike | model.phrase | model.global )* }

Processing Model

<model output="print" predicate="text()"
 behaviour="inline"/>
<model output="print"
 predicate="@when and not(text())" behaviour="inline">
<param name="content" value="@when"/>
</model>
<model output="web" predicate="@when"
 behaviour="alternate">
<param name="default" value="."/>
<param name="alternate" value="@when"/>
</model>
<model predicate="text()" behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <date> (date)

These search results reproduce every example of the use of <date> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <date> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

5. Names, Codes, and Numbers

7. Bibliographic Citations

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<p> ... An example of a list appearing in a fief ledger of <name type="place">Koldinghus</name>
 <date>1611/12</date> is given below. It shows cash income from a sale of
honey.</p>
<gap extent="50 lines">
 <desc>quotation from ledger (in Danish)</desc>
</gap>
<p>A description of the overall structure of the account is once again ...
</p>

5. Names, Codes, and Numbers

5. Names, Codes, and Numbers

<date when="1980-02-21">21 Feb
1980</date>
<date when="1990">1990</date>
<date when="1990-09">September
1990</date>
<date when="--09">September</date>
<date when="2001-09-11T12:48:00">Sept
11th, 12 minutes before 9 am</date>

5. Names, Codes, and Numbers

Given on the
<date when="1977-06-12">Twelfth Day of June in the Year of Our Lord One Thousand
Nine Hundred and Seventy-seven of the Republic the Two Hundredth and first and of
the University the Eighty-Sixth.</date>

5. Names, Codes, and Numbers

<p>... <date period="secondEmpire">during the second empire</date>
</p>

5. Names, Codes, and Numbers

<date notAfter="1946-12-09"
 notBefore="1946-11-01">in the weeks shortly before my
birth</date>

7. Bibliographic Citations

7. Bibliographic Citations

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

11. Common Attributes

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">September 24th, 1996 at 3:25 in the morning</date>
 <time when="1999-01-04T20:42:00-05:00">Jan 4 1999 at 8 pm</time>
 <time when="14:12:38">fourteen twelve and 38 seconds</time>
 <date when="1962-10">October of 1962</date>
 <date when="--06-12">June 12th</date>
 <date when="---01">the first of the month</date>
 <date when="--08">August</date>
 <date when="2006">MMVI</date>
 <date when="0056">AD 56</date>
 <date when="-0056">56 BC</date>
</p>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">24 septembre 1996 à 3h 25 du matin</date>
 <time when="1999-01-04T20:42:00-05:00">4 janvier 1999 à 8h de l'après-midi.</time>
 <time when="14:12:38">14 h 12 minutes et 38 secondes</time>
 <date when="1962-10">octobre 1962</date>
 <date when="--06-12">12 juin</date>
 <date when="---01">premier du mois</date>
 <date when="--08">Août</date>
 <date when="2006">MMVI</date>
 <date when="0056">56 ap. J.-C.</date>
 <date when="-0056">56 av. J.-C.</date>
</p>

att.datable.w3c

Shakespeare meurt dix jours plus tard, à Stratford-on-Avon,
Warwickshire, dans l'Angleterre protestante et dans le
calendrier julien, le
<date calendar="#julian" when="--05-03">mardi 23 avril ancien style</date>,
c'est-à-dire le
<date calendar="#gregorian" when="--05-03">3 mai</date> dans
le calendrier grégorien.

att.datable.w3c

This list begins in
the year 1632, more precisely on Trinity Sunday, i.e. the Sunday after
Pentecost, in that year the
<date calendar="#julian" when="1632-06-06">27th of May (old style)</date>.

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

att.datable.w3c

<date from="1863-05-28" to="1863-06-01">28 May through 1 June 1863</date>

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<date dur="P1DT12H">a day and a half</date>

<date dur="P7D">a week</date>

<date dur="P1DT12H">une journée et demie</date>

<date dur="P7D">une semaine</date>

att.calendarSystem

He was born on <date calendar="#gregorian">Feb. 22, 1732</date> (<date calendar="#julian" when="1732-02-22">Feb. 11, 1731/32,
O.S.</date>).

att.calendarSystem

He was born on <date calendar="#gregorian #julian"
 when="1732-02-22">Feb. 22, 1732
(Feb. 11, 1731/32, O.S.)</date>.

att.calendarSystem

<date calendar="#julian #gregorian"
 when="1829-05-19">Dienstag 7/19
Mai</date>.

att.calendarSystem

L'année
1960 fut, en vertu du calendrier grégorien, bissextile ; le 22 juin tomba ainsi le jour de
l'été, le <date calendar="#gregorian">22 juin</date>.

<date dur-iso="P1,5D">a day and a half</date>

<date dur-iso="P14D">a fortnight</date>

<date dur-iso="P1,5D">une journee et demie</date>

<date dur-iso="P14D">une quinzaine</date>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>初版<date>1991年，上學期</date>
 </p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>First edition, <date>Michaelmas Term, 1991.</date>
 </p>
</editionStmt>

<edition>

<edition>First edition <date>Oct 1990</date>
</edition>
<edition n="S2">Students' edition</edition>

<edition>

<edition>Première édition électronique, Nancy <date>2002</date>
</edition>

<edition>

<edition>初版<date>1990年10月</date>
</edition>
<edition n="S2">學生版</edition>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<creation>

<creation>
 <date>Before 1987</date>
</creation>

<creation>

<creation>
 <date>Avant 1987</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 Juillet 1988</date>
</creation>

<creation>

<creation>
 <date>1987年之前</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">1988年7月10日</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 July 1988</date>
</creation>

<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<date>

<date when="1980-02">early February 1980</date>

<date>

<date when="1980-02">au début de février 1980</date>

<date>

<date when="1654-11-23">L'an de grâce 1654,<lb/> Lundi, 23 novembre, jour de saint Clément,
pape et martyr et autres au martyrologe, <lb/>Veille de saint Chrysogone, martyr, et
autres, <lb/> Depuis environ dix heures et demie du soir jusques environ minuit et
demi.</date>

<date>

<date when="1990-09">septembre mcmxc</date>
<date when="--09">septembre</date>
<date when="2001-09-11T12:48:00">11 septembre, neuf heures moins douze GMT</date>

<date>

他出生於<date calendar="#gregorian">西元2007年12月24日</date> (<date calendar="#chinese" when="2007-12-24"> 丁亥年11月15日</date>).

<date>

<date when="1980-02">西元1980年2月初</date>

<date>

<date when="0637-11">貞觀十一年十一月</date>，唐太宗聽說年輕的武則天長得妖媚嬌艷，楚楚動人，便將她納入宮中，封為四品才人，賜號「武媚」。

<date>

<date when="1990-09">西元1990年9月</date>

<date>

Given on the <date when="1977-06-12">Twelfth Day
of June in the Year of Our Lord One Thousand Nine Hundred and Seventy-seven of the Republic
the Two Hundredth and first and of the University the Eighty-Sixth.</date>

<date>

<date when="1990-09">September 1990</date>

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<publisher>

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>Paris</pubPlace>
 <publisher>Les Éditions de Minuit</publisher>
 <date>2001</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>上海</pubPlace>
 <publisher>上海古籍出版社</publisher>
 <date>2008</date>
</imprint>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

15. The Electronic Title Page

15. The Electronic Title Page

<editionStmt>
 <edition n="U2">Third draft, substantially revised <date>1987</date>
 </edition>
</editionStmt>

15. The Electronic Title Page

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

15. The Electronic Title Page

<sourceDesc>
 <bibl>
  <author>CNN Network News</author>
  <title>News headlines</title>
  <date>12 Jun 1989</date>
 </bibl>
</sourceDesc>

15.3. The Profile Description

<creation>
 <date when="1992-08">August 1992</date>
 <name type="place">Taos, New Mexico</name>
</creation>

17. The TEI simplePrint schema

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">September 24th, 1996 at 3:25 in the morning</date>
 <time when="1999-01-04T20:42:00-05:00">Jan 4 1999 at 8 pm</time>
 <time when="14:12:38">fourteen twelve and 38 seconds</time>
 <date when="1962-10">October of 1962</date>
 <date when="--06-12">June 12th</date>
 <date when="---01">the first of the month</date>
 <date when="--08">August</date>
 <date when="2006">MMVI</date>
 <date when="0056">AD 56</date>
 <date when="-0056">56 BC</date>
</p>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">24 septembre 1996 à 3h 25 du matin</date>
 <time when="1999-01-04T20:42:00-05:00">4 janvier 1999 à 8h de l'après-midi.</time>
 <time when="14:12:38">14 h 12 minutes et 38 secondes</time>
 <date when="1962-10">octobre 1962</date>
 <date when="--06-12">12 juin</date>
 <date when="---01">premier du mois</date>
 <date when="--08">Août</date>
 <date when="2006">MMVI</date>
 <date when="0056">56 ap. J.-C.</date>
 <date when="-0056">56 av. J.-C.</date>
</p>

att.datable.w3c

Shakespeare meurt dix jours plus tard, à Stratford-on-Avon,
Warwickshire, dans l'Angleterre protestante et dans le
calendrier julien, le
<date calendar="#julian" when="--05-03">mardi 23 avril ancien style</date>,
c'est-à-dire le
<date calendar="#gregorian" when="--05-03">3 mai</date> dans
le calendrier grégorien.

att.datable.w3c

This list begins in
the year 1632, more precisely on Trinity Sunday, i.e. the Sunday after
Pentecost, in that year the
<date calendar="#julian" when="1632-06-06">27th of May (old style)</date>.

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

att.datable.w3c

<date from="1863-05-28" to="1863-06-01">28 May through 1 June 1863</date>

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<date dur="P1DT12H">a day and a half</date>

<date dur="P7D">a week</date>

<date dur="P1DT12H">une journée et demie</date>

<date dur="P7D">une semaine</date>

att.calendarSystem

He was born on <date calendar="#gregorian">Feb. 22, 1732</date> (<date calendar="#julian" when="1732-02-22">Feb. 11, 1731/32,
O.S.</date>).

att.calendarSystem

He was born on <date calendar="#gregorian #julian"
 when="1732-02-22">Feb. 22, 1732
(Feb. 11, 1731/32, O.S.)</date>.

att.calendarSystem

<date calendar="#julian #gregorian"
 when="1829-05-19">Dienstag 7/19
Mai</date>.

att.calendarSystem

L'année
1960 fut, en vertu du calendrier grégorien, bissextile ; le 22 juin tomba ainsi le jour de
l'été, le <date calendar="#gregorian">22 juin</date>.

<date dur-iso="P1,5D">a day and a half</date>

<date dur-iso="P14D">a fortnight</date>

<date dur-iso="P1,5D">une journee et demie</date>

<date dur-iso="P14D">une quinzaine</date>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>初版<date>1991年，上學期</date>
 </p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>First edition, <date>Michaelmas Term, 1991.</date>
 </p>
</editionStmt>

<edition>

<edition>First edition <date>Oct 1990</date>
</edition>
<edition n="S2">Students' edition</edition>

<edition>

<edition>Première édition électronique, Nancy <date>2002</date>
</edition>

<edition>

<edition>初版<date>1990年10月</date>
</edition>
<edition n="S2">學生版</edition>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<profileDesc>

<profileDesc>
 <creation>
  <date notAfter="1623"/>
 </creation>
 <langUsage>
  <language ident="eng">English</language>
 </langUsage>
 <textClass>
  <keywords scheme="#LCSH">
   <term type="genre">Plays -- England -- 16th century</term>
   <term type="genre">Plays -- England -- 17th century</term>
   <term type="genre">Comedies -- England -- 16th century</term>
   <term type="genre">Comedies -- England -- 17th century</term>
   <term type="genre">Tragedies -- England -- 16th century</term>
   <term type="genre">Tragedies -- England -- 17th century</term>
  </keywords>
 </textClass>
</profileDesc>

<creation>

<creation>
 <date>Before 1987</date>
</creation>

<creation>

<creation>
 <date>Avant 1987</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 Juillet 1988</date>
</creation>

<creation>

<creation>
 <date>1987年之前</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">1988年7月10日</date>
</creation>

<creation>

<creation>
 <date when="1988-07-10">10 July 1988</date>
</creation>

<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<date>

<date when="1980-02">early February 1980</date>

<date>

<date when="1980-02">au début de février 1980</date>

<date>

<date when="1654-11-23">L'an de grâce 1654,<lb/> Lundi, 23 novembre, jour de saint Clément,
pape et martyr et autres au martyrologe, <lb/>Veille de saint Chrysogone, martyr, et
autres, <lb/> Depuis environ dix heures et demie du soir jusques environ minuit et
demi.</date>

<date>

<date when="1990-09">septembre mcmxc</date>
<date when="--09">septembre</date>
<date when="2001-09-11T12:48:00">11 septembre, neuf heures moins douze GMT</date>

<date>

他出生於<date calendar="#gregorian">西元2007年12月24日</date> (<date calendar="#chinese" when="2007-12-24"> 丁亥年11月15日</date>).

<date>

<date when="1980-02">西元1980年2月初</date>

<date>

<date when="0637-11">貞觀十一年十一月</date>，唐太宗聽說年輕的武則天長得妖媚嬌艷，楚楚動人，便將她納入宮中，封為四品才人，賜號「武媚」。

<date>

<date when="1990-09">西元1990年9月</date>

<date>

Given on the <date when="1977-06-12">Twelfth Day
of June in the Year of Our Lord One Thousand Nine Hundred and Seventy-seven of the Republic
the Two Hundredth and first and of the University the Eighty-Sixth.</date>

<date>

<date when="1990-09">September 1990</date>

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<publisher>

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>Paris</pubPlace>
 <publisher>Les Éditions de Minuit</publisher>
 <date>2001</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>上海</pubPlace>
 <publisher>上海古籍出版社</publisher>
 <date>2008</date>
</imprint>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<dateline>

<dateline> (dateline) contains a brief description of the place, date, time, etc. of production of a letter, newspaper story, or other work, prefixed or suffixed to it as a kind of heading or trailer. [4.2.2. Openers and Closers]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.written

@hand

Member of

model.divWrapper model.pLike.front

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body closer div front group opener

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: docDate

transcr: fw subst supplied

verse: rhyme

character data

Example

<dateline>Walden, this 29. of August 1592</dateline>

Show all ⚓︎

Example

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <classRef key="model.global"/>
  <elementRef key="docDate"/>
 </alternate>
</content>

Schema Declaration

element dateline
{
   ( text | model.gLike | model.phrase | model.global | docDate )*
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <dateline> (dateline)

These search results reproduce every example of the use of <dateline> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <dateline> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<byline>

<dateline>Zagreb :</dateline>
<byline>de notre envoyé spécial.</byline>

<byline>

<dateline>重慶:</dateline>
<byline>外交使節專用</byline>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<dateline>Walden, this 29. of August 1592</dateline>

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<dateline>

<dateline>Avignon, le 11 février. </dateline>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<dateline>2008年7月3日，香港。</dateline>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<opener>

<opener>
 <dateline>Walden, this 29. of August 1592</dateline>
</opener>

<opener>

<opener>
 <dateline>Avignon, le 11 février.</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>1983年7月3日</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

17. The TEI simplePrint schema

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<byline>

<dateline>Zagreb :</dateline>
<byline>de notre envoyé spécial.</byline>

<byline>

<dateline>重慶:</dateline>
<byline>外交使節專用</byline>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<dateline>Walden, this 29. of August 1592</dateline>

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<dateline>

<dateline>Avignon, le 11 février. </dateline>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<dateline>2008年7月3日，香港。</dateline>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<opener>

<opener>
 <dateline>Walden, this 29. of August 1592</dateline>
</opener>

<opener>

<opener>
 <dateline>Avignon, le 11 février.</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>1983年7月3日</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

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<del>

<del> (deletion) contains a letter, word, or passage deleted, marked as deleted, or otherwise indicated as superfluous or spurious in the copy text by an author, scribe, or a previous annotator or corrector. [3.5.3. Additions, Deletions, and Omissions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.dimensions

@unit

@quantity

@extent

@scope

att.transcriptional

@status

@cause

@seq

att.editLike

att.placement

@place

att.written

@hand

att.typed

@type

@subtype

Member of

model.linePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw subst supplied zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

This element should be used for deletion of shorter sequences of text, typically single words or phrases. The <delSpan> element should be used for longer sequences of text, for those containing structural subdivisions, and for those containing overlapping additions and deletions.

The text deleted must be at least partially legible in order for the encoder to be able to transcribe it (unless it is restored in a supplied tag). Illegible or lost text within a deletion may be marked using the gap tag to signal that text is present but has not been transcribed, or is no longer visible. Attributes on the gap element may be used to indicate how much text is omitted, the reason for omitting it, etc. If text is not fully legible, the unclear element (available when using the additional tagset for transcription of primary sources) should be used to signal the areas of text which cannot be read with confidence in a similar way.

Degrees of uncertainty over what can still be read, or whether a deletion was intended may be indicated by use of the <certainty> element (see 22. Certainty, Precision, and Responsibility).

There is a clear distinction in the TEI between del and <surplus> on the one hand and gap or unclear on the other. del indicates a deletion present in the source being transcribed, which states the author's or a later scribe's intent to cancel or remove text. <surplus> indicates material present in the source being transcribed which should have been so deleted, but which is not in fact. gap or unclear, by contrast, signal an editor's or encoder's decision to omit something or their inability to read the source text. See sections 12.3.1.7. Text Omitted from or Supplied in the Transcription and 12.3.3.2. Use of the gap, del, damage, unclear, and supplied Elements in Combination for the relationship between these and other related elements used in detailed transcription.

Example

<l>
 <del rend="overtyped">Mein</del> Frisch <del rend="overstrike" type="primary">schwebt</del>
weht der Wind
</l>

Show all ⚓︎

Example

<del rend="overstrike">
 <gap reason="illegible" quantity="5"
  unit="character"/>
</del>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element del { macro.paraContent }

Processing Model

<model behaviour="inline">
<outputRendition> text-decoration: line-through;</outputRendition>
</model>

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Example: <del> (deletion)

These search results reproduce every example of the use of <del> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <del> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

The
following elements are provided for <del resp="#LB">for</del> simple editorial
interventions.

4.2. Omissions, Deletions, and Additions

<l>And towards our distant rest began to trudge,</l>
<l>
 <subst>
  <del>Helping the worst amongst us</del>
  <add>Dragging the worst amongt us</add>
 </subst>, who’d no boots
</l>
<l>But limped on, blood–shod. All went lame; <subst>
  <del status="shortEnd">half–</del>
  <add>all</add>
 </subst> blind;</l>
<l>Drunk with fatigue ; deaf even to the hoots</l>
<l>Of tired, outstripped <del>fif</del> five–nines that dropped behind.</l>

11. Common Attributes

<del>

<l>
 <del rend="overtyped">Mein</del> Frisch <del rend="overstrike" type="primary">schwebt</del>
weht der Wind
</l>

<del>

<del rend="overstrike">
 <gap reason="illegible" quantity="5"
  unit="character"/>
</del>

<del>

<p>[...] mais il y reste quelque chose de mystérieux, de furtif. <del rend="overtyped">Je</del> On cesse un instant d'y penser; <del rend="overstrike">les </del>mes yeux se
ferment ou <del rend="overstrike">s'attardent sur </del> se détournent sur un livre... On
relève la tête: il est là </p>

<del>

<l>
 <del rend="改寫">雨</del> 風 <del rend="改寫" type="primary">飄</del> 吹來涼爽。
</l>

<gap>

<del>
 <gap atLeast="4" atMost="8" unit="chars"
  reason="illegible"/>
</del>

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

17. The TEI simplePrint schema

<del>

<l>
 <del rend="overtyped">Mein</del> Frisch <del rend="overstrike" type="primary">schwebt</del>
weht der Wind
</l>

<del>

<del rend="overstrike">
 <gap reason="illegible" quantity="5"
  unit="character"/>
</del>

<del>

<p>[...] mais il y reste quelque chose de mystérieux, de furtif. <del rend="overtyped">Je</del> On cesse un instant d'y penser; <del rend="overstrike">les </del>mes yeux se
ferment ou <del rend="overstrike">s'attardent sur </del> se détournent sur un livre... On
relève la tête: il est là </p>

<del>

<l>
 <del rend="改寫">雨</del> 風 <del rend="改寫" type="primary">飄</del> 吹來涼爽。
</l>

<gap>

<del>
 <gap atLeast="4" atMost="8" unit="chars"
  reason="illegible"/>
</del>

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

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<desc>

<desc> (description) contains a short description of the purpose, function, or use of its parent element, or when the parent is a documentation element, describes or defines the object being documented. [23.4.1. Description of Components]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

type type⚓︎

Status
Optional

Suggested values include:

deprecationInfo

(deprecation information) This element describes why or how its parent element is being deprecated, typically including recommendations for alternate encoding.

<dataSpec module="tei"
 ident="teidata.point" validUntil="2050-02-25">
 <desc type="deprecationInfo"
  versionDate="2018-09-14" xml:lang="en">Several standards bodies, including NIST in the USA,
   strongly recommend against ending the representation of a number
   with a decimal point. So instead of <q>3.</q> use either <q>3</q>
   or <q>3.0</q>.</desc>
<!-- ... -->
</dataSpec>

Show all ⚓︎

Member of

model.descLike model.labelLike

Contained by

core: add corr del desc gap graphic head hi item l lg list listBibl note orig p q quote ref reg sic stage title unclear

drama: castList set

figures: cell figDesc figure

gaiji: char charDecl glyph

header: category change licence listChange listPrefixDef rendition tagUsage taxonomy

linking: ab seg

namesdates: listPerson listPlace place

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied surface

verse: rhyme

May contain

core: abbr address bibl choice cit date desc email expan foreign hi label list listBibl measure name num q quote ref rs stage term time title

drama: castList

figures: table

header: biblFull idno

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: subst

character data

Note

When used in a specification element such as <elementSpec>, TEI convention requires that this be expressed as a finite clause, begining with an active verb.

Example

Example of a desc element inside a documentation element.

<dataSpec module="tei"
 ident="teidata.point">
 <desc versionDate="2010-10-17"
  xml:lang="en">defines the data type used to express a point in cartesian space.</desc>
 <content>
  <dataRef name="token"
   restriction="(-?[0-9]+(\.[0-9]+)?,-?[0-9]+(\.[0-9]+)?)"/>
 </content>
<!-- ... -->
</dataSpec>

Show all ⚓︎

Example

Example of a desc element in a non-documentation element.

<place xml:id="KERG2">
 <placeName>Kerguelen Islands</placeName>
<!-- ... -->
 <terrain>
  <desc>antarctic tundra</desc>
 </terrain>
<!-- ... -->
</place>

Show all ⚓︎

Schematron
A desc with a type of deprecationInfo should only occur when its parent element is being deprecated. Furthermore, it should always occur in an element that is being deprecated when desc is a valid child of that element.

<sch:rule context="tei:desc[ @type eq 'deprecationInfo']">
<sch:assert test="../@validUntil">Information about a
deprecation should only be present in a specification element
that is being deprecated: that is, only an element that has a
@validUntil attribute should have a child <desc
type="deprecationInfo">.</sch:assert>
</sch:rule>

Content model

<content>
 <macroRef key="macro.limitedContent"/>
</content>

Schema Declaration

element desc
{
   attribute type { "deprecationInfo" | xsd:Name }?,
   macro.limitedContent
}

Processing Model

<model behaviour="inline"/>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <desc> (description)

These search results reproduce every example of the use of <desc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <desc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<p> ... An example of a list appearing in a fief ledger of <name type="place">Koldinghus</name>
 <date>1611/12</date> is given below. It shows cash income from a sale of
honey.</p>
<gap extent="50 lines">
 <desc>quotation from ledger (in Danish)</desc>
</gap>
<p>A description of the overall structure of the account is once again ...
</p>

4.2. Omissions, Deletions, and Additions

<p>At the bottom of your screen below the
mode line is the <hi>minibuffer</hi>. This is the area where Emacs echoes the
commands you enter and where you specify filenames for Emacs to find, values for
search and replace, and so on. <gap reason="graphic">
  <desc>diagram of Emacs screen</desc>
 </gap>
</p>

11. Common Attributes

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<desc>

<dataSpec module="tei"
 ident="teidata.point" validUntil="2050-02-25">
 <desc type="deprecationInfo"
  versionDate="2018-09-14" xml:lang="en">Several standards bodies, including NIST in the USA,
   strongly recommend against ending the representation of a number
   with a decimal point. So instead of <q>3.</q> use either <q>3</q>
   or <q>3.0</q>.</desc>
<!-- ... -->
</dataSpec>

<desc>

<dataSpec module="tei"
 ident="teidata.point">
 <desc versionDate="2010-10-17"
  xml:lang="en">defines the data type used to express a point in cartesian space.</desc>
 <content>
  <dataRef name="token"
   restriction="(-?[0-9]+(\.[0-9]+)?,-?[0-9]+(\.[0-9]+)?)"/>
 </content>
<!-- ... -->
</dataSpec>

<desc>

<place xml:id="KERG2">
 <placeName>Kerguelen Islands</placeName>
<!-- ... -->
 <terrain>
  <desc>antarctic tundra</desc>
 </terrain>
<!-- ... -->
</place>

<desc>

<desc>contient une description brève de la raison d'être et du champ d'application d'un
élément, d'un attribut ou de la valeur d'un attribut, d'une classe ou une entité.</desc>

<desc>

<desc>包含某個元素或屬性之定義與用法的簡短描述。</desc>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

17. The TEI simplePrint schema

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<desc>

<dataSpec module="tei"
 ident="teidata.point" validUntil="2050-02-25">
 <desc type="deprecationInfo"
  versionDate="2018-09-14" xml:lang="en">Several standards bodies, including NIST in the USA,
   strongly recommend against ending the representation of a number
   with a decimal point. So instead of <q>3.</q> use either <q>3</q>
   or <q>3.0</q>.</desc>
<!-- ... -->
</dataSpec>

<desc>

<dataSpec module="tei"
 ident="teidata.point">
 <desc versionDate="2010-10-17"
  xml:lang="en">defines the data type used to express a point in cartesian space.</desc>
 <content>
  <dataRef name="token"
   restriction="(-?[0-9]+(\.[0-9]+)?,-?[0-9]+(\.[0-9]+)?)"/>
 </content>
<!-- ... -->
</dataSpec>

<desc>

<place xml:id="KERG2">
 <placeName>Kerguelen Islands</placeName>
<!-- ... -->
 <terrain>
  <desc>antarctic tundra</desc>
 </terrain>
<!-- ... -->
</place>

<desc>

<desc>contient une description brève de la raison d'être et du champ d'application d'un
élément, d'un attribut ou de la valeur d'un attribut, d'une classe ou une entité.</desc>

<desc>

<desc>包含某個元素或屬性之定義與用法的簡短描述。</desc>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

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<div>

<div> (text division) contains a subdivision of the front, body, or back of a text. [4.1. Divisions of the Body]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.divLike

@org

@sample

att.fragmentable

@part

att.metrical

@rhyme

att.placement

@place

att.typed

@type

@subtype

att.written

@hand

Member of

model.divLike

Contained by

textstructure: back body div front

May contain

core: bibl cb cit desc gap head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: argument byline closer dateline div docAuthor docDate epigraph floatingText opener postscript salute signed trailer

transcr: fw

Example

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

Show all ⚓︎

Schematron

<sch:rule context="tei:l//tei:div">
<sch:assert test="ancestor::tei:floatingText"> Abstract model violation: Metrical lines may not contain higher-level structural elements such as div, unless div is a descendant of floatingText.
</sch:assert>
</sch:rule>

Schematron

<sch:rule context="tei:div">
<sch:report test="(ancestor::tei:p or ancestor::tei:ab) and not(ancestor::tei:floatingText)"> Abstract model violation: p and ab may not contain higher-level structural elements such as div, unless div is a descendant of floatingText.
</sch:report>
</sch:rule>

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divTop"/>
   <classRef key="model.global"/>
  </alternate>
  <sequence minOccurs="0" maxOccurs="1">
   <alternate minOccurs="1" maxOccurs="1">
    <sequence minOccurs="1"
     maxOccurs="unbounded">
     <alternate minOccurs="1" maxOccurs="1">
      <classRef key="model.divLike"/>
      <classRef key="model.divGenLike"/>
     </alternate>
     <classRef key="model.global"
      minOccurs="0" maxOccurs="unbounded"/>
    </sequence>
    <sequence minOccurs="1" maxOccurs="1">
     <sequence minOccurs="1"
      maxOccurs="unbounded">
      <alternate minOccurs="1"
       maxOccurs="1">
       <elementRef key="schemaSpec"/>
       <classRef key="model.common"/>
      </alternate>
      <classRef key="model.global"
       minOccurs="0" maxOccurs="unbounded"/>
     </sequence>
     <sequence minOccurs="0"
      maxOccurs="unbounded">
      <alternate minOccurs="1"
       maxOccurs="1">
       <classRef key="model.divLike"/>
       <classRef key="model.divGenLike"/>
      </alternate>
      <classRef key="model.global"
       minOccurs="0" maxOccurs="unbounded"/>
     </sequence>
    </sequence>
   </alternate>
   <sequence minOccurs="0"
    maxOccurs="unbounded">
    <classRef key="model.divBottom"/>
    <classRef key="model.global"
     minOccurs="0" maxOccurs="unbounded"/>
   </sequence>
  </sequence>
 </sequence>
</content>

Schema Declaration

element div
{
   ( model.divTop | model.global )*,
   (
      (
         (
            ( ( ( model.divLike | model.divGenLike ), model.global* )+ )
          | (
               ( ( ( schemaSpec | model.common ), model.global* )+ ),
               ( ( ( model.divLike | model.divGenLike ), model.global* )* )
            )
         ),
         ( ( model.divBottom, model.global* )* )
      )?
   )
}

Processing Model

<model predicate="@type='title_page'"
 behaviour="block">
<outputRendition>border: 1px solid black; padding: 5px;</outputRendition>
</model>
<model behaviour="section"
 predicate="parent::body or parent::front or parent::back"/>
<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <div> (text division)

These search results reproduce every example of the use of <div> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <div> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

1. A Short Example

3. Encoding the Body

9. Figures and Graphics

10. Analysis

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

1. A Short Example

1. A Short Example

<pb n="474"/>
<div type="chapter" n="38">
 <p>Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were
   alone present. When we got back from church, I went into the kitchen of the
   manor-house, where Mary was cooking the dinner, and John cleaning the knives, and I
   said —</p>
 <p>
  <q>Mary, I have been married to Mr Rochester this morning.</q> The housekeeper and
   her husband were of that decent, phlegmatic order of people, to whom one may at any
   time safely communicate a remarkable piece of news without incurring the danger of
   having one's ears pierced by some shrill ejaculation and subsequently stunned by a
   torrent of wordy wonderment. Mary did look up, and she did stare at me; the ladle
   with which she was basting a pair of chickens roasting at the fire, did for some
   three minutes hang suspended in air, and for the same space of time John's knives
   also had rest from the polishing process; but Mary, bending again over the roast,
   said only —</p>
 <p>
  <q>Have you, miss? Well, for sure!</q>
 </p>
 <p>A short time after she pursued, <q>I seed you go out with the master, but I didn't
     know you were gone to church to be wed</q>; and she basted away. John, when I
   turned to him, was grinning from ear to ear. <q>I telled Mary how it would be,</q>
   he said: <q>I knew what Mr Edward</q> (John was an old servant, and had known his
   master when he was the cadet of the house, therefore he often gave him his Christian
   name) — <q>I knew what Mr Edward would do; and I was certain he would not wait long
     either: and he's done right, for aught I know. I wish you joy, miss!</q> and he
   politely pulled his forelock.</p>
 <p>
  <q>Thank you, John. Mr Rochester told me to give you and Mary this.</q>
 </p>
 <p>I put into his hand a five-pound note. Without waiting to hear more, I left the
   kitchen. In passing the door of that sanctum some time after, I caught the words
   —</p>
 <p>
  <q>She'll happen do better for him nor ony o' t' grand ladies.</q> And again, <q>If
     she ben't one o' th' handsomest, she's noan faàl, and varry good-natured; and i'
     his een she's fair beautiful, onybody may see that.</q>
 </p>
 <p>I wrote to Moor House and to Cambridge immediately, to say what I had done: fully
   explaining also why I had thus acted. Diana and <pb n="475"/> Mary approved the step
   unreservedly. Diana announced that she would just give me time to get over the
   honeymoon, and then she would come and see me.</p>
 <p>
  <q>She had better not wait till then, Jane,</q> said Mr Rochester, when I read her
   letter to him; <q>if she does, she will be too late, for our honeymoon will shine
     our life long: its beams will only fade over your grave or mine.</q>
 </p>
 <p>How St John received the news I don't know: he never answered the letter in which I
   communicated it: yet six months after he wrote to me, without, however, mentioning
   Mr Rochester's name or alluding to my marriage. His letter was then calm, and though
   very serious, kind. He has maintained a regular, though not very frequent
   correspondence ever since: he hopes I am happy, and trusts I am not of those who
   live without God in the world, and only mind earthly things.</p>
</div>

3. Encoding the Body

3.1. Text Division Elements and Global Attributes

<body>
 <div xml:id="WN1" n="I" type="book">
  <div xml:id="WN101" n="I.1" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="WN102" n="I.2" type="chapter">
<!-- ... -->
  </div>
<!-- ... -->
  <div xml:id="WN110" n="I.10"
   type="chapter">
   <div xml:id="WN1101" n="I.10.1"
    type="part">
<!-- ... -->
   </div>
   <div xml:id="WN1102" n="I.10.2"
    type="part">
<!-- ... -->
   </div>
  </div>
<!-- ... -->
 </div>
 <div xml:id="WN2" n="II" type="book">
<!-- ... -->
 </div>
</body>

3.1. Text Division Elements and Global Attributes

<body>
 <div xml:id="TS01" n="1" type="volume">
  <div xml:id="TS011" n="1" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="TS012" n="2" type="chapter">
<!-- ... -->
  </div>
 </div>
 <div xml:id="TS02" n="2" type="volume">
  <div xml:id="TS021" n="3" type="chapter">
<!-- ... -->
  </div>
  <div xml:id="TS022" n="4" type="chapter">
<!-- ... -->
  </div>
 </div>
</body>

3.2. Headings and Closings

<div xml:id="UGT1" n="Winter" type="part">
 <div xml:id="UGT101" n="1" type="chapter">
  <head>Mellstock-Lane</head>
  <p>To dwellers in a wood almost every species of tree ... </p>
 </div>
</div>

3.3. Textual Components

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

3.3. Textual Components

<div>
 <sp>
  <speaker>First voice</speaker>
  <lg type="stanza" part="I">
   <l>But why drives on that ship so fast</l>
   <l>Withouten wave or wind?</l>
  </lg>
 </sp>
 <sp>
  <speaker>Second Voice</speaker>
  <lg type="stanza" part="F">
   <l>The air is cut away before.</l>
   <l>And closes from behind.</l>
  </lg>
 </sp>
<!-- ... -->
</div>

3.3. Textual Components

<div>
 <sp who="#OPI">
  <speaker>The reverend Doctor Opimian</speaker>
  <p>I do not think I have named a single unpresentable fish.</p>
 </sp>
 <sp who="#GRM">
  <speaker>Mr Gryll</speaker>
  <p>Bream, Doctor: there is not much to be said for bream.</p>
 </sp>
 <sp who="#OPI">
  <speaker>The Reverend Doctor Opimian</speaker>
  <p>On the contrary, sir, I think there is much to be said for him. In the first
     place....</p>
  <p>Fish, Miss Gryll -- I could discourse to you on fish by the hour: but for the
     present I will forbear.</p>
 </sp>
</div>

3.5.3. Foreign Words or Expressions

<div xml:lang="la">
 <p>Pars haec Latine composita est.</p>
 <p xml:lang="en">Except that this sentence is in English.</p>
 <p>Vita brevis, ars longa.</p>
</div>

3.7.1. Simple Cross References

... see especially <ref target="#SEC12"/>.
...
<div xml:id="SEC12">
 <head>Concerning Identifiers</head>
<!-- ... -->
</div>

9. Figures and Graphics

9. Figures and Graphics

<div>
 <pb facs="page1.png" n="1"/>
<!-- text contained on page 1 is encoded here -->
 <pb facs="page2.png" n="2"/>
<!-- text contained on page 2 is encoded here -->
</div>

10. Analysis

10. Analysis

<div type="chapter" n="38">
 <pb n="474"/>
 <p>
  <s n="001">Reader, I married him.</s>
  <s n="002">A quiet wedding we had:</s>
  <s n="003">he and I, the parson and clerk, were alone present.</s>
  <s n="004">When
     we got back from church, I went into the kitchen of the manor-house, where Mary
     was cooking the dinner, and John cleaning the knives, and I said —</s>
 </p>
 <p>
  <q>
   <s n="005">Mary, I have been married to Mr Rochester this morning.</s>
  </q> ...
 </p>
</div>

10. Analysis

<div type="chapter" n="38">
 <p>
  <seg type="apostrophe">Reader, I married him.</seg> A quiet wedding we had:
   ...</p>
</div>

11. Common Attributes

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<ab>

<div type="book" n="Genesis">
 <div type="chapter" n="1">
  <ab>In the beginning God created the heaven and the earth.</ab>
  <ab>And the earth was without form, and void; and
     darkness was upon the face of the deep. And the
     spirit of God moved upon the face of the waters.</ab>
  <ab>And God said, Let there be light: and there was light.</ab>
<!-- ...-->
 </div>
</div>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<lg>

<div type="sonnet">
 <lg type="quatrain">
  <l>Les amoureux fervents et les savants austères</l>
  <l>Aiment également, dans leur mûre saison,</l>
  <l>Les chats puissants et doux, orgueil de la maison,</l>
  <l>Qui comme eux sont frileux et comme eux sédentaires.</l>
 </lg>
 <lg type="quatrain">
  <l>Amis de la science et de la volupté</l>
  <l>Ils cherchent le silence et l'horreur des ténèbres ;</l>
  <l>L'Erèbe les eût pris pour ses coursiers funèbres,</l>
  <l>S'ils pouvaient au servage incliner leur fierté.</l>
 </lg>
 <lg type="tercet">
  <l>Ils prennent en songeant les nobles attitudes</l>
  <l>Des grands sphinx allongés au fond des solitudes,</l>
  <l>Qui semblent s'endormir dans un rêve sans fin ;</l>
 </lg>
 <lg type="tercet">
  <l>Leurs reins féconds sont pleins d'étincelles magiques,</l>
  <l>Et des parcelles d'or, ainsi qu'un sable fin,</l>
  <l>Etoilent vaguement leurs prunelles mystiques.</l>
 </lg>
</div>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<p>

<div>
 <p>C'était à Mégara, faubourg de Carthage, dans les jardins d'Hamilcar.</p>
 <p>Les soldats qu'il avait commandés en Sicile se donnaient un grand festin pour célébrer
   le jour anniversaire de la bataille d'Eryx, et comme le maître était absent et qu'ils se
   trouvaient nombreux, ils mangeaient et ils buvaient en pleine liberté.</p>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

13. Front and Back Matter

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<ab>

<div type="book" n="Genesis">
 <div type="chapter" n="1">
  <ab>In the beginning God created the heaven and the earth.</ab>
  <ab>And the earth was without form, and void; and
     darkness was upon the face of the deep. And the
     spirit of God moved upon the face of the waters.</ab>
  <ab>And God said, Let there be light: and there was light.</ab>
<!-- ...-->
 </div>
</div>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<lg>

<div type="sonnet">
 <lg type="quatrain">
  <l>Les amoureux fervents et les savants austères</l>
  <l>Aiment également, dans leur mûre saison,</l>
  <l>Les chats puissants et doux, orgueil de la maison,</l>
  <l>Qui comme eux sont frileux et comme eux sédentaires.</l>
 </lg>
 <lg type="quatrain">
  <l>Amis de la science et de la volupté</l>
  <l>Ils cherchent le silence et l'horreur des ténèbres ;</l>
  <l>L'Erèbe les eût pris pour ses coursiers funèbres,</l>
  <l>S'ils pouvaient au servage incliner leur fierté.</l>
 </lg>
 <lg type="tercet">
  <l>Ils prennent en songeant les nobles attitudes</l>
  <l>Des grands sphinx allongés au fond des solitudes,</l>
  <l>Qui semblent s'endormir dans un rêve sans fin ;</l>
 </lg>
 <lg type="tercet">
  <l>Leurs reins féconds sont pleins d'étincelles magiques,</l>
  <l>Et des parcelles d'or, ainsi qu'un sable fin,</l>
  <l>Etoilent vaguement leurs prunelles mystiques.</l>
 </lg>
</div>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<p>

<div>
 <p>C'était à Mégara, faubourg de Carthage, dans les jardins d'Hamilcar.</p>
 <p>Les soldats qu'il avait commandés en Sicile se donnaient un grand festin pour célébrer
   le jour anniversaire de la bataille d'Eryx, et comme le maître était absent et qu'ils se
   trouvaient nombreux, ils mangeaient et ils buvaient en pleine liberté.</p>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<docAuthor>

<docAuthor> (document author) contains the name of the author of the document, as given on the title page (often but not always contained in a byline). [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

att.cmc

@generatedBy

Member of

model.divWrapper model.pLike.front model.titlepagePart

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body byline div front group titlePage

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The document author's name often occurs within a byline, but the docAuthor element may be used whether the byline element is used or not. It should be used only for the author(s) of the entire document, not for author(s) of any subset or part of it. (Attributions of authorship of a subset or part of the document, for example of a chapter in a textbook or an article in a newspaper, may be encoded with byline without docAuthor.)

Example

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element docAuthor { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <docAuthor> (document author)

These search results reproduce every example of the use of <docAuthor> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <docAuthor> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<byline>

<byline>Par le docteur <docAuthor>Martin Becanus</docAuthor>, au tome troisiesme de ses
opuscules</byline>

<byline>

<byline>源自美國哥倫比亞大學博士<docAuthor>胡適</docAuthor>
</byline>

<byline>

<byline>BY
<docAuthor>THOMAS PHILIPOTT,</docAuthor>
Master of Arts,
(Somtimes)
Of Clare-Hall in Cambridge.</byline>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

13.1.1. Title Page

<byline>By <docAuthor>
  <name ref="http://en.wikipedia.org/wiki/Agnes_Strickland">Agnes Strickland</name>
 </docAuthor>
</byline>

17. The TEI simplePrint schema

<byline>

<byline>Par le docteur <docAuthor>Martin Becanus</docAuthor>, au tome troisiesme de ses
opuscules</byline>

<byline>

<byline>源自美國哥倫比亞大學博士<docAuthor>胡適</docAuthor>
</byline>

<byline>

<byline>BY
<docAuthor>THOMAS PHILIPOTT,</docAuthor>
Master of Arts,
(Somtimes)
Of Clare-Hall in Cambridge.</byline>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

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<docDate>

<docDate> (document date) contains the date of a document, as given on a title page or in a dateline. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.calendarSystem

@calendar

att.cmc

@generatedBy

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

Member of

model.divWrapper model.pLike.front model.titlepagePart

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body dateline div docImprint front group titlePage

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Cf. the general date element in the core tag set. This specialized element is provided for convenience in marking and processing the date of the documents, since it is likely to require specialized handling for many applications. It should be used only for the date of the entire document, not for any subset or part of it.

Example

<docImprint>Oxford, Clarendon Press, <docDate>1987</docDate>
</docImprint>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element docDate { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

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Example: <docDate> (document date)

These search results reproduce every example of the use of <docDate> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <docDate> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<docDate>

<docImprint>Oxford, Clarendon Press, <docDate>1987</docDate>
</docImprint>

<docDate>

<docImprint>Lettres Modernes Minard, <pubPlace>PARIS-CAEN</pubPlace>
 <docDate>2003</docDate>
</docImprint>

<docDate>

<docImprint>上海：中華書局，<docDate>2001</docDate>年。
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<docDate>

<docImprint>Oxford, Clarendon Press, <docDate>1987</docDate>
</docImprint>

<docDate>

<docImprint>Lettres Modernes Minard, <pubPlace>PARIS-CAEN</pubPlace>
 <docDate>2003</docDate>
</docImprint>

<docDate>

<docImprint>上海：中華書局，<docDate>2001</docDate>年。
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

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<docEdition>

<docEdition> (document edition) contains an edition statement as presented on a title page of a document. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.pLike.front model.titlepagePart

Contained by

textstructure: back front titlePage

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Cf. the edition element of bibliographic citation. As usual, the shorter name has been given to the more frequent element.

Example

<docEdition>The Third edition Corrected</docEdition>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element docEdition { macro.paraContent }

Processing Model

<model behaviour="inline"/>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <docEdition> (document edition)

These search results reproduce every example of the use of <docEdition> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <docEdition> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<docEdition>

<docEdition>The Third edition Corrected</docEdition>

<docEdition>

<docEdition>3e Edition Augmentée</docEdition>

<docEdition>

<docEdition>修訂第三版</docEdition>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<docEdition>

<docEdition>The Third edition Corrected</docEdition>

<docEdition>

<docEdition>3e Edition Augmentée</docEdition>

<docEdition>

<docEdition>修訂第三版</docEdition>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

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<docImprint>

<docImprint> (document imprint) contains the imprint statement (place and date of publication, publisher name), as given (usually) at the foot of a title page. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.pLike.front model.titlepagePart

Contained by

textstructure: back front titlePage

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb pubPlace publisher q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: docDate

transcr: fw subst supplied

verse: rhyme

character data

Note

Cf. the <imprint> element of bibliographic citations. As with title, author, and editions, the shorter name is reserved for the element likely to be used more often.

Example

<docImprint>Oxford, Clarendon Press, 1987</docImprint>

Show all ⚓︎

Imprints may be somewhat more complex:

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <elementRef key="pubPlace"/>
  <elementRef key="docDate"/>
  <elementRef key="publisher"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element docImprint
{
   (
      text
    | model.gLike
    | model.phrase
    | pubPlace
    | docDate
    | publisher
    | model.global
   )*
}

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <docImprint> (document imprint)

These search results reproduce every example of the use of <docImprint> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <docImprint> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<docDate>

<docImprint>Oxford, Clarendon Press, <docDate>1987</docDate>
</docImprint>

<docDate>

<docImprint>Lettres Modernes Minard, <pubPlace>PARIS-CAEN</pubPlace>
 <docDate>2003</docDate>
</docImprint>

<docDate>

<docImprint>上海：中華書局，<docDate>2001</docDate>年。
</docImprint>

<docImprint>

<docImprint>Oxford, Clarendon Press, 1987</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>Oxford, Clarendon Press, 1987</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>2006, Les Editions Trintexte, Trinity College, Toronto, Canada M5S
1H8</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>

<docImprint>上海：中華書局，2001年。</docImprint>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<docDate>

<docImprint>Oxford, Clarendon Press, <docDate>1987</docDate>
</docImprint>

<docDate>

<docImprint>Lettres Modernes Minard, <pubPlace>PARIS-CAEN</pubPlace>
 <docDate>2003</docDate>
</docImprint>

<docDate>

<docImprint>上海：中華書局，<docDate>2001</docDate>年。
</docImprint>

<docImprint>

<docImprint>Oxford, Clarendon Press, 1987</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>Oxford, Clarendon Press, 1987</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>2006, Les Editions Trintexte, Trinity College, Toronto, Canada M5S
1H8</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>

<docImprint>上海：中華書局，2001年。</docImprint>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

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<docTitle>

<docTitle> (document title) contains the title of a document, including all its constituents, as given on a title page. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

Member of

model.pLike.front model.titlepagePart

Contained by

textstructure: back front titlePage

May contain

core: cb gap lb milestone note pb

figures: figure

linking: anchor

textstructure: titlePart

transcr: fw

Example

<docTitle>
 <titlePart type="main">The DUNCIAD, VARIOURVM.</titlePart>
 <titlePart type="sub">WITH THE PROLEGOMENA of SCRIBLERUS.</titlePart>
</docTitle>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <elementRef key="titlePart"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element docTitle { model.global*, ( ( titlePart, model.global* )+ ) }

Processing Model

<model behaviour="block"
 useSourceRendition="true">
<outputRendition>font-size: larger;</outputRendition>
</model>

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Example: <docTitle> (document title)

These search results reproduce every example of the use of <docTitle> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <docTitle> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<docTitle>

<docTitle>
 <titlePart type="main">The DUNCIAD, VARIOURVM.</titlePart>
 <titlePart type="sub">WITH THE PROLEGOMENA of SCRIBLERUS.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">LES CHOSES</titlePart>
 <titlePart type="sub">Une histoire des années soixante.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">食物的歷史</titlePart>
 <titlePart type="sub">透視人類的飲食與文明 </titlePart>
</docTitle>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<titlePart>

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">Cinq semaines en ballon.</titlePart>
 <titlePart type="desc">Voyage de découvertes en Afrique par 3 anglais.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">千年一嘆 </titlePart>
 <titlePart type="desc">這是一份真實的考察日記，記錄余秋雨在 20 世紀最後幾個月的數萬里行程。余秋雨與鳳凰電視台一行於 1999 年 9 月 27 日啟程，尋訪世界的古老文明。旅程開始時，5 輛吉普車從香港海運至埃及亞歷山大港，人員乘坐飛機至希臘雅典，考察完希臘本土和克利特島後至開羅，與吉普車會合，然後由吉普車走完全程，直至返回香港。</titlePart>
</docTitle>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<docTitle>

<docTitle>
 <titlePart type="main">The DUNCIAD, VARIOURVM.</titlePart>
 <titlePart type="sub">WITH THE PROLEGOMENA of SCRIBLERUS.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">LES CHOSES</titlePart>
 <titlePart type="sub">Une histoire des années soixante.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">食物的歷史</titlePart>
 <titlePart type="sub">透視人類的飲食與文明 </titlePart>
</docTitle>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<titlePart>

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">Cinq semaines en ballon.</titlePart>
 <titlePart type="desc">Voyage de découvertes en Afrique par 3 anglais.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">千年一嘆 </titlePart>
 <titlePart type="desc">這是一份真實的考察日記，記錄余秋雨在 20 世紀最後幾個月的數萬里行程。余秋雨與鳳凰電視台一行於 1999 年 9 月 27 日啟程，尋訪世界的古老文明。旅程開始時，5 輛吉普車從香港海運至埃及亞歷山大港，人員乘坐飛機至希臘雅典，考察完希臘本土和克利特島後至開羅，與吉普車會合，然後由吉普車走完全程，直至返回香港。</titlePart>
</docTitle>

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<editor>

<editor> contains a secondary statement of responsibility for a bibliographic item, for example the name of an individual, institution or organization, (or of several such) acting as editor, compiler, translator, etc. [3.12.2.2. Titles, Authors, and Editors]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

att.naming

@role

@nymRef

att.canonical

@ref

Member of

model.respLike

Contained by

core: bibl

header: editionStmt seriesStmt titleStmt

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

A consistent format should be adopted.

Particularly where cataloguing is likely to be based on the content of the header, it is advisable to use generally recognized authority lists for the exact form of personal names.

Example

<editor role="Technical_Editor">Ron Van den Branden</editor>
<editor role="Editor-in-Chief">John Walsh</editor>
<editor role="Managing_Editor">Anne Baillot</editor>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element editor { macro.phraseSeq }

Processing Model

<model predicate="ancestor::teiHeader"
 behaviour="omit"/>
<model behaviour="inline"/>

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Example: <editor>

These search results reproduce every example of the use of <editor> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <editor> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<editor>

<editor role="Technical_Editor">Ron Van den Branden</editor>
<editor role="Editor-in-Chief">John Walsh</editor>
<editor role="Managing_Editor">Anne Baillot</editor>

<editor>

<editor> Pierre-Jules Hetzel</editor>
<editor role="illustrator">George Roux</editor>

<editor>

<editor>王大明</editor>
<editor role="繪圖者">陳紅</editor>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<editor>

<editor role="Technical_Editor">Ron Van den Branden</editor>
<editor role="Editor-in-Chief">John Walsh</editor>
<editor role="Managing_Editor">Anne Baillot</editor>

<editor>

<editor> Pierre-Jules Hetzel</editor>
<editor role="illustrator">George Roux</editor>

<editor>

<editor>王大明</editor>
<editor role="繪圖者">陳紅</editor>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<email>

<email> (electronic mail address) contains an email address identifying a location to which email messages can be delivered. [3.6.2. Addresses]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.addressLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The format of a modern Internet email address is defined in RFC 2822

Example

<email>membership@tei-c.org</email>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element email { macro.phraseSeq }

Processing Model

<model behaviour="inline">
<outputRendition>font-family:monospace</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <email> (electronic mail address)

These search results reproduce every example of the use of <email> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <email> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5.2. Formulae, Codes, and Special Characters

This can be expressed in XML as follows:
<code>&amp;lt;date notBefore="2016-06-23"/></code> Contact the author at

<email>lou.burnard@gmail.com</email>

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<email>

<email>membership@tei-c.org</email>

<email>

<email>membership@tei-c.org</email>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<email>

<email>membership@tei-c.org</email>

<email>

<email>membership@tei-c.org</email>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<epigraph>

<epigraph> (epigraph) contains a quotation, anonymous or attributed, appearing at the start or end of a section or on a title page. [4.2.3. Arguments, Epigraphs, and Postscripts 4.2. Elements Common to All Divisions 4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.divWrapper model.pLike.front model.titlepagePart

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body div front group opener titlePage

May contain

core: bibl cb cit desc gap l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: floatingText

transcr: fw

Example

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <classRef key="model.common"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element epigraph { ( model.common | model.global )* }

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <epigraph> (epigraph)

These search results reproduce every example of the use of <epigraph> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <epigraph> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<bibl>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<epigraph>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<bibl>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<epigraph>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

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<expan>

<expan> (expansion) contains the expansion of an abbreviation. [3.6.5. Abbreviations and Their Expansions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.editLike

Member of

model.choicePart model.pPart.editorial

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The content of this element should be the expanded abbreviation, usually (but not always) a complete word or phrase. The <ex> element provided by the transcr module may be used to mark up sequences of letters supplied within such an expansion.

If abbreviations are expanded silently, this practice should be documented in the editorialDecl, either with a <normalization> element or a p.

Example

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

Show all ⚓︎

Example

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element expan { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <expan> (expansion)

These search results reproduce every example of the use of <expan> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <expan> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

<expan>per</expan>

4. Editorial Interventions

<choice>
 <abbr>wt</abbr>
 <expan>with</expan>
</choice>

11. Common Attributes

<abbr>

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan xml:lang="la">senatus populusque romanorum</expan>
</choice>

<abbr>

<choice>
 <abbr>北大</abbr>
 <expan>北京大學</expan>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

<expan>

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

<expan>

Il habite
<choice>
 <expan>Avenue</expan>
 <abbr>Av.</abbr>
</choice>de la Paix

<expan>

<choice>
 <expan>歐洲聯盟</expan>
 <abbr>歐盟</abbr>
</choice>

<expan>

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

17. The TEI simplePrint schema

<abbr>

<choice>
 <expan>North Atlantic Treaty Organization</expan>
 <abbr cert="low">NorATO</abbr>
 <abbr cert="high">NATO</abbr>
 <abbr cert="high" xml:lang="fr">OTAN</abbr>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan xml:lang="la">senatus populusque romanorum</expan>
</choice>

<abbr>

<choice>
 <abbr>北大</abbr>
 <expan>北京大學</expan>
</choice>

<abbr>

<choice>
 <abbr>SPQR</abbr>
 <expan>senatus populusque romanorum</expan>
</choice>

<expan>

The address is Southmoor
<choice>
 <expan>Road</expan>
 <abbr>Rd</abbr>
</choice>

<expan>

Il habite
<choice>
 <expan>Avenue</expan>
 <abbr>Av.</abbr>
</choice>de la Paix

<expan>

<choice>
 <expan>歐洲聯盟</expan>
 <abbr>歐盟</abbr>
</choice>

<expan>

<choice xml:lang="la">
 <abbr>Imp</abbr>
 <expan>Imp<ex>erator</ex>
 </expan>
</choice>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <facsimile>

These search results reproduce every example of the use of <facsimile> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <facsimile> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

11. Common Attributes

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<surface>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<facsimile>
 <graphic url="page1.png" xml:id="pg1"/>
 <graphic url="page2.png" xml:id="pg2"/>
</facsimile>

14. Encoding a Digital Facsimile

<facsimile>
 <surface>
  <graphic xml:id="page1T"
   url="thumbs/page1.png"/>
  <graphic xml:id="page1" url="page1.png"/>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<surface>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

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<figDesc>

<figDesc> (description of figure) contains a brief prose description of the appearance or content of a graphic figure, for use when documenting an image without displaying it. [15.4. Specific Elements for Graphic Images]

Module
figures

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

figures: figure

May contain

core: abbr address bibl choice cit date desc email expan foreign hi label list listBibl measure name num q quote ref rs stage term time title

drama: castList

figures: table

header: biblFull idno

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: subst

character data

Note

This element is intended for use as an alternative to the content of its parent figure element ; for example, to display when the image is required but the equipment in use cannot display graphic images. It may also be used for indexing or documentary purposes.

Example

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.limitedContent"/>
</content>

Schema Declaration

element figDesc { macro.limitedContent }

Processing Model

<model behaviour="inline">
<outputRendition scope="before">content: '[..';</outputRendition>
<outputRendition scope="after">content: '..]';</outputRendition>
<outputRendition>color: grey;font-style:italic;</outputRendition>
</model>

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Example: <figDesc> (description of figure)

These search results reproduce every example of the use of <figDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <figDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

9. Figures and Graphics

11. Common Attributes

17. The TEI simplePrint schema

9. Figures and Graphics

9. Figures and Graphics

<figure>
 <graphic url="images/fezzipic.png"/>
 <head>Mr Fezziwig's Ball</head>
 <figDesc>A Cruikshank engraving showing Mr Fezziwig leading a group of
   revellers.</figDesc>
</figure>

11. Common Attributes

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

17. The TEI simplePrint schema

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

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<figure>

<figure> (figure) groups elements representing or containing graphic information such as an illustration, formula, or figure. [15.4. Specific Elements for Graphic Images]

Module
figures

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.placement

@place

att.typed

@type

@subtype

att.written

@hand

Member of

model.global

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

gaiji: char glyph

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw supplied surface zone

verse: rhyme

May contain

core: bibl cb cit desc gap graphic head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figDesc figure formula table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: argument byline closer dateline docAuthor docDate epigraph floatingText postscript salute signed trailer

transcr: fw

Example

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <classRef key="model.headLike"/>
  <classRef key="model.common"/>
  <elementRef key="figDesc"/>
  <classRef key="model.graphicLike"/>
  <classRef key="model.global"/>
  <classRef key="model.divBottom"/>
 </alternate>
</content>

Schema Declaration

element figure
{
   (
      model.headLike
    | model.common
    | figDesc
    | model.graphicLike
    | model.global
    | model.divBottom
   )*
}

Processing Model

<model predicate="head or @rendition='simple:display'"
 behaviour="block"/>
<model behaviour="inline">
<outputRendition> display: block; border-top: solid 1pt blue; border-bottom: solid
 1pt blue; </outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <figure> (figure)

These search results reproduce every example of the use of <figure> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <figure> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

9. Figures and Graphics

11. Common Attributes

17. The TEI simplePrint schema

9. Figures and Graphics

9. Figures and Graphics

<pb n="412"/>
<figure>
 <graphic url="images/p412fig.png"
  width="40%"/>
</figure>
<pb n="413"/>

9. Figures and Graphics

<figure>
 <graphic url="images/fezzipic.png"/>
 <head>Mr Fezziwig's Ball</head>
 <figDesc>A Cruikshank engraving showing Mr Fezziwig leading a group of
   revellers.</figDesc>
</figure>

11. Common Attributes

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figure>
 <head>Le logo TEI</head>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

17. The TEI simplePrint schema

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figure>
 <head>Le logo TEI</head>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

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<floatingText>

<floatingText> (floating text) contains a single text of any kind, whether unitary or composite, which interrupts the text containing it at any point and after which the surrounding text resumes. [4.3.2. Floating Texts]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

Member of

model.attributable

Contained by

analysis: s

core: abbr add addrLine author biblScope cit corr del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic sp speaker stage term title unclear

drama: actor castList role roleDesc set

figures: cell figDesc figure

header: change distributor edition extent licence rendition tagUsage

linking: ab seg

textstructure: argument body div docAuthor docDate docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

core: cb gap lb milestone note pb

figures: figure

linking: anchor

textstructure: back body front group

transcr: fw

Note

A floating text has the same content as any other text and may thus be interrupted by another floating text, or contain a group of tesselated texts.

Example

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="0" maxOccurs="1">
   <elementRef key="front"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <alternate minOccurs="1" maxOccurs="1">
   <elementRef key="body"/>
   <elementRef key="group"/>
  </alternate>
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="0" maxOccurs="1">
   <elementRef key="back"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element floatingText
{
   model.global*,
   ( ( front, model.global* )? ),
   ( body | group ),
   model.global*,
   ( ( back, model.global* )? )
}

Processing Model

<model behaviour="block">
<outputRendition> margin: 6pt; border: solid black 1pt; </outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <floatingText> (floating text)

These search results reproduce every example of the use of <floatingText> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <floatingText> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

12. Composite and Floating Texts

17. The TEI simplePrint schema

11. Common Attributes

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

12. Composite and Floating Texts

12. Composite and Floating Texts

<p>The Gentleman having finish'd his Story, Galecia waited on him to the Stairs-head;
and at her return, casting her Eyes on the Table, she saw lying there an old dirty
rumpled Book, and found in it the following story:</p>
<floatingText>
 <body>
  <p>IN the time of the Holy War when Christians from all parts went into the Holy
     Land to oppose the Turks; Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
  <p>The King graciously pardoned the Knight; Richard was kindly receiv'd into his
     Convent, and all things went on in good order: But from hence came the Proverb, We
     must not strike <hi>Robert</hi> for <hi>Richard.</hi>
  </p>
 </body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she cast her Eyes
again on the foresaid little Book, where she found the following Story ....</p>

17. The TEI simplePrint schema

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

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<foreign>

<foreign> (foreign) identifies a word or phrase as belonging to some language other than that of the surrounding text. [3.3.2.1. Foreign Words or Expressions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.emphLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The global xml:lang attribute should be supplied for this element to identify the language of the word or phrase marked. As elsewhere, its value should be a language tag as defined in 6.1. Language Identification.

This element is intended for use only where no other element is available to mark the phrase or words concerned. The global xml:lang attribute should be used in preference to this element where it is intended to mark the language of the whole of some text element.

The <distinct> element may be used to identify phrases belonging to sublanguages or registers not generally regarded as true languages.

Example

This is
heathen Greek to you still? Your <foreign xml:lang="la">lapis
philosophicus</foreign>?

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element foreign { macro.phraseSeq }

Processing Model

<model behaviour="inline">
<outputRendition>font-style:italic;</outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <foreign> (foreign)

These search results reproduce every example of the use of <foreign> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <foreign> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.5.1. Changes of Typeface, etc.

<p>On the one hand the
<title>Nibelungenlied</title> is associated with the new rise of romance of
twelfth-century France, the <foreign>romans d'antiquité</foreign>, the romances of
Chrétien de Troyes, ...</p>

3.5.3. Foreign Words or Expressions

<p>John has real <foreign xml:lang="fr">savoir-faire</foreign>.</p>
<p>Have you read <title xml:lang="de">Die Dreigroschenoper</title>?</p>

11. Common Attributes

att.global

<p> … The consequences of
this rapid depopulation were the loss of the last
<foreign xml:lang="rap">ariki</foreign> or chief
(Routledge 1920:205,210) and their connections to
ancestral territorial organization.</p>

<foreign>

This is
heathen Greek to you still? Your <foreign xml:lang="la">lapis
philosophicus</foreign>?

<foreign>

<foreign xml:lang="la">Et vobis</foreign> messieurs,
Ce ne seroyt que bon que nous rendissiez noz cloches...

<foreign>

<p>Pendant ce temps-là, dans le bureau du rez- de-chaussée, les secrétaires faisaient du
<foreign xml:lang="en">hulla-hoop</foreign>.</p>

<foreign>

整天窩在家裏看卡通打電動，你是<foreign xml:lang="ja">御宅族</foreign>嗎?

17. The TEI simplePrint schema

att.global

<p> … The consequences of
this rapid depopulation were the loss of the last
<foreign xml:lang="rap">ariki</foreign> or chief
(Routledge 1920:205,210) and their connections to
ancestral territorial organization.</p>

<foreign>

This is
heathen Greek to you still? Your <foreign xml:lang="la">lapis
philosophicus</foreign>?

<foreign>

<foreign xml:lang="la">Et vobis</foreign> messieurs,
Ce ne seroyt que bon que nous rendissiez noz cloches...

<foreign>

<p>Pendant ce temps-là, dans le bureau du rez- de-chaussée, les secrétaires faisaient du
<foreign xml:lang="en">hulla-hoop</foreign>.</p>

<foreign>

整天窩在家裏看卡通打電動，你是<foreign xml:lang="ja">御宅族</foreign>嗎?

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<formula>

<formula> (formula) contains a mathematical or other formula. [15.2. Formulæ and Mathematical Expressions]

Module
figures

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.notated

@notation

notation notation⚓︎

Status
Optional

Suggested values include:

TeX

Using TeX or LaTeX notation

Member of

model.graphicLike

Contained by

analysis: s

core: abbr add addrLine author biblScope cit corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figure formula table

gaiji: char glyph

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: facsimile fw supplied surface zone

verse: rhyme

May contain

core: graphic hi q

figures: formula

character data

Example

<formula notation="tex">$E=mc^2$</formula>

Show all ⚓︎

Example

<formula notation="none">E=mc<hi rend="sup">2</hi>
</formula>

Show all ⚓︎

Example

<formula notation="mathml">
 <m:math>
  <m:mi>E</m:mi>
  <m:mo>=</m:mo>
  <m:mi>m</m:mi>
  <m:msup>
   <m:mrow>
    <m:mi>c</m:mi>
   </m:mrow>
   <m:mrow>
    <m:mn>2</m:mn>
   </m:mrow>
  </m:msup>
 </m:math>
</formula>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.graphicLike"/>
  <classRef key="model.hiLike"/>
 </alternate>
</content>

Schema Declaration

element formula
{
   attribute notation { "TeX" | xsd:Name }?,
   ( text | model.graphicLike | model.hiLike )*
}

Processing Model

<model predicate="@rendition='simple:display'"
 behaviour="block"/>
<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <formula> (formula)

These search results reproduce every example of the use of <formula> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <formula> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5.2. Formulae, Codes, and Special Characters

<formula>E=mc²</formula>

11. Common Attributes

<formula>

<formula notation="tex">$E=mc^2$</formula>

<formula>

<formula notation="none">E=mc<hi rend="sup">2</hi>
</formula>

<formula>

<formula notation="mathml">
 <m:math>
  <m:mi>E</m:mi>
  <m:mo>=</m:mo>
  <m:mi>m</m:mi>
  <m:msup>
   <m:mrow>
    <m:mi>c</m:mi>
   </m:mrow>
   <m:mrow>
    <m:mn>2</m:mn>
   </m:mrow>
  </m:msup>
 </m:math>
</formula>

17. The TEI simplePrint schema

<formula>

<formula notation="tex">$E=mc^2$</formula>

<formula>

<formula notation="none">E=mc<hi rend="sup">2</hi>
</formula>

<formula>

<formula notation="mathml">
 <m:math>
  <m:mi>E</m:mi>
  <m:mo>=</m:mo>
  <m:mi>m</m:mi>
  <m:msup>
   <m:mrow>
    <m:mi>c</m:mi>
   </m:mrow>
   <m:mrow>
    <m:mn>2</m:mn>
   </m:mrow>
  </m:msup>
 </m:math>
</formula>

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<front>

<front> (front matter) contains any prefatory matter (headers, abstracts, title page, prefaces, dedications, etc.) found at the start of a document, before the main body. [4.6. Title Pages 4. Default Text Structure]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Contained by

textstructure: floatingText text

transcr: facsimile

May contain

core: cb gap head lb listBibl milestone note p pb

drama: castList set

figures: figure

linking: ab anchor

textstructure: argument byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph postscript salute signed titlePage titlePart trailer

transcr: fw

Note

Because cultural conventions differ as to which elements are grouped as front matter and which as back matter, the content models for the front and back elements are identical.

Example

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

Show all ⚓︎

Example

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

Show all ⚓︎

Example

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.frontPart"/>
   <classRef key="model.pLike"/>
   <classRef key="model.pLike.front"/>
   <classRef key="model.global"/>
  </alternate>
  <sequence minOccurs="0" maxOccurs="1">
   <alternate minOccurs="1" maxOccurs="1">
    <sequence minOccurs="1" maxOccurs="1">
     <classRef key="model.div1Like"/>
     <alternate minOccurs="0"
      maxOccurs="unbounded">
      <classRef key="model.div1Like"/>
      <classRef key="model.frontPart"/>
      <classRef key="model.global"/>
     </alternate>
    </sequence>
    <sequence minOccurs="1" maxOccurs="1">
     <classRef key="model.divLike"/>
     <alternate minOccurs="0"
      maxOccurs="unbounded">
      <classRef key="model.divLike"/>
      <classRef key="model.frontPart"/>
      <classRef key="model.global"/>
     </alternate>
    </sequence>
   </alternate>
   <sequence minOccurs="0" maxOccurs="1">
    <classRef key="model.divBottom"/>
    <alternate minOccurs="0"
     maxOccurs="unbounded">
     <classRef key="model.divBottom"/>
     <classRef key="model.global"/>
    </alternate>
   </sequence>
  </sequence>
 </sequence>
</content>

Schema Declaration

element front
{
   ( model.frontPart | model.pLike | model.pLike.front | model.global )*,
   (
      (
         (
            (
               model.div1Like,
               ( model.div1Like | model.frontPart | model.global )*
            )
          | (
               model.divLike,
               ( model.divLike | model.frontPart | model.global )*
            )
         ),
         ( ( model.divBottom, ( model.divBottom | model.global )* )? )
      )?
   )
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <front> (front matter)

These search results reproduce every example of the use of <front> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <front> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

2. The Structure of a TEI simplePrint Document

11. Common Attributes

12. Composite and Floating Texts

17. The TEI simplePrint schema

2. The Structure of a TEI simplePrint Document

2. The Structure of a TEI simplePrint Document

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

11. Common Attributes

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<group>

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<text>

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

<text>

<text>
 <front>
<!-- Vorspann für die gesamte Gruppierung -->
 </front>
 <group>
  <text>
<!-- erster Text -->
  </text>
  <text>
<!-- zweiter Text -->
  </text>
 </group>
</text>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

17. The TEI simplePrint schema

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<group>

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<text>

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

<text>

<text>
 <front>
<!-- Vorspann für die gesamte Gruppierung -->
 </front>
 <group>
  <text>
<!-- erster Text -->
  </text>
  <text>
<!-- zweiter Text -->
  </text>
 </group>
</text>

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<fw>

<fw> (forme work) contains a running head (e.g. a header, footer), catchword, or similar material appearing on the current page. [12.6. Headers, Footers, and Similar Matter]

Module
transcr

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.placement

@place

att.typed

@type

@subtype

att.written

@hand

type type⚓︎
classifies the material encoded according to some useful typology.

Status
Recommended

Datatype
teidata.enumerated

Sample values include:

header

a running title at the top of the page

footer

a running title at the bottom of the page

pageNum

(page number) a page number or foliation symbol

lineNum

(line number) a line number, either of prose or poetry

sig

(signature) a signature or gathering symbol

catch

(catchword) a catch-word

Member of

model.milestoneLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list listBibl measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw subst supplied surface zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Where running heads are consistent throughout a chapter or section, it is usually more convenient to relate them to the chapter or section, e.g. by use of the rend attribute. The fw element is intended for cases where the running head changes from page to page, or where details of page layout and the internal structure of the running heads are of paramount importance.

Example

<fw type="sig" place="bottom">C3</fw>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element fw { attribute type { teidata.enumerated }?, macro.phraseSeq }

Processing Model

<model predicate="ancestor::p or ancestor::ab"
 behaviour="inline"/>
<model behaviour="block"/>

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Example: <fw> (forme work)

These search results reproduce every example of the use of <fw> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <fw> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.4. Page and Line Numbers

<l>He also fix'd the wandering
QUEEN OF NIGHT,</l>
<fw type="sig">Ii 2</fw>
<fw type="catch">Whether</fw>
<pb n="244"/>
<l>Whether she wanes into a scanty orb</l>...
<!-- Thomson, Seasons, 1730-->

11. Common Attributes

<fw>

<fw type="sig" place="bottom">C3</fw>

<fw>

<fw type="sig" place="bot">C3</fw>

<fw>

<fw type="sig" place="bot">徐閱</fw>

17. The TEI simplePrint schema

<fw>

<fw type="sig" place="bottom">C3</fw>

<fw>

<fw type="sig" place="bot">C3</fw>

<fw>

<fw type="sig" place="bot">徐閱</fw>

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<g>

<g> (character or glyph) represents a glyph, or a non-standard character. [5. Characters, Glyphs, and Writing Modes]

Module
gaiji

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

ref ref⚓︎
points to a description of the character or glyph intended.

Status
Optional

Datatype
teidata.pointer

Member of

model.gLike

Contained by

analysis: c pc s w

core: abbr add addrLine author bibl biblScope corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

gaiji: mapping

header: change distributor edition extent idno licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain
Character data only

Note

The name g is short for gaiji, which is the Japanese term for a non-standardized character or glyph.

Example

<g ref="#ctlig">ct</g>

Show all ⚓︎

This example points to a glyph element with the identifier ctlig like the following:

<glyph xml:id="ctlig">
<!-- here we describe the particular ct-ligature intended -->
</glyph>

Show all ⚓︎

Example

<g ref="#per-glyph">per</g>

Show all ⚓︎

The medieval brevigraph per could similarly be considered as an individual glyph, defined in a glyph element with the identifier per-glyph as follows:

<glyph xml:id="per-glyph">
<!-- ... -->
</glyph>

Show all ⚓︎

Content model

<content>
 <textNode/>
</content>

Schema Declaration

element g { attribute ref { teidata.pointer }?, text }

Processing Model

<model predicate="not(text())"
 behaviour="glyph">
<param name="uri" value="@ref"/>
</model>
<model behaviour="inline"/>

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Example: <g> (character or glyph)

These search results reproduce every example of the use of <g> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <g> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5.2. Formulae, Codes, and Special Characters

...Thereto
<g ref="#air">[air]</g> and ...

11. Common Attributes

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<g>

<g ref="#ctlig">ct</g>

<g>

<g ref="#fr_flig">fl</g>

<g>

<g ref="#zh-tw_flig">fl</g>

<g>

<g ref="#per-glyph">per</g>

17. The TEI simplePrint schema

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<idno>

<idno type="ISBN">978-1-906964-22-1</idno>
<idno type="ISSN">0143-3385</idno>
<idno type="DOI">10.1000/123</idno>
<idno type="URI">http://www.worldcat.org/oclc/185922478</idno>
<idno type="URI">http://authority.nzetc.org/463/</idno>
<idno type="LT">Thomason Tract E.537(17)</idno>
<idno type="Wing">C695</idno>
<idno type="oldCat">
 <g ref="#sym"/>345
</idno>

<g>

<g ref="#ctlig">ct</g>

<g>

<g ref="#fr_flig">fl</g>

<g>

<g ref="#zh-tw_flig">fl</g>

<g>

<g ref="#per-glyph">per</g>

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<gap>

<gap> (gap) indicates a point where material has been omitted in a transcription, whether for editorial reasons described in the TEI header, as part of sampling practice, or because the material is illegible, invisible, or inaudible. [3.5.3. Additions, Deletions, and Omissions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.dimensions

@unit

@quantity

@extent

@scope

att.editLike

att.timed

@start

@end

hand hand⚓︎

Status
Optional

reason reason⚓︎
(reason) gives the reason for omission.

Status
Optional

Datatype
1–∞ occurrences of teidata.enumerated separated by whitespace

Suggested values include:

cancelled

(cancelled)

deleted

(deleted)

editorial

(editorial) for features omitted from transcription due to editorial policy

illegible

(illegible)

inaudible

(inaudible)

irrelevant

(irrelevant)

sampling

(sampling)

agent agent⚓︎
(agent) in the case of text omitted because of damage, categorizes the cause of the damage, if it can be identified.

Status
Optional

Datatype
teidata.enumerated

Sample values include:

rubbing

(rubbing) damage results from rubbing of the leaf edges

mildew

(mildew) damage results from mildew on the leaf surface

smoke

(smoke) damage results from smoke

Member of

model.global.edit

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw supplied surface zone

verse: rhyme

May contain

core: desc

Note

The gap, unclear, and del core tag elements may be closely allied in use with the <damage> and supplied elements, available when using the additional tagset for transcription of primary sources. See section 12.3.3.2. Use of the gap, del, damage, unclear, and supplied Elements in Combination for discussion of which element is appropriate for which circumstance.

The gap tag simply signals the editors decision to omit or inability to transcribe a span of text. Other information, such as the interpretation that text was deliberately erased or covered, should be indicated using the relevant tags, such as del in the case of deliberate deletion.

Example

<gap quantity="4" unit="chars"
 reason="illegible"/>

Show all ⚓︎

Example

<gap quantity="1" unit="essay"
 reason="sampling"/>

Show all ⚓︎

Example

<del>
 <gap atLeast="4" atMost="8" unit="chars"
  reason="illegible"/>
</del>

Show all ⚓︎

Example

<gap extent="several lines" reason="lost"/>

Show all ⚓︎

Content model

<content>
 <elementRef key="desc" minOccurs="0"
  maxOccurs="1"/>
</content>

Schema Declaration

element gap
{
   attribute hand { text }?,
   attribute reason
   {
      list
      {
         (
            "cancelled"
          | "deleted"
          | "editorial"
          | "illegible"
          | "inaudible"
          | "irrelevant"
          | "sampling"
          | teidata.enumerated
         )+
      }
   }?,
   attribute agent { teidata.enumerated }?,
   desc?
}

Processing Model

<model predicate="desc" behaviour="inline">
<outputRendition>color: grey;</outputRendition>
</model>
<model predicate="@extent"
 behaviour="inline">
<param name="content" value="@extent"/>
<outputRendition scope="before">content: '[..';</outputRendition>
<outputRendition scope="after">content: '..]';</outputRendition>
<outputRendition>color: grey;</outputRendition>
</model>
<model behaviour="inline">
<outputRendition scope="before">content: '[...]';</outputRendition>
</model>

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Example: <gap> (gap)

These search results reproduce every example of the use of <gap> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <gap> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

One hundred &amp; twenty good regulars joined <unclear>to me <gap extent="2 words"
  reason="indecipherable"/> and </unclear> instantly, would aid me signally in an
enterprise against Wilmington.

4.2. Omissions, Deletions, and Additions

<p> ... An example of a list appearing in a fief ledger of <name type="place">Koldinghus</name>
 <date>1611/12</date> is given below. It shows cash income from a sale of
honey.</p>
<gap extent="50 lines">
 <desc>quotation from ledger (in Danish)</desc>
</gap>
<p>A description of the overall structure of the account is once again ...
</p>

4.2. Omissions, Deletions, and Additions

<p>At the bottom of your screen below the
mode line is the <hi>minibuffer</hi>. This is the area where Emacs echoes the
commands you enter and where you specify filenames for Emacs to find, values for
search and replace, and so on. <gap reason="graphic">
  <desc>diagram of Emacs screen</desc>
 </gap>
</p>

11. Common Attributes

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.cmc

<post type="written" generatedBy="human">
<!-- ... main content of posting ... -->
 <signed generatedBy="template">
  <gap reason="signatureContent"/>
  <time generatedBy="template">12:01, 12. Jun. 2009 (CEST)</time>
 </signed>
</post>

att.dimensions

<gap extent="5 words"/>

<del>

<del rend="overstrike">
 <gap reason="illegible" quantity="5"
  unit="character"/>
</del>

<gap>

<gap quantity="4" unit="chars"
 reason="illegible"/>

<gap>

<gap quantity="4" unit="chars"
 reason="illegible"/>

<gap>

<gap quantity="1" unit="essay"
 reason="sampling"/>

<gap>

<gap quantity="4" unit="字" reason="無法識讀"/>

<gap>

<gap quantity="1" unit="文章" reason="抽樣"/>

<gap>

<gap quantity="1" unit="essay"
 reason="sampling"/>

<gap>

<del>
 <gap atLeast="4" atMost="8" unit="chars"
  reason="illegible"/>
</del>

<gap>

<gap extent="several lines" reason="lost"/>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

17. The TEI simplePrint schema

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.cmc

<post type="written" generatedBy="human">
<!-- ... main content of posting ... -->
 <signed generatedBy="template">
  <gap reason="signatureContent"/>
  <time generatedBy="template">12:01, 12. Jun. 2009 (CEST)</time>
 </signed>
</post>

att.dimensions

<gap extent="5 words"/>

<del>

<del rend="overstrike">
 <gap reason="illegible" quantity="5"
  unit="character"/>
</del>

<gap>

<gap quantity="4" unit="chars"
 reason="illegible"/>

<gap>

<gap quantity="4" unit="chars"
 reason="illegible"/>

<gap>

<gap quantity="1" unit="essay"
 reason="sampling"/>

<gap>

<gap quantity="4" unit="字" reason="無法識讀"/>

<gap>

<gap quantity="1" unit="文章" reason="抽樣"/>

<gap>

<gap quantity="1" unit="essay"
 reason="sampling"/>

<gap>

<del>
 <gap atLeast="4" atMost="8" unit="chars"
  reason="illegible"/>
</del>

<gap>

<gap extent="several lines" reason="lost"/>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

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<graphic>

<graphic> (graphic) indicates the location of a graphic or illustration, either forming part of a text, or providing an image of it. [3.10. Graphics and Other Non-textual Components 12.1. Digital Facsimiles]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.media

@width

@height

@scale

att.internetMedia

@mimeType

att.resourced

@url

att.typed

@type

@subtype

Member of

model.graphicLike model.titlepagePart

Contained by

analysis: s

core: abbr add addrLine author biblScope cit corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figure formula table

gaiji: char glyph

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePage titlePart trailer

transcr: facsimile fw supplied surface zone

verse: rhyme

May contain

core: desc

Note

The mimeType attribute should be used to supply the MIME media type of the image specified by the url attribute.

Within the body of a text, a graphic element indicates the presence of a graphic component in the source itself. Within the context of a facsimile or <sourceDoc> element, however, a graphic element provides an additional digital representation of some part of the source being encoded.

Example

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

Show all ⚓︎

Example

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

Show all ⚓︎

Example

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

Show all ⚓︎

Content model

<content>
 <classRef key="model.descLike"
  minOccurs="0" maxOccurs="unbounded"/>
</content>

Schema Declaration

element graphic { model.descLike* }

Processing Model

<model behaviour="graphic">
<param name="url" value="@url"/>
<param name="width" value="@width"/>
<param name="height" value="@height"/>
<param name="scale" value="@scale"/>
<param name="title" value="desc"/>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <graphic> (graphic)

These search results reproduce every example of the use of <graphic> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <graphic> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

9. Figures and Graphics

11. Common Attributes

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

9. Figures and Graphics

9. Figures and Graphics

<pb n="412"/>
<figure>
 <graphic url="images/p412fig.png"
  width="40%"/>
</figure>
<pb n="413"/>

9. Figures and Graphics

<head>
 <graphic url="http://www.iath.virginia.edu/gants/Ornaments/Heads/hp-ral02.gif"/>
</head>

9. Figures and Graphics

<figure>
 <graphic url="images/fezzipic.png"/>
 <head>Mr Fezziwig's Ball</head>
 <figDesc>A Cruikshank engraving showing Mr Fezziwig leading a group of
   revellers.</figDesc>
</figure>

11. Common Attributes

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figure>
 <head>Le logo TEI</head>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="fr_napos">
 <localProp name="nom"
  value="N latin minuscule précédé d'une apostrophe"/>
 <localProp name="entity" value="napos"/>
 <graphic url="glyph-napos.png"/>
</glyph>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<surface>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<zone>

<surface ulx="14.54" uly="16.14" lrx="0"
 lry="0">
 <graphic url="stone.jpg"/>
 <zone points="4.6,6.3 5.25,5.85 6.2,6.6 8.19222,7.4125 9.89222,6.5875 10.9422,6.1375 11.4422,6.7125 8.21722,8.3125 6.2,7.65"/>
</surface>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<facsimile>
 <graphic url="page1.png" xml:id="pg1"/>
 <graphic url="page2.png" xml:id="pg2"/>
</facsimile>

14. Encoding a Digital Facsimile

<facsimile>
 <surface>
  <graphic xml:id="page1T"
   url="thumbs/page1.png"/>
  <graphic xml:id="page1" url="page1.png"/>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figure>
 <head>Le logo TEI</head>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<glyph>

<glyph xml:id="rstroke">
 <localProp name="Name"
  value="LATIN SMALL LETTER R WITH A FUNNY STROKE"/>
 <localProp name="entity" value="rstroke"/>
 <figure>
  <graphic url="glyph-rstroke.png"/>
 </figure>
</glyph>

<glyph>

<glyph xml:id="fr_napos">
 <localProp name="nom"
  value="N latin minuscule précédé d'une apostrophe"/>
 <localProp name="entity" value="napos"/>
 <graphic url="glyph-napos.png"/>
</glyph>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<surface>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<zone>

<surface ulx="14.54" uly="16.14" lrx="0"
 lry="0">
 <graphic url="stone.jpg"/>
 <zone points="4.6,6.3 5.25,5.85 6.2,6.6 8.19222,7.4125 9.89222,6.5875 10.9422,6.1375 11.4422,6.7125 8.21722,8.3125 6.2,7.65"/>
</surface>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

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<group>

<group> (group) contains the body of a composite text, grouping together a sequence of distinct texts (or groups of such texts) which are regarded as a unit for some purpose, for example the collected works of an author, a sequence of prose essays, etc. [4. Default Text Structure 4.3.1. Grouped Texts 16.1. Varieties of Composite Text]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

Contained by

textstructure: floatingText group text

May contain

core: cb gap head lb milestone note pb

figures: figure

linking: anchor

textstructure: argument byline closer dateline docAuthor docDate epigraph group opener postscript salute signed text trailer

transcr: fw

Example

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divTop"/>
   <classRef key="model.global"/>
  </alternate>
  <sequence minOccurs="1" maxOccurs="1">
   <alternate minOccurs="1" maxOccurs="1">
    <elementRef key="text"/>
    <elementRef key="group"/>
   </alternate>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <elementRef key="text"/>
    <elementRef key="group"/>
    <classRef key="model.global"/>
   </alternate>
  </sequence>
  <classRef key="model.divBottom"
   minOccurs="0" maxOccurs="unbounded"/>
 </sequence>
</content>

Schema Declaration

element group
{
   ( model.divTop | model.global )*,
   ( ( text | group ), ( text | group | model.global )* ),
   model.divBottom*
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

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Example: <group> (group)

These search results reproduce every example of the use of <group> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <group> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

12. Composite and Floating Texts

17. The TEI simplePrint schema

11. Common Attributes

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<group>

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

<text>

<text>
 <front>
<!-- Vorspann für die gesamte Gruppierung -->
 </front>
 <group>
  <text>
<!-- erster Text -->
  </text>
  <text>
<!-- zweiter Text -->
  </text>
 </group>
</text>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

17. The TEI simplePrint schema

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<group>

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

<text>

<text>
 <front>
<!-- Vorspann für die gesamte Gruppierung -->
 </front>
 <group>
  <text>
<!-- erster Text -->
  </text>
  <text>
<!-- zweiter Text -->
  </text>
 </group>
</text>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<head>

<head> (heading) contains any type of heading, for example the title of a section, or the heading of a list, glossary, manuscript description, etc. [4.2.1. Headings and Trailers]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.placement

@place

att.typed

@type

@subtype

att.written

@hand

Member of

model.headLike model.pLike.front

Contained by

core: lg list listBibl

drama: castGroup castList set

figures: figure table

namesdates: listPerson listPlace place

textstructure: argument back body div front group postscript

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The head element is used for headings at all levels; software which treats (e.g.) chapter headings, section headings, and list titles differently must determine the proper processing of a head element based on its structural position. A head occurring as the first element of a list is the title of that list; one occurring as the first element of a <div1> is the title of that chapter or section.

Example

The most common use for the head element is to mark the headings of sections. In older writings, the headings or incipits may be rather longer than usual in modern works. If a section has an explicit ending as well as a heading, it should be marked as a trailer, as in this example:

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

Show all ⚓︎

Example

When headings are not inline with the running text (see e.g. the heading "Secunda conclusio") they might however be encoded as if. The actual placement in the source document can be captured with the place attribute.

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

Show all ⚓︎

Example

The head element is also used to mark headings of other units, such as lists:

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <elementRef key="lg"/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <classRef key="model.inter"/>
  <classRef key="model.lLike"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element head
{
   (
      text
    | lg
    | model.gLike
    | model.phrase
    | model.inter
    | model.lLike
    | model.global
   )*
}

Processing Model

<model predicate="parent::figure"
 behaviour="block">
<outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="parent::table"
 behaviour="block">
<outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="parent::lg"
 behaviour="block">
<outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="parent::list"
 behaviour="block">
<outputRendition>font-weight: bold;</outputRendition>
</model>
<model predicate="parent::div"
 behaviour="heading">
<param name="level"
 value="count(ancestor::div)"/>
</model>
<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <head> (heading)

These search results reproduce every example of the use of <head> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <head> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

6. Lists

9. Figures and Graphics

11. Common Attributes

13. Front and Back Matter

14. Encoding a Digital Facsimile

15. The Electronic Title Page

17. The TEI simplePrint schema

3. Encoding the Body

3.2. Headings and Closings

<div xml:id="UGT1" n="Winter" type="part">
 <div xml:id="UGT101" n="1" type="chapter">
  <head>Mellstock-Lane</head>
  <p>To dwellers in a wood almost every species of tree ... </p>
 </div>
</div>

3.3. Textual Components

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

3.7.1. Simple Cross References

... see especially <ref target="#SEC12"/>.
...
<div xml:id="SEC12">
 <head>Concerning Identifiers</head>
<!-- ... -->
</div>

6. Lists

6. Lists

<list>
 <head>A short list</head>
 <item>First item in list.</item>
 <item>Second item in list.</item>
 <item>Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <item n="1">First item in list.</item>
 <item n="2">Second item in list.</item>
 <item n="3">Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <label>1</label>
 <item>First item in list.</item>
 <label>2</label>
 <item>Second item in list.</item>
 <label>3</label>
 <item>Third item in list.</item>
</list>

6. Lists

<list type="gloss">
 <head>Vocabulary</head>
 <label xml:lang="enm">nu</label>
 <item>now</item>
 <label xml:lang="enm">lhude</label>
 <item>loudly</item>
 <label xml:lang="enm">bloweth</label>
 <item>blooms</item>
 <label xml:lang="enm">med</label>
 <item>meadow</item>
 <label xml:lang="enm">wude</label>
 <item>wood</item>
 <label xml:lang="enm">awe</label>
 <item>ewe</item>
<!-- <label xml:lang="enm">lhouth</label> <item>lows</item> <label xml:lang="enm">sterteth</label> <item>bounds, frisks</item> <label xml:lang="enm">verteth</label> <item xml:lang="la">pedit</item> <label xml:lang="enm">murie</label> <item>merrily</item> <label xml:lang="enm">swik</label> <item>cease</item> <label xml:lang="enm">naver</label> <item>never</item>-->
</list>

9. Figures and Graphics

9. Figures and Graphics

<head>
 <graphic url="http://www.iath.virginia.edu/gants/Ornaments/Heads/hp-ral02.gif"/>
</head>

9. Figures and Graphics

<figure>
 <graphic url="images/fezzipic.png"/>
 <head>Mr Fezziwig's Ball</head>
 <figDesc>A Cruikshank engraving showing Mr Fezziwig leading a group of
   revellers.</figDesc>
</figure>

11. Common Attributes

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>épître dédicatoire <lb/>à <lb/>Monsieur de Coucy <lb/>
</head>
<rendition xml:id="fr_sc" scheme="css">font-variant: uppercase</rendition>
<rendition xml:id="fr_ac" scheme="css">text-align: center</rendition>

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figure>
 <head>Le logo TEI</head>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<head>

Les déictiques
sont des termes qui ne prennent leur sens que dans le cadre de la situation d'énonciation.
<list rend="bulleted">
 <head>déictiques</head>
 <item>ici</item>
 <item>hier</item>
 <item>là</item>
 <item>je</item>
 <item>tu</item>
 <item>nous</item>
 <item>vous</item>
 <item/>
</list>

<head>

<div1 n="I" type="book">
 <head>三國演義</head>
 <div2 type="section">
  <head>第一回 宴桃園豪杰三結義 斬黃巾英雄首立功</head>
  <p>滾滾長江東逝水，浪花淘盡英雄。是非成敗轉頭空。 青山依舊在，几度夕陽紅。 白發漁樵江渚上，慣看秋月春風。一壺濁酒喜相逢。古今多少事，都付笑談中。</p>
  <p>話說天下大勢，分久必合，合久必分。周末七國分爭，并入于秦。...</p>
  <trailer>三人救了董卓回寨。卓問三人現居何職。玄德曰：白身。...畢竟董卓性命如何，且听下文分解。</trailer>
 </div2>
</div1>

<head>

除了少數特例，連接詞均用於所有論述，例如描述、記敘、闡述、論說。<list rend="bulleted">
 <head>連接詞</head>
 <item>上述的</item>
 <item>因此</item>
 <item>在…的對面</item>
 <item>比鄰於</item>
 <item>再次</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<item>

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<item>

<list rend="numbered">
 <head>以下為第三部份的各個章節標題</head>
 <item n="3.1">人物的鑑賞</item>
 <item n="3.2">情節的鑑賞</item>
 <item n="3.3">環境的鑑賞</item>
 <item n="3.4">主題的鑑賞</item>
 <item n="3.5">語言的鑑賞</item>
 <item> ...</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<list>

<div1 type="section">
 <head>青年守則</head>
 <list rend="numbered">
  <item n="1">守則一至五條包括八德：<list rend="numbered">
    <item n="1.1">一、忠勇為愛國之本 。</item>
    <item n="1.2">二、服從為負責之本。</item>
    <item n="1.3">三、孝順為齊家之本。</item>
    <item n="1.4">四、勤儉為服務之本。</item>
    <item n="1.5">五、仁愛為接物之本。</item>
   </list>
  </item>
  <item n="2">六至九條意指四維：<list rend="numbered">
    <item n="2.1">六、整潔為強身之本。</item>
    <item n="2.2">七、信義為立業之本。</item>
    <item n="2.3">八、助人為快樂之本。</item>
    <item n="2.4">九、和平為處世之本</item>
   </list>
  </item>
  <item n="3">十至十二條就是三達德：<list rend="numbered">
    <item n="3.1">十、學問為濟世之本。</item>
    <item n="3.2">十一、禮節為治事之本。</item>
    <item n="3.3">十二、有恆為成功之本。</item>
   </list>
  </item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<measure>

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

<s>

<head>
 <s>A short affair</s>
</head>
<s>When are you leaving?</s>
<s>Tomorrow.</s>

<set>

<set>
 <head>Une représentation à l'hôtel de Bourgogne</head>
 <p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
   embelli pour des représentations.</p>
 <p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
   fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
   avec la scène qu'on aperçoit en pan coupé.</p>
</set>

<set>

<set>
 <head>場景</head>
 <p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>

<set>

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

13. Front and Back Matter

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>épître dédicatoire <lb/>à <lb/>Monsieur de Coucy <lb/>
</head>
<rendition xml:id="fr_sc" scheme="css">font-variant: uppercase</rendition>
<rendition xml:id="fr_ac" scheme="css">text-align: center</rendition>

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<figure>
 <head>The TEI Logo</head>
 <figDesc>Stylized yellow angle brackets with the letters <mentioned>TEI</mentioned> in
   between and <mentioned>text encoding initiative</mentioned> underneath, all on a white
   background.</figDesc>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

<figure>
 <head>Le logo TEI</head>
 <graphic height="600px" width="600px"
  url="http://www.tei-c.org/logos/TEI-600.jpg"/>
</figure>

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<castGroup>

<castGroup>
 <head>Messagers</head>
 <castItem>
  <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
</castGroup>
<castGroup>
 <head>Servantes troyennes</head>
 <castItem>
  <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
     Augier</actor>
 </castItem>
</castGroup>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<figDesc>

<figure>
 <graphic url="emblem1.png"/>
 <head>Emblemi d'Amore</head>
 <figDesc>A pair of naked winged cupids, each holding a
   flaming torch, in a rural setting.</figDesc>
</figure>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<figure>

<figure>
 <head>The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>La tour rouge, de Giorgio De Chirico</head>
 <figDesc>Le tableau représente un donjon au pied duquel s'étend un espace quasiment vide,
   hormis quelques détails</figDesc>
 <graphic url="http://www.cineclubdecaen.com/cinepho/peint/dechericho/tourrouge.jpg"
  scale="0.5"/>
</figure>

<figure>

<figure>
 <head>圖一: 橋上的視野</head>
 <figDesc>前景有四五隻風帆，中間一堆救生圈串連。</figDesc>
 <graphic url="http://www.example.org/fig1.png"
  scale="0.5"/>
</figure>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure One: The View from the Bridge</head>
 <figDesc>A Whistleresque view showing four or five sailing boats in the foreground, and a
   series of buoys strung out between them.</figDesc>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>維納斯</head>
 <figDesc> 波提且利 1484-1486年 畫布、蛋彩 佛羅倫斯，烏菲滋美術館</figDesc>
</figure>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<head>

Les déictiques
sont des termes qui ne prennent leur sens que dans le cadre de la situation d'énonciation.
<list rend="bulleted">
 <head>déictiques</head>
 <item>ici</item>
 <item>hier</item>
 <item>là</item>
 <item>je</item>
 <item>tu</item>
 <item>nous</item>
 <item>vous</item>
 <item/>
</list>

<head>

<div1 n="I" type="book">
 <head>三國演義</head>
 <div2 type="section">
  <head>第一回 宴桃園豪杰三結義 斬黃巾英雄首立功</head>
  <p>滾滾長江東逝水，浪花淘盡英雄。是非成敗轉頭空。 青山依舊在，几度夕陽紅。 白發漁樵江渚上，慣看秋月春風。一壺濁酒喜相逢。古今多少事，都付笑談中。</p>
  <p>話說天下大勢，分久必合，合久必分。周末七國分爭，并入于秦。...</p>
  <trailer>三人救了董卓回寨。卓問三人現居何職。玄德曰：白身。...畢竟董卓性命如何，且听下文分解。</trailer>
 </div2>
</div1>

<head>

除了少數特例，連接詞均用於所有論述，例如描述、記敘、闡述、論說。<list rend="bulleted">
 <head>連接詞</head>
 <item>上述的</item>
 <item>因此</item>
 <item>在…的對面</item>
 <item>比鄰於</item>
 <item>再次</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<item>

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<item>

<list rend="numbered">
 <head>以下為第三部份的各個章節標題</head>
 <item n="3.1">人物的鑑賞</item>
 <item n="3.2">情節的鑑賞</item>
 <item n="3.3">環境的鑑賞</item>
 <item n="3.4">主題的鑑賞</item>
 <item n="3.5">語言的鑑賞</item>
 <item> ...</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<list>

<div1 type="section">
 <head>青年守則</head>
 <list rend="numbered">
  <item n="1">守則一至五條包括八德：<list rend="numbered">
    <item n="1.1">一、忠勇為愛國之本 。</item>
    <item n="1.2">二、服從為負責之本。</item>
    <item n="1.3">三、孝順為齊家之本。</item>
    <item n="1.4">四、勤儉為服務之本。</item>
    <item n="1.5">五、仁愛為接物之本。</item>
   </list>
  </item>
  <item n="2">六至九條意指四維：<list rend="numbered">
    <item n="2.1">六、整潔為強身之本。</item>
    <item n="2.2">七、信義為立業之本。</item>
    <item n="2.3">八、助人為快樂之本。</item>
    <item n="2.4">九、和平為處世之本</item>
   </list>
  </item>
  <item n="3">十至十二條就是三達德：<list rend="numbered">
    <item n="3.1">十、學問為濟世之本。</item>
    <item n="3.2">十一、禮節為治事之本。</item>
    <item n="3.3">十二、有恆為成功之本。</item>
   </list>
  </item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<measure>

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

<s>

<head>
 <s>A short affair</s>
</head>
<s>When are you leaving?</s>
<s>Tomorrow.</s>

<set>

<set>
 <head>Une représentation à l'hôtel de Bourgogne</head>
 <p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
   embelli pour des représentations.</p>
 <p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
   fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
   avec la scène qu'on aperçoit en pan coupé.</p>
</set>

<set>

<set>
 <head>場景</head>
 <p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>

<set>

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

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@source

att.cmc

@generatedBy

att.written

@hand

Member of

model.hiLike

Contained by

analysis: s w

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc formula

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<hi rend="gothic">And this Indenture further witnesseth</hi>
that the said <hi rend="italic">Walter Shandy</hi>, merchant,
in consideration of the said intended marriage ...

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element hi { macro.paraContent }

Processing Model

<model predicate="@rendition"
 behaviour="inline" useSourceRendition="true">
<outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="not(@rendition)"
 behaviour="inline">
<outputRendition>font-style: italic;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <hi> (highlighted)

These search results reproduce every example of the use of <hi> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <hi> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

4. Editorial Interventions

11. Common Attributes

12. Composite and Floating Texts

13. Front and Back Matter

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<sp>
 <speaker>Vladimir</speaker>
 <p>Pull on your trousers.</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>You want me to pull off my trousers?</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>Pull <hi>on</hi> your trousers.</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>
  <stage>(realizing his trousers are down)</stage>. True</p>
</sp>
<stage>He pulls up his trousers</stage>
<sp>
 <speaker>Vladimir</speaker>
 <p>Well? Shall we go?</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>Yes, let's go.</p>
</sp>
<stage>They do not move.</stage>

3.5.1. Changes of Typeface, etc.

<p>
 <hi rendition="simple:blackletter">And
   this Indenture further witnesseth</hi> that the said <hi rendition="simple:italic">Walter Shandy</hi>, merchant, in consideration of the
said intended marriage ...
</p>

3.5.1. Changes of Typeface, etc.

<p>On the one hand the <hi rendition="simple:italic">Nibelungenlied</hi> is associated with the new rise of
romance of twelfth-century France, the <hi rendition="simple:italic">romans
   d'antiquité</hi>, the romances of Chrétien de Troyes, ...</p>

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<p>At the bottom of your screen below the
mode line is the <hi>minibuffer</hi>. This is the area where Emacs echoes the
commands you enter and where you specify filenames for Emacs to find, values for
search and replace, and so on. <gap reason="graphic">
  <desc>diagram of Emacs screen</desc>
 </gap>
</p>

11. Common Attributes

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<cb>

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

<formula>

<formula notation="none">E=mc<hi rend="sup">2</hi>
</formula>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<hi>

<hi rend="gothic">And this Indenture further witnesseth</hi>
that the said <hi rend="italic">Walter Shandy</hi>, merchant,
in consideration of the said intended marriage ...

<hi>

<p>Au fronton, on lit cette inscription : <hi rend="uppercase">attends. Tu verras.</hi> Le
notaire encore prétend qu' elle ne saurait être antérieure au XVIII siècle, car, sinon, l'
on eût écrit —<q>tu voiras</q>—. </p>

<hi>

我的先生很可惜是一個<hi rend="italic">外國人</hi>。這樣來稱呼自己的先生不免有<hi rend="bold">排外</hi>的味道，但是因為語文和風俗在各國之間确有大不相同之處，我們的婚姻生活也實在有許多無法共通的地方。...

<num>

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

<num>

<p>在<num type="ordinal" value="21">第二十一</num>歲的生日那天，我變成<num type="cardinal" value="21">二十一</num>歲了... 光以每秒<num value="10E10">10<hi rend="sup">10</hi>
 </num> 公分移動。</p>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<titlePart>

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

12. Composite and Floating Texts

12. Composite and Floating Texts

<p>The Gentleman having finish'd his Story, Galecia waited on him to the Stairs-head;
and at her return, casting her Eyes on the Table, she saw lying there an old dirty
rumpled Book, and found in it the following story:</p>
<floatingText>
 <body>
  <p>IN the time of the Holy War when Christians from all parts went into the Holy
     Land to oppose the Turks; Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
  <p>The King graciously pardoned the Knight; Richard was kindly receiv'd into his
     Convent, and all things went on in good order: But from hence came the Proverb, We
     must not strike <hi>Robert</hi> for <hi>Richard.</hi>
  </p>
 </body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she cast her Eyes
again on the foresaid little Book, where she found the following Story ....</p>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

17. The TEI simplePrint schema

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<cb>

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

<formula>

<formula notation="none">E=mc<hi rend="sup">2</hi>
</formula>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<hi>

<hi rend="gothic">And this Indenture further witnesseth</hi>
that the said <hi rend="italic">Walter Shandy</hi>, merchant,
in consideration of the said intended marriage ...

<hi>

<p>Au fronton, on lit cette inscription : <hi rend="uppercase">attends. Tu verras.</hi> Le
notaire encore prétend qu' elle ne saurait être antérieure au XVIII siècle, car, sinon, l'
on eût écrit —<q>tu voiras</q>—. </p>

<hi>

我的先生很可惜是一個<hi rend="italic">外國人</hi>。這樣來稱呼自己的先生不免有<hi rend="bold">排外</hi>的味道，但是因為語文和風俗在各國之間确有大不相同之處，我們的婚姻生活也實在有許多無法共通的地方。...

<num>

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

<num>

<p>在<num type="ordinal" value="21">第二十一</num>歲的生日那天，我變成<num type="cardinal" value="21">二十一</num>歲了... 光以每秒<num value="10E10">10<hi rend="sup">10</hi>
 </num> 公分移動。</p>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<titlePart>

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

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<imprimatur>

<imprimatur> (imprimatur) contains a formal statement authorizing the publication of a work, sometimes required to appear on a title page or its verso. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.titlepagePart

Contained by

textstructure: titlePage

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<imprimatur>Licensed and entred acording to Order.</imprimatur>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element imprimatur { macro.paraContent }

Processing Model

<model behaviour="block"/>

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P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <imprimatur> (imprimatur)

These search results reproduce every example of the use of <imprimatur> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <imprimatur> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<imprimatur>

<imprimatur>Licensed and entred acording to Order.</imprimatur>

<imprimatur>

<imprimatur>Paris, 20 juin 1968; E. Berrat, Vicaire général.</imprimatur>

<imprimatur>

<imprimatur>版權所有 翻印必究</imprimatur>

17. The TEI simplePrint schema

<imprimatur>

<imprimatur>Licensed and entred acording to Order.</imprimatur>

<imprimatur>

<imprimatur>Paris, 20 juin 1968; E. Berrat, Vicaire général.</imprimatur>

<imprimatur>

<imprimatur>版權所有 翻印必究</imprimatur>

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<item>

<item> (item) contains one component of a list. [3.8. Lists 2.6. The Revision Description]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.sortable

@sortKey

Contained by

core: list

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig p pb q quote ref reg rs sic sp stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

May contain simple prose or a sequence of chunks.

Whatever string of characters is used to label a list item in the copy text may be used as the value of the global n attribute, but it is not required that numbering be recorded explicitly. In ordered lists, the n attribute on the item element is by definition synonymous with the use of the label element to record the enumerator of the list item. In glossary lists, however, the term being defined should be given with the label element, not n.

Example

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.specialPara"/>
</content>

Schema Declaration

element item { macro.specialPara }

Processing Model

<model behaviour="listItem"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <item> (item)

These search results reproduce every example of the use of <item> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <item> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

6. Lists

11. Common Attributes

17. The TEI simplePrint schema

6. Lists

6. Lists

<list>
 <head>A short list</head>
 <item>First item in list.</item>
 <item>Second item in list.</item>
 <item>Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <item n="1">First item in list.</item>
 <item n="2">Second item in list.</item>
 <item n="3">Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <label>1</label>
 <item>First item in list.</item>
 <label>2</label>
 <item>Second item in list.</item>
 <label>3</label>
 <item>Third item in list.</item>
</list>

6. Lists

<list type="gloss">
 <head>Vocabulary</head>
 <label xml:lang="enm">nu</label>
 <item>now</item>
 <label xml:lang="enm">lhude</label>
 <item>loudly</item>
 <label xml:lang="enm">bloweth</label>
 <item>blooms</item>
 <label xml:lang="enm">med</label>
 <item>meadow</item>
 <label xml:lang="enm">wude</label>
 <item>wood</item>
 <label xml:lang="enm">awe</label>
 <item>ewe</item>
<!-- <label xml:lang="enm">lhouth</label> <item>lows</item> <label xml:lang="enm">sterteth</label> <item>bounds, frisks</item> <label xml:lang="enm">verteth</label> <item xml:lang="la">pedit</item> <label xml:lang="enm">murie</label> <item>merrily</item> <label xml:lang="enm">swik</label> <item>cease</item> <label xml:lang="enm">naver</label> <item>never</item>-->
</list>

6. Lists

<list type="gloss">
 <label>EVIL</label>
 <item>
  <list type="simple">
   <item>I am cast upon a horrible desolate island, void of all hope of
       recovery.</item>
   <item>I am singled out and separated as it were from all the world to be
       miserable.</item>
   <item>I am divided from mankind — a solitaire; one banished from human
       society.</item>
  </list>
 </item>
 <label>GOOD</label>
 <item>
  <list type="simple">
   <item>But I am alive; and not drowned, as all my ship's company were.</item>
   <item>But I am singled out, too, from all the ship's crew, to be spared from
       death...</item>
   <item>But I am not starved, and perishing on a barren place, affording no
       sustenances....</item>
  </list>
 </item>
</list>

11. Common Attributes

<refsDecl>

<refsDecl xml:id="fr_ASLREF">
 <cRefPattern matchPattern="(\S+) ([^.]+)\.(.*)"
  replacementPattern="#fr_xpath(//div1[@n='$1']/div2/[@n='$2']//lb[@n='$3'])">
  <p>Une référence a été créée en assemblant les éléments suivants dans l'ordre inverse de
     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
    <item>la valeur <att>n</att> de l'ancêtre <gi>div2</gi>
    </item>
    <item>un espace</item>
    <item>la valeur<att>n</att> du parent <gi>div1</gi>
    </item>
   </list>
  </p>
 </cRefPattern>
</refsDecl>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<head>

Les déictiques
sont des termes qui ne prennent leur sens que dans le cadre de la situation d'énonciation.
<list rend="bulleted">
 <head>déictiques</head>
 <item>ici</item>
 <item>hier</item>
 <item>là</item>
 <item>je</item>
 <item>tu</item>
 <item>nous</item>
 <item>vous</item>
 <item/>
</list>

<head>

除了少數特例，連接詞均用於所有論述，例如描述、記敘、闡述、論說。<list rend="bulleted">
 <head>連接詞</head>
 <item>上述的</item>
 <item>因此</item>
 <item>在…的對面</item>
 <item>比鄰於</item>
 <item>再次</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<item>

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<item>

<list rend="numbered">
 <head>以下為第三部份的各個章節標題</head>
 <item n="3.1">人物的鑑賞</item>
 <item n="3.2">情節的鑑賞</item>
 <item n="3.3">環境的鑑賞</item>
 <item n="3.4">主題的鑑賞</item>
 <item n="3.5">語言的鑑賞</item>
 <item> ...</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

L’unité mixte de
recherche ATILF (Analyse et Traitement Informatique de la Langue Française) propose 3 types
de ressources : <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>Des ressources linguistiques publiées.</item>
 <label>(2) </label>
 <item>Des ressources linguistiques informatisées.</item>
 <label>(3) </label>
 <item>Des ressources linguistiques logicielles.</item>
</list>

<label>

<list type="gloss">
 <label>1er janvier..</label>
 <item> L'esprit inquiet mais clairvoyant, c'est-à-dire actif et sain, de l'homme qui ne
   travaille pas.</item>
 <label>7 janvier. </label>
 <item>On parle de Syveton. Elle aussi se rappelle avoir été, petite fille, poursuivie par
   un homme tout décolleté du bas et qu'on appelait l'homme au nez rouge. </item>
 <label>9 janvier. </label>
 <item>Jaurès dit que Syveton n'avait aucun intérêt à se tuer mais, à y regarder de près,
   oui, en cherchant bien, on trouve que nous avons tous un intérêt quelconque à nous tuer. </item>
 <label>13 janvier. </label>
 <item>Dans mon coeur froid, quelques rares jolis sentiments, comme des oiseaux aux petites
   pattes sur de la neige.</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

有關本書的版權問題，我做出以下兩點聲明。<list rend="runon" type="ordered">
 <label>(1)</label>
 <item>未經授權許可，請勿擅自複印。</item>
 <label>(2) </label>
 <item>歡迎學術引用本文，然請詳細標明出處。</item>
</list>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<list>

<list rend="numbered">
 <item>a butcher</item>
 <item>a baker</item>
 <item>a candlestick maker, with
 <list rend="bulleted">
   <item>rings on his fingers</item>
   <item>bells on his toes</item>
  </list>
 </item>
</list>

<list>

<list type="syllogism" rend="bulleted">
 <item>All Cretans are liars.</item>
 <item>Epimenides is a Cretan.</item>
 <item>ERGO Epimenides is a liar.</item>
</list>

<list>

<list type="litany" rend="simple">
 <item>God save us from drought.</item>
 <item>God save us from pestilence.</item>
 <item>God save us from wickedness in high places.</item>
 <item>Praise be to God.</item>
</list>

<list>

<list rend="bulleted">
 <item>Thé sans sucre et sans lait </item>
 <item>Un jus d'ananas</item>
 <item>Un yaourt</item>
 <item>Trois biscuits de seigle </item>
 <item>Carottes râpées</item>
 <item>Côtelettes d'agneau (deux)</item>
 <item>Courgettes</item>
 <item>Chèvre frais </item>
 <item>Coings</item>
</list>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<list>

<list rend="numbered">
 <item>一個屠夫</item>
 <item>一個糕點師父</item>
 <item>一個燭台工人<list rend="bulleted">
   <item>手上戴了戒指</item>
   <item>腳趾上有鈴鐺</item>
  </list>
 </item>
</list>

<list>

<div1 type="section">
 <head>青年守則</head>
 <list rend="numbered">
  <item n="1">守則一至五條包括八德：<list rend="numbered">
    <item n="1.1">一、忠勇為愛國之本 。</item>
    <item n="1.2">二、服從為負責之本。</item>
    <item n="1.3">三、孝順為齊家之本。</item>
    <item n="1.4">四、勤儉為服務之本。</item>
    <item n="1.5">五、仁愛為接物之本。</item>
   </list>
  </item>
  <item n="2">六至九條意指四維：<list rend="numbered">
    <item n="2.1">六、整潔為強身之本。</item>
    <item n="2.2">七、信義為立業之本。</item>
    <item n="2.3">八、助人為快樂之本。</item>
    <item n="2.4">九、和平為處世之本</item>
   </list>
  </item>
  <item n="3">十至十二條就是三達德：<list rend="numbered">
    <item n="3.1">十、學問為濟世之本。</item>
    <item n="3.2">十一、禮節為治事之本。</item>
    <item n="3.3">十二、有恆為成功之本。</item>
   </list>
  </item>
 </list>
</div1>

<list>

<p>我們二人謹定于2008年7月3日正午十二時，在台北舉行結婚典禮，寫下海誓山盟，終身遵守，在婚姻路上，共同經營，災難病情，互相扶持，永不分離。并就下列事項，立下承諾，即令滄海化為桑田，桑田再變為滄海，也要攜手共進，相親相愛，直到白頭。<list rend="simple">
  <item>我們宣誓：從結婚這一天開始，不但成為夫妻，互相敬愛，分擔對方的快樂和憂愁，也同時成為朋友，而且是諍友，互相勉勵，互相規勸，互相批評。</item>
  <item>我們領悟：愉快的共同生活，全靠心靈溝通，所以，我們一定善用言語，不僅表達愛心、關心，也使彼此藉語言加深了解，一起成長。絕不粗聲叱責，絕不用肢體代替言語，絕不允許發生婚姻暴力。 </item>
  <item>我們認知：家庭與事業是夫妻共同經營的果實，夫妻對家庭的貢獻等值，在家庭內或社會上，價值完全相同，社會工作薪俸無論多少，家務工作的薪俸都與其相同。</item>
  <item>我們同意：將來我們有子女，管教上如果有不同的意見，甚至尖銳對立的意見，一定要克制自己，去請教專家，絕不把孩子當成實現自己希望的工具，也絕不用孩子來炫耀自己。 </item>
  <item>我們認為：一夫一妻制，是社會安定的磐石，是孩子們成長最安全的溫床，我們喜愛并尊重這種制度，并用事實和行動，維護它的尊嚴。</item>
  <item>我們警惕：婚姻生活并不多彩多姿，它不但平凡，而且瑣碎，如果不滋養珍惜，容易使生命憔悴，心靈粗俗，所以生活之中，我們一定保持適度的假期，與孩子一起長大。</item>
  <item>我們謹記：我們孝敬自己的父母，也孝敬對方的父母，不僅是回報養育之恩，也是培養自己人格的完整，為我們的下一代立下榜樣。 </item>
  <item>我們了解：我們將來會老，所以，我們從結婚這一天，就培養專業之外的其它藝朮興趣，如書、畫、音樂，使我們生命永遠充實燦爛。 </item>
 </list>
</p>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

17. The TEI simplePrint schema

<refsDecl>

<refsDecl xml:id="fr_ASLREF">
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  replacementPattern="#fr_xpath(//div1[@n='$1']/div2/[@n='$2']//lb[@n='$3'])">
  <p>Une référence a été créée en assemblant les éléments suivants dans l'ordre inverse de
     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
    <item>la valeur <att>n</att> de l'ancêtre <gi>div2</gi>
    </item>
    <item>un espace</item>
    <item>la valeur<att>n</att> du parent <gi>div1</gi>
    </item>
   </list>
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<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
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<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
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<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
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<textClass>

<taxonomy>
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  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
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   <item>傷痕文學</item>
   <item>語文類</item>
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<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<head>

Les déictiques
sont des termes qui ne prennent leur sens que dans le cadre de la situation d'énonciation.
<list rend="bulleted">
 <head>déictiques</head>
 <item>ici</item>
 <item>hier</item>
 <item>là</item>
 <item>je</item>
 <item>tu</item>
 <item>nous</item>
 <item>vous</item>
 <item/>
</list>

<head>

除了少數特例，連接詞均用於所有論述，例如描述、記敘、闡述、論說。<list rend="bulleted">
 <head>連接詞</head>
 <item>上述的</item>
 <item>因此</item>
 <item>在…的對面</item>
 <item>比鄰於</item>
 <item>再次</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<item>

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<item>

<list rend="numbered">
 <head>以下為第三部份的各個章節標題</head>
 <item n="3.1">人物的鑑賞</item>
 <item n="3.2">情節的鑑賞</item>
 <item n="3.3">環境的鑑賞</item>
 <item n="3.4">主題的鑑賞</item>
 <item n="3.5">語言的鑑賞</item>
 <item> ...</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

L’unité mixte de
recherche ATILF (Analyse et Traitement Informatique de la Langue Française) propose 3 types
de ressources : <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>Des ressources linguistiques publiées.</item>
 <label>(2) </label>
 <item>Des ressources linguistiques informatisées.</item>
 <label>(3) </label>
 <item>Des ressources linguistiques logicielles.</item>
</list>

<label>

<list type="gloss">
 <label>1er janvier..</label>
 <item> L'esprit inquiet mais clairvoyant, c'est-à-dire actif et sain, de l'homme qui ne
   travaille pas.</item>
 <label>7 janvier. </label>
 <item>On parle de Syveton. Elle aussi se rappelle avoir été, petite fille, poursuivie par
   un homme tout décolleté du bas et qu'on appelait l'homme au nez rouge. </item>
 <label>9 janvier. </label>
 <item>Jaurès dit que Syveton n'avait aucun intérêt à se tuer mais, à y regarder de près,
   oui, en cherchant bien, on trouve que nous avons tous un intérêt quelconque à nous tuer. </item>
 <label>13 janvier. </label>
 <item>Dans mon coeur froid, quelques rares jolis sentiments, comme des oiseaux aux petites
   pattes sur de la neige.</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

有關本書的版權問題，我做出以下兩點聲明。<list rend="runon" type="ordered">
 <label>(1)</label>
 <item>未經授權許可，請勿擅自複印。</item>
 <label>(2) </label>
 <item>歡迎學術引用本文，然請詳細標明出處。</item>
</list>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<list>

<list rend="numbered">
 <item>a butcher</item>
 <item>a baker</item>
 <item>a candlestick maker, with
 <list rend="bulleted">
   <item>rings on his fingers</item>
   <item>bells on his toes</item>
  </list>
 </item>
</list>

<list>

<list type="syllogism" rend="bulleted">
 <item>All Cretans are liars.</item>
 <item>Epimenides is a Cretan.</item>
 <item>ERGO Epimenides is a liar.</item>
</list>

<list>

<list type="litany" rend="simple">
 <item>God save us from drought.</item>
 <item>God save us from pestilence.</item>
 <item>God save us from wickedness in high places.</item>
 <item>Praise be to God.</item>
</list>

<list>

<list rend="bulleted">
 <item>Thé sans sucre et sans lait </item>
 <item>Un jus d'ananas</item>
 <item>Un yaourt</item>
 <item>Trois biscuits de seigle </item>
 <item>Carottes râpées</item>
 <item>Côtelettes d'agneau (deux)</item>
 <item>Courgettes</item>
 <item>Chèvre frais </item>
 <item>Coings</item>
</list>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<list>

<list rend="numbered">
 <item>一個屠夫</item>
 <item>一個糕點師父</item>
 <item>一個燭台工人<list rend="bulleted">
   <item>手上戴了戒指</item>
   <item>腳趾上有鈴鐺</item>
  </list>
 </item>
</list>

<list>

<div1 type="section">
 <head>青年守則</head>
 <list rend="numbered">
  <item n="1">守則一至五條包括八德：<list rend="numbered">
    <item n="1.1">一、忠勇為愛國之本 。</item>
    <item n="1.2">二、服從為負責之本。</item>
    <item n="1.3">三、孝順為齊家之本。</item>
    <item n="1.4">四、勤儉為服務之本。</item>
    <item n="1.5">五、仁愛為接物之本。</item>
   </list>
  </item>
  <item n="2">六至九條意指四維：<list rend="numbered">
    <item n="2.1">六、整潔為強身之本。</item>
    <item n="2.2">七、信義為立業之本。</item>
    <item n="2.3">八、助人為快樂之本。</item>
    <item n="2.4">九、和平為處世之本</item>
   </list>
  </item>
  <item n="3">十至十二條就是三達德：<list rend="numbered">
    <item n="3.1">十、學問為濟世之本。</item>
    <item n="3.2">十一、禮節為治事之本。</item>
    <item n="3.3">十二、有恆為成功之本。</item>
   </list>
  </item>
 </list>
</div1>

<list>

<p>我們二人謹定于2008年7月3日正午十二時，在台北舉行結婚典禮，寫下海誓山盟，終身遵守，在婚姻路上，共同經營，災難病情，互相扶持，永不分離。并就下列事項，立下承諾，即令滄海化為桑田，桑田再變為滄海，也要攜手共進，相親相愛，直到白頭。<list rend="simple">
  <item>我們宣誓：從結婚這一天開始，不但成為夫妻，互相敬愛，分擔對方的快樂和憂愁，也同時成為朋友，而且是諍友，互相勉勵，互相規勸，互相批評。</item>
  <item>我們領悟：愉快的共同生活，全靠心靈溝通，所以，我們一定善用言語，不僅表達愛心、關心，也使彼此藉語言加深了解，一起成長。絕不粗聲叱責，絕不用肢體代替言語，絕不允許發生婚姻暴力。 </item>
  <item>我們認知：家庭與事業是夫妻共同經營的果實，夫妻對家庭的貢獻等值，在家庭內或社會上，價值完全相同，社會工作薪俸無論多少，家務工作的薪俸都與其相同。</item>
  <item>我們同意：將來我們有子女，管教上如果有不同的意見，甚至尖銳對立的意見，一定要克制自己，去請教專家，絕不把孩子當成實現自己希望的工具，也絕不用孩子來炫耀自己。 </item>
  <item>我們認為：一夫一妻制，是社會安定的磐石，是孩子們成長最安全的溫床，我們喜愛并尊重這種制度，并用事實和行動，維護它的尊嚴。</item>
  <item>我們警惕：婚姻生活并不多彩多姿，它不但平凡，而且瑣碎，如果不滋養珍惜，容易使生命憔悴，心靈粗俗，所以生活之中，我們一定保持適度的假期，與孩子一起長大。</item>
  <item>我們謹記：我們孝敬自己的父母，也孝敬對方的父母，不僅是回報養育之恩，也是培養自己人格的完整，為我們的下一代立下榜樣。 </item>
  <item>我們了解：我們將來會老，所以，我們從結婚這一天，就培養專業之外的其它藝朮興趣，如書、畫、音樂，使我們生命永遠充實燦爛。 </item>
 </list>
</p>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

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<l>

<l> (verse line) contains a single, possibly incomplete, line of verse. [3.13.1. Core Tags for Verse 3.13. Passages of Verse or Drama 7.2.5. Speech Contents]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.fragmentable

@part

att.metrical

@rhyme

Member of

model.lLike

Contained by

core: add corr del head hi item lg note orig p q quote ref reg sic sp stage title unclear

drama: castList set

figures: cell figure

header: change licence

linking: ab seg

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi label lb list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

Show all ⚓︎

Schematron

<sch:rule context="tei:l">
<sch:report test="ancestor::tei:l[not(.//tei:note//tei:l[. = current()])]">Abstract model violation: Lines may not contain lines or lg elements.</sch:report>
</sch:rule>

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <classRef key="model.inter"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element l
{
   ( text | model.gLike | model.phrase | model.inter | model.global )*
}

Processing Model

<model behaviour="block"
 useSourceRendition="true">
<outputRendition> margin-left: 1em; </outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <l> (verse line)

These search results reproduce every example of the use of <l> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <l> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

4. Editorial Interventions

5. Names, Codes, and Numbers

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<lg n="I">
 <l>I Sing the progresse of a deathlesse soule,</l>
 <l>Whom Fate, with God made, but doth not controule,</l>
<!-- ... -->
 <l>A worke t'out weare Seths pillars, bricke and stone,</l>
 <l>And (holy writs excepted) made to yeeld to none,</l>
</lg>

3.3. Textual Components

<lg rhyme="AABCCBBA">
 <l>The sunlight on the <rhyme label="A">garden</rhyme>
 </l>
 <l>
  <rhyme label="A">Harden</rhyme>s and grows <rhyme label="B">cold</rhyme>,</l>
 <l>We cannot cage the <rhyme label="C">minute</rhyme>
 </l>
 <l>Wi<rhyme label="C">thin it</rhyme>s nets of <rhyme label="B">gold</rhyme>
 </l>
 <l>When all is <rhyme label="B">told</rhyme>
 </l>
 <l>We cannot beg for <rhyme label="A">pardon</rhyme>.</l>
</lg>

3.3. Textual Components

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

3.3. Textual Components

<div>
 <sp>
  <speaker>First voice</speaker>
  <lg type="stanza" part="I">
   <l>But why drives on that ship so fast</l>
   <l>Withouten wave or wind?</l>
  </lg>
 </sp>
 <sp>
  <speaker>Second Voice</speaker>
  <lg type="stanza" part="F">
   <l>The air is cut away before.</l>
   <l>And closes from behind.</l>
  </lg>
 </sp>
<!-- ... -->
</div>

3.4. Page and Line Numbers

<l>Mary had a little lamb</l>
<pb n="13"/>
<l>Its fleece was white as snow</l>

3.4. Page and Line Numbers

<l>Mary had a little lamb</l>
<l>
 <pb n="13"/>Its fleece was white as snow
</l>

3.4. Page and Line Numbers

<l>He also fix'd the wandering
QUEEN OF NIGHT,</l>
<fw type="sig">Ii 2</fw>
<fw type="catch">Whether</fw>
<pb n="244"/>
<l>Whether she wanes into a scanty orb</l>...
<!-- Thomson, Seasons, 1730-->

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<l>And towards our distant rest began to trudge,</l>
<l>
 <subst>
  <del>Helping the worst amongst us</del>
  <add>Dragging the worst amongt us</add>
 </subst>, who’d no boots
</l>
<l>But limped on, blood–shod. All went lame; <subst>
  <del status="shortEnd">half–</del>
  <add>all</add>
 </subst> blind;</l>
<l>Drunk with fatigue ; deaf even to the hoots</l>
<l>Of tired, outstripped <del>fif</del> five–nines that dropped behind.</l>

5. Names, Codes, and Numbers

5. Names, Codes, and Numbers

<l>specially when it's nine below zero</l>
<l>and <time when="15:00:00">three o'clock in the afternoon</time>
</l>

11. Common Attributes

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.edition

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="ice cream">half
   a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="ice cream">half
   a gallon</measure>, baby?</l>

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="icecream">half a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="icecream">half a gallon</measure>,
baby?</l>

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<argument>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

<body>

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

<del>

<l>
 <del rend="overtyped">Mein</del> Frisch <del rend="overstrike" type="primary">schwebt</del>
weht der Wind
</l>

<del>

<l>
 <del rend="改寫">雨</del> 風 <del rend="改寫" type="primary">飄</del> 吹來涼爽。
</l>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<l>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lg>

<lg type="free">
 <l>Let me be my own fool</l>
 <l>of my own making, the sum of it</l>
</lg>
<lg type="free">
 <l>is equivocal.</l>
 <l>One says of the drunken farmer:</l>
</lg>
<lg type="free">
 <l>leave him lay off it. And this is</l>
 <l>the explanation.</l>
</lg>

<lg>

<div type="sonnet">
 <lg type="quatrain">
  <l>Les amoureux fervents et les savants austères</l>
  <l>Aiment également, dans leur mûre saison,</l>
  <l>Les chats puissants et doux, orgueil de la maison,</l>
  <l>Qui comme eux sont frileux et comme eux sédentaires.</l>
 </lg>
 <lg type="quatrain">
  <l>Amis de la science et de la volupté</l>
  <l>Ils cherchent le silence et l'horreur des ténèbres ;</l>
  <l>L'Erèbe les eût pris pour ses coursiers funèbres,</l>
  <l>S'ils pouvaient au servage incliner leur fierté.</l>
 </lg>
 <lg type="tercet">
  <l>Ils prennent en songeant les nobles attitudes</l>
  <l>Des grands sphinx allongés au fond des solitudes,</l>
  <l>Qui semblent s'endormir dans un rêve sans fin ;</l>
 </lg>
 <lg type="tercet">
  <l>Leurs reins féconds sont pleins d'étincelles magiques,</l>
  <l>Et des parcelles d'or, ainsi qu'un sable fin,</l>
  <l>Etoilent vaguement leurs prunelles mystiques.</l>
 </lg>
</div>

<lg>

<lg type="free">
 <l>把你的影子加點鹽</l>
 <l>醃起來</l>
 <l>風乾</l>
</lg>
<lg type="free">
 <l>老的時候</l>
 <l>下酒</l>
</lg>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<orig>

<l>妹子是被大哥<orig>喫</orig>了，母親知道沒有，我可不得而知。 </l>
<l>母親想也知道；不過哭的時候，卻<orig>并</orig>沒有說明，大約也以為應當的了。</l>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<l>
 <reg>Maître</reg> Corbeau sur un arbre perché,
</l>
<l>
 <reg>Tenait</reg> en son bec un fromage.
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<rhyme>

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

<rhyme>

<lg type="quatrain" rhyme="aabccb">
 <l> Les étoiles, points d'or, percent les branches n<rhyme label="a">oires</rhyme> ; </l>
 <l> Le flot huileux et lourd décompose ses m<rhyme label="a">oires</rhyme>
 </l>
 <l> Sur l'océan blê<rhyme label="b">mi</rhyme> ;</l>
 <l>Les nuages ont l'air d'oiseaux prenant la f<rhyme label="c">uite</rhyme>,</l>
 <l>Par moments le vent parle, et dit des mots sans s<rhyme label="c">uite</rhyme>
 </l>
 <l> Comme un homme endor<rhyme label="b">mi</rhyme>.</l>
</lg>

<rhyme>

<lg rhyme="ou">
 <l>故人西辭黃鶴 <rhyme label="lou2">樓</rhyme>，</l>
 <l>煙花三月下揚<rhyme label="jou">州</rhyme>；</l>
 <l>孤帆遠影碧山<rhyme label="jin4">盡</rhyme>，</l>
 <l>唯見長江天際流<rhyme label="liou2">sation</rhyme>。</l>
</lg>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.edition

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="ice cream">half
   a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="ice cream">half
   a gallon</measure>, baby?</l>

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="icecream">half a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="icecream">half a gallon</measure>,
baby?</l>

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<argument>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

<body>

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

<del>

<l>
 <del rend="overtyped">Mein</del> Frisch <del rend="overstrike" type="primary">schwebt</del>
weht der Wind
</l>

<del>

<l>
 <del rend="改寫">雨</del> 風 <del rend="改寫" type="primary">飄</del> 吹來涼爽。
</l>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<l>

<argument>
 <l>With ſighs and tears her love he doth deſire,</l>
 <l>Since Cupid hath his ſenſes ſet on fire;</l>
 <l>His torment and his pain to her he ſhews,</l>
 <l>With all his proteſtations and his vows:</l>
 <l>At laſt ſhe yields to grant him ſome relief,</l>
 <l>And make him joyful after all his grief.</l>
</argument>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lg>

<lg type="free">
 <l>Let me be my own fool</l>
 <l>of my own making, the sum of it</l>
</lg>
<lg type="free">
 <l>is equivocal.</l>
 <l>One says of the drunken farmer:</l>
</lg>
<lg type="free">
 <l>leave him lay off it. And this is</l>
 <l>the explanation.</l>
</lg>

<lg>

<div type="sonnet">
 <lg type="quatrain">
  <l>Les amoureux fervents et les savants austères</l>
  <l>Aiment également, dans leur mûre saison,</l>
  <l>Les chats puissants et doux, orgueil de la maison,</l>
  <l>Qui comme eux sont frileux et comme eux sédentaires.</l>
 </lg>
 <lg type="quatrain">
  <l>Amis de la science et de la volupté</l>
  <l>Ils cherchent le silence et l'horreur des ténèbres ;</l>
  <l>L'Erèbe les eût pris pour ses coursiers funèbres,</l>
  <l>S'ils pouvaient au servage incliner leur fierté.</l>
 </lg>
 <lg type="tercet">
  <l>Ils prennent en songeant les nobles attitudes</l>
  <l>Des grands sphinx allongés au fond des solitudes,</l>
  <l>Qui semblent s'endormir dans un rêve sans fin ;</l>
 </lg>
 <lg type="tercet">
  <l>Leurs reins féconds sont pleins d'étincelles magiques,</l>
  <l>Et des parcelles d'or, ainsi qu'un sable fin,</l>
  <l>Etoilent vaguement leurs prunelles mystiques.</l>
 </lg>
</div>

<lg>

<lg type="free">
 <l>把你的影子加點鹽</l>
 <l>醃起來</l>
 <l>風乾</l>
</lg>
<lg type="free">
 <l>老的時候</l>
 <l>下酒</l>
</lg>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<orig>

<l>妹子是被大哥<orig>喫</orig>了，母親知道沒有，我可不得而知。 </l>
<l>母親想也知道；不過哭的時候，卻<orig>并</orig>沒有說明，大約也以為應當的了。</l>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<l>
 <reg>Maître</reg> Corbeau sur un arbre perché,
</l>
<l>
 <reg>Tenait</reg> en son bec un fromage.
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<rhyme>

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

<rhyme>

<lg type="quatrain" rhyme="aabccb">
 <l> Les étoiles, points d'or, percent les branches n<rhyme label="a">oires</rhyme> ; </l>
 <l> Le flot huileux et lourd décompose ses m<rhyme label="a">oires</rhyme>
 </l>
 <l> Sur l'océan blê<rhyme label="b">mi</rhyme> ;</l>
 <l>Les nuages ont l'air d'oiseaux prenant la f<rhyme label="c">uite</rhyme>,</l>
 <l>Par moments le vent parle, et dit des mots sans s<rhyme label="c">uite</rhyme>
 </l>
 <l> Comme un homme endor<rhyme label="b">mi</rhyme>.</l>
</lg>

<rhyme>

<lg rhyme="ou">
 <l>故人西辭黃鶴 <rhyme label="lou2">樓</rhyme>，</l>
 <l>煙花三月下揚<rhyme label="jou">州</rhyme>；</l>
 <l>孤帆遠影碧山<rhyme label="jin4">盡</rhyme>，</l>
 <l>唯見長江天際流<rhyme label="liou2">sation</rhyme>。</l>
</lg>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<label>

<label> (label) contains any label or heading used to identify part of a text, typically but not exclusively in a list or glossary. [3.8. Lists]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.placement

@place

att.typed

@type

@subtype

att.written

@hand

Member of

model.labelLike

Contained by

core: add corr del desc head hi item l lg list note orig p q quote ref reg sic stage title unclear

drama: castList set

figures: cell figDesc figure

header: change licence rendition tagUsage

linking: ab seg

namesdates: place

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied surface

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

Labels are commonly used for the headwords in glossary lists; note the use of the global xml:lang attribute to set the default language of the glossary list to Middle English, and identify the glosses and headings as modern English or Latin:

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

Show all ⚓︎

Example

Labels may also be used to record explicitly the numbers or letters which mark list items in ordered lists, as in this extract from Gibbon's Autobiography. In this usage the label element is synonymous with the n attribute on the item element:

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

Show all ⚓︎

Example

Labels may also be used for other structured list items, as in this extract from the journal of Edward Gibbon:

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

Show all ⚓︎

Note that the label might also appear within the item rather than as its sibling. Though syntactically valid, this usage is not recommended TEI practice.

Example

Labels may also be used to represent a label or heading attached to a paragraph or sequence of paragraphs not treated as a structural division, or to a group of verse lines. Note that, in this case, the label element appears within the p or lg element, rather than as a preceding sibling of it.

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

Show all ⚓︎

In this example the text of the label appears in the right hand margin of the original source, next to the paragraph it describes, but approximately in the middle of it.

If so desired the type attribute may be used to distinguish different categories of label.

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element label { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <label> (label)

These search results reproduce every example of the use of <label> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <label> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

6. Lists

11. Common Attributes

17. The TEI simplePrint schema

6. Lists

6. Lists

<list>
 <head>A short list</head>
 <item>First item in list.</item>
 <item>Second item in list.</item>
 <item>Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <item n="1">First item in list.</item>
 <item n="2">Second item in list.</item>
 <item n="3">Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <label>1</label>
 <item>First item in list.</item>
 <label>2</label>
 <item>Second item in list.</item>
 <label>3</label>
 <item>Third item in list.</item>
</list>

6. Lists

<list type="gloss">
 <head>Vocabulary</head>
 <label xml:lang="enm">nu</label>
 <item>now</item>
 <label xml:lang="enm">lhude</label>
 <item>loudly</item>
 <label xml:lang="enm">bloweth</label>
 <item>blooms</item>
 <label xml:lang="enm">med</label>
 <item>meadow</item>
 <label xml:lang="enm">wude</label>
 <item>wood</item>
 <label xml:lang="enm">awe</label>
 <item>ewe</item>
<!-- <label xml:lang="enm">lhouth</label> <item>lows</item> <label xml:lang="enm">sterteth</label> <item>bounds, frisks</item> <label xml:lang="enm">verteth</label> <item xml:lang="la">pedit</item> <label xml:lang="enm">murie</label> <item>merrily</item> <label xml:lang="enm">swik</label> <item>cease</item> <label xml:lang="enm">naver</label> <item>never</item>-->
</list>

6. Lists

<list type="gloss">
 <label>EVIL</label>
 <item>
  <list type="simple">
   <item>I am cast upon a horrible desolate island, void of all hope of
       recovery.</item>
   <item>I am singled out and separated as it were from all the world to be
       miserable.</item>
   <item>I am divided from mankind — a solitaire; one banished from human
       society.</item>
  </list>
 </item>
 <label>GOOD</label>
 <item>
  <list type="simple">
   <item>But I am alive; and not drowned, as all my ship's company were.</item>
   <item>But I am singled out, too, from all the ship's crew, to be spared from
       death...</item>
   <item>But I am not starved, and perishing on a barren place, affording no
       sustenances....</item>
  </list>
 </item>
</list>

11. Common Attributes

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

L’unité mixte de
recherche ATILF (Analyse et Traitement Informatique de la Langue Française) propose 3 types
de ressources : <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>Des ressources linguistiques publiées.</item>
 <label>(2) </label>
 <item>Des ressources linguistiques informatisées.</item>
 <label>(3) </label>
 <item>Des ressources linguistiques logicielles.</item>
</list>

<label>

<list type="gloss">
 <label>1er janvier..</label>
 <item> L'esprit inquiet mais clairvoyant, c'est-à-dire actif et sain, de l'homme qui ne
   travaille pas.</item>
 <label>7 janvier. </label>
 <item>On parle de Syveton. Elle aussi se rappelle avoir été, petite fille, poursuivie par
   un homme tout décolleté du bas et qu'on appelait l'homme au nez rouge. </item>
 <label>9 janvier. </label>
 <item>Jaurès dit que Syveton n'avait aucun intérêt à se tuer mais, à y regarder de près,
   oui, en cherchant bien, on trouve que nous avons tous un intérêt quelconque à nous tuer. </item>
 <label>13 janvier. </label>
 <item>Dans mon coeur froid, quelques rares jolis sentiments, comme des oiseaux aux petites
   pattes sur de la neige.</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

有關本書的版權問題，我做出以下兩點聲明。<list rend="runon" type="ordered">
 <label>(1)</label>
 <item>未經授權許可，請勿擅自複印。</item>
 <label>(2) </label>
 <item>歡迎學術引用本文，然請詳細標明出處。</item>
</list>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

17. The TEI simplePrint schema

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

L’unité mixte de
recherche ATILF (Analyse et Traitement Informatique de la Langue Française) propose 3 types
de ressources : <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>Des ressources linguistiques publiées.</item>
 <label>(2) </label>
 <item>Des ressources linguistiques informatisées.</item>
 <label>(3) </label>
 <item>Des ressources linguistiques logicielles.</item>
</list>

<label>

<list type="gloss">
 <label>1er janvier..</label>
 <item> L'esprit inquiet mais clairvoyant, c'est-à-dire actif et sain, de l'homme qui ne
   travaille pas.</item>
 <label>7 janvier. </label>
 <item>On parle de Syveton. Elle aussi se rappelle avoir été, petite fille, poursuivie par
   un homme tout décolleté du bas et qu'on appelait l'homme au nez rouge. </item>
 <label>9 janvier. </label>
 <item>Jaurès dit que Syveton n'avait aucun intérêt à se tuer mais, à y regarder de près,
   oui, en cherchant bien, on trouve que nous avons tous un intérêt quelconque à nous tuer. </item>
 <label>13 janvier. </label>
 <item>Dans mon coeur froid, quelques rares jolis sentiments, comme des oiseaux aux petites
   pattes sur de la neige.</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

有關本書的版權問題，我做出以下兩點聲明。<list rend="runon" type="ordered">
 <label>(1)</label>
 <item>未經授權許可，請勿擅自複印。</item>
 <label>(2) </label>
 <item>歡迎學術引用本文，然請詳細標明出處。</item>
</list>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<lb>

<lb> (line beginning) marks the beginning of a topographic line in some edition or version of a text. [3.11.3. Milestone Elements 7.2.5. Speech Contents]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

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@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.breaking

@break

att.cmc

@generatedBy

att.edition

@ed

@edRef

att.spanning

@spanTo

att.typed

@type

@subtype

Member of

model.milestoneLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list listBibl measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw subst supplied surface zone

verse: rhyme

May contain
Empty element

Note

By convention, lb elements should appear at the point in the text where a new line starts. The n attribute, if used, indicates the number or other value associated with the text between this point and the next lb element, typically the sequence number of the line within the page, or other appropriate unit. This element is intended to be used for marking the beginning of each new topographic line on a manuscript or printed page, at the point where it occurs; it should not be used to tag structural units such as lines of verse (for which the l element is available) except in circumstances where structural units cannot otherwise be marked.

The type attribute may be used to characterize the line beginning in any respect. The more specialized attributes break, ed, or edRef should be preferred when the intent is to indicate whether or not the beginning of the new topographic line is word-breaking, or to note the source from which it derives.

Example

This example shows the encoding of the beginning of each new topographic line within a metrical line, indicating where it occurs in both the 1667 and 1674 editions:

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

Show all ⚓︎

Example

This example shows the encoding of the beginning of a new topographical line as a means of preserving the visual appearance of a title page. The break attribute is used to show that the beginning of the new line does not (as elsewhere) mark the start of a new word.

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

Show all ⚓︎

Content model

<content>
 <empty/>
</content>

Schema Declaration

element lb { empty }

Processing Model

<model behaviour="break"
 useSourceRendition="true">
<param name="type" value="'line'"/>
<param name="label" value="@n"/>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <lb> (line beginning)

These search results reproduce every example of the use of <lb> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <lb> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.breaking

<ab> ...eƿesa tome iu icƿæs ȝeƿorden ƿita heardoſt .
leodum la<lb break="no"/> ðost ærþan ichim lifes
ƿeȝ rihtne ȝerymde reord be<lb break="no"/>
rendum hƿæt me þaȝeƿeorðode ƿuldres ealdor ofer...
</ab>

att.edition

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>épître dédicatoire <lb/>à <lb/>Monsieur de Coucy <lb/>
</head>
<rendition xml:id="fr_sc" scheme="css">font-variant: uppercase</rendition>
<rendition xml:id="fr_ac" scheme="css">text-align: center</rendition>

<date>

<date when="1654-11-23">L'an de grâce 1654,<lb/> Lundi, 23 novembre, jour de saint Clément,
pape et martyr et autres au martyrologe, <lb/>Veille de saint Chrysogone, martyr, et
autres, <lb/> Depuis environ dix heures et demie du soir jusques environ minuit et
demi.</date>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<lb>

<titlePart rend="italic">
 <lb/>L'auteur susdict supplie les Lecteurs
<lb/>benevoles, soy reserver à rire au
soi-<lb break="no"/>xante &amp; dixhuytiesme livre.

</titlePart>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<note>

<p>J'écris dans la<lb/> marge...<lb/> Je vais<lb/> à la ligne.<lb/> Je renvoie à une
note<note type="gloss" place="foot"> J'aime beaucoup les renvois en bas de page, même si
   je n'ai rien de particulier à y préciser.</note>en bas de page.</p>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

17. The TEI simplePrint schema

att.breaking

<ab> ...eƿesa tome iu icƿæs ȝeƿorden ƿita heardoſt .
leodum la<lb break="no"/> ðost ærþan ichim lifes
ƿeȝ rihtne ȝerymde reord be<lb break="no"/>
rendum hƿæt me þaȝeƿeorðode ƿuldres ealdor ofer...
</ab>

att.edition

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

att.global.rendition

<head rendition="#ac #sc">
 <lb/>épître dédicatoire <lb/>à <lb/>Monsieur de Coucy <lb/>
</head>
<rendition xml:id="fr_sc" scheme="css">font-variant: uppercase</rendition>
<rendition xml:id="fr_ac" scheme="css">text-align: center</rendition>

<date>

<date when="1654-11-23">L'an de grâce 1654,<lb/> Lundi, 23 novembre, jour de saint Clément,
pape et martyr et autres au martyrologe, <lb/>Veille de saint Chrysogone, martyr, et
autres, <lb/> Depuis environ dix heures et demie du soir jusques environ minuit et
demi.</date>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<l>Of Mans First Disobedience,<lb ed="1674"/> and<lb ed="1667"/> the Fruit</l>
<l>Of that Forbidden Tree, whose<lb ed="1667 1674"/> mortal tast</l>
<l>Brought Death into the World,<lb ed="1667"/> and all<lb ed="1674"/> our woe,</l>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<lb>

<titlePart rend="italic">
 <lb/>L'auteur susdict supplie les Lecteurs
<lb/>benevoles, soy reserver à rire au
soi-<lb break="no"/>xante &amp; dixhuytiesme livre.

</titlePart>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<note>

<p>J'écris dans la<lb/> marge...<lb/> Je vais<lb/> à la ligne.<lb/> Je renvoie à une
note<note type="gloss" place="foot"> J'aime beaucoup les renvois en bas de page, même si
   je n'ai rien de particulier à y préciser.</note>en bas de page.</p>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<lg>

<lg> (line group) contains one or more verse lines functioning as a formal unit, e.g. a stanza, refrain, verse paragraph, etc. [3.13.1. Core Tags for Verse 3.13. Passages of Verse or Drama 7.2.5. Speech Contents]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.divLike

@org

@sample

att.fragmentable

@part

att.metrical

@rhyme

att.typed

@type

@subtype

Member of

model.divPart model.paraPart

Contained by

core: add corr del head hi item lg note orig p q quote ref reg sic sp stage title unclear

drama: castList set

figures: cell figure

header: change licence

linking: ab seg

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

core: add cb corr del desc gap head l label lb lg milestone note orig pb reg sic stage unclear

figures: figure

linking: anchor

textstructure: argument byline closer dateline docAuthor docDate epigraph opener postscript salute signed trailer

transcr: fw supplied

Note

contains verse lines or nested line groups only, possibly prefixed by a heading.

Example

<lg type="free">
 <l>Let me be my own fool</l>
 <l>of my own making, the sum of it</l>
</lg>
<lg type="free">
 <l>is equivocal.</l>
 <l>One says of the drunken farmer:</l>
</lg>
<lg type="free">
 <l>leave him lay off it. And this is</l>
 <l>the explanation.</l>
</lg>

Show all ⚓︎

Schematron

<sch:rule context="tei:lg">
<sch:assert test="count(descendant::tei:lg|descendant::tei:l|descendant::tei:gap) > 0">An lg element must contain at least one child l, lg, or gap element.</sch:assert>
</sch:rule>

Schematron

<sch:rule context="tei:lg">
<sch:report test="ancestor::tei:l[not(.//tei:note//tei:lg[. = current()])]">Abstract model violation: Lines may not contain line groups.</sch:report>
</sch:rule>

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divTop"/>
   <classRef key="model.global"/>
  </alternate>
  <alternate minOccurs="1" maxOccurs="1">
   <classRef key="model.lLike"/>
   <classRef key="model.stageLike"/>
   <classRef key="model.labelLike"/>
   <classRef key="model.pPart.transcriptional"/>
   <elementRef key="lg"/>
  </alternate>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.lLike"/>
   <classRef key="model.stageLike"/>
   <classRef key="model.labelLike"/>
   <classRef key="model.pPart.transcriptional"/>
   <classRef key="model.global"/>
   <elementRef key="lg"/>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divBottom"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element lg
{
   ( model.divTop | model.global )*,
   (
      model.lLike
    | model.stageLike
    | model.labelLike
    | model.pPart.transcriptional
    | lg
   ),
   (
      model.lLike
    | model.stageLike
    | model.labelLike
    | model.pPart.transcriptional
    | model.global
    | lg
   )*,
   ( ( model.divBottom, model.global* )* )
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <lg> (line group)

These search results reproduce every example of the use of <lg> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <lg> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<lg n="I">
 <l>I Sing the progresse of a deathlesse soule,</l>
 <l>Whom Fate, with God made, but doth not controule,</l>
<!-- ... -->
 <l>A worke t'out weare Seths pillars, bricke and stone,</l>
 <l>And (holy writs excepted) made to yeeld to none,</l>
</lg>

3.3. Textual Components

<lg rhyme="AABCCBBA">
 <l>The sunlight on the <rhyme label="A">garden</rhyme>
 </l>
 <l>
  <rhyme label="A">Harden</rhyme>s and grows <rhyme label="B">cold</rhyme>,</l>
 <l>We cannot cage the <rhyme label="C">minute</rhyme>
 </l>
 <l>Wi<rhyme label="C">thin it</rhyme>s nets of <rhyme label="B">gold</rhyme>
 </l>
 <l>When all is <rhyme label="B">told</rhyme>
 </l>
 <l>We cannot beg for <rhyme label="A">pardon</rhyme>.</l>
</lg>

3.3. Textual Components

<div>
 <sp>
  <speaker>First voice</speaker>
  <lg type="stanza" part="I">
   <l>But why drives on that ship so fast</l>
   <l>Withouten wave or wind?</l>
  </lg>
 </sp>
 <sp>
  <speaker>Second Voice</speaker>
  <lg type="stanza" part="F">
   <l>The air is cut away before.</l>
   <l>And closes from behind.</l>
  </lg>
 </sp>
<!-- ... -->
</div>

11. Common Attributes

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<lg>

<lg type="free">
 <l>Let me be my own fool</l>
 <l>of my own making, the sum of it</l>
</lg>
<lg type="free">
 <l>is equivocal.</l>
 <l>One says of the drunken farmer:</l>
</lg>
<lg type="free">
 <l>leave him lay off it. And this is</l>
 <l>the explanation.</l>
</lg>

<lg>

<div type="sonnet">
 <lg type="quatrain">
  <l>Les amoureux fervents et les savants austères</l>
  <l>Aiment également, dans leur mûre saison,</l>
  <l>Les chats puissants et doux, orgueil de la maison,</l>
  <l>Qui comme eux sont frileux et comme eux sédentaires.</l>
 </lg>
 <lg type="quatrain">
  <l>Amis de la science et de la volupté</l>
  <l>Ils cherchent le silence et l'horreur des ténèbres ;</l>
  <l>L'Erèbe les eût pris pour ses coursiers funèbres,</l>
  <l>S'ils pouvaient au servage incliner leur fierté.</l>
 </lg>
 <lg type="tercet">
  <l>Ils prennent en songeant les nobles attitudes</l>
  <l>Des grands sphinx allongés au fond des solitudes,</l>
  <l>Qui semblent s'endormir dans un rêve sans fin ;</l>
 </lg>
 <lg type="tercet">
  <l>Leurs reins féconds sont pleins d'étincelles magiques,</l>
  <l>Et des parcelles d'or, ainsi qu'un sable fin,</l>
  <l>Etoilent vaguement leurs prunelles mystiques.</l>
 </lg>
</div>

<lg>

<lg type="free">
 <l>把你的影子加點鹽</l>
 <l>醃起來</l>
 <l>風乾</l>
</lg>
<lg type="free">
 <l>老的時候</l>
 <l>下酒</l>
</lg>

<rhyme>

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

<rhyme>

<lg type="quatrain" rhyme="aabccb">
 <l> Les étoiles, points d'or, percent les branches n<rhyme label="a">oires</rhyme> ; </l>
 <l> Le flot huileux et lourd décompose ses m<rhyme label="a">oires</rhyme>
 </l>
 <l> Sur l'océan blê<rhyme label="b">mi</rhyme> ;</l>
 <l>Les nuages ont l'air d'oiseaux prenant la f<rhyme label="c">uite</rhyme>,</l>
 <l>Par moments le vent parle, et dit des mots sans s<rhyme label="c">uite</rhyme>
 </l>
 <l> Comme un homme endor<rhyme label="b">mi</rhyme>.</l>
</lg>

<rhyme>

<lg rhyme="ou">
 <l>故人西辭黃鶴 <rhyme label="lou2">樓</rhyme>，</l>
 <l>煙花三月下揚<rhyme label="jou">州</rhyme>；</l>
 <l>孤帆遠影碧山<rhyme label="jin4">盡</rhyme>，</l>
 <l>唯見長江天際流<rhyme label="liou2">sation</rhyme>。</l>
</lg>

17. The TEI simplePrint schema

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

att.typed

<div type="verse">
 <head>Night in Tarras</head>
 <lg type="stanza">
  <l>At evening tramping on the hot white road</l>
  <l>…</l>
 </lg>
 <lg type="stanza">
  <l>A wind sprang up from nowhere as the sky</l>
  <l>…</l>
 </lg>
</div>

<taxonomy>

<taxonomy>
 <category xml:id="literature">
  <catDesc>Literature</catDesc>
  <category xml:id="poetry">
   <catDesc>Poetry</catDesc>
   <category xml:id="sonnet">
    <catDesc>Sonnet</catDesc>
    <category xml:id="shakesSonnet">
     <catDesc>Shakespearean Sonnet</catDesc>
    </category>
    <category xml:id="petraSonnet">
     <catDesc>Petrarchan Sonnet</catDesc>
    </category>
   </category>
   <category xml:id="haiku">
    <catDesc>Haiku</catDesc>
   </category>
  </category>
  <category xml:id="drama">
   <catDesc>Drama</catDesc>
  </category>
 </category>
 <category xml:id="meter">
  <catDesc>Metrical Categories</catDesc>
  <category xml:id="feet">
   <catDesc>Metrical Feet</catDesc>
   <category xml:id="iambic">
    <catDesc>Iambic</catDesc>
   </category>
   <category xml:id="trochaic">
    <catDesc>trochaic</catDesc>
   </category>
  </category>
  <category xml:id="feetNumber">
   <catDesc>Number of feet</catDesc>
   <category xml:id="pentameter">
    <catDesc>Pentameter</catDesc>
   </category>
   <category xml:id="tetrameter">
    <catDesc>Tetrameter</catDesc>
   </category>
  </category>
 </category>
</taxonomy>
<!-- elsewhere in document -->
<lg ana="#shakesSonnet #iambic #pentameter">
 <l>Shall I compare thee to a summer's day</l>
<!-- ... -->
</lg>

<lg>

<lg type="free">
 <l>Let me be my own fool</l>
 <l>of my own making, the sum of it</l>
</lg>
<lg type="free">
 <l>is equivocal.</l>
 <l>One says of the drunken farmer:</l>
</lg>
<lg type="free">
 <l>leave him lay off it. And this is</l>
 <l>the explanation.</l>
</lg>

<lg>

<div type="sonnet">
 <lg type="quatrain">
  <l>Les amoureux fervents et les savants austères</l>
  <l>Aiment également, dans leur mûre saison,</l>
  <l>Les chats puissants et doux, orgueil de la maison,</l>
  <l>Qui comme eux sont frileux et comme eux sédentaires.</l>
 </lg>
 <lg type="quatrain">
  <l>Amis de la science et de la volupté</l>
  <l>Ils cherchent le silence et l'horreur des ténèbres ;</l>
  <l>L'Erèbe les eût pris pour ses coursiers funèbres,</l>
  <l>S'ils pouvaient au servage incliner leur fierté.</l>
 </lg>
 <lg type="tercet">
  <l>Ils prennent en songeant les nobles attitudes</l>
  <l>Des grands sphinx allongés au fond des solitudes,</l>
  <l>Qui semblent s'endormir dans un rêve sans fin ;</l>
 </lg>
 <lg type="tercet">
  <l>Leurs reins féconds sont pleins d'étincelles magiques,</l>
  <l>Et des parcelles d'or, ainsi qu'un sable fin,</l>
  <l>Etoilent vaguement leurs prunelles mystiques.</l>
 </lg>
</div>

<lg>

<lg type="free">
 <l>把你的影子加點鹽</l>
 <l>醃起來</l>
 <l>風乾</l>
</lg>
<lg type="free">
 <l>老的時候</l>
 <l>下酒</l>
</lg>

<rhyme>

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

<rhyme>

<lg type="quatrain" rhyme="aabccb">
 <l> Les étoiles, points d'or, percent les branches n<rhyme label="a">oires</rhyme> ; </l>
 <l> Le flot huileux et lourd décompose ses m<rhyme label="a">oires</rhyme>
 </l>
 <l> Sur l'océan blê<rhyme label="b">mi</rhyme> ;</l>
 <l>Les nuages ont l'air d'oiseaux prenant la f<rhyme label="c">uite</rhyme>,</l>
 <l>Par moments le vent parle, et dit des mots sans s<rhyme label="c">uite</rhyme>
 </l>
 <l> Comme un homme endor<rhyme label="b">mi</rhyme>.</l>
</lg>

<rhyme>

<lg rhyme="ou">
 <l>故人西辭黃鶴 <rhyme label="lou2">樓</rhyme>，</l>
 <l>煙花三月下揚<rhyme label="jou">州</rhyme>；</l>
 <l>孤帆遠影碧山<rhyme label="jin4">盡</rhyme>，</l>
 <l>唯見長江天際流<rhyme label="liou2">sation</rhyme>。</l>
</lg>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<list>

<list> (list) contains any sequence of items organized as a list. [3.8. Lists]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.sortable

@sortKey

att.typed

@type

@subtype

type type⚓︎
(type) describes the nature of the items in the list.

Status
Optional

Datatype
teidata.enumerated

Suggested values include:

gloss

(gloss) each list item glosses some term or concept, which is given by a label element preceding the list item.

index

(index) each list item is an entry in an index such as the alphabetical topical index at the back of a print volume.

instructions

(instructions) each list item is a step in a sequence of instructions, as in a recipe.

litany

(litany) each list item is one of a sequence of petitions, supplications or invocations, typically in a religious ritual.

syllogism

(syllogism) each list item is part of an argument consisting of two or more propositions and a final conclusion derived from them.

Note

Previous versions of these Guidelines recommended the use of type on list to encode the rendering or appearance of a list (whether it was bulleted, numbered, etc.). The current recommendation is to use the rend or style attributes for these aspects of a list, while using type for the more appropriate task of characterizing the nature of the content of a list.

The formal syntax of the element declarations allows label tags to be omitted from lists tagged <list type="gloss">; this is however a semantic error.

Member of

model.listLike

Contained by

core: add corr del desc head hi item l note orig p q quote ref reg sic sp stage title unclear

drama: castList set

figures: cell figDesc figure

header: abstract change keywords licence rendition revisionDesc sourceDesc tagUsage

linking: ab seg

textstructure: argument back body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

core: cb desc gap head item label lb milestone note pb

figures: figure

linking: anchor

textstructure: argument byline closer dateline docAuthor docDate epigraph opener postscript salute signed trailer

transcr: fw

Note

May contain an optional heading followed by a series of items, or a series of label and item pairs, the latter being optionally preceded by one or two specialized headings.

Example

<list rend="numbered">
 <item>a butcher</item>
 <item>a baker</item>
 <item>a candlestick maker, with
 <list rend="bulleted">
   <item>rings on his fingers</item>
   <item>bells on his toes</item>
  </list>
 </item>
</list>

Show all ⚓︎

Example

<list type="syllogism" rend="bulleted">
 <item>All Cretans are liars.</item>
 <item>Epimenides is a Cretan.</item>
 <item>ERGO Epimenides is a liar.</item>
</list>

Show all ⚓︎

Example

<list type="litany" rend="simple">
 <item>God save us from drought.</item>
 <item>God save us from pestilence.</item>
 <item>God save us from wickedness in high places.</item>
 <item>Praise be to God.</item>
</list>

Show all ⚓︎

Example

The following example treats the short numbered clauses of Anglo-Saxon legal codes as lists of items. The text is from an ordinance of King Athelstan (924–939):

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

Show all ⚓︎

Note that nested lists have been used so the tagging mirrors the structure indicated by the two-level numbering of the clauses. The clauses could have been treated as a one-level list with irregular numbering, if desired.

Example

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

Show all ⚓︎

Schematron

<sch:rule context="tei:list[@type='gloss']">
<sch:assert test="tei:label">The content of a "gloss" list should include a sequence of one or more pairs of a label element followed by an item element</sch:assert>
</sch:rule>

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divTop"/>
   <classRef key="model.global"/>
   <elementRef key="desc" minOccurs="0"
    maxOccurs="unbounded"/>
  </alternate>
  <alternate minOccurs="1" maxOccurs="1">
   <sequence minOccurs="1"
    maxOccurs="unbounded">
    <elementRef key="item"/>
    <classRef key="model.global"
     minOccurs="0" maxOccurs="unbounded"/>
   </sequence>
   <sequence minOccurs="1" maxOccurs="1">
    <elementRef key="headLabel"
     minOccurs="0"/>
    <elementRef key="headItem"
     minOccurs="0"/>
    <sequence minOccurs="1"
     maxOccurs="unbounded">
     <elementRef key="label"/>
     <classRef key="model.global"
      minOccurs="0" maxOccurs="unbounded"/>
     <elementRef key="item"/>
     <classRef key="model.global"
      minOccurs="0" maxOccurs="unbounded"/>
    </sequence>
   </sequence>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divBottom"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element list
{
   attribute type
   {
      "gloss"
    | "index"
    | "instructions"
    | "litany"
    | "syllogism"
    | teidata.enumerated
   }?,
   (
      ( model.divTop | model.global | desc* )*,
      (
         ( ( item, model.global* )+ )
       | (
            headLabel?,
            headItem?,
            ( ( label, model.global*, item, model.global* )+ )
         )
      ),
      ( ( model.divBottom, model.global* )* )
   )
}

Processing Model

<model predicate="@rendition"
 behaviour="list" useSourceRendition="true"/>
<model predicate="not(@rendition)"
 behaviour="list"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <list> (list)

These search results reproduce every example of the use of <list> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <list> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

6. Lists

11. Common Attributes

17. The TEI simplePrint schema

6. Lists

6. Lists

<list>
 <head>A short list</head>
 <item>First item in list.</item>
 <item>Second item in list.</item>
 <item>Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <item n="1">First item in list.</item>
 <item n="2">Second item in list.</item>
 <item n="3">Third item in list.</item>
</list>
<list>
 <head>A short list</head>
 <label>1</label>
 <item>First item in list.</item>
 <label>2</label>
 <item>Second item in list.</item>
 <label>3</label>
 <item>Third item in list.</item>
</list>

6. Lists

<list type="gloss">
 <head>Vocabulary</head>
 <label xml:lang="enm">nu</label>
 <item>now</item>
 <label xml:lang="enm">lhude</label>
 <item>loudly</item>
 <label xml:lang="enm">bloweth</label>
 <item>blooms</item>
 <label xml:lang="enm">med</label>
 <item>meadow</item>
 <label xml:lang="enm">wude</label>
 <item>wood</item>
 <label xml:lang="enm">awe</label>
 <item>ewe</item>
<!-- <label xml:lang="enm">lhouth</label> <item>lows</item> <label xml:lang="enm">sterteth</label> <item>bounds, frisks</item> <label xml:lang="enm">verteth</label> <item xml:lang="la">pedit</item> <label xml:lang="enm">murie</label> <item>merrily</item> <label xml:lang="enm">swik</label> <item>cease</item> <label xml:lang="enm">naver</label> <item>never</item>-->
</list>

6. Lists

<list type="gloss">
 <label>EVIL</label>
 <item>
  <list type="simple">
   <item>I am cast upon a horrible desolate island, void of all hope of
       recovery.</item>
   <item>I am singled out and separated as it were from all the world to be
       miserable.</item>
   <item>I am divided from mankind — a solitaire; one banished from human
       society.</item>
  </list>
 </item>
 <label>GOOD</label>
 <item>
  <list type="simple">
   <item>But I am alive; and not drowned, as all my ship's company were.</item>
   <item>But I am singled out, too, from all the ship's crew, to be spared from
       death...</item>
   <item>But I am not starved, and perishing on a barren place, affording no
       sustenances....</item>
  </list>
 </item>
</list>

11. Common Attributes

<refsDecl>

<refsDecl xml:id="fr_ASLREF">
 <cRefPattern matchPattern="(\S+) ([^.]+)\.(.*)"
  replacementPattern="#fr_xpath(//div1[@n='$1']/div2/[@n='$2']//lb[@n='$3'])">
  <p>Une référence a été créée en assemblant les éléments suivants dans l'ordre inverse de
     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
    <item>la valeur <att>n</att> de l'ancêtre <gi>div2</gi>
    </item>
    <item>un espace</item>
    <item>la valeur<att>n</att> du parent <gi>div1</gi>
    </item>
   </list>
  </p>
 </cRefPattern>
</refsDecl>

<textClass>

<taxonomy>
 <category xml:id="acprose">
  <catDesc>Academic prose</catDesc>
 </category>
<!-- other categories here -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#acprose"/>
 <classCode scheme="http://www.udcc.org">001.9</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>End of the world</item>
   <item>History - philosophy</item>
  </list>
 </keywords>
</textClass>

<textClass>

<textClass>
 <keywords scheme="#fr_RAMEAU">
  <list>
   <item>Littérature française — 20ème siècle — Histoire et critique</item>
   <item>Littérature française — Histoire et critique — Théorie, etc.</item>
   <item>Français (langue) — Style — Bases de données.</item>
  </list>
 </keywords>
</textClass>

<textClass>

<taxonomy>
 <category xml:id="zh-tw_chineseliterature">
  <catDesc>中國文學</catDesc>
 </category>
<!-- 其他文類 -->
</taxonomy>
<!-- ... -->
<textClass>
 <catRef target="#zh-tw_chineseliterature"/>
 <classCode scheme="http://www.ncl.edu.tw/">820</classCode>
 <keywords scheme="http://authorities.loc.gov">
  <list>
   <item>傷痕文學</item>
   <item>語文類</item>
  </list>
 </keywords>
</textClass>

<revisionDesc>

<revisionDesc>
 <list>
  <item>
   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
  <item>
   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<head>

Les déictiques
sont des termes qui ne prennent leur sens que dans le cadre de la situation d'énonciation.
<list rend="bulleted">
 <head>déictiques</head>
 <item>ici</item>
 <item>hier</item>
 <item>là</item>
 <item>je</item>
 <item>tu</item>
 <item>nous</item>
 <item>vous</item>
 <item/>
</list>

<head>

除了少數特例，連接詞均用於所有論述，例如描述、記敘、闡述、論說。<list rend="bulleted">
 <head>連接詞</head>
 <item>上述的</item>
 <item>因此</item>
 <item>在…的對面</item>
 <item>比鄰於</item>
 <item>再次</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<item>

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<item>

<list rend="numbered">
 <head>以下為第三部份的各個章節標題</head>
 <item n="3.1">人物的鑑賞</item>
 <item n="3.2">情節的鑑賞</item>
 <item n="3.3">環境的鑑賞</item>
 <item n="3.4">主題的鑑賞</item>
 <item n="3.5">語言的鑑賞</item>
 <item> ...</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

L’unité mixte de
recherche ATILF (Analyse et Traitement Informatique de la Langue Française) propose 3 types
de ressources : <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>Des ressources linguistiques publiées.</item>
 <label>(2) </label>
 <item>Des ressources linguistiques informatisées.</item>
 <label>(3) </label>
 <item>Des ressources linguistiques logicielles.</item>
</list>

<label>

<list type="gloss">
 <label>1er janvier..</label>
 <item> L'esprit inquiet mais clairvoyant, c'est-à-dire actif et sain, de l'homme qui ne
   travaille pas.</item>
 <label>7 janvier. </label>
 <item>On parle de Syveton. Elle aussi se rappelle avoir été, petite fille, poursuivie par
   un homme tout décolleté du bas et qu'on appelait l'homme au nez rouge. </item>
 <label>9 janvier. </label>
 <item>Jaurès dit que Syveton n'avait aucun intérêt à se tuer mais, à y regarder de près,
   oui, en cherchant bien, on trouve que nous avons tous un intérêt quelconque à nous tuer. </item>
 <label>13 janvier. </label>
 <item>Dans mon coeur froid, quelques rares jolis sentiments, comme des oiseaux aux petites
   pattes sur de la neige.</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

有關本書的版權問題，我做出以下兩點聲明。<list rend="runon" type="ordered">
 <label>(1)</label>
 <item>未經授權許可，請勿擅自複印。</item>
 <label>(2) </label>
 <item>歡迎學術引用本文，然請詳細標明出處。</item>
</list>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<list>

<list rend="numbered">
 <item>a butcher</item>
 <item>a baker</item>
 <item>a candlestick maker, with
 <list rend="bulleted">
   <item>rings on his fingers</item>
   <item>bells on his toes</item>
  </list>
 </item>
</list>

<list>

<list type="syllogism" rend="bulleted">
 <item>All Cretans are liars.</item>
 <item>Epimenides is a Cretan.</item>
 <item>ERGO Epimenides is a liar.</item>
</list>

<list>

<list type="litany" rend="simple">
 <item>God save us from drought.</item>
 <item>God save us from pestilence.</item>
 <item>God save us from wickedness in high places.</item>
 <item>Praise be to God.</item>
</list>

<list>

<list rend="bulleted">
 <item>Thé sans sucre et sans lait </item>
 <item>Un jus d'ananas</item>
 <item>Un yaourt</item>
 <item>Trois biscuits de seigle </item>
 <item>Carottes râpées</item>
 <item>Côtelettes d'agneau (deux)</item>
 <item>Courgettes</item>
 <item>Chèvre frais </item>
 <item>Coings</item>
</list>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<list>

<list rend="numbered">
 <item>一個屠夫</item>
 <item>一個糕點師父</item>
 <item>一個燭台工人<list rend="bulleted">
   <item>手上戴了戒指</item>
   <item>腳趾上有鈴鐺</item>
  </list>
 </item>
</list>

<list>

<div1 type="section">
 <head>青年守則</head>
 <list rend="numbered">
  <item n="1">守則一至五條包括八德：<list rend="numbered">
    <item n="1.1">一、忠勇為愛國之本 。</item>
    <item n="1.2">二、服從為負責之本。</item>
    <item n="1.3">三、孝順為齊家之本。</item>
    <item n="1.4">四、勤儉為服務之本。</item>
    <item n="1.5">五、仁愛為接物之本。</item>
   </list>
  </item>
  <item n="2">六至九條意指四維：<list rend="numbered">
    <item n="2.1">六、整潔為強身之本。</item>
    <item n="2.2">七、信義為立業之本。</item>
    <item n="2.3">八、助人為快樂之本。</item>
    <item n="2.4">九、和平為處世之本</item>
   </list>
  </item>
  <item n="3">十至十二條就是三達德：<list rend="numbered">
    <item n="3.1">十、學問為濟世之本。</item>
    <item n="3.2">十一、禮節為治事之本。</item>
    <item n="3.3">十二、有恆為成功之本。</item>
   </list>
  </item>
 </list>
</div1>

<list>

<p>我們二人謹定于2008年7月3日正午十二時，在台北舉行結婚典禮，寫下海誓山盟，終身遵守，在婚姻路上，共同經營，災難病情，互相扶持，永不分離。并就下列事項，立下承諾，即令滄海化為桑田，桑田再變為滄海，也要攜手共進，相親相愛，直到白頭。<list rend="simple">
  <item>我們宣誓：從結婚這一天開始，不但成為夫妻，互相敬愛，分擔對方的快樂和憂愁，也同時成為朋友，而且是諍友，互相勉勵，互相規勸，互相批評。</item>
  <item>我們領悟：愉快的共同生活，全靠心靈溝通，所以，我們一定善用言語，不僅表達愛心、關心，也使彼此藉語言加深了解，一起成長。絕不粗聲叱責，絕不用肢體代替言語，絕不允許發生婚姻暴力。 </item>
  <item>我們認知：家庭與事業是夫妻共同經營的果實，夫妻對家庭的貢獻等值，在家庭內或社會上，價值完全相同，社會工作薪俸無論多少，家務工作的薪俸都與其相同。</item>
  <item>我們同意：將來我們有子女，管教上如果有不同的意見，甚至尖銳對立的意見，一定要克制自己，去請教專家，絕不把孩子當成實現自己希望的工具，也絕不用孩子來炫耀自己。 </item>
  <item>我們認為：一夫一妻制，是社會安定的磐石，是孩子們成長最安全的溫床，我們喜愛并尊重這種制度，并用事實和行動，維護它的尊嚴。</item>
  <item>我們警惕：婚姻生活并不多彩多姿，它不但平凡，而且瑣碎，如果不滋養珍惜，容易使生命憔悴，心靈粗俗，所以生活之中，我們一定保持適度的假期，與孩子一起長大。</item>
  <item>我們謹記：我們孝敬自己的父母，也孝敬對方的父母，不僅是回報養育之恩，也是培養自己人格的完整，為我們的下一代立下榜樣。 </item>
  <item>我們了解：我們將來會老，所以，我們從結婚這一天，就培養專業之外的其它藝朮興趣，如書、畫、音樂，使我們生命永遠充實燦爛。 </item>
 </list>
</p>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

17. The TEI simplePrint schema

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     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
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   <date when="2003-04-12">12 avril 03</date>Dernière révision par F. B.</item>
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   <date when="2003-03-01">1 mars 03</date> F.B a fait le nouveau fichier.</item>
 </list>
</revisionDesc>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
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  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<head>

Les déictiques
sont des termes qui ne prennent leur sens que dans le cadre de la situation d'énonciation.
<list rend="bulleted">
 <head>déictiques</head>
 <item>ici</item>
 <item>hier</item>
 <item>là</item>
 <item>je</item>
 <item>tu</item>
 <item>nous</item>
 <item>vous</item>
 <item/>
</list>

<head>

除了少數特例，連接詞均用於所有論述，例如描述、記敘、闡述、論說。<list rend="bulleted">
 <head>連接詞</head>
 <item>上述的</item>
 <item>因此</item>
 <item>在…的對面</item>
 <item>比鄰於</item>
 <item>再次</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<head>

With a few exceptions, connectives are equally
useful in all kinds of discourse: description, narration, exposition, argument. <list rend="bulleted">
 <head>Connectives</head>
 <item>above</item>
 <item>accordingly</item>
 <item>across from</item>
 <item>adjacent to</item>
 <item>again</item>
 <item>
<!-- ... -->
 </item>
</list>

<item>

<list rend="numbered">
 <head>Here begin the chapter headings of Book IV</head>
 <item n="4.1">The death of Queen Clotild.</item>
 <item n="4.2">How King Lothar wanted to appropriate one third of the Church revenues.</item>
 <item n="4.3">The wives and children of Lothar.</item>
 <item n="4.4">The Counts of the Bretons.</item>
 <item n="4.5">Saint Gall the Bishop.</item>
 <item n="4.6">The priest Cato.</item>
 <item> ...</item>
</list>

<item>

<list type="unordered">
 <head>Tentative d'inventaire de quelques-unes des choses qui ont été trouvées dans
   les escaliers au fil des ans.</head>
 <item>Plusieurs photos, dont celle d'une jeune fille de quinze<lb/> ans vêtue d'un slip
   de bain noir et d'un chandail blanc, agenouillée sur une plage,</item>
 <item>un réveil radio de toute évidence destiné à un réparateur, dans un sac plastique
   des établissements Nicolas,</item>
 <item>un soulier noir orné de brillants,</item>
 <item>une mule en chevreau doré,</item>
 <item>une boîte de pastilles Géraudel contre la toux.</item>
</list>

<item>

<list rend="numbered">
 <head>以下為第三部份的各個章節標題</head>
 <item n="3.1">人物的鑑賞</item>
 <item n="3.2">情節的鑑賞</item>
 <item n="3.3">環境的鑑賞</item>
 <item n="3.4">主題的鑑賞</item>
 <item n="3.5">語言的鑑賞</item>
 <item> ...</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

L’unité mixte de
recherche ATILF (Analyse et Traitement Informatique de la Langue Française) propose 3 types
de ressources : <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>Des ressources linguistiques publiées.</item>
 <label>(2) </label>
 <item>Des ressources linguistiques informatisées.</item>
 <label>(3) </label>
 <item>Des ressources linguistiques logicielles.</item>
</list>

<label>

<list type="gloss">
 <label>1er janvier..</label>
 <item> L'esprit inquiet mais clairvoyant, c'est-à-dire actif et sain, de l'homme qui ne
   travaille pas.</item>
 <label>7 janvier. </label>
 <item>On parle de Syveton. Elle aussi se rappelle avoir été, petite fille, poursuivie par
   un homme tout décolleté du bas et qu'on appelait l'homme au nez rouge. </item>
 <label>9 janvier. </label>
 <item>Jaurès dit que Syveton n'avait aucun intérêt à se tuer mais, à y regarder de près,
   oui, en cherchant bien, on trouve que nous avons tous un intérêt quelconque à nous tuer. </item>
 <label>13 janvier. </label>
 <item>Dans mon coeur froid, quelques rares jolis sentiments, comme des oiseaux aux petites
   pattes sur de la neige.</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

有關本書的版權問題，我做出以下兩點聲明。<list rend="runon" type="ordered">
 <label>(1)</label>
 <item>未經授權許可，請勿擅自複印。</item>
 <label>(2) </label>
 <item>歡迎學術引用本文，然請詳細標明出處。</item>
</list>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

I will add two facts, which have seldom occurred
in the composition of six, or at least of five quartos. <list rend="runon" type="ordered">
 <label>(1)</label>
 <item>My first rough manuscript, without any intermediate copy, has been sent to the press.</item>
 <label>(2) </label>
 <item>Not a sheet has been seen by any human eyes, excepting those of the author and the
   printer: the faults and the merits are exclusively my own.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<list>

<list rend="numbered">
 <item>a butcher</item>
 <item>a baker</item>
 <item>a candlestick maker, with
 <list rend="bulleted">
   <item>rings on his fingers</item>
   <item>bells on his toes</item>
  </list>
 </item>
</list>

<list>

<list type="syllogism" rend="bulleted">
 <item>All Cretans are liars.</item>
 <item>Epimenides is a Cretan.</item>
 <item>ERGO Epimenides is a liar.</item>
</list>

<list>

<list type="litany" rend="simple">
 <item>God save us from drought.</item>
 <item>God save us from pestilence.</item>
 <item>God save us from wickedness in high places.</item>
 <item>Praise be to God.</item>
</list>

<list>

<list rend="bulleted">
 <item>Thé sans sucre et sans lait </item>
 <item>Un jus d'ananas</item>
 <item>Un yaourt</item>
 <item>Trois biscuits de seigle </item>
 <item>Carottes râpées</item>
 <item>Côtelettes d'agneau (deux)</item>
 <item>Courgettes</item>
 <item>Chèvre frais </item>
 <item>Coings</item>
</list>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<list>

<list rend="numbered">
 <item>一個屠夫</item>
 <item>一個糕點師父</item>
 <item>一個燭台工人<list rend="bulleted">
   <item>手上戴了戒指</item>
   <item>腳趾上有鈴鐺</item>
  </list>
 </item>
</list>

<list>

<div1 type="section">
 <head>青年守則</head>
 <list rend="numbered">
  <item n="1">守則一至五條包括八德：<list rend="numbered">
    <item n="1.1">一、忠勇為愛國之本 。</item>
    <item n="1.2">二、服從為負責之本。</item>
    <item n="1.3">三、孝順為齊家之本。</item>
    <item n="1.4">四、勤儉為服務之本。</item>
    <item n="1.5">五、仁愛為接物之本。</item>
   </list>
  </item>
  <item n="2">六至九條意指四維：<list rend="numbered">
    <item n="2.1">六、整潔為強身之本。</item>
    <item n="2.2">七、信義為立業之本。</item>
    <item n="2.3">八、助人為快樂之本。</item>
    <item n="2.4">九、和平為處世之本</item>
   </list>
  </item>
  <item n="3">十至十二條就是三達德：<list rend="numbered">
    <item n="3.1">十、學問為濟世之本。</item>
    <item n="3.2">十一、禮節為治事之本。</item>
    <item n="3.3">十二、有恆為成功之本。</item>
   </list>
  </item>
 </list>
</div1>

<list>

<p>我們二人謹定于2008年7月3日正午十二時，在台北舉行結婚典禮，寫下海誓山盟，終身遵守，在婚姻路上，共同經營，災難病情，互相扶持，永不分離。并就下列事項，立下承諾，即令滄海化為桑田，桑田再變為滄海，也要攜手共進，相親相愛，直到白頭。<list rend="simple">
  <item>我們宣誓：從結婚這一天開始，不但成為夫妻，互相敬愛，分擔對方的快樂和憂愁，也同時成為朋友，而且是諍友，互相勉勵，互相規勸，互相批評。</item>
  <item>我們領悟：愉快的共同生活，全靠心靈溝通，所以，我們一定善用言語，不僅表達愛心、關心，也使彼此藉語言加深了解，一起成長。絕不粗聲叱責，絕不用肢體代替言語，絕不允許發生婚姻暴力。 </item>
  <item>我們認知：家庭與事業是夫妻共同經營的果實，夫妻對家庭的貢獻等值，在家庭內或社會上，價值完全相同，社會工作薪俸無論多少，家務工作的薪俸都與其相同。</item>
  <item>我們同意：將來我們有子女，管教上如果有不同的意見，甚至尖銳對立的意見，一定要克制自己，去請教專家，絕不把孩子當成實現自己希望的工具，也絕不用孩子來炫耀自己。 </item>
  <item>我們認為：一夫一妻制，是社會安定的磐石，是孩子們成長最安全的溫床，我們喜愛并尊重這種制度，并用事實和行動，維護它的尊嚴。</item>
  <item>我們警惕：婚姻生活并不多彩多姿，它不但平凡，而且瑣碎，如果不滋養珍惜，容易使生命憔悴，心靈粗俗，所以生活之中，我們一定保持適度的假期，與孩子一起長大。</item>
  <item>我們謹記：我們孝敬自己的父母，也孝敬對方的父母，不僅是回報養育之恩，也是培養自己人格的完整，為我們的下一代立下榜樣。 </item>
  <item>我們了解：我們將來會老，所以，我們從結婚這一天，就培養專業之外的其它藝朮興趣，如書、畫、音樂，使我們生命永遠充實燦爛。 </item>
 </list>
</p>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<div1 type="section">
 <head>Athelstan's Ordinance</head>
 <list rend="numbered">
  <item n="1">Concerning thieves. First, that no thief is to be spared who is caught with
     the stolen goods, [if he is] over twelve years and [if the value of the goods is] over
     eightpence.
  <list rend="numbered">
    <item n="1.1">And if anyone does spare one, he is to pay for the thief with his
         wergild — and the thief is to be no nearer a settlement on that account — or to
         clear himself by an oath of that amount.</item>
    <item n="1.2">If, however, he [the thief] wishes to defend himself or to escape, he is
         not to be spared [whether younger or older than twelve].</item>
    <item n="1.3">If a thief is put into prison, he is to be in prison 40 days, and he may
         then be redeemed with 120 shillings; and the kindred are to stand surety for him
         that he will desist for ever.</item>
    <item n="1.4">And if he steals after that, they are to pay for him with his wergild,
         or to bring him back there.</item>
    <item n="1.5">And if he steals after that, they are to pay for him with his wergild,
         whether to the king or to him to whom it rightly belongs; and everyone of those who
         supported him is to pay 120 shillings to the king as a fine.</item>
   </list>
  </item>
  <item n="2">Concerning lordless men. And we pronounced about these lordless men, from whom
     no justice can be obtained, that one should order their kindred to fetch back such a
     person to justice and to find him a lord in public meeting.
  <list rend="numbered">
    <item n="2.1">And if they then will not, or cannot, produce him on that appointed day,
         he is then to be a fugitive afterwards, and he who encounters him is to strike him
         down as a thief.</item>
    <item n="2.2">And he who harbours him after that, is to pay for him with his wergild
         or to clear himself by an oath of that amount.</item>
   </list>
  </item>
  <item n="3">Concerning the refusal of justice. The lord who refuses justice and upholds
     his guilty man, so that the king is appealed to, is to repay the value of the goods and
     120 shillings to the king; and he who appeals to the king before he demands justice as
     often as he ought, is to pay the same fine as the other would have done, if he had
     refused him justice.
  <list rend="numbered">
    <item n="3.1">And the lord who is an accessory to a theft by his slave, and it becomes
         known about him, is to forfeit the slave and be liable to his wergild on the first
         occasionp if he does it more often, he is to be liable to pay all that he owns.</item>
    <item n="3.2">And likewise any of the king's treasurers or of our reeves, who has been
         an accessory of thieves who have committed theft, is to liable to the same.</item>
   </list>
  </item>
  <item n="4">Concerning treachery to a lord. And we have pronounced concerning treachery to
     a lord, that he [who is accused] is to forfeit his life if he cannot deny it or is
     afterwards convicted at the three-fold ordeal.</item>
 </list>
</div1>

<list>

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

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<listBibl>

<listBibl> (citation list) contains a list of bibliographic citations of any kind. [3.12.1. Methods of Encoding Bibliographic References and Lists of References 2.2.7. The Source Description 16.3.2. Declarable Elements]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.sortable

@sortKey

att.typed

@type

@subtype

Member of

model.biblLike model.frontPart

Contained by

core: add cit corr del desc head hi item l listBibl note orig p q quote ref reg relatedItem sic stage title unclear

drama: castList set

figures: cell figDesc figure

header: abstract change licence rendition sourceDesc tagUsage taxonomy

linking: ab seg

namesdates: person place

textstructure: argument back body div docEdition epigraph front imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

core: bibl cb desc head lb listBibl milestone pb

header: biblFull

linking: anchor

transcr: fw

Example

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.headLike"
   minOccurs="0" maxOccurs="unbounded"/>
  <elementRef key="desc" minOccurs="0"
   maxOccurs="unbounded"/>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.milestoneLike"
    minOccurs="1" maxOccurs="1"/>
   <elementRef key="relation" minOccurs="1"
    maxOccurs="1"/>
   <elementRef key="listRelation"
    minOccurs="1" maxOccurs="1"/>
  </alternate>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <classRef key="model.biblLike"
    minOccurs="1" maxOccurs="unbounded"/>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <classRef key="model.milestoneLike"
     minOccurs="1" maxOccurs="1"/>
    <elementRef key="relation"
     minOccurs="1" maxOccurs="1"/>
    <elementRef key="listRelation"
     minOccurs="1" maxOccurs="1"/>
   </alternate>
  </sequence>
 </sequence>
</content>

Schema Declaration

element listBibl
{
   model.headLike*,
   desc*,
   ( model.milestoneLike | relation | listRelation )*,
   ( ( model.biblLike+, ( model.milestoneLike | relation | listRelation )* )+ )
}

Processing Model

<model predicate="bibl" behaviour="list"/>
<model behaviour="block"/>

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Example: <listBibl> (citation list)

These search results reproduce every example of the use of <listBibl> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <listBibl> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

17. The TEI simplePrint schema

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

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Example: <listPerson> (list of persons)

These search results reproduce every example of the use of <listPerson> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <listPerson> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="PXXX"/>
 <person xml:id="P1234" sex="2" age="mid"/>
 <person xml:id="P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#P1234 #P4332"/>
 </listRelation>
</listPerson>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="fr_PXXX"/>
 <person xml:id="fr_P1234" sex="2" age="mid"/>
 <person xml:id="fr_P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#fr_P1234 #fr_P4332"/>
 </listRelation>
</listPerson>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

17. The TEI simplePrint schema

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="PXXX"/>
 <person xml:id="P1234" sex="2" age="mid"/>
 <person xml:id="P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#P1234 #P4332"/>
 </listRelation>
</listPerson>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="fr_PXXX"/>
 <person xml:id="fr_P1234" sex="2" age="mid"/>
 <person xml:id="fr_P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#fr_P1234 #fr_P4332"/>
 </listRelation>
</listPerson>

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Example: <listPlace> (list of places)

These search results reproduce every example of the use of <listPlace> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <listPlace> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<listPlace>

<listPlace type="offshoreIslands">
 <place>
  <placeName>La roche qui pleure</placeName>
 </place>
 <place>
  <placeName>Ile aux cerfs</placeName>
 </place>
</listPlace>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

<listPlace>

<listPlace type="offshoreIslands">
 <place>
  <placeName>La roche qui pleure</placeName>
 </place>
 <place>
  <placeName>Ile aux cerfs</placeName>
 </place>
</listPlace>

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<measure>

<measure> (measure) contains a word or phrase referring to some quantity of an object or commodity, usually comprising a number, a unit, and a commodity name. [3.6.3. Numbers and Measures]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.measurement

@unit

@unitRef

@quantity

@commodity

att.typed

@type

@subtype

type type⚓︎
specifies the type of measurement in any convenient typology.

Status
Optional

Datatype
teidata.enumerated

Member of

model.measureLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

This example references a definition of a measurement unit declared in the TEI header:

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

Show all ⚓︎

Example

<measure quantity="40" unit="hogshead"
 commodity="rum">2 score hh rum</measure>
<measure quantity="12" unit="count"
 commodity="roses">1 doz. roses</measure>
<measure quantity="1" unit="count"
 commodity="tulips">a yellow tulip</measure>

Show all ⚓︎

Example

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element measure { attribute type { teidata.enumerated }?, macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

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Example: <measure> (measure)

These search results reproduce every example of the use of <measure> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <measure> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5. Names, Codes, and Numbers

<measure quantity="40" unit="hogshead"
 commodity="rum">2 score hh rum</measure>
<measure quantity="1" unit="dozen"
 commodity="blooms">1 doz. roses</measure>
<measure quantity="1" unit="count"
 commodity="blooms">a yellow tulip</measure>

11. Common Attributes

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="ice cream">half
   a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="ice cream">half
   a gallon</measure>, baby?</l>

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="icecream">half a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="icecream">half a gallon</measure>,
baby?</l>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">About four megabytes</measure>
 <measure unit="pages" quantity="245">245 pages of source
   material</measure>
</extent>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">Ungefähr vier Megabyte</measure>
 <measure unit="pages" quantity="245">Textumfang 245 Seiten</measure>
</extent>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

<measure>

<measure quantity="40" unit="hogshead"
 commodity="rum">2 score hh rum</measure>
<measure quantity="12" unit="count"
 commodity="roses">1 doz. roses</measure>
<measure quantity="1" unit="count"
 commodity="tulips">a yellow tulip</measure>

<measure>

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

<measure>

<measure type="weight">
 <num>2</num> kilos de sucre
</measure>
<measure type="currency">16,99 € </measure>
<measure type="area">5 hectares</measure>

<measure>

<measure quantity="1" unit="liquide"
 commodity="vin">un hectolitre de vin</measure>
<measure quantity="12" unit="nombre"
 commodity="rose">1 douzaine de roses</measure>
<measure quantity="1" unit="liquide"
 commodity="moule"> un litre de moules </measure>

<measure>

<measure type="weight">
 <num>1</num>市斤豬肉
</measure>
<measure type="currency">人民幣20元</measure>
<measure type="area">一個巴掌大小</measure>

<measure>

<measure quantity="16" unit="weight"
 commodity="vegetable">一台斤青菜</measure>
<measure quantity="12" unit="count"
 commodity="roses">一打玫瑰</measure>
<measure quantity="1" unit="count"
 commodity="tulips">一朵黃色鬱金香</measure>

17. The TEI simplePrint schema

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="ice cream">half
   a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="ice cream">half
   a gallon</measure>, baby?</l>

att.measurement

<l>So weren't you gonna buy <measure quantity="0.5" unit="gal"
  commodity="icecream">half a gallon</measure>, baby</l>
<l>So won't you go and buy <measure quantity="1.893" unit="L"
  commodity="icecream">half a gallon</measure>,
baby?</l>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">About four megabytes</measure>
 <measure unit="pages" quantity="245">245 pages of source
   material</measure>
</extent>

<extent>

<extent>
 <measure unit="MiB" quantity="4.2">Ungefähr vier Megabyte</measure>
 <measure unit="pages" quantity="245">Textumfang 245 Seiten</measure>
</extent>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

<measure>

<measure quantity="40" unit="hogshead"
 commodity="rum">2 score hh rum</measure>
<measure quantity="12" unit="count"
 commodity="roses">1 doz. roses</measure>
<measure quantity="1" unit="count"
 commodity="tulips">a yellow tulip</measure>

<measure>

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

<measure>

<measure type="weight">
 <num>2</num> kilos de sucre
</measure>
<measure type="currency">16,99 € </measure>
<measure type="area">5 hectares</measure>

<measure>

<measure quantity="1" unit="liquide"
 commodity="vin">un hectolitre de vin</measure>
<measure quantity="12" unit="nombre"
 commodity="rose">1 douzaine de roses</measure>
<measure quantity="1" unit="liquide"
 commodity="moule"> un litre de moules </measure>

<measure>

<measure type="weight">
 <num>1</num>市斤豬肉
</measure>
<measure type="currency">人民幣20元</measure>
<measure type="area">一個巴掌大小</measure>

<measure>

<measure quantity="16" unit="weight"
 commodity="vegetable">一台斤青菜</measure>
<measure quantity="12" unit="count"
 commodity="roses">一打玫瑰</measure>
<measure quantity="1" unit="count"
 commodity="tulips">一朵黃色鬱金香</measure>

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<milestone>

<milestone> (milestone) marks a boundary point separating any kind of section of a text, typically but not necessarily indicating a point at which some part of a standard reference system changes, where the change is not represented by a structural element. [3.11.3. Milestone Elements]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.breaking

@break

att.cmc

@generatedBy

att.edition

@ed

@edRef

att.milestoneUnit

@unit

att.spanning

@spanTo

att.typed

@type

@subtype

Member of

model.milestoneLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list listBibl measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw subst supplied surface zone

verse: rhyme

May contain
Empty element

Note

For this element, the global n attribute indicates the new number or other value for the unit which changes at this milestone. The special value unnumbered should be used in passages which fall outside the normal numbering scheme, such as chapter or other headings, poem numbers or titles, etc.

The order in which milestone elements are given at a given point is not normally significant.

Example

<milestone n="23" ed="La" unit="Dreissiger"/>
... <milestone n="24" ed="AV" unit="verse"/> ...

Show all ⚓︎

Content model

<content>
 <empty/>
</content>

Schema Declaration

element milestone { empty }

Processing Model

<model behaviour="inline"/>

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Example: <milestone> (milestone)

These search results reproduce every example of the use of <milestone> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <milestone> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.milestoneUnit

<milestone n="23" ed="La" unit="Dreissiger"/>
... <milestone n="24" ed="AV" unit="verse"/> ...

att.milestoneUnit

<milestone n="23" ed="La" unit="Dreissiger"/> ... <milestone n="24" ed="AV" unit="verse"/>
...

att.milestoneUnit

<milestone n="23" ed="拉丁文版本" unit="三十"/> ...
<milestone n="24" ed="聖經欽定版本" unit="韻文"/> ...

<milestone>

<milestone n="23" ed="La" unit="Dreissiger"/>
... <milestone n="24" ed="AV" unit="verse"/> ...

<milestone>

<milestone n="23" ed="La" unit="Dreissiger"/> ... <milestone n="24" ed="AV" unit="verse"/>
...

<milestone>

<milestone n="23" ed="拉丁文版本" unit="三十"/> ...
<milestone n="24" ed="聖經欽定版本" unit="韻文"/> ...

17. The TEI simplePrint schema

att.milestoneUnit

<milestone n="23" ed="La" unit="Dreissiger"/>
... <milestone n="24" ed="AV" unit="verse"/> ...

att.milestoneUnit

<milestone n="23" ed="La" unit="Dreissiger"/> ... <milestone n="24" ed="AV" unit="verse"/>
...

att.milestoneUnit

<milestone n="23" ed="拉丁文版本" unit="三十"/> ...
<milestone n="24" ed="聖經欽定版本" unit="韻文"/> ...

<milestone>

<milestone n="23" ed="La" unit="Dreissiger"/>
... <milestone n="24" ed="AV" unit="verse"/> ...

<milestone>

<milestone n="23" ed="La" unit="Dreissiger"/> ... <milestone n="24" ed="AV" unit="verse"/>
...

<milestone>

<milestone n="23" ed="拉丁文版本" unit="三十"/> ...
<milestone n="24" ed="聖經欽定版本" unit="韻文"/> ...

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<name>

<name> (name, proper noun) contains a proper noun or noun phrase. [3.6.1. Referring Strings]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

att.editLike

att.personal

@full

@sort

att.naming

@role

@nymRef

att.canonical

@ref

att.typed

@type

@subtype

type type⚓︎

Status
Optional

Legal values are:

person

forename

surname

personGenName

personRoleName

personAddName

nameLink

org

country

placeGeog

place

Member of

model.nameLike.agent model.personPart

Contained by

analysis: s

core: abbr add addrLine address author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp respStmt rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

namesdates: person place

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Proper nouns referring to people, places, and organizations may be tagged instead with <persName>, <placeName>, or <orgName>, when the TEI module for names and dates is included.

Example

<name type="person">Thomas Hoccleve</name>
<name type="place">Villingaholt</name>
<name type="org">Vetus Latina Institut</name>
<name type="person" ref="#HOC001">Occleve</name>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element name
{
   attribute type
   {
      "person"
    | "forename"
    | "surname"
    | "personGenName"
    | "personRoleName"
    | "personAddName"
    | "nameLink"
    | "org"
    | "country"
    | "placeGeog"
    | "place"
   }?,
   macro.phraseSeq
}

Processing Model

<model behaviour="inline"/>

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Example: <name> (name, proper noun)

These search results reproduce every example of the use of <name> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <name> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

4. Editorial Interventions

5. Names, Codes, and Numbers

11. Common Attributes

13. Front and Back Matter

15. The Electronic Title Page

17. The TEI simplePrint schema

3. Encoding the Body

3.7.3. Special Kinds of Linking

<p>
 <title xml:id="shirley">Shirley</title>,
which made its Friday night debut only a month ago, was not listed on <name xml:id="nbc">NBC</name>'s new schedule, although <seg xml:id="network" corresp="#nbc">the network</seg> says <seg xml:id="show" corresp="#shirley">the
   show</seg> still is being considered.
</p>

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<p> ... An example of a list appearing in a fief ledger of <name type="place">Koldinghus</name>
 <date>1611/12</date> is given below. It shows cash income from a sale of
honey.</p>
<gap extent="50 lines">
 <desc>quotation from ledger (in Danish)</desc>
</gap>
<p>A description of the overall structure of the account is once again ...
</p>

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

<q>My dear <name type="person">Mr.
   Bennet</name>, </q>said his lady to him one day,
<q>have you heard that <name type="place">Netherfield Park</name> is let at last?</q>

5.1. Names and Referring Strings

It being one of the principles of the
<name type="org">Circumlocution Office</name> never, on any account whatsoever, to
give a straightforward answer, <name type="person">Mr Barnacle</name> said,

<q>Possibly.</q>

5.1. Names and Referring Strings

<q>My dear <name type="person">Mr.
   Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day...

5.1. Names and Referring Strings

<q>My dear <name type="person" ref="#BENM1">Mr. Bennet</name>, </q> said <rs type="person" ref="#BENM2">his lady</rs> to him
one day,
<q>have you heard that <name type="place" ref="#NETP1">Netherfield
   Park</name> is let at last?</q>

5.1. Names and Referring Strings

<name type="person" ref="#WADLM1">
 <choice>
  <orig>Walter de la Mare</orig>
  <reg>de la Mare, Walter</reg>
 </choice>
</name> was born at <name ref="https://en.wikipedia.org/wiki/Charlton,_London"
 type="place">Charlton</name>,
in <name type="place">Kent</name>, in 1873.

11. Common Attributes

att.canonical

<name ref="http://viaf.org/viaf/109557338"
 type="person">Seamus Heaney</name>

att.canonical

<author n="1">
 <name ref="http://nzetc.victoria.ac.nz/tm/scholarly/name-427308.html"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="2">
 <name ref="nzvn:427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="3">
 <name ref="./named_entities.xml#o427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="4">
 <name key="name-427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

att.cmc

<post type="event" generatedBy="system"
 who="#system" rend="color:blue">
 <p>
  <name type="nickname" corresp="#A02">McMike</name> geht
   in einen anderen Raum: <name type="roomname">Kreuzfahrt</name>
 </p>
</post>

att.cmc

<post type="event" generatedBy="system">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> betritt
   den Raum. </p>
</post>

att.cmc

<post type="event" generatedBy="system"
 rend="color:red">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> hat die
   Farbe gewechselt.
 </p>
</post>

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

att.scope

<langUsage>
 <language ident="en" scope="major"/>
 <language ident="es" scope="minor"/>
 <language ident="x-ww" scope="minor">An invented language the children call <name>Wikwah</name>.</language>
</langUsage>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
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    <email>ota@oucs.ox.ac.uk</email>
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   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
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  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
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       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
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    <term type="genre">Comedies -- England -- 17th century</term>
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<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

<address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <name>Bologna</name>
 <name>Italy</name>
</address>

<address>

<address>
 <street>邯郸路220号</street>
 <postCode>200433</postCode>
 <name>上海市</name>
 <name n="I">中華人民共和國</name>
</address>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<name>

<name type="person">Thomas Hoccleve</name>
<name type="place">Villingaholt</name>
<name type="org">Vetus Latina Institut</name>
<name type="person" ref="#HOC001">Occleve</name>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<person>

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

<place>

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

<place>

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<resp>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

<signed>

<signed>Thine to command <name>Humph. Moseley</name>
</signed>

<signed>

<signed>votre fidèle amante, <name>Manon Lescaut.</name>
</signed>

<signed>

<signed>
 <name>李敖</name>，于台北。

</signed>

<stage>

<stage type="setting">La scène est dans une place de ville.</stage>
<stage type="exit">, s'en allant.</stage>
<stage type="business">(Arnolphe ôte par trois fois le chapeau de dessus la tête d'Alain.)</stage>
<stage type="delivery">, à <name>Georgette</name>.</stage>
<stage type="setting">(Tous étant rentrés.)</stage>
<stage type="delivery">, riant.</stage>
<stage type="delivery">, lui montrant le logis d'<name>AGNÈS</name>.</stage>
<stage type="delivery">, à part.</stage>
<stage type="business">(Frappant à la porte.)</stage>
<stage type="delivery">, assis.</stage>
<stage type="business">(Il se lève.)</stage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<byline>By <docAuthor>
  <name ref="http://en.wikipedia.org/wiki/Agnes_Strickland">Agnes Strickland</name>
 </docAuthor>
</byline>

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

15. The Electronic Title Page

15. The Electronic Title Page

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

15.3. The Profile Description

<creation>
 <date when="1992-08">August 1992</date>
 <name type="place">Taos, New Mexico</name>
</creation>

15.3. The Profile Description

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

att.canonical

<name ref="http://viaf.org/viaf/109557338"
 type="person">Seamus Heaney</name>

att.canonical

<author n="1">
 <name ref="http://nzetc.victoria.ac.nz/tm/scholarly/name-427308.html"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="2">
 <name ref="nzvn:427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="3">
 <name ref="./named_entities.xml#o427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="4">
 <name key="name-427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

att.cmc

<post type="event" generatedBy="system"
 who="#system" rend="color:blue">
 <p>
  <name type="nickname" corresp="#A02">McMike</name> geht
   in einen anderen Raum: <name type="roomname">Kreuzfahrt</name>
 </p>
</post>

att.cmc

<post type="event" generatedBy="system">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> betritt
   den Raum. </p>
</post>

att.cmc

<post type="event" generatedBy="system"
 rend="color:red">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> hat die
   Farbe gewechselt.
 </p>
</post>

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

att.scope

<langUsage>
 <language ident="en" scope="major"/>
 <language ident="es" scope="minor"/>
 <language ident="x-ww" scope="minor">An invented language the children call <name>Wikwah</name>.</language>
</langUsage>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

<address>

<address>
 <street>via Marsala 24</street>
 <postCode>40126</postCode>
 <name>Bologna</name>
 <name>Italy</name>
</address>

<address>

<address>
 <street>邯郸路220号</street>
 <postCode>200433</postCode>
 <name>上海市</name>
 <name n="I">中華人民共和國</name>
</address>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<name>

<name type="person">Thomas Hoccleve</name>
<name type="place">Villingaholt</name>
<name type="org">Vetus Latina Institut</name>
<name type="person" ref="#HOC001">Occleve</name>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<person>

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

<place>

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

<place>

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<resp>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

<signed>

<signed>Thine to command <name>Humph. Moseley</name>
</signed>

<signed>

<signed>votre fidèle amante, <name>Manon Lescaut.</name>
</signed>

<signed>

<signed>
 <name>李敖</name>，于台北。

</signed>

<stage>

<stage type="setting">La scène est dans une place de ville.</stage>
<stage type="exit">, s'en allant.</stage>
<stage type="business">(Arnolphe ôte par trois fois le chapeau de dessus la tête d'Alain.)</stage>
<stage type="delivery">, à <name>Georgette</name>.</stage>
<stage type="setting">(Tous étant rentrés.)</stage>
<stage type="delivery">, riant.</stage>
<stage type="delivery">, lui montrant le logis d'<name>AGNÈS</name>.</stage>
<stage type="delivery">, à part.</stage>
<stage type="business">(Frappant à la porte.)</stage>
<stage type="delivery">, assis.</stage>
<stage type="business">(Il se lève.)</stage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

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<note>

<note> (note) contains a note or annotation. [3.9.1. Notes and Simple Annotation 2.2.6. The Notes Statement 3.12.2.8. Notes and Statement of Language 10.3.5.4. Notes within Entries]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.anchoring

@anchored

@targetEnd

att.cmc

@generatedBy

att.placement

@place

att.pointing

@targetLang

@target

@evaluate

att.typed

@type

@subtype

att.written

@hand

Member of

model.noteLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list measure name note num orig p pubPlace publisher q quote ref reg resp respStmt rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

gaiji: char glyph

header: change classCode distributor edition extent language licence notesStmt

linking: ab seg

namesdates: person place

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw supplied surface zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig p pb q quote ref reg rs sic sp stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

In the following example, the translator has supplied a footnote containing an explanation of the term translated as "painterly":

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

Show all ⚓︎

For this example to be valid, the code MDMH must be defined elsewhere, for example by means of a responsibility statement in the associated TEI header.

Example

The global n attribute may be used to supply the symbol or number used to mark the note's point of attachment in the source text, as in the following example:

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126" anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

Show all ⚓︎

However, if notes are numbered in sequence and their numbering can be reconstructed automatically by processing software, it may well be considered unnecessary to record the note numbers.

Content model

<content>
 <macroRef key="macro.specialPara"/>
</content>

Schema Declaration

element note { macro.specialPara }

Processing Model

<model predicate="@place" behaviour="note">
<param name="place" value="@place"/>
<param name="label" value="@n"/>
</model>
<model predicate="parent::div and not(@place)"
 behaviour="block">
<outputRendition>margin-left: 10px;margin-right: 10px;
 font-size:smaller;</outputRendition>
</model>
<model predicate="not(@place)"
 behaviour="inline">
<outputRendition scope="before">content:" [";</outputRendition>
<outputRendition scope="after">content:"] ";</outputRendition>
<outputRendition>font-size:small;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <note> (note)

These search results reproduce every example of the use of <note> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <note> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.6. Notes

<p>...some text <note xml:id="n6">a note about some text</note> .... </p>

3.6. Notes

<p>...some text <ref target="#n7"
  rendition="simple:superscript">7</ref> .... <note xml:id="n7">a note about some text</note>
</p>

11. Common Attributes

att.anchoring

<p>(...) tamen reuerendos dominos archiepiscopum et canonicos Leopolienses
necnon episcopum in duplicibus Quatuortemporibus<anchor xml:id="A55234"/> totaliter expediui...</p>
<!-- elsewhere in the document -->
<noteGrp targetEnd="#A55234">
 <note xml:lang="en"> Quatuor Tempora, so called dry fast days.
 </note>
 <note xml:lang="pl"> Quatuor Tempora, tzw. Suche dni postne.
 </note>
</noteGrp>

att.placement

<note place="bottom">Ibid, p.7</note>

<notesStmt>

<notesStmt>
 <note>Historical commentary provided by Mark Cohen</note>
 <note>OCR scanning done at University of Toronto</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>Les photographies, héliogravures et cartes postales colorisées signées Lehnert
   &amp; Landrock, de techniques novatrices, sont réellement des œuvres d'art ; elles
   apportent en outre une documentation considérable sur la Tunisie du début du XXe
   siècle.</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>歷史評論由馬克．可漢提共</note>
 <note>OCR光學辨識掃描於多倫多大學</note>
</notesStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

<p>J'écris dans la<lb/> marge...<lb/> Je vais<lb/> à la ligne.<lb/> Je renvoie à une
note<note type="gloss" place="foot"> J'aime beaucoup les renvois en bas de page, même si
   je n'ai rien de particulier à y préciser.</note>en bas de page.</p>

<note>

爾時王園精舍有比丘尼，名曰毘梨<note type="gloss">毘梨，秦言雄也。</note>時彼國人一切共為俱蜜頭星會

<note>

此片的膠片已不存在，但《明星月報》刊登的艾霞電影腳本大綱，仍可供我們咀嚼艾霞的創作旨趣。<note n="35" anchored="true"> 此時電影很少有完整的腳本，多是類似早期新劇的「幕表」
，也就是大綱，因為是默片，台詞也很簡單，主要依靠導演指示，演員臨場作戲。</note>從她的文字風格語主題特色裡，...

<note>

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126" anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

<note>

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126" anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

<note>

Mevorakh b. Saadya's
mother, the matriarch of the family during the second half of the
eleventh century, <note n="126" anchored="true"> The alleged
mention of Judah Nagid's mother in a letter from 1071 is, in fact,
a reference to Judah's children; cf. above, nn. 111 and
54. </note> is well known from Geniza documents published by Jacob
Mann.

17. The TEI simplePrint schema

att.anchoring

<p>(...) tamen reuerendos dominos archiepiscopum et canonicos Leopolienses
necnon episcopum in duplicibus Quatuortemporibus<anchor xml:id="A55234"/> totaliter expediui...</p>
<!-- elsewhere in the document -->
<noteGrp targetEnd="#A55234">
 <note xml:lang="en"> Quatuor Tempora, so called dry fast days.
 </note>
 <note xml:lang="pl"> Quatuor Tempora, tzw. Suche dni postne.
 </note>
</noteGrp>

att.placement

<note place="bottom">Ibid, p.7</note>

<notesStmt>

<notesStmt>
 <note>Historical commentary provided by Mark Cohen</note>
 <note>OCR scanning done at University of Toronto</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>Les photographies, héliogravures et cartes postales colorisées signées Lehnert
   &amp; Landrock, de techniques novatrices, sont réellement des œuvres d'art ; elles
   apportent en outre une documentation considérable sur la Tunisie du début du XXe
   siècle.</note>
</notesStmt>

<notesStmt>

<notesStmt>
 <note>歷史評論由馬克．可漢提共</note>
 <note>OCR光學辨識掃描於多倫多大學</note>
</notesStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

<p>J'écris dans la<lb/> marge...<lb/> Je vais<lb/> à la ligne.<lb/> Je renvoie à une
note<note type="gloss" place="foot"> J'aime beaucoup les renvois en bas de page, même si
   je n'ai rien de particulier à y préciser.</note>en bas de page.</p>

<note>

爾時王園精舍有比丘尼，名曰毘梨<note type="gloss">毘梨，秦言雄也。</note>時彼國人一切共為俱蜜頭星會

<note>

此片的膠片已不存在，但《明星月報》刊登的艾霞電影腳本大綱，仍可供我們咀嚼艾霞的創作旨趣。<note n="35" anchored="true"> 此時電影很少有完整的腳本，多是類似早期新劇的「幕表」
，也就是大綱，因為是默片，台詞也很簡單，主要依靠導演指示，演員臨場作戲。</note>從她的文字風格語主題特色裡，...

<note>

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126" anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

<note>

Mevorakh b. Saadya's mother, the matriarch of the
family during the second half of the eleventh century, <note n="126" anchored="true"> The
alleged mention of Judah Nagid's mother in a letter from 1071 is, in fact, a reference to
Judah's children; cf. above, nn. 111 and 54. </note> is well known from Geniza documents
published by Jacob Mann.

<note>

Mevorakh b. Saadya's
mother, the matriarch of the family during the second half of the
eleventh century, <note n="126" anchored="true"> The alleged
mention of Judah Nagid's mother in a letter from 1071 is, in fact,
a reference to Judah's children; cf. above, nn. 111 and
54. </note> is well known from Geniza documents published by Jacob
Mann.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<num>

<num> (number) contains a number, written in any form. [3.6.3. Numbers and Measures]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

type type⚓︎
indicates the type of numeric value.

Status
Optional

Datatype
teidata.enumerated

Suggested values include:

cardinal

absolute number, e.g. 21, 21.5

ordinal

ordinal number, e.g. 21st

fraction

fraction, e.g. one half or three-quarters

percentage

a percentage

Note

If a different typology is desired, other values can be used for this attribute.

value value⚓︎
supplies the value of the number in standard form.

Status
Optional

Datatype
teidata.numeric

Values
a numeric value.

Note

The standard form used is defined by the TEI datatype teidata.numeric.

Member of

model.measureLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Detailed analyses of quantities and units of measure in historical documents may also use the feature structure mechanism described in chapter 19. Feature Structures. The num element is intended for use in simple applications.

Example

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element num
{
   attribute type
   {
      "cardinal" | "ordinal" | "fraction" | "percentage" | teidata.enumerated
   }?,
   attribute value { teidata.numeric }?,
   macro.phraseSeq
}

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <num> (number)

These search results reproduce every example of the use of <num> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <num> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5. Names, Codes, and Numbers

<num value="33">xxxiii</num>
<num type="cardinal" value="21">twenty-one</num>
<num type="percentage" value="10">ten percent</num>
<num type="percentage" value="10">10%</num>
<num type="ordinal" value="5">5th</num>

11. Common Attributes

<address>

<address>
 <country key="FR"/>
 <settlement type="city">Lyon</settlement>
 <postCode>69002</postCode>
 <district type="arrondissement">IIème</district>
 <district type="quartier">Perrache</district>
 <street>
  <num>30</num>, Cours de Verdun</street>
</address>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

<measure>

<measure type="weight">
 <num>2</num> kilos de sucre
</measure>
<measure type="currency">16,99 € </measure>
<measure type="area">5 hectares</measure>

<measure>

<measure type="weight">
 <num>1</num>市斤豬肉
</measure>
<measure type="currency">人民幣20元</measure>
<measure type="area">一個巴掌大小</measure>

<num>

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

<num>

<p>Pierre eut <num type="cardinal" value="10">dix</num>ans le jour de mon<num type="ordinal" value="21">vingtième </num> anniversaire.</p>

<num>

<p>在<num type="ordinal" value="21">第二十一</num>歲的生日那天，我變成<num type="cardinal" value="21">二十一</num>歲了... 光以每秒<num value="10E10">10<hi rend="sup">10</hi>
 </num> 公分移動。</p>

17. The TEI simplePrint schema

<address>

<address>
 <country key="FR"/>
 <settlement type="city">Lyon</settlement>
 <postCode>69002</postCode>
 <district type="arrondissement">IIème</district>
 <district type="quartier">Perrache</district>
 <street>
  <num>30</num>, Cours de Verdun</street>
</address>

<measure>

<measure type="weight">
 <num>2</num> pounds of flesh
</measure>
<measure type="currency">£10-11-6d</measure>
<measure type="area" unitRef="#merk">2 <unit>merks</unit> of old extent</measure>
<!-- In the TEI Header: -->
<encodingDesc>
 <unitDecl>
  <unitDef xml:id="merk" type="area">
   <label>merk</label>
   <placeName ref="#Scotland"/>
   <desc>A merk was an area of land determined variably by its agricultural
       productivity.</desc>
  </unitDef>
 </unitDecl>
</encodingDesc>

<measure>

<measure type="weight">
 <num>2</num> kilos de sucre
</measure>
<measure type="currency">16,99 € </measure>
<measure type="area">5 hectares</measure>

<measure>

<measure type="weight">
 <num>1</num>市斤豬肉
</measure>
<measure type="currency">人民幣20元</measure>
<measure type="area">一個巴掌大小</measure>

<num>

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

<num>

<p>Pierre eut <num type="cardinal" value="10">dix</num>ans le jour de mon<num type="ordinal" value="21">vingtième </num> anniversaire.</p>

<num>

<p>在<num type="ordinal" value="21">第二十一</num>歲的生日那天，我變成<num type="cardinal" value="21">二十一</num>歲了... 光以每秒<num value="10E10">10<hi rend="sup">10</hi>
 </num> 公分移動。</p>

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<opener>

<opener> (opener) groups together dateline, byline, salutation, and similar phrases appearing as a preliminary group at the start of a division, especially of a letter. [4.2. Elements Common to All Divisions]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.written

@hand

Member of

model.divTopPart

Contained by

core: lg list

drama: castList

textstructure: body div group postscript

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: argument byline dateline epigraph salute signed

transcr: fw subst supplied

verse: rhyme

character data

Example

<opener>
 <dateline>Walden, this 29. of August 1592</dateline>
</opener>

Show all ⚓︎

Example

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <elementRef key="argument"/>
  <elementRef key="byline"/>
  <elementRef key="dateline"/>
  <elementRef key="epigraph"/>
  <elementRef key="salute"/>
  <elementRef key="signed"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element opener
{
   (
      text
    | model.gLike
    | model.phrase
    | argument
    | byline
    | dateline
    | epigraph
    | salute
    | signed
    | model.global
   )*
}

Processing Model

<model behaviour="block"/>

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Example: <opener> (opener)

These search results reproduce every example of the use of <opener> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <opener> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<opener>

<opener>
 <dateline>Walden, this 29. of August 1592</dateline>
</opener>

<opener>

<opener>
 <dateline>Avignon, le 11 février.</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>1983年7月3日</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

17. The TEI simplePrint schema

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<opener>

<opener>
 <dateline>Walden, this 29. of August 1592</dateline>
</opener>

<opener>

<opener>
 <dateline>Avignon, le 11 février.</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>1983年7月3日</dateline>
</opener>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

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<orig>

<orig> (original form) contains a reading which is marked as following the original, rather than being normalized or corrected. [3.5.2. Regularization and Normalization 13. Critical Apparatus]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.choicePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

If all that is desired is to call attention to the original version in the copy text, orig may be used alone:

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

Show all ⚓︎

Example

More usually, an orig will be combined with a regularized form within a choice element:

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element orig { macro.paraContent }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <orig> (original form)

These search results reproduce every example of the use of <orig> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <orig> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

... for his Nose was as
<orig>sharpe</orig> as a Pen, and
<orig>a</orig>
<sic>Table</sic> of green fields

4. Editorial Interventions

... for his Nose was as <choice>
 <orig>sharpe</orig>
 <reg>sharp</reg>
</choice> as a Pen, and
<choice>
 <orig>a</orig>
 <reg>he</reg>
</choice>
<choice>
 <corr resp="#Theobald">babbl'd</corr>
 <sic>Table</sic>
</choice> of green fields

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

<name type="person" ref="#WADLM1">
 <choice>
  <orig>Walter de la Mare</orig>
  <reg>de la Mare, Walter</reg>
 </choice>
</name> was born at <name ref="https://en.wikipedia.org/wiki/Charlton,_London"
 type="place">Charlton</name>,
in <name type="place">Kent</name>, in 1873.

11. Common Attributes

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<p>si mes pensées se sont entretenues des occurences <orig>estrangieres</orig> quelque
partie du temps, quelque autre partie je les <orig>rameine</orig> à la promenade, au<orig> vergier</orig>, à la douceur de cette solitude et à moy. </p>

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<orig>

<l>妹子是被大哥<orig>喫</orig>了，母親知道沒有，我可不得而知。 </l>
<l>母親想也知道；不過哭的時候，卻<orig>并</orig>沒有說明，大約也以為應當的了。</l>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

17. The TEI simplePrint schema

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<l>But this will be a <orig>meere</orig> confusion</l>
<l>And hardly shall we all be <orig>vnderstoode</orig>
</l>

<orig>

<p>si mes pensées se sont entretenues des occurences <orig>estrangieres</orig> quelque
partie du temps, quelque autre partie je les <orig>rameine</orig> à la promenade, au<orig> vergier</orig>, à la douceur de cette solitude et à moy. </p>

<orig>

<l>Un bienfait perd sa grâce à le trop <choice>
  <orig>oublier</orig>
  <corr>publier</corr>
 </choice> ; </l>
<l>Qui veut qu'on s'en souvienne, il le faut <choice>
  <orig>publier</orig>
  <corr>oublier</corr>
 </choice>.</l>

<orig>

<l>妹子是被大哥<orig>喫</orig>了，母親知道沒有，我可不得而知。 </l>
<l>母親想也知道；不過哭的時候，卻<orig>并</orig>沒有說明，大約也以為應當的了。</l>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<p>

<p> (paragraph) marks paragraphs in prose. [3.1. Paragraphs 7.2.5. Speech Contents]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.fragmentable

@part

att.written

@hand

Member of

model.pLike

Contained by

core: item note q quote sp stage

corpus: particDesc settingDesc

drama: castList set

figures: cell figure

header: abstract availability change editionStmt editorialDecl encodingDesc langUsage licence prefixDef projectDesc publicationStmt refsDecl samplingDecl seriesStmt sourceDesc

namesdates: person place

textstructure: argument back body div epigraph front postscript

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<p>Hallgerd was outside. <q>There is blood on your axe,</q> she said. <q>What have you
   done?</q>
</p>
<p>
 <q>I have now arranged that you can be married a second time,</q> replied Thjostolf.
</p>
<p>
 <q>Then you must mean that Thorvald is dead,</q> she said.
</p>
<p>
 <q>Yes,</q> said Thjostolf. <q>And now you must think up some plan for me.</q>
</p>

Show all ⚓︎

Schematron

<sch:rule context="tei:p">
<sch:report test="(ancestor::tei:ab or ancestor::tei:p) and not( ancestor::tei:floatingText | parent::tei:exemplum | parent::tei:item | parent::tei:note | parent::tei:q | parent::tei:quote | parent::tei:remarks | parent::tei:said | parent::tei:sp | parent::tei:stage | parent::tei:cell | parent::tei:figure )"> Abstract model violation: Paragraphs may not occur inside other paragraphs or ab elements.
</sch:report>
</sch:rule>

Schematron

<sch:rule context="tei:l//tei:p">
<sch:assert test="ancestor::tei:floatingText | parent::tei:figure | parent::tei:note"> Abstract model violation: Metrical lines may not contain higher-level structural elements such as div, p, or ab, unless p is a child of figure or note, or is a descendant of floatingText.
</sch:assert>
</sch:rule>

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element p { macro.paraContent }

Processing Model

<model behaviour="paragraph"
 useSourceRendition="true">
<outputRendition>text-align: justify;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <p> (paragraph)

These search results reproduce every example of the use of <p> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <p> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

1. A Short Example

3. Encoding the Body

4. Editorial Interventions

5. Names, Codes, and Numbers

7. Bibliographic Citations

8. Tables

10. Analysis

11. Common Attributes

12. Composite and Floating Texts

13. Front and Back Matter

15. The Electronic Title Page

17. The TEI simplePrint schema

1. A Short Example

1. A Short Example

<pb n="474"/>
<div type="chapter" n="38">
 <p>Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were
   alone present. When we got back from church, I went into the kitchen of the
   manor-house, where Mary was cooking the dinner, and John cleaning the knives, and I
   said —</p>
 <p>
  <q>Mary, I have been married to Mr Rochester this morning.</q> The housekeeper and
   her husband were of that decent, phlegmatic order of people, to whom one may at any
   time safely communicate a remarkable piece of news without incurring the danger of
   having one's ears pierced by some shrill ejaculation and subsequently stunned by a
   torrent of wordy wonderment. Mary did look up, and she did stare at me; the ladle
   with which she was basting a pair of chickens roasting at the fire, did for some
   three minutes hang suspended in air, and for the same space of time John's knives
   also had rest from the polishing process; but Mary, bending again over the roast,
   said only —</p>
 <p>
  <q>Have you, miss? Well, for sure!</q>
 </p>
 <p>A short time after she pursued, <q>I seed you go out with the master, but I didn't
     know you were gone to church to be wed</q>; and she basted away. John, when I
   turned to him, was grinning from ear to ear. <q>I telled Mary how it would be,</q>
   he said: <q>I knew what Mr Edward</q> (John was an old servant, and had known his
   master when he was the cadet of the house, therefore he often gave him his Christian
   name) — <q>I knew what Mr Edward would do; and I was certain he would not wait long
     either: and he's done right, for aught I know. I wish you joy, miss!</q> and he
   politely pulled his forelock.</p>
 <p>
  <q>Thank you, John. Mr Rochester told me to give you and Mary this.</q>
 </p>
 <p>I put into his hand a five-pound note. Without waiting to hear more, I left the
   kitchen. In passing the door of that sanctum some time after, I caught the words
   —</p>
 <p>
  <q>She'll happen do better for him nor ony o' t' grand ladies.</q> And again, <q>If
     she ben't one o' th' handsomest, she's noan faàl, and varry good-natured; and i'
     his een she's fair beautiful, onybody may see that.</q>
 </p>
 <p>I wrote to Moor House and to Cambridge immediately, to say what I had done: fully
   explaining also why I had thus acted. Diana and <pb n="475"/> Mary approved the step
   unreservedly. Diana announced that she would just give me time to get over the
   honeymoon, and then she would come and see me.</p>
 <p>
  <q>She had better not wait till then, Jane,</q> said Mr Rochester, when I read her
   letter to him; <q>if she does, she will be too late, for our honeymoon will shine
     our life long: its beams will only fade over your grave or mine.</q>
 </p>
 <p>How St John received the news I don't know: he never answered the letter in which I
   communicated it: yet six months after he wrote to me, without, however, mentioning
   Mr Rochester's name or alluding to my marriage. His letter was then calm, and though
   very serious, kind. He has maintained a regular, though not very frequent
   correspondence ever since: he hopes I am happy, and trusts I am not of those who
   live without God in the world, and only mind earthly things.</p>
</div>

3. Encoding the Body

3.2. Headings and Closings

<div xml:id="UGT1" n="Winter" type="part">
 <div xml:id="UGT101" n="1" type="chapter">
  <head>Mellstock-Lane</head>
  <p>To dwellers in a wood almost every species of tree ... </p>
 </div>
</div>

3.3. Textual Components

<sp>
 <speaker>Vladimir</speaker>
 <p>Pull on your trousers.</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>You want me to pull off my trousers?</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>Pull <hi>on</hi> your trousers.</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>
  <stage>(realizing his trousers are down)</stage>. True</p>
</sp>
<stage>He pulls up his trousers</stage>
<sp>
 <speaker>Vladimir</speaker>
 <p>Well? Shall we go?</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>Yes, let's go.</p>
</sp>
<stage>They do not move.</stage>

3.3. Textual Components

<div>
 <sp who="#OPI">
  <speaker>The reverend Doctor Opimian</speaker>
  <p>I do not think I have named a single unpresentable fish.</p>
 </sp>
 <sp who="#GRM">
  <speaker>Mr Gryll</speaker>
  <p>Bream, Doctor: there is not much to be said for bream.</p>
 </sp>
 <sp who="#OPI">
  <speaker>The Reverend Doctor Opimian</speaker>
  <p>On the contrary, sir, I think there is much to be said for him. In the first
     place....</p>
  <p>Fish, Miss Gryll -- I could discourse to you on fish by the hour: but for the
     present I will forbear.</p>
 </sp>
</div>

3.4. Page and Line Numbers

<p>I wrote to Moor House and to Cambridge immediately, to say what I had done:
fully explaining also why I had thus acted. Diana and <pb ed="ED1" n="475"/> Mary
approved the step unreservedly. Diana announced that she would <pb ed="ED2" n="485"/>just give me time to get over the honeymoon, and then she would come and see
me.</p>

3.4. Page and Line Numbers

<p>I wrote to Moor House and to Cambridge
immediately, to say what I had done: fully explaining also why I had thus acted.
Diana and <pb ed="ED1" n="475" facs="ed1p475.png"/> Mary approved the step
unreservedly... </p>

3.5.1. Changes of Typeface, etc.

<p>
 <hi rendition="simple:blackletter">And
   this Indenture further witnesseth</hi> that the said <hi rendition="simple:italic">Walter Shandy</hi>, merchant, in consideration of the
said intended marriage ...
</p>

3.5.1. Changes of Typeface, etc.

<p>On the one hand the
<title>Nibelungenlied</title> is associated with the new rise of romance of
twelfth-century France, the <foreign>romans d'antiquité</foreign>, the romances of
Chrétien de Troyes, ...</p>

3.5.1. Changes of Typeface, etc.

<p>On the one hand the <hi rendition="simple:italic">Nibelungenlied</hi> is associated with the new rise of
romance of twelfth-century France, the <hi rendition="simple:italic">romans
   d'antiquité</hi>, the romances of Chrétien de Troyes, ...</p>

3.5.2. Quotations and Related Features

<p>Few dictionary makers are likely to
forget Dr. Johnson's description of the lexicographer as <quote>a harmless
   drudge.</quote>
</p>

3.5.2. Quotations and Related Features

<p>
 <q>Who-e debel
   you?</q> — he at last said — <q>you no speak-e, damme, I kill-e.</q> And so
saying, the lighted tomahawk began flourishing about me in the dark.
</p>

3.5.3. Foreign Words or Expressions

<p>John has real <foreign xml:lang="fr">savoir-faire</foreign>.</p>
<p>Have you read <title xml:lang="de">Die Dreigroschenoper</title>?</p>

3.5.3. Foreign Words or Expressions

<div xml:lang="la">
 <p>Pars haec Latine composita est.</p>
 <p xml:lang="en">Except that this sentence is in English.</p>
 <p>Vita brevis, ars longa.</p>
</div>

3.6. Notes

<p>...some text <note xml:id="n6">a note about some text</note> .... </p>

3.6. Notes

<p>...some text <ref target="#n7"
  rendition="simple:superscript">7</ref> .... <note xml:id="n7">a note about some text</note>
</p>

3.7.1. Simple Cross References

... this is discussed in <ref target="#pspec">the paragraph on links</ref> ...
<p xml:id="pspec">Links may be
made to any kind of element ...</p>

3.7.3. Special Kinds of Linking

<p>
 <title xml:id="shirley">Shirley</title>,
which made its Friday night debut only a month ago, was not listed on <name xml:id="nbc">NBC</name>'s new schedule, although <seg xml:id="network" corresp="#nbc">the network</seg> says <seg xml:id="show" corresp="#shirley">the
   show</seg> still is being considered.
</p>

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<p> ... An example of a list appearing in a fief ledger of <name type="place">Koldinghus</name>
 <date>1611/12</date> is given below. It shows cash income from a sale of
honey.</p>
<gap extent="50 lines">
 <desc>quotation from ledger (in Danish)</desc>
</gap>
<p>A description of the overall structure of the account is once again ...
</p>

4.2. Omissions, Deletions, and Additions

<p>At the bottom of your screen below the
mode line is the <hi>minibuffer</hi>. This is the area where Emacs echoes the
commands you enter and where you specify filenames for Emacs to find, values for
search and replace, and so on. <gap reason="graphic">
  <desc>diagram of Emacs screen</desc>
 </gap>
</p>

5. Names, Codes, and Numbers

5.2. Formulae, Codes, and Special Characters

<p>Further discussion of <ref target="http://www.tei-c.org/">the Text Encoding
   Initiative website</ref> may be found at <ref>http://www.tei-c.org/</ref>
</p>

5. Names, Codes, and Numbers

<p>... <date period="secondEmpire">during the second empire</date>
</p>

7. Bibliographic Citations

7. Bibliographic Citations

<p>Perec citing, amongst others <ref target="#MK_73">Sturm und Drang, 1973</ref>,
concludes ... </p>

8. Tables

8. Tables

<p>It was indeed coming on amain, for the
burials that same week were in the next adjoining parishes thus:— <table rows="5" cols="4">
  <row role="data">
   <cell role="label">St. Leonard's, Shoreditch</cell>
   <cell>64</cell>
   <cell>84</cell>
   <cell>119</cell>
  </row>
  <row role="data">
   <cell role="label">St. Botolph's, Bishopsgate</cell>
   <cell>65</cell>
   <cell>105</cell>
   <cell>116</cell>
  </row>
  <row role="data">
   <cell role="label">St. Giles's, Cripplegate</cell>
   <cell>213</cell>
   <cell>421</cell>
   <cell>554</cell>
  </row>
 </table>
</p>
<p>This shutting up of houses was at first counted a very cruel and
unchristian method, and the poor people so confined made bitter lamentations. ...
</p>

10. Analysis

10. Analysis

<div type="chapter" n="38">
 <pb n="474"/>
 <p>
  <s n="001">Reader, I married him.</s>
  <s n="002">A quiet wedding we had:</s>
  <s n="003">he and I, the parson and clerk, were alone present.</s>
  <s n="004">When
     we got back from church, I went into the kitchen of the manor-house, where Mary
     was cooking the dinner, and John cleaning the knives, and I said —</s>
 </p>
 <p>
  <q>
   <s n="005">Mary, I have been married to Mr Rochester this morning.</s>
  </q> ...
 </p>
</div>

10. Analysis

<div type="chapter" n="38">
 <p>
  <seg type="apostrophe">Reader, I married him.</seg> A quiet wedding we had:
   ...</p>
</div>

11. Common Attributes

att.anchoring

<p>(...) tamen reuerendos dominos archiepiscopum et canonicos Leopolienses
necnon episcopum in duplicibus Quatuortemporibus<anchor xml:id="A55234"/> totaliter expediui...</p>
<!-- elsewhere in the document -->
<noteGrp targetEnd="#A55234">
 <note xml:lang="en"> Quatuor Tempora, so called dry fast days.
 </note>
 <note xml:lang="pl"> Quatuor Tempora, tzw. Suche dni postne.
 </note>
</noteGrp>

att.cmc

<post type="event" generatedBy="system"
 who="#system" rend="color:blue">
 <p>
  <name type="nickname" corresp="#A02">McMike</name> geht
   in einen anderen Raum: <name type="roomname">Kreuzfahrt</name>
 </p>
</post>

att.cmc

<post type="event" generatedBy="system">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> betritt
   den Raum. </p>
</post>

att.cmc

<post type="event" generatedBy="system"
 rend="color:red">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> hat die
   Farbe gewechselt.
 </p>
</post>

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">September 24th, 1996 at 3:25 in the morning</date>
 <time when="1999-01-04T20:42:00-05:00">Jan 4 1999 at 8 pm</time>
 <time when="14:12:38">fourteen twelve and 38 seconds</time>
 <date when="1962-10">October of 1962</date>
 <date when="--06-12">June 12th</date>
 <date when="---01">the first of the month</date>
 <date when="--08">August</date>
 <date when="2006">MMVI</date>
 <date when="0056">AD 56</date>
 <date when="-0056">56 BC</date>
</p>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">24 septembre 1996 à 3h 25 du matin</date>
 <time when="1999-01-04T20:42:00-05:00">4 janvier 1999 à 8h de l'après-midi.</time>
 <time when="14:12:38">14 h 12 minutes et 38 secondes</time>
 <date when="1962-10">octobre 1962</date>
 <date when="--06-12">12 juin</date>
 <date when="---01">premier du mois</date>
 <date when="--08">Août</date>
 <date when="2006">MMVI</date>
 <date when="0056">56 ap. J.-C.</date>
 <date when="-0056">56 av. J.-C.</date>
</p>

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... --> As Willard McCarty (<bibl xml:id="mcc_2012">2012, p.2</bibl>) tells us, <quote source="#mcc_2012">‘Collaboration’ is a problematic and should be a contested
   term.</quote>
<!-- ... -->
</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.scope

<handNote scope="sole">
 <p>Written in insular phase II half-uncial with
   interlinear Old English gloss in an Anglo-Saxon
   pointed minuscule.</p>
</handNote>

att.global

<p> … The consequences of
this rapid depopulation were the loss of the last
<foreign xml:lang="rap">ariki</foreign> or chief
(Routledge 1920:205,210) and their connections to
ancestral territorial organization.</p>

<fileDesc>

<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>初版<date>1991年，上學期</date>
 </p>
</editionStmt>

<editionStmt>

<editionStmt>
 <p>First edition, <date>Michaelmas Term, 1991.</date>
 </p>
</editionStmt>

<publicationStmt>

<publicationStmt>
 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
 <idno type="FRANTEXT">L434</idno>
 <address>
  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
  <addrLine>FRANCE</addrLine>
 </address>
 <availability status="free">
  <p>Dans un cadre de recherche ou d'enseignement</p>
 </availability>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
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<availability status="restricted">
 <p>Available under licence from the publishers.</p>
</availability>

<availability>

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 <p>L' ABES a adopté le système Créative Commons pour permettre à tous ceux qui le
   souhaitent, de reproduire tout ou partie des rubriques du site de l'ABES sur support
   papier ou support électronique.</p>
</availability>

<availability>

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 <p>僅供學術研究使用</p>
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 <p>用於公共領域</p>
</availability>
<availability status="restricted">
 <p>需徵求出版商授權</p>
</availability>

<availability>

<availability>
 <licence target="http://opensource.org/licenses/MIT">
  <p>The MIT License
     applies to this document.</p>
  <p>Copyright (C) 2011 by The University of Victoria</p>
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     of this software and associated documentation files (the "Software"), to deal
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     copies of the Software, and to permit persons to whom the Software is
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 </licence>
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<licence>

<availability>
 <licence target="http://creativecommons.org/licenses/by/3.0/"
  notBefore="2013-01-01">
  <p>The Creative Commons Attribution 3.0 Unported (CC BY 3.0) Licence
     applies to this document.</p>
  <p>The licence was added on January 1, 2013.</p>
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</availability>

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 <p>Texte original : le texte a été créé sous sa forme électronique.</p>
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 <p>La saisie a été effectuée par notre partenaire Datactivity. Le texte saisi a été
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 <p>Les programmes développés pour le site sont mis à la disposition en open-source sur
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 <p>Les fonctions de recherche plein texte sont fournies par Philologic dans le cadre du
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 <p>L’architecture de travail, sous Linux, est destinée à garantir une haute disponibilité
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     light-touch, mainly structural encoding based on the Text Encoding
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  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
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     given to their original source.</p>
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     nature of the print record of the period. In general, first editions of a
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<abstract>

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 <abstract resp="#LB">
  <p>Good database design involves the acquisition and deployment of
     skills which have a wider relevance to the educational process. From
     a set of more or less instinctive rules of thumb a formal discipline
     or "methodology" of database design has evolved. Applying that
     methodology can be of great benefit to a very wide range of academic
     subjects: it requires fundamental skills of abstraction and
     generalisation and it provides a simple mechanism whereby complex
     ideas and information structures can be represented and manipulated,
     even without the use of a computer. </p>
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    <name type="forename">Thomas</name>
   </p>
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<settingDesc>

<settingDesc>
 <p>Texts recorded in the
   Canadian Parliament building in Ottawa, between April and November 1988 </p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>Pierre Mendès France,
   Entretiens avec Jean Lacouture (1980-1981 )</p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>文本錄於渥太華的加拿大國會大廈，介於1988年4月至11月間</p>
</settingDesc>

att.global.linking

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    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
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  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
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att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
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 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
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</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<del>

<p>[...] mais il y reste quelque chose de mystérieux, de furtif. <del rend="overtyped">Je</del> On cesse un instant d'y penser; <del rend="overstrike">les </del>mes yeux se
ferment ou <del rend="overstrike">s'attardent sur </del> se détournent sur un livre... On
relève la tête: il est là </p>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<foreign>

<p>Pendant ce temps-là, dans le bureau du rez- de-chaussée, les secrétaires faisaient du
<foreign xml:lang="en">hulla-hoop</foreign>.</p>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<head>

<div1 n="I" type="book">
 <head>三國演義</head>
 <div2 type="section">
  <head>第一回 宴桃園豪杰三結義 斬黃巾英雄首立功</head>
  <p>滾滾長江東逝水，浪花淘盡英雄。是非成敗轉頭空。 青山依舊在，几度夕陽紅。 白發漁樵江渚上，慣看秋月春風。一壺濁酒喜相逢。古今多少事，都付笑談中。</p>
  <p>話說天下大勢，分久必合，合久必分。周末七國分爭，并入于秦。...</p>
  <trailer>三人救了董卓回寨。卓問三人現居何職。玄德曰：白身。...畢竟董卓性命如何，且听下文分解。</trailer>
 </div2>
</div1>

<hi>

<p>Au fronton, on lit cette inscription : <hi rend="uppercase">attends. Tu verras.</hi> Le
notaire encore prétend qu' elle ne saurait être antérieure au XVIII siècle, car, sinon, l'
on eût écrit —<q>tu voiras</q>—. </p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<list>

<p>我們二人謹定于2008年7月3日正午十二時，在台北舉行結婚典禮，寫下海誓山盟，終身遵守，在婚姻路上，共同經營，災難病情，互相扶持，永不分離。并就下列事項，立下承諾，即令滄海化為桑田，桑田再變為滄海，也要攜手共進，相親相愛，直到白頭。<list rend="simple">
  <item>我們宣誓：從結婚這一天開始，不但成為夫妻，互相敬愛，分擔對方的快樂和憂愁，也同時成為朋友，而且是諍友，互相勉勵，互相規勸，互相批評。</item>
  <item>我們領悟：愉快的共同生活，全靠心靈溝通，所以，我們一定善用言語，不僅表達愛心、關心，也使彼此藉語言加深了解，一起成長。絕不粗聲叱責，絕不用肢體代替言語，絕不允許發生婚姻暴力。 </item>
  <item>我們認知：家庭與事業是夫妻共同經營的果實，夫妻對家庭的貢獻等值，在家庭內或社會上，價值完全相同，社會工作薪俸無論多少，家務工作的薪俸都與其相同。</item>
  <item>我們同意：將來我們有子女，管教上如果有不同的意見，甚至尖銳對立的意見，一定要克制自己，去請教專家，絕不把孩子當成實現自己希望的工具，也絕不用孩子來炫耀自己。 </item>
  <item>我們認為：一夫一妻制，是社會安定的磐石，是孩子們成長最安全的溫床，我們喜愛并尊重這種制度，并用事實和行動，維護它的尊嚴。</item>
  <item>我們警惕：婚姻生活并不多彩多姿，它不但平凡，而且瑣碎，如果不滋養珍惜，容易使生命憔悴，心靈粗俗，所以生活之中，我們一定保持適度的假期，與孩子一起長大。</item>
  <item>我們謹記：我們孝敬自己的父母，也孝敬對方的父母，不僅是回報養育之恩，也是培養自己人格的完整，為我們的下一代立下榜樣。 </item>
  <item>我們了解：我們將來會老，所以，我們從結婚這一天，就培養專業之外的其它藝朮興趣，如書、畫、音樂，使我們生命永遠充實燦爛。 </item>
 </list>
</p>

<list>

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

<measure>

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

<note>

<p>J'écris dans la<lb/> marge...<lb/> Je vais<lb/> à la ligne.<lb/> Je renvoie à une
note<note type="gloss" place="foot"> J'aime beaucoup les renvois en bas de page, même si
   je n'ai rien de particulier à y préciser.</note>en bas de page.</p>

<num>

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

<num>

<p>Pierre eut <num type="cardinal" value="10">dix</num>ans le jour de mon<num type="ordinal" value="21">vingtième </num> anniversaire.</p>

<num>

<p>在<num type="ordinal" value="21">第二十一</num>歲的生日那天，我變成<num type="cardinal" value="21">二十一</num>歲了... 光以每秒<num value="10E10">10<hi rend="sup">10</hi>
 </num> 公分移動。</p>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<orig>

<p>si mes pensées se sont entretenues des occurences <orig>estrangieres</orig> quelque
partie du temps, quelque autre partie je les <orig>rameine</orig> à la promenade, au<orig> vergier</orig>, à la douceur de cette solitude et à moy. </p>

<p>

<p>Hallgerd was outside. <q>There is blood on your axe,</q> she said. <q>What have you
   done?</q>
</p>
<p>
 <q>I have now arranged that you can be married a second time,</q> replied Thjostolf.
</p>
<p>
 <q>Then you must mean that Thorvald is dead,</q> she said.
</p>
<p>
 <q>Yes,</q> said Thjostolf. <q>And now you must think up some plan for me.</q>
</p>

<p>

<div>
 <p>C'était à Mégara, faubourg de Carthage, dans les jardins d'Hamilcar.</p>
 <p>Les soldats qu'il avait commandés en Sicile se donnaient un grand festin pour célébrer
   le jour anniversaire de la bataille d'Eryx, et comme le maître était absent et qu'ils se
   trouvaient nombreux, ils mangeaient et ils buvaient en pleine liberté.</p>
</div>

<p>

<p>我抬起頭，他打開了一扇窗戶，探出頭來。<q>先生？</q>
</p>
<p>
 <q>你要去哪。葛里葉？</q>
</p>
<p>
 <q>去藥劑師那裡，先生。太太要我去，替男孩拿點東西。</q>
</p>
<p>
 <q>你能不能也替我拿點東西？</q>
</p>ㄒㄒ

<p>
 <q>當然能，先生。</q> 忽然間風好像沒那麼刺骨了。 <q>等一下，我把它寫下來。</q>
</p>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Page 145 in edition "ed2" starts here --> ... <pb n="283" ed="ed1"/>
<!-- Page 283 in edition "ed1" starts here--> ... </p>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Seite 145 in Ausgabe "ed2" beginnt hier --> ... <pb n="283" ed="ed1"/>
<!-- Seite 283 in Ausgabe "ed1" beginnt hier --> ... </p>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png enthält eine Abbildung der Seite; der enthaltene Text ist hier kodiert -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- dasselbe gilt für Seite 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<person>

<person sex="1">
 <p>William Shakespeare, born in Stratford-upon-Avon, 26 April 1564, died in
   Stratford-upon-Avon, 23 April 1616, English playwright and poet</p>
</person>

<person>

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

<place>

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

<place>

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<q>

<p>Si quelque serrure allait mal, il l'avait bientôt démontée, rafistolée, huilée, limée,
remontée, en disant :<q>ça me connaît</q>.</p>

<q>

<p>Enfin je me rappelai le pis-aller d’une grande princesse à
qui l’on disait que les paysans n’avaient pas de pain, et qui
répondit : <q>Qu’ils mangent de la brioche.</q>
</p>

<rs>

<p>La famille s'était alors retirée en banlieue, à <rs type="place">Villemomble</rs>, mais
<rs type="person">Alfred </rs>aimait se rendre à <rs type="place">Paris</rs> et un jour de 1917 alors qu'il sortait de <rs type="place">la maison des
   Arts et Métiers</rs> il était tombé inanimé dans la rue.</p>

<set>

<set>
 <p>The action takes place on February 7th between the hours of noon and six in the
   afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
   where a strike has been in progress throughout the winter.</p>
</set>

<set>

<set>
 <p>Bel après-midi de printemps en 1899. Madame Claire Roc est assise dans un fauteuil en
   osier et feuillette un magazine [...], on peut entendre des cris joyeux d'enfants. </p>
</set>

<set>

<set>
 <head>Une représentation à l'hôtel de Bourgogne</head>
 <p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
   embelli pour des représentations.</p>
 <p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
   fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
   avec la scène qu'on aperçoit en pan coupé.</p>
</set>

<set>

<set>
 <p>故事發生於九月八日正午十二點至三點間，位於台北中正紀念堂附近，有群眾包圍抗議政府的更名政策。</p>
</set>

<set>

<set>
 <head>場景</head>
 <p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>

<set>

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

<sp>

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>

<sp>

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<title>

<p>quand il rentre de ses chantiers de maçonnerie il dit rien, il pose son cul sur une
chaise, toujours au même endroit, et il lit <title>l'Humanité.</title>
</p>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

12. Composite and Floating Texts

12. Composite and Floating Texts

<p>The Gentleman having finish'd his Story, Galecia waited on him to the Stairs-head;
and at her return, casting her Eyes on the Table, she saw lying there an old dirty
rumpled Book, and found in it the following story:</p>
<floatingText>
 <body>
  <p>IN the time of the Holy War when Christians from all parts went into the Holy
     Land to oppose the Turks; Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
  <p>The King graciously pardoned the Knight; Richard was kindly receiv'd into his
     Convent, and all things went on in good order: But from hence came the Proverb, We
     must not strike <hi>Robert</hi> for <hi>Richard.</hi>
  </p>
 </body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she cast her Eyes
again on the foresaid little Book, where she found the following Story ....</p>

13. Front and Back Matter

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

15. The Electronic Title Page

15. The Electronic Title Page

<encodingDesc>
 <projectDesc>
  <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990. </p>
 </projectDesc>
</encodingDesc>

15. The Electronic Title Page

<encodingDesc>
 <samplingDecl>
  <p>Samples of 2000 words taken from the beginning of the text</p>
 </samplingDecl>
</encodingDesc>

15. The Electronic Title Page

<editorialDecl>
 <p>The part of speech analysis applied throughout section 4 was added by hand and
   has not been checked.</p>
 <p>Errors in transcription controlled by using the WordPerfect spelling
   checker.</p>
 <p>All words converted to Modern American spelling using Webster's 9th Collegiate
   dictionary.</p>
</editorialDecl>

15.2.4. Reference, Prefix, and Classification Declarations

<refsDecl>
 <p>The @n attribute on each <div> element contains the canonical reference for
   each division in the form XX.yyy where XX is the book number in roman numeral
   and yyy is the section number in arabic.</p>
 <p>Milestone tags refer to the edition of 1830 as E30 and that of 1850 as E50.</p>
</refsDecl>

15.3. The Profile Description

<profileDesc>
 <abstract>
  <p>This paper is a draft studying various aspects of using the TEI as a reference
     serialization framework for LMF. Comments are welcome to bring this to a useful
     document for the community.</p>
 </abstract>
</profileDesc>

15.3. The Profile Description

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

att.anchoring

<p>(...) tamen reuerendos dominos archiepiscopum et canonicos Leopolienses
necnon episcopum in duplicibus Quatuortemporibus<anchor xml:id="A55234"/> totaliter expediui...</p>
<!-- elsewhere in the document -->
<noteGrp targetEnd="#A55234">
 <note xml:lang="en"> Quatuor Tempora, so called dry fast days.
 </note>
 <note xml:lang="pl"> Quatuor Tempora, tzw. Suche dni postne.
 </note>
</noteGrp>

att.cmc

<post type="event" generatedBy="system"
 who="#system" rend="color:blue">
 <p>
  <name type="nickname" corresp="#A02">McMike</name> geht
   in einen anderen Raum: <name type="roomname">Kreuzfahrt</name>
 </p>
</post>

att.cmc

<post type="event" generatedBy="system">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> betritt
   den Raum. </p>
</post>

att.cmc

<post type="event" generatedBy="system"
 rend="color:red">
 <p>
  <name type="nickname" corresp="#A08">c_bo</name> hat die
   Farbe gewechselt.
 </p>
</post>

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">September 24th, 1996 at 3:25 in the morning</date>
 <time when="1999-01-04T20:42:00-05:00">Jan 4 1999 at 8 pm</time>
 <time when="14:12:38">fourteen twelve and 38 seconds</time>
 <date when="1962-10">October of 1962</date>
 <date when="--06-12">June 12th</date>
 <date when="---01">the first of the month</date>
 <date when="--08">August</date>
 <date when="2006">MMVI</date>
 <date when="0056">AD 56</date>
 <date when="-0056">56 BC</date>
</p>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">24 septembre 1996 à 3h 25 du matin</date>
 <time when="1999-01-04T20:42:00-05:00">4 janvier 1999 à 8h de l'après-midi.</time>
 <time when="14:12:38">14 h 12 minutes et 38 secondes</time>
 <date when="1962-10">octobre 1962</date>
 <date when="--06-12">12 juin</date>
 <date when="---01">premier du mois</date>
 <date when="--08">Août</date>
 <date when="2006">MMVI</date>
 <date when="0056">56 ap. J.-C.</date>
 <date when="-0056">56 av. J.-C.</date>
</p>

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... --> As Willard McCarty (<bibl xml:id="mcc_2012">2012, p.2</bibl>) tells us, <quote source="#mcc_2012">‘Collaboration’ is a problematic and should be a contested
   term.</quote>
<!-- ... -->
</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.scope

<handNote scope="sole">
 <p>Written in insular phase II half-uncial with
   interlinear Old English gloss in an Anglo-Saxon
   pointed minuscule.</p>
</handNote>

att.global

<p> … The consequences of
this rapid depopulation were the loss of the last
<foreign xml:lang="rap">ariki</foreign> or chief
(Routledge 1920:205,210) and their connections to
ancestral territorial organization.</p>

<fileDesc>

<fileDesc>
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  <title>The shortest possible TEI document</title>
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 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
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  <p>No print source exists: this is an original digital text</p>
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<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
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   <p>Distribué comme partie de TEI P5</p>
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  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
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 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
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<editionStmt>
 <p>First edition, <date>Michaelmas Term, 1991.</date>
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 <distributor>ATILF (Analyse et Traitement Informatique de la Langue Française)</distributor>
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  <addrLine>44, avenue de la Libération</addrLine>
  <addrLine>BP 30687</addrLine>
  <addrLine>54063 Nancy Cedex</addrLine>
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<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
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<availability>

<availability status="restricted">
 <p>Available for academic research purposes only.</p>
</availability>
<availability status="free">
 <p>In the public domain</p>
</availability>
<availability status="restricted">
 <p>Available under licence from the publishers.</p>
</availability>

<availability>

<availability status="restricted">
 <p>L' ABES a adopté le système Créative Commons pour permettre à tous ceux qui le
   souhaitent, de reproduire tout ou partie des rubriques du site de l'ABES sur support
   papier ou support électronique.</p>
</availability>

<availability>

<availability status="restricted">
 <p>僅供學術研究使用</p>
</availability>
<availability status="free">
 <p>用於公共領域</p>
</availability>
<availability status="restricted">
 <p>需徵求出版商授權</p>
</availability>

<availability>

<availability>
 <licence target="http://opensource.org/licenses/MIT">
  <p>The MIT License
     applies to this document.</p>
  <p>Copyright (C) 2011 by The University of Victoria</p>
  <p>Permission is hereby granted, free of charge, to any person obtaining a copy
     of this software and associated documentation files (the "Software"), to deal
     in the Software without restriction, including without limitation the rights
     to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
     copies of the Software, and to permit persons to whom the Software is
     furnished to do so, subject to the following conditions:</p>
  <p>The above copyright notice and this permission notice shall be included in
     all copies or substantial portions of the Software.</p>
  <p>THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
     IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
     FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
     AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
     LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
     OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
     THE SOFTWARE.</p>
 </licence>
</availability>

<licence>

<availability>
 <licence target="http://creativecommons.org/licenses/by/3.0/"
  notBefore="2013-01-01">
  <p>The Creative Commons Attribution 3.0 Unported (CC BY 3.0) Licence
     applies to this document.</p>
  <p>The licence was added on January 1, 2013.</p>
 </licence>
</availability>

<sourceDesc>

<sourceDesc>
 <p>Texte original : le texte a été créé sous sa forme électronique.</p>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>無來源：以電腦可讀格式建立</p>
</sourceDesc>

<sourceDesc>

<sourceDesc>
 <p>Born digital: no previous source exists.</p>
</sourceDesc>

<encodingDesc>

<encodingDesc>
 <p>Basic encoding, capturing lexical information only. All
   hyphenation, punctuation, and variant spellings normalized. No
   formatting or layout information preserved.</p>
</encodingDesc>

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<encodingDesc>
 <projectDesc>
  <p>Corpus de textes sélectionnés pour la formation MISAT,
     Frejus, juillet 2010.</p>
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 <samplingDecl>
  <p>Corpus d'échantillons de 2000 mots pris au début de
     chaque texte.</p>
 </samplingDecl>
</encodingDesc>

<projectDesc>

<projectDesc>
 <p>Texts collected for use in the Claremont Shakespeare Clinic, June 1990</p>
</projectDesc>

<projectDesc>

<projectDesc>
 <p>La saisie a été effectuée par notre partenaire Datactivity. Le texte saisi a été
   ensuite converti et remis en forme selon les normes du format XML, standard d’échange ou
   d’affichage de documents permettant de séparer la forme et le contenu et offrant une
   déclinaison d’outils qui donnent la possibilité d’exploiter un texte comme une véritable
   base de données. La norme adoptée (DTD) est le TEI (Text Encoding Initiative). </p>
 <p> Affichage et manipulation du texte (mise au format, filtrage, réorganisation) se font
   sur un serveur Apache à l'aide de l'infrastructure Axkit.</p>
 <p> Le moteur logiciel du site a été développé en Xpathscript et s'appuie sur les travaux
   de Dominique Quatravaux (Alliance Francophone Pour l'Avancement d'XPathScript) et de
   Yanick Champoux (support de Libxml via YPathScript).</p>
 <p>Les programmes développés pour le site sont mis à la disposition en open-source sur
   demande (contacter Alexandre Gefen). </p>
 <p>Les fonctions de recherche plein texte sont fournies par Philologic dans le cadre du
   partenariat du projet avec ARTFL.</p>
 <p>L’architecture de travail, sous Linux, est destinée à garantir une haute disponibilité
   et des performances optimales. La liaison avec Internet est assurée par les services
   informatiques de l’Université de Neuchâtel (SITEL).</p>
</projectDesc>

<projectDesc>

<projectDesc>
 <p>文件收集於1990年7月，杭州杜甫詩作研討會使用</p>
</projectDesc>

<samplingDecl>

<samplingDecl>
 <p>Samples of up to 2000 words taken at random from the beginning, middle, or end of each
   text identified as relevant by respondents.</p>
</samplingDecl>

<samplingDecl>

<samplingDecl>
 <p>Corpus
   d'échantillons de 2000 mots pris au début de chaque texte. </p>
</samplingDecl>

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
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<refsDecl>

<refsDecl xml:id="fr_ASLREF">
 <cRefPattern matchPattern="(\S+) ([^.]+)\.(.*)"
  replacementPattern="#fr_xpath(//div1[@n='$1']/div2/[@n='$2']//lb[@n='$3'])">
  <p>Une référence a été créée en assemblant les éléments suivants dans l'ordre inverse de
     la liste qui suit : <list>
    <item>la valeur <att>n</att> du précédent <gi>lb</gi>
    </item>
    <item>une période</item>
    <item>la valeur <att>n</att> de l'ancêtre <gi>div2</gi>
    </item>
    <item>un espace</item>
    <item>la valeur<att>n</att> du parent <gi>div1</gi>
    </item>
   </list>
  </p>
 </cRefPattern>
</refsDecl>

<refsDecl>

<refsDecl>
 <p>參照是將位於最高層級的<gi>div</gi>元素的屬性<att>n</att>值串聯起來，
   其後跟著空格和續接的下一層級<gi>div</gi>，接著冒點，
   然後是續接的下一(最低) 層級的<gi>div</gi>所組成。</p>
</refsDecl>

<refsDecl>

<refsDecl>
 <p>References are made up by concatenating the value for the
 <att>n</att> attribute on the highest level <gi>div</gi>
   element, followed by a space, followed by the sequential
   number of the next level <gi>div</gi> followed by a colon
   followed by the sequential number of the next (and lowest)
   level <gi>div</gi>.</p>
</refsDecl>

<prefixDef>

<prefixDef ident="ref"
 matchPattern="([a-z]+)"
 replacementPattern="../../references/references.xml#$1">
 <p> In the context of this project, private URIs with
   the prefix "ref" point to <gi>div</gi> elements in
   the project's global references.xml file.
 </p>
</prefixDef>

<listPrefixDef>

<listPrefixDef>
 <prefixDef ident="psn"
  matchPattern="([A-Z]+)"
  replacementPattern="personography.xml#$1">
  <p> Private URIs using the <code>psn</code>
     prefix are pointers to <gi>person</gi>
     elements in the personography.xml file.
     For example, <code>psn:MDH</code>
     dereferences to <code>personography.xml#MDH</code>.
  </p>
 </prefixDef>
 <prefixDef ident="bibl"
  matchPattern="([a-z]+[a-z0-9]*)"
  replacementPattern="http://www.example.com/getBibl.xql?id=$1">
  <p> Private URIs using the <code>bibl</code> prefix can be
     expanded to form URIs which retrieve the relevant
     bibliographical reference from www.example.com.
  </p>
 </prefixDef>
</listPrefixDef>

<abstract>

<profileDesc>
 <abstract resp="#LB">
  <p>Good database design involves the acquisition and deployment of
     skills which have a wider relevance to the educational process. From
     a set of more or less instinctive rules of thumb a formal discipline
     or "methodology" of database design has evolved. Applying that
     methodology can be of great benefit to a very wide range of academic
     subjects: it requires fundamental skills of abstraction and
     generalisation and it provides a simple mechanism whereby complex
     ideas and information structures can be represented and manipulated,
     even without the use of a computer. </p>
 </abstract>
</profileDesc>

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

<settingDesc>

<settingDesc>
 <p>Texts recorded in the
   Canadian Parliament building in Ottawa, between April and November 1988 </p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>Pierre Mendès France,
   Entretiens avec Jean Lacouture (1980-1981 )</p>
</settingDesc>

<settingDesc>

<settingDesc>
 <p>文本錄於渥太華的加拿大國會大廈，介於1988年4月至11月間</p>
</settingDesc>

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div n="1" type="appendice">
  <head>APPENDICE I </head>
  <head>CHAPITRE XV bis </head>
  <p>Des cruautez exercées par les Turcs, et autres peuples : et nommément par les
     Espagnols, beaucoup plus barbares que les Sauvages mesmes </p>
  <p>Premierement Chalcondile en son histoire de la decadence de l'Empire des Grecs, ...</p>
 </div>
 <div n="2" type="appendice">
  <head> Appendice 2</head>
  <head>Advertissement de l'autheur</head>
  <p>Outre les augmentations bien amples, et la revision beaucoup plus exacte que je n'avoye
     fait és precedentes Editions, j'ai pour le contentement des Lecteurs, plusieurs endroits
     de ceste quatrieme et derniere monstré ...</p>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>Voilà, cher Rhedi, ce que j' appelle le droit public. Voilà le droit des gens, ou
   plutôt celui de la raison. </p>
 <closer>
  <dateline>
   <name type="place">à Paris </name>, <date>le 4 de la lune de Zilhagé, 1716. </date>
  </dateline>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<closer>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<closer>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<dateline>

<div type="chapter">
 <p>Et, sur cet océan bourdonnant de mille vaguelettes, se leva l'armée caressante et si
   tendre des merveilleuses sirènes blondes aux seins durs comme ça. </p>
 <closer>
  <dateline>
   <name type="place">Thionne-Paris</name>, <date>1950-1951.</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p> 自己想吃人，又怕被別人吃了，都用著疑心极深的眼光，面面相覷。…… </p>
 <closer>
  <dateline>
   <name type="place">南京</name>
   <date>1918–1919</date>
  </dateline>
 </closer>
</div>

<dateline>

<div type="chapter">
 <p>
<!-- ... --> and his heart was going like mad and yes I said yes I will Yes.</p>
 <closer>
  <dateline>
   <name type="place">Trieste-Zürich-Paris,</name>
   <date>1914–1921</date>
  </dateline>
 </closer>
</div>

<del>

<p>[...] mais il y reste quelque chose de mystérieux, de furtif. <del rend="overtyped">Je</del> On cesse un instant d'y penser; <del rend="overstrike">les </del>mes yeux se
ferment ou <del rend="overstrike">s'attardent sur </del> se détournent sur un livre... On
relève la tête: il est là </p>

<div>

<body>
 <div type="part">
  <head>Fallacies of Authority</head>
  <p>The subject of which is Authority in various shapes, and the object, to repress all
     exercise of the reasoning faculty.</p>
  <div n="1" type="chapter">
   <head>The Nature of Authority</head>
   <p>With reference to any proposed measures having for their object the greatest
       happiness of the greatest number [...]</p>
   <div n="1.1" type="section">
    <head>Analysis of Authority</head>
    <p>What on any given occasion is the legitimate weight or influence to be attached to
         authority [...] </p>
   </div>
   <div n="1.2" type="section">
    <head>Appeal to Authority, in What Cases Fallacious.</head>
    <p>Reference to authority is open to the charge of fallacy when [...] </p>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="oeuvre">
  <head>Les Chouans </head>
  <div n="1" type="partie">
   <head> Première partie</head>
   <head> L'embuscade</head>
   <div n="1" type="chapitre">
    <head>Chapitre premier </head>
    <div n="1">
     <head>I</head>
     <p>Dans les premiers jours de l'an VIII, au commencement de vendémiaire, ou, pour
           se conformer au calendrier actuel, vers la fin du mois de septembre 1799, une
           centaine de paysans et un assez grand nombre de bourgeois, partis le matin de
           Fougères pour se rendre à Mayenne, gravissaient la montagne de la Pèlerine,
           située à mi-chemin environ de Fougères à Ernée, petite ville où les voyageurs
           ont coutume de se reposer. </p>
    </div>
   </div>
  </div>
 </div>
</body>

<div>

<body>
 <div type="part">
  <head>對話的喧囂：巴赫汀文化理論述評</head>
  <p>本書以中國人的觀點，介紹巴赫汀的一生志業。深入淺出、引證周詳。尤其面對海峽兩岸劇變中的政治、文化思潮，巴赫汀從對話到喧嘩的理論，更具有深刻的歷史意義，發人省思。</p>
  <div n="1" type="chapter">
   <head>引言：巴赫汀對話論—轉型期的文化理論</head>
   <p>文化轉型期的文藝理論，一般都呈現著特別關注文藝之外的歷史社會環境的傾向。不過，這種關注在二十世紀之前的文論中，大致上均以一種文藝內在規律語歷史社會語境二元對立的面貌出現。...</p>
   <div n="1.1" type="section">
    <head>眾聲喧嘩：轉型期的文化理論</head>
    <p>當代西方文論對巴赫汀思想的看法迥異，見仁見智。有強調其「對話性」的，有看重他的「複調小說」理論的，也有語言學、符號學、哲學和美學的不同角度來解釋巴赫汀的。...
    </p>
   </div>
   <div n="1.2" type="section">
    <head>哲學建構論語對話美學</head>
    <p>眾聲喧嘩的文化理論形成於二○年代末和三○年代，是巴赫汀思想成熟階段的結晶。... </p>
   </div>
  </div>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<foreign>

<p>Pendant ce temps-là, dans le bureau du rez- de-chaussée, les secrétaires faisaient du
<foreign xml:lang="en">hulla-hoop</foreign>.</p>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <div type="preface">
  <head>Préface</head>
  <p>Tant qu'il existera, par le fait des lois et des moeurs, une
     damnation sociale créant artificiellement, en pleine civilisation,
     des enfers, et compliquant d'une fatalité humaine la destinée qui
     est divine ; tant que les trois problèmes du siècle, la dégradation
     de l'homme par le prolétariat, la déchéance de la femme par la faim,
     l'atrophie de l'enfant par la nuit, ne seront pas résolus; tant que,
     dans certaines régions, l'asphyxie sociale sera possible; en
     d'autres termes, et à un point de vue plus étendu encore, tant qu'il
     aura sur la terre ignorance et misère, des livres de la nature de
     celui-ci pourront ne pas être inutiles.</p>
  <closer>
   <dateline>
    <name type="place">Hauteville-House</name>
    <date>1er janvier 1862</date>
   </dateline>
  </closer>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>聲明啟事</p>
 </div>
 <div type="preface">
  <head>作者聲明</head>
  <p>書中所有情節內容皆為虛構，若有雷同，純屬巧合。</p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>To our three selves</p>
 </div>
 <div type="preface">
  <head>Author's Note</head>
  <p>All the characters in this book are purely imaginary, and if the
     author has used names that may suggest a reference to living persons
     she has done so inadvertently. ...</p>
 </div>
</front>

<front>

<front>
 <div type="abstract">
  <div>
   <head> BACKGROUND:</head>
   <p>Food insecurity can put children at greater risk of obesity because
       of altered food choices and nonuniform consumption patterns.</p>
  </div>
  <div>
   <head> OBJECTIVE:</head>
   <p>We examined the association between obesity and both child-level
       food insecurity and personal food insecurity in US children.</p>
  </div>
  <div>
   <head> DESIGN:</head>
   <p>Data from 9,701 participants in the National Health and Nutrition
       Examination Survey, 2001-2010, aged 2 to 11 years were analyzed.
       Child-level food insecurity was assessed with the US Department of
       Agriculture's Food Security Survey Module based on eight
       child-specific questions. Personal food insecurity was assessed with
       five additional questions. Obesity was defined, using physical
       measurements, as body mass index (calculated as kg/m2) greater than
       or equal to the age- and sex-specific 95th percentile of the Centers
       for Disease Control and Prevention growth charts. Logistic
       regressions adjusted for sex, race/ethnic group, poverty level, and
       survey year were conducted to describe associations between obesity
       and food insecurity.</p>
  </div>
  <div>
   <head> RESULTS:</head>
   <p>Obesity was significantly associated with personal food insecurity
       for children aged 6 to 11 years (odds ratio=1.81; 95% CI 1.33 to
       2.48), but not in children aged 2 to 5 years (odds ratio=0.88; 95%
       CI 0.51 to 1.51). Child-level food insecurity was not associated
       with obesity among 2- to 5-year-olds or 6- to 11-year-olds.</p>
  </div>
  <div>
   <head> CONCLUSIONS:</head>
   <p>Personal food insecurity is associated with an increased risk of
       obesity only in children aged 6 to 11 years. Personal
       food-insecurity measures may give different results than aggregate
       food-insecurity measures in children.</p>
  </div>
 </div>
</front>

<graphic>

<figure>
 <graphic url="fig1.png"/>
 <head>Figure Une : Jan van Eyck, La Vierge du chancelier Rolin</head>
 <p>Si, attiré par la curiosité, on a l'imprudence de l'approcher d'un peu trop prés, c'est fini, on est pris pour tout le temps que peut durer l'effort d'une attention soutenue ; on s'extasie devant la finesse du détail ... il va toujours plus loin, franchit une à une les croupes des collines verdoyantes ; se repose un moment sur une ligne lointaine de montagnes neigeuses; pour se perdre ensuite dans l'infini d'un ciel à peine bleu, où s'estompent de flottantes nuées. </p>
</figure>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<head>

<div1 n="I" type="book">
 <head>三國演義</head>
 <div2 type="section">
  <head>第一回 宴桃園豪杰三結義 斬黃巾英雄首立功</head>
  <p>滾滾長江東逝水，浪花淘盡英雄。是非成敗轉頭空。 青山依舊在，几度夕陽紅。 白發漁樵江渚上，慣看秋月春風。一壺濁酒喜相逢。古今多少事，都付笑談中。</p>
  <p>話說天下大勢，分久必合，合久必分。周末七國分爭，并入于秦。...</p>
  <trailer>三人救了董卓回寨。卓問三人現居何職。玄德曰：白身。...畢竟董卓性命如何，且听下文分解。</trailer>
 </div2>
</div1>

<hi>

<p>Au fronton, on lit cette inscription : <hi rend="uppercase">attends. Tu verras.</hi> Le
notaire encore prétend qu' elle ne saurait être antérieure au XVIII siècle, car, sinon, l'
on eût écrit —<q>tu voiras</q>—. </p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<label>

<p>[...]
<lb/>&amp; n’entrer en mauuais &amp; mal-heu-
<lb/>ré meſnage. Or des que le conſente-
<lb/>ment des parties y eſt le mariage eſt
<lb/> arreſté, quoy que de faict il ne ſoit
<label place="margin">Puiſſance maritale
   entre les Romains.</label>
 <lb/> conſommé. Depuis la conſomma-
<lb/>tion du mariage la femme eſt ſoubs
<lb/> la puiſſance du mary, s’il n’eſt eſcla-
<lb/>ue ou enfant de famille : car en ce
<lb/> cas, la femme, qui a eſpouſé vn en-
<lb/>fant de famille, eſt ſous la puiſſance
[...]</p>

<list>

<div>
 <p> Selon des critères qui n'appartiennent qu'à lui, Rémi Plassaert a classé ses buvards
   en huit tas respectivement surmontés par :</p>
 <list rend="bulleted">
  <item>un toréador chantant (dentifrice émail Diamant)</item>
  <item>un tapis d'Orient du XVIIe siècle, provenant d'une basilique de Transylvanie
     (Kalium-Sedaph, soluté de propionate de potassium)</item>
  <item>Le Renard et la Cicogne (sic), gravure de Jean-Baptiste Oudry (Papeteries
     Marquaize, Stencyl, Reprographie)</item>
 </list>
</div>

<list>

<div>
 <p> [...] et tout autour, la longue cohorte de ses personnages, avec leur histoire, leur
   passé, leurs légendes :</p>
 <list rend="numbered">
  <item n="1">Pélage vainqueur d'Alkhamah se faisant couronner à Covadonga </item>
  <item n="2">La cantatrice exilée de Russie suivant Schönberg à Amsterdam</item>
  <item n="3">Le petit chat sourd aux yeux vairons vivant au dernier étage</item>
  <item n="4">Le crétin chef d'îlot faisant préparer des tonneaux de sable</item>
 </list>
</div>

<list>

<p>我們二人謹定于2008年7月3日正午十二時，在台北舉行結婚典禮，寫下海誓山盟，終身遵守，在婚姻路上，共同經營，災難病情，互相扶持，永不分離。并就下列事項，立下承諾，即令滄海化為桑田，桑田再變為滄海，也要攜手共進，相親相愛，直到白頭。<list rend="simple">
  <item>我們宣誓：從結婚這一天開始，不但成為夫妻，互相敬愛，分擔對方的快樂和憂愁，也同時成為朋友，而且是諍友，互相勉勵，互相規勸，互相批評。</item>
  <item>我們領悟：愉快的共同生活，全靠心靈溝通，所以，我們一定善用言語，不僅表達愛心、關心，也使彼此藉語言加深了解，一起成長。絕不粗聲叱責，絕不用肢體代替言語，絕不允許發生婚姻暴力。 </item>
  <item>我們認知：家庭與事業是夫妻共同經營的果實，夫妻對家庭的貢獻等值，在家庭內或社會上，價值完全相同，社會工作薪俸無論多少，家務工作的薪俸都與其相同。</item>
  <item>我們同意：將來我們有子女，管教上如果有不同的意見，甚至尖銳對立的意見，一定要克制自己，去請教專家，絕不把孩子當成實現自己希望的工具，也絕不用孩子來炫耀自己。 </item>
  <item>我們認為：一夫一妻制，是社會安定的磐石，是孩子們成長最安全的溫床，我們喜愛并尊重這種制度，并用事實和行動，維護它的尊嚴。</item>
  <item>我們警惕：婚姻生活并不多彩多姿，它不但平凡，而且瑣碎，如果不滋養珍惜，容易使生命憔悴，心靈粗俗，所以生活之中，我們一定保持適度的假期，與孩子一起長大。</item>
  <item>我們謹記：我們孝敬自己的父母，也孝敬對方的父母，不僅是回報養育之恩，也是培養自己人格的完整，為我們的下一代立下榜樣。 </item>
  <item>我們了解：我們將來會老，所以，我們從結婚這一天，就培養專業之外的其它藝朮興趣，如書、畫、音樂，使我們生命永遠充實燦爛。 </item>
 </list>
</p>

<list>

<p>These decrees, most blessed Pope Hadrian, we propounded in the public council ... and they
confirmed them in our hand in your stead with the sign of the Holy Cross, and afterwards
inscribed with a careful pen on the paper of this page, affixing thus the sign of the Holy
Cross.
<list rend="simple">
  <item>I, Eanbald, by the grace of God archbishop of the holy church of York, have
     subscribed to the pious and catholic validity of this document with the sign of the Holy
     Cross.</item>
  <item>I, Ælfwold, king of the people across the Humber, consenting have subscribed with
     the sign of the Holy Cross.</item>
  <item>I, Tilberht, prelate of the church of Hexham, rejoicing have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Higbald, bishop of the church of Lindisfarne, obeying have subscribed with the
     sign of the Holy Cross.</item>
  <item>I, Ethelbert, bishop of Candida Casa, suppliant, have subscribed with thef sign of
     the Holy Cross.</item>
  <item>I, Ealdwulf, bishop of the church of Mayo, have subscribed with devout will.</item>
  <item>I, Æthelwine, bishop, have subscribed through delegates.</item>
  <item>I, Sicga, patrician, have subscribed with serene mind with the sign of the Holy
     Cross.</item>
 </list>
</p>

<measure>

<head>Long papers.</head>
<p>Speakers will be given 30 minutes each: 20 minutes for
presentation, 10 minutes for discussion. Proposals should not
exceed <measure max="500" unit="count"
  commodity="words">500
   words</measure>. This presentation type is suitable for
substantial research, theoretical or critical discussions.</p>

<note>

<p>J'écris dans la<lb/> marge...<lb/> Je vais<lb/> à la ligne.<lb/> Je renvoie à une
note<note type="gloss" place="foot"> J'aime beaucoup les renvois en bas de page, même si
   je n'ai rien de particulier à y préciser.</note>en bas de page.</p>

<num>

<p>I reached <num type="cardinal" value="21">twenty-one</num> on
my <num type="ordinal" value="21">twenty-first</num> birthday</p>
<p>Light travels at <num value="3E10">3×10<hi rend="sup">10</hi>
 </num> cm per second.</p>

<num>

<p>Pierre eut <num type="cardinal" value="10">dix</num>ans le jour de mon<num type="ordinal" value="21">vingtième </num> anniversaire.</p>

<num>

<p>在<num type="ordinal" value="21">第二十一</num>歲的生日那天，我變成<num type="cardinal" value="21">二十一</num>歲了... 光以每秒<num value="10E10">10<hi rend="sup">10</hi>
 </num> 公分移動。</p>

<opener>

<opener>
 <dateline>
  <name type="place"> à Paris </name>, <date>le 2 septembre 1769</date>
 </dateline>
</opener>
<p>Mais non, ma bonne amie, vous n' aviez pas raison de vous plaindre... </p>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<orig>

<p>si mes pensées se sont entretenues des occurences <orig>estrangieres</orig> quelque
partie du temps, quelque autre partie je les <orig>rameine</orig> à la promenade, au<orig> vergier</orig>, à la douceur de cette solitude et à moy. </p>

<p>

<p>Hallgerd was outside. <q>There is blood on your axe,</q> she said. <q>What have you
   done?</q>
</p>
<p>
 <q>I have now arranged that you can be married a second time,</q> replied Thjostolf.
</p>
<p>
 <q>Then you must mean that Thorvald is dead,</q> she said.
</p>
<p>
 <q>Yes,</q> said Thjostolf. <q>And now you must think up some plan for me.</q>
</p>

<p>

<div>
 <p>C'était à Mégara, faubourg de Carthage, dans les jardins d'Hamilcar.</p>
 <p>Les soldats qu'il avait commandés en Sicile se donnaient un grand festin pour célébrer
   le jour anniversaire de la bataille d'Eryx, et comme le maître était absent et qu'ils se
   trouvaient nombreux, ils mangeaient et ils buvaient en pleine liberté.</p>
</div>

<p>

<p>我抬起頭，他打開了一扇窗戶，探出頭來。<q>先生？</q>
</p>
<p>
 <q>你要去哪。葛里葉？</q>
</p>
<p>
 <q>去藥劑師那裡，先生。太太要我去，替男孩拿點東西。</q>
</p>
<p>
 <q>你能不能也替我拿點東西？</q>
</p>ㄒㄒ

<p>
 <q>當然能，先生。</q> 忽然間風好像沒那麼刺骨了。 <q>等一下，我把它寫下來。</q>
</p>

<pb>

<p> ... <pb n="145" ed="ed2"/>
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<!-- Page 283 in edition "ed1" starts here--> ... </p>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Seite 145 in Ausgabe "ed2" beginnt hier --> ... <pb n="283" ed="ed1"/>
<!-- Seite 283 in Ausgabe "ed1" beginnt hier --> ... </p>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png enthält eine Abbildung der Seite; der enthaltene Text ist hier kodiert -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- dasselbe gilt für Seite 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<person>

<person sex="1">
 <p>William Shakespeare, born in Stratford-upon-Avon, 26 April 1564, died in
   Stratford-upon-Avon, 23 April 1616, English playwright and poet</p>
</person>

<person>

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

<place>

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

<place>

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<q>

<p>Si quelque serrure allait mal, il l'avait bientôt démontée, rafistolée, huilée, limée,
remontée, en disant :<q>ça me connaît</q>.</p>

<q>

<p>Enfin je me rappelai le pis-aller d’une grande princesse à
qui l’on disait que les paysans n’avaient pas de pain, et qui
répondit : <q>Qu’ils mangent de la brioche.</q>
</p>

<rs>

<p>La famille s'était alors retirée en banlieue, à <rs type="place">Villemomble</rs>, mais
<rs type="person">Alfred </rs>aimait se rendre à <rs type="place">Paris</rs> et un jour de 1917 alors qu'il sortait de <rs type="place">la maison des
   Arts et Métiers</rs> il était tombé inanimé dans la rue.</p>

<set>

<set>
 <p>The action takes place on February 7th between the hours of noon and six in the
   afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
   where a strike has been in progress throughout the winter.</p>
</set>

<set>

<set>
 <p>Bel après-midi de printemps en 1899. Madame Claire Roc est assise dans un fauteuil en
   osier et feuillette un magazine [...], on peut entendre des cris joyeux d'enfants. </p>
</set>

<set>

<set>
 <head>Une représentation à l'hôtel de Bourgogne</head>
 <p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
   embelli pour des représentations.</p>
 <p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
   fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
   avec la scène qu'on aperçoit en pan coupé.</p>
</set>

<set>

<set>
 <p>故事發生於九月八日正午十二點至三點間，位於台北中正紀念堂附近，有群眾包圍抗議政府的更名政策。</p>
</set>

<set>

<set>
 <head>場景</head>
 <p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>

<set>

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

<sp>

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>

<sp>

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>

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<title>

<p>quand il rentre de ses chantiers de maçonnerie il dit rien, il pose son cul sur une
chaise, toujours au même endroit, et il lit <title>l'Humanité.</title>
</p>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

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<pb>

<pb> (page beginning) marks the beginning of a new page in a paginated document. [3.11.3. Milestone Elements]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.breaking

@break

att.cmc

@generatedBy

att.edition

@ed

@edRef

att.spanning

@spanTo

att.typed

@type

@subtype

Member of

model.milestoneLike

Contained by

analysis: s w

core: abbr add addrLine address author bibl biblScope cit corr date del editor email expan foreign head hi item l label lg list listBibl measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castGroup castItem castList role roleDesc set

figures: cell figure table

header: change classCode distributor edition extent language licence

linking: ab seg

namesdates: person

textstructure: argument back body byline closer dateline div docAuthor docDate docEdition docImprint docTitle epigraph floatingText front group imprimatur opener postscript salute signed text titlePage titlePart trailer

transcr: fw subst supplied surface zone

verse: rhyme

May contain
Empty element

Note

A pb element should appear at the start of the page which it identifies. The global n attribute indicates the number or other value associated with this page. This will normally be the page number or signature printed on it, since the physical sequence number is implicit in the presence of the pb element itself.

The type attribute may be used to characterize the page beginning in any respect. The more specialized attributes break, ed, or edRef should be preferred when the intent is to indicate whether or not the page beginning is word-breaking, or to note the source from which it derives.

Example

Page numbers may vary in different editions of a text.

<p> ... <pb n="145" ed="ed2"/>
<!-- Page 145 in edition "ed2" starts here --> ... <pb n="283" ed="ed1"/>
<!-- Page 283 in edition "ed1" starts here--> ... </p>

Show all ⚓︎

Example

A page beginning may be associated with a facsimile image of the page it introduces by means of the facs attribute

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

Show all ⚓︎

Content model

<content>
 <empty/>
</content>

Schema Declaration

element pb { empty }

Processing Model

<model behaviour="break"
 useSourceRendition="true">
<param name="type" value="'page'"/>
<param name="label"
 value="(concat(if(@n) then concat(@n,' ') else '',if(@facs) then concat('@',@facs)
 else ''))"/>
<outputRendition> display: block; margin-left: 4pt; color: grey; float: right; </outputRendition>
<outputRendition scope="before">content: '[Page ';</outputRendition>
<outputRendition scope="after">content: ']';</outputRendition>
</model>

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Example: <pb> (page beginning)

These search results reproduce every example of the use of <pb> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <pb> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

1. A Short Example

3. Encoding the Body

9. Figures and Graphics

10. Analysis

11. Common Attributes

12. Composite and Floating Texts

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

1. A Short Example

1. A Short Example

<pb n="474"/>
<div type="chapter" n="38">
 <p>Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were
   alone present. When we got back from church, I went into the kitchen of the
   manor-house, where Mary was cooking the dinner, and John cleaning the knives, and I
   said —</p>
 <p>
  <q>Mary, I have been married to Mr Rochester this morning.</q> The housekeeper and
   her husband were of that decent, phlegmatic order of people, to whom one may at any
   time safely communicate a remarkable piece of news without incurring the danger of
   having one's ears pierced by some shrill ejaculation and subsequently stunned by a
   torrent of wordy wonderment. Mary did look up, and she did stare at me; the ladle
   with which she was basting a pair of chickens roasting at the fire, did for some
   three minutes hang suspended in air, and for the same space of time John's knives
   also had rest from the polishing process; but Mary, bending again over the roast,
   said only —</p>
 <p>
  <q>Have you, miss? Well, for sure!</q>
 </p>
 <p>A short time after she pursued, <q>I seed you go out with the master, but I didn't
     know you were gone to church to be wed</q>; and she basted away. John, when I
   turned to him, was grinning from ear to ear. <q>I telled Mary how it would be,</q>
   he said: <q>I knew what Mr Edward</q> (John was an old servant, and had known his
   master when he was the cadet of the house, therefore he often gave him his Christian
   name) — <q>I knew what Mr Edward would do; and I was certain he would not wait long
     either: and he's done right, for aught I know. I wish you joy, miss!</q> and he
   politely pulled his forelock.</p>
 <p>
  <q>Thank you, John. Mr Rochester told me to give you and Mary this.</q>
 </p>
 <p>I put into his hand a five-pound note. Without waiting to hear more, I left the
   kitchen. In passing the door of that sanctum some time after, I caught the words
   —</p>
 <p>
  <q>She'll happen do better for him nor ony o' t' grand ladies.</q> And again, <q>If
     she ben't one o' th' handsomest, she's noan faàl, and varry good-natured; and i'
     his een she's fair beautiful, onybody may see that.</q>
 </p>
 <p>I wrote to Moor House and to Cambridge immediately, to say what I had done: fully
   explaining also why I had thus acted. Diana and <pb n="475"/> Mary approved the step
   unreservedly. Diana announced that she would just give me time to get over the
   honeymoon, and then she would come and see me.</p>
 <p>
  <q>She had better not wait till then, Jane,</q> said Mr Rochester, when I read her
   letter to him; <q>if she does, she will be too late, for our honeymoon will shine
     our life long: its beams will only fade over your grave or mine.</q>
 </p>
 <p>How St John received the news I don't know: he never answered the letter in which I
   communicated it: yet six months after he wrote to me, without, however, mentioning
   Mr Rochester's name or alluding to my marriage. His letter was then calm, and though
   very serious, kind. He has maintained a regular, though not very frequent
   correspondence ever since: he hopes I am happy, and trusts I am not of those who
   live without God in the world, and only mind earthly things.</p>
</div>

3. Encoding the Body

3.4. Page and Line Numbers

<l>Mary had a little lamb</l>
<pb n="13"/>
<l>Its fleece was white as snow</l>

3.4. Page and Line Numbers

<l>Mary had a little lamb</l>
<l>
 <pb n="13"/>Its fleece was white as snow
</l>

3.4. Page and Line Numbers

<p>I wrote to Moor House and to Cambridge immediately, to say what I had done:
fully explaining also why I had thus acted. Diana and <pb ed="ED1" n="475"/> Mary
approved the step unreservedly. Diana announced that she would <pb ed="ED2" n="485"/>just give me time to get over the honeymoon, and then she would come and see
me.</p>

3.4. Page and Line Numbers

<l>He also fix'd the wandering
QUEEN OF NIGHT,</l>
<fw type="sig">Ii 2</fw>
<fw type="catch">Whether</fw>
<pb n="244"/>
<l>Whether she wanes into a scanty orb</l>...
<!-- Thomson, Seasons, 1730-->

3.4. Page and Line Numbers

<p>I wrote to Moor House and to Cambridge
immediately, to say what I had done: fully explaining also why I had thus acted.
Diana and <pb ed="ED1" n="475" facs="ed1p475.png"/> Mary approved the step
unreservedly... </p>

9. Figures and Graphics

9. Figures and Graphics

<pb n="412"/>
<figure>
 <graphic url="images/p412fig.png"
  width="40%"/>
</figure>
<pb n="413"/>

9. Figures and Graphics

<div>
 <pb facs="page1.png" n="1"/>
<!-- text contained on page 1 is encoded here -->
 <pb facs="page2.png" n="2"/>
<!-- text contained on page 2 is encoded here -->
</div>

10. Analysis

10. Analysis

<div type="chapter" n="38">
 <pb n="474"/>
 <p>
  <s n="001">Reader, I married him.</s>
  <s n="002">A quiet wedding we had:</s>
  <s n="003">he and I, the parson and clerk, were alone present.</s>
  <s n="004">When
     we got back from church, I went into the kitchen of the manor-house, where Mary
     was cooking the dinner, and John cleaning the knives, and I said —</s>
 </p>
 <p>
  <q>
   <s n="005">Mary, I have been married to Mr Rochester this morning.</s>
  </q> ...
 </p>
</div>

11. Common Attributes

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

<cb>

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Page 145 in edition "ed2" starts here --> ... <pb n="283" ed="ed1"/>
<!-- Page 283 in edition "ed1" starts here--> ... </p>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Seite 145 in Ausgabe "ed2" beginnt hier --> ... <pb n="283" ed="ed1"/>
<!-- Seite 283 in Ausgabe "ed1" beginnt hier --> ... </p>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png enthält eine Abbildung der Seite; der enthaltene Text ist hier kodiert -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- dasselbe gilt für Seite 2 -->
 <p>
<!-- ... -->
 </p>
</body>

12. Composite and Floating Texts

12. Composite and Floating Texts

<p>The Gentleman having finish'd his Story, Galecia waited on him to the Stairs-head;
and at her return, casting her Eyes on the Table, she saw lying there an old dirty
rumpled Book, and found in it the following story:</p>
<floatingText>
 <body>
  <p>IN the time of the Holy War when Christians from all parts went into the Holy
     Land to oppose the Turks; Amongst these there was a certain English Knight...</p>
<!-- rest of story here -->
  <p>The King graciously pardoned the Knight; Richard was kindly receiv'd into his
     Convent, and all things went on in good order: But from hence came the Proverb, We
     must not strike <hi>Robert</hi> for <hi>Richard.</hi>
  </p>
 </body>
</floatingText>
<pb n="43"/>
<p>By this time Galecia's Maid brought up her Supper; after which she cast her Eyes
again on the foresaid little Book, where she found the following Story ....</p>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<text>
<!-- ...-->
 <pb facs="#page1"/>
<!-- text contained on page 1 -->
 <pb facs="#page2"/>
<!-- text contained on page 2 -->
<!-- ...-->
</text>

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

<cb>

<pb/>
<cb n="1"/>
<entryFree>
 <form>Well</form>, <sense>a Pit to hold Spring-Water</sense>:
<sense>In the Art of <hi rend="italic">War</hi>, a Depth the Miner
   sinks into the Ground, to find out and disappoint the Enemies Mines,
   or to prepare one</sense>.
</entryFree>
<entryFree>To <form>Welter</form>, <sense>to wallow</sense>, or
<sense>lie groveling</sense>.</entryFree>
<!-- remainder of column -->
<cb n="2"/>
<entryFree>
 <form>Wey</form>, <sense>the greatest Measure for dry Things,
   containing five Chaldron</sense>.
</entryFree>
<entryFree>
 <form>Whale</form>, <sense>the greatest of
   Sea-Fishes</sense>.
</entryFree>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Page 145 in edition "ed2" starts here --> ... <pb n="283" ed="ed1"/>
<!-- Page 283 in edition "ed1" starts here--> ... </p>

<pb>

<p> ... <pb n="145" ed="ed2"/>
<!-- Seite 145 in Ausgabe "ed2" beginnt hier --> ... <pb n="283" ed="ed1"/>
<!-- Seite 283 in Ausgabe "ed1" beginnt hier --> ... </p>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png contains an image of the page; the text it contains is encoded here -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- similarly, for page 2 -->
 <p>
<!-- ... -->
 </p>
</body>

<pb>

<body>
 <pb n="1" facs="page1.png"/>
<!-- page1.png enthält eine Abbildung der Seite; der enthaltene Text ist hier kodiert -->
 <p>
<!-- ... -->
 </p>
 <pb n="2" facs="page2.png"/>
<!-- dasselbe gilt für Seite 2 -->
 <p>
<!-- ... -->
 </p>
</body>

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<pc>

<pc> (punctuation character) contains a character or string of characters regarded as constituting a single punctuation mark. [18.1.2. Below the Word Level 18.4.2. Lightweight Linguistic Annotation]

Module
analysis

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.linguistic

@lemma

@lemmaRef

att.segLike

@function

att.fragmentable

@part

att.metrical

@rhyme

att.typed

@type

@subtype

force force⚓︎
indicates the extent to which this punctuation mark conventionally separates words or phrases.

Status
Optional

Datatype
teidata.enumerated

Legal values are:

strong

the punctuation mark is a word separator

weak

the punctuation mark is not a word separator

inter

the punctuation mark may or may not be a word separator

unit unit⚓︎
provides a name for the kind of unit delimited by this punctuation mark.

Status
Optional

Datatype
teidata.enumerated

pre pre⚓︎
indicates whether this punctuation mark precedes or follows the unit it delimits.

Status
Optional

Datatype
teidata.truthValue

Member of

model.linePart model.segLike

Contained by

analysis: s w

core: abbr add addrLine author bibl biblScope cit corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

analysis: c

core: abbr add choice corr del expan orig reg sic unclear

gaiji: g

transcr: subst supplied

character data

Example

<phr>
 <w>do</w>
 <w>you</w>
 <w>understand</w>
 <pc type="interrogative">?</pc>
</phr>

Show all ⚓︎

Example

Example encoding of the German sentence Wir fahren in den Urlaub., encoded with attributes from att.linguistic discussed in section [[undefined AILALW]].

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <elementRef key="c"/>
  <classRef key="model.pPart.edit"/>
 </alternate>
</content>

Schema Declaration

element pc
{
   attribute force { "strong" | "weak" | "inter" }?,
   attribute unit { teidata.enumerated }?,
   attribute pre { teidata.truthValue }?,
   ( text | model.gLike | c | model.pPart.edit )*
}

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <pc> (punctuation character)

These search results reproduce every example of the use of <pc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <pc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

10. Analysis

11. Common Attributes

17. The TEI simplePrint schema

10. Analysis

10. Analysis

<s n="1">
 <w ana="#NP0">Marley</w>
 <w ana="#VBD">was</w>
 <w ana="#AJ0">dead</w>
 <pc>:</pc>
 <w ana="#TO0">to</w>
 <w ana="#VBB">begin</w>
 <w ana="#PRP">with</w>
 <pc ana="#SENT">.</pc>
</s>

11. Common Attributes

<pc>

<phr>
 <w>do</w>
 <w>you</w>
 <w>understand</w>
 <pc type="interrogative">?</pc>
</phr>

<pc>

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

17. The TEI simplePrint schema

<pc>

<phr>
 <w>do</w>
 <w>you</w>
 <w>understand</w>
 <pc type="interrogative">?</pc>
</phr>

<pc>

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

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<person>

<person> (person) provides information about an identifiable individual, for example a participant in a language interaction, or a person referred to in a historical source. [14.3.2. The Person Element 16.2.2. The Participant Description]

Module
namesdates

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.editLike

att.sortable

@sortKey

role role⚓︎
specifies a primary role or classification for the person.

Status
Optional

Datatype
1–∞ occurrences of teidata.enumerated separated by whitespace

Note

Values for this attribute may be locally defined by a project, using arbitrary keywords such as artist, employer, author, relative, or servant, each of which should be associated with a definition. Such local definitions will typically be provided by a <valList> element in the project schema specification.

sex sex⚓︎
specifies the sex of the person.

Status
Optional

Datatype
1–∞ occurrences of teidata.sex separated by whitespace

Note

Values for this attribute may be defined locally by a project, or they may refer to an external standard.

gender gender⚓︎
specifies the gender of the person.

Status
Optional

Datatype
1–∞ occurrences of teidata.gender separated by whitespace

Note

Values for this attribute may be defined locally by a project, or they may refer to an external standard.

age age⚓︎
specifies an age group for the person.

Status
Optional

Datatype
teidata.enumerated

Note

Values for this attribute may be locally defined by a project, using arbitrary keywords such as infant, child, teen, adult, or senior, each of which should be associated with a definition. Such local definitions will typically be provided by a <valList> element in the project schema specification.

Member of

model.personLike

Contained by

corpus: particDesc

namesdates: listPerson

May contain

core: bibl cb gap lb listBibl milestone name note p pb

figures: figure

header: biblFull idno

linking: ab anchor

transcr: fw

Example

<person sex="1">
 <p>William Shakespeare, born in Stratford-upon-Avon, 26 April 1564, died in
   Stratford-upon-Avon, 23 April 1616, English playwright and poet</p>
</person>

Show all ⚓︎

Example

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="1" maxOccurs="1">
  <classRef key="model.pLike" minOccurs="1"
   maxOccurs="unbounded"/>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.personPart"/>
   <classRef key="model.global"/>
   <elementRef key="ptr"/>
  </alternate>
 </alternate>
</content>

Schema Declaration

element person
{
   attribute role { list { teidata.enumerated+ } }?,
   attribute sex { list { teidata.sex+ } }?,
   attribute gender { list { teidata.gender+ } }?,
   attribute age { teidata.enumerated }?,
   ( model.pLike+ | ( model.personPart | model.global | ptr )* )
}

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Example: <person> (person)

These search results reproduce every example of the use of <person> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <person> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="PXXX"/>
 <person xml:id="P1234" sex="2" age="mid"/>
 <person xml:id="P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#P1234 #P4332"/>
 </listRelation>
</listPerson>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="fr_PXXX"/>
 <person xml:id="fr_P1234" sex="2" age="mid"/>
 <person xml:id="fr_P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#fr_P1234 #fr_P4332"/>
 </listRelation>
</listPerson>

<person>

<person sex="1">
 <p>William Shakespeare, born in Stratford-upon-Avon, 26 April 1564, died in
   Stratford-upon-Avon, 23 April 1616, English playwright and poet</p>
</person>

<person>

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <particDesc>
  <listPerson>
   <person xml:id="OPI">
    <p>
     <name>Dr Opimian</name>: named for the famous Roman fine wine.</p>
   </person>
   <person xml:id="GRM">
    <p>
     <name>Mr Gryll</name>: named for the mythical Gryllus, one of Ulysses'
         sailors transformed by Circe into a pig, who argues that he was happier in
         that state than as a man.</p>
   </person>
  </listPerson>
 </particDesc>
</profileDesc>

17. The TEI simplePrint schema

<particDesc>

<particDesc>
 <listPerson>
  <person xml:id="Trinder" sex="m">
   <p>
    <name type="surname">Trinder</name>
    <name type="forename">William</name>
    <name type="forename">Martin</name>
   </p>
  </person>
  <person xml:id="Leland" sex="m">
   <p>
    <name type="surname">Leland</name>
    <name type="forename">Thomas</name>
   </p>
  </person>
 </listPerson>
</particDesc>

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="PXXX"/>
 <person xml:id="P1234" sex="2" age="mid"/>
 <person xml:id="P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#P1234 #P4332"/>
 </listRelation>
</listPerson>

<listPerson>

<listPerson type="respondents">
 <personGrp xml:id="fr_PXXX"/>
 <person xml:id="fr_P1234" sex="2" age="mid"/>
 <person xml:id="fr_P4332" sex="1" age="mid"/>
 <listRelation>
  <relation type="personal" name="spouse"
   mutual="#fr_P1234 #fr_P4332"/>
 </listRelation>
</listPerson>

<person>

<person sex="1">
 <p>William Shakespeare, born in Stratford-upon-Avon, 26 April 1564, died in
   Stratford-upon-Avon, 23 April 1616, English playwright and poet</p>
</person>

<person>

<person xml:id="Stevenson" sex="m"
 role="writer">
 <p>
  <name type="surname">Stevenson</name>
  <name type="forename">Robert</name>
  <name type="forename">Louis</name>
 </p>
</person>

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<place>

<place> (place) contains data about a geographic location. [14.3.4. Places]

Module
namesdates

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.editLike

att.sortable

@sortKey

att.typed

@type

@subtype

Member of

model.placeLike

Contained by

corpus: settingDesc

namesdates: listPlace place

May contain

core: bibl desc head label listBibl name note p

header: biblFull idno

linking: ab

namesdates: listPlace place

Example

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

Show all ⚓︎

Example

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.headLike"
   minOccurs="0" maxOccurs="unbounded"/>
  <alternate minOccurs="1" maxOccurs="1">
   <classRef key="model.pLike"
    minOccurs="0" maxOccurs="unbounded"/>
   <alternate minOccurs="0"
    maxOccurs="unbounded">
    <classRef key="model.labelLike"/>
    <classRef key="model.placeStateLike"/>
    <classRef key="model.eventLike"/>
    <elementRef key="name"/>
   </alternate>
  </alternate>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.noteLike"/>
   <classRef key="model.biblLike"/>
   <elementRef key="idno"/>
   <elementRef key="ptr"/>
   <elementRef key="linkGrp"/>
   <elementRef key="link"/>
  </alternate>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.placeLike"/>
   <elementRef key="listPlace"/>
  </alternate>
 </sequence>
</content>

Schema Declaration

element place
{
   model.headLike*,
   (
      model.pLike*
    | ( model.labelLike | model.placeStateLike | model.eventLike | name )*
   ),
   ( model.noteLike | model.biblLike | idno | ptr | linkGrp | link )*,
   ( model.placeLike | listPlace )*
}

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Example: <place> (place)

These search results reproduce every example of the use of <place> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <place> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<desc>

<place xml:id="KERG2">
 <placeName>Kerguelen Islands</placeName>
<!-- ... -->
 <terrain>
  <desc>antarctic tundra</desc>
 </terrain>
<!-- ... -->
</place>

<listPlace>

<listPlace type="offshoreIslands">
 <place>
  <placeName>La roche qui pleure</placeName>
 </place>
 <place>
  <placeName>Ile aux cerfs</placeName>
 </place>
</listPlace>

<place>

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

<place>

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

15. The Electronic Title Page

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
   <place xml:id="PEMB1">
    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
   </place>
  </listPlace>
 </settingDesc>
</profileDesc>

17. The TEI simplePrint schema

att.global.linking

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

<desc>

<place xml:id="KERG2">
 <placeName>Kerguelen Islands</placeName>
<!-- ... -->
 <terrain>
  <desc>antarctic tundra</desc>
 </terrain>
<!-- ... -->
</place>

<listPlace>

<listPlace type="offshoreIslands">
 <place>
  <placeName>La roche qui pleure</placeName>
 </place>
 <place>
  <placeName>Ile aux cerfs</placeName>
 </place>
</listPlace>

<place>

<place xml:id="Hereford">
 <p>
  <name type="place">Hereford</name>
  <name type="country">England</name>
 </p>
</place>

<place>

<place xml:id="Lithuania">
 <p>
  <name type="country">Lithuania</name>
  <name type="country" xml:lang="lt">Lietuva</name>
 </p>
 <place xml:id="Vilnius">
  <p>
   <name>Vilnius</name>
  </p>
 </place>
 <place xml:id="Kaunas">
  <p>
   <name>Kaunas</name>
  </p>
 </place>
</place>

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<postscript>

<postscript> contains a postscript, e.g. to a letter. [4.2. Elements Common to All Divisions]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.placement

@place

att.written

@hand

Member of

model.divBottomPart

Contained by

core: lg list

figures: figure table

textstructure: back body div front group postscript

May contain

core: bibl cb cit desc gap head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: closer floatingText opener postscript signed trailer

transcr: fw

Example

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.global"/>
   <classRef key="model.divTopPart"/>
  </alternate>
  <classRef key="model.common"/>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.global"/>
   <classRef key="model.common"/>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divBottomPart"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element postscript
{
   ( model.global | model.divTopPart )*,
   model.common,
   ( model.global | model.common )*,
   ( ( model.divBottomPart, model.global* )* )
}

Processing Model

<model behaviour="block"/>

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Example: <postscript>

These search results reproduce every example of the use of <postscript> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <postscript> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

17. The TEI simplePrint schema

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<publisher>

<publisher> (publisher) provides the name of the organization responsible for the publication or distribution of a bibliographic item. [3.12.2.4. Imprint, Size of a Document, and Reprint Information 2.2.4. Publication, Distribution, Licensing, etc.]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

Member of

model.imprintPart model.publicationStmtPart.agency

Contained by

core: bibl

header: publicationStmt

textstructure: docImprint

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

Use the full form of the name by which a company is usually referred to, rather than any abbreviation of it which may appear on a title page

Example

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element publisher { macro.phraseSeq }

Processing Model

<model predicate="ancestor::teiHeader"
 behaviour="omit">
<desc>Omit if located in teiHeader. </desc>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <publisher> (publisher)

These search results reproduce every example of the use of <publisher> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <publisher> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

7. Bibliographic Citations

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

7. Bibliographic Citations

7. Bibliographic Citations

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

11. Common Attributes

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<publisher>

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>Paris</pubPlace>
 <publisher>Les Éditions de Minuit</publisher>
 <date>2001</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>上海</pubPlace>
 <publisher>上海古籍出版社</publisher>
 <date>2008</date>
</imprint>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

15. The Electronic Title Page

15. The Electronic Title Page

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

17. The TEI simplePrint schema

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<publisher>

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>Paris</pubPlace>
 <publisher>Les Éditions de Minuit</publisher>
 <date>2001</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>上海</pubPlace>
 <publisher>上海古籍出版社</publisher>
 <date>2008</date>
</imprint>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<pubPlace>

<pubPlace> (publication place) contains the name of the place where a bibliographic item was published. [3.12.2.4. Imprint, Size of a Document, and Reprint Information]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.naming

@role

@nymRef

att.canonical

@ref

Member of

model.imprintPart model.publicationStmtPart.detail

Contained by

core: bibl

header: publicationStmt

textstructure: docImprint

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element pubPlace { macro.phraseSeq }

Processing Model

<model predicate="ancestor::teiHeader"
 behaviour="omit">
<desc>Omit if located in teiHeader. </desc>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <pubPlace> (publication place)

These search results reproduce every example of the use of <pubPlace> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <pubPlace> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

7. Bibliographic Citations

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

7. Bibliographic Citations

7. Bibliographic Citations

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

11. Common Attributes

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<docDate>

<docImprint>Lettres Modernes Minard, <pubPlace>PARIS-CAEN</pubPlace>
 <docDate>2003</docDate>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<publisher>

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>Paris</pubPlace>
 <publisher>Les Éditions de Minuit</publisher>
 <date>2001</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>上海</pubPlace>
 <publisher>上海古籍出版社</publisher>
 <date>2008</date>
</imprint>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

15. The Electronic Title Page

15. The Electronic Title Page

<publicationStmt>
 <publisher>University of Victoria Humanities Computing and Media
   Centre</publisher>
 <pubPlace>Victoria, BC</pubPlace>
 <date>2011</date>
 <availability status="restricted">
  <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed
     under a Creative Commons Attribution-ShareAlike 3.0 Unported License
  </licence>
 </availability>
</publicationStmt>

17. The TEI simplePrint schema

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<publicationStmt>

<publicationStmt>
 <publisher>C. Muquardt </publisher>
 <pubPlace>Bruxelles &amp; Leipzig</pubPlace>
 <date when="1846"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>重慶大學出版社</publisher>
 <pubPlace>中國：重慶</pubPlace>
 <date when="2002"/>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>大塊文化</publisher>
 <pubPlace>台灣：台北</pubPlace>
 <availability>
  <p>版權所有 翻印必究</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Chadwyck Healey</publisher>
 <pubPlace>Cambridge</pubPlace>
 <availability>
  <p>Available under licence only</p>
 </availability>
 <date when="1992">1992</date>
</publicationStmt>

<publicationStmt>

<publicationStmt>
 <publisher>Zea Books</publisher>
 <pubPlace>Lincoln, NE</pubPlace>
 <date>2017</date>
 <availability>
  <p>This is an open access work licensed under a Creative Commons Attribution 4.0 International license.</p>
 </availability>
 <ptr target="http://digitalcommons.unl.edu/zeabook/55"/>
</publicationStmt>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<docDate>

<docImprint>Lettres Modernes Minard, <pubPlace>PARIS-CAEN</pubPlace>
 <docDate>2003</docDate>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>London</pubPlace>
Printed for <name>E. Nutt</name>,
at
<pubPlace>Royal Exchange</pubPlace>;
<name>J. Roberts</name> in
<pubPlace>wick-Lane</pubPlace>;
<name>A. Dodd</name> without
<pubPlace>Temple-Bar</pubPlace>;
and <name>J. Graves</name> in
<pubPlace>St. James's-street.</pubPlace>
 <date>1722.</date>
</docImprint>

<docImprint>

<docImprint>
 <pubPlace>PARIS</pubPlace>, <name>Delangle Frères</name> Éditeurs-libraires,
<pubPlace>Place de la Bourse</pubPlace>
</docImprint>
<docDate>MDCCCXXX</docDate>

<docImprint>

<docImprint>
 <date>1995</date>年初版發行於<pubPlace>台北</pubPlace>：<pubPlace>麥田出版</pubPlace>，<name>王德威</name>主編 ; 另外亦出版於<pubPlace>香港</pubPlace>： <pubPlace>城邦</pubPlace>; <pubPlace>馬來西亞</pubPlace>：<pubPlace>城邦</pubPlace>。
</docImprint>

<publisher>

<imprint>
 <pubPlace>Oxford</pubPlace>
 <publisher>Clarendon Press</publisher>
 <date>1987</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>Paris</pubPlace>
 <publisher>Les Éditions de Minuit</publisher>
 <date>2001</date>
</imprint>

<publisher>

<imprint>
 <pubPlace>上海</pubPlace>
 <publisher>上海古籍出版社</publisher>
 <date>2008</date>
</imprint>

<pubPlace>

<publicationStmt>
 <publisher>Oxford University Press</publisher>
 <pubPlace>Oxford</pubPlace>
 <date>1989</date>
</publicationStmt>

<pubPlace>

<publicationStmt>
 <publisher>Editions Denoëll</publisher>
 <pubPlace>Paris</pubPlace>
 <date>1975</date>
</publicationStmt>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<q>

<q> (quoted) contains material which is distinguished from the surrounding text using quotation marks or a similar method, for any one of a variety of reasons including, but not limited to: direct speech or thought, technical terms or jargon, authorial distance, quotations from elsewhere, and passages that are mentioned but not used. [3.3.3. Quotation]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.ascribed.directed

@toWhom

att.ascribed

@who

att.cmc

@generatedBy

type type⚓︎
(type) may be used to indicate whether the offset passage is spoken or thought, or to characterize it more finely.

Status
Optional

Datatype
teidata.enumerated

Suggested values include:

spoken

(spoken) representation of speech

thought

(thought) representation of thought, e.g. internal monologue

written

(written) quotation from a written source

soCalled

(so called) authorial distance

foreign

(foreign) foreign words

distinct

(distinct) linguistically distinct

term

technical term

emph

(emph) rhetorically emphasized

mentioned

(mentioned) refering to itself, not its normal referent

Member of

model.common model.hiLike

Contained by

analysis: s w

core: abbr add addrLine author bibl biblScope cit corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic sp speaker stage term time title unclear

drama: actor castItem castList role roleDesc set

figures: cell figDesc figure formula

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: argument body byline closer dateline div docAuthor docDate docEdition docImprint epigraph imprimatur opener postscript salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig p pb q quote ref reg rs sic sp stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

May be used to indicate that a passage is distinguished from the surrounding text for reasons concerning which no claim is made. When used in this manner, q may be thought of as syntactic sugar for hi with a value of rend that indicates the use of such mechanisms as quotation marks.

Example

It is spelled <q>Tübingen</q> — to enter the
letter <q>u</q> with an umlaut hold down the <q>option</q> key and press
<q>0 0 f c</q>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.specialPara"/>
</content>

Schema Declaration

element q
{
   attribute type
   {
      "spoken"
    | "thought"
    | "written"
    | "soCalled"
    | "foreign"
    | "distinct"
    | "term"
    | "emph"
    | "mentioned"
    | teidata.enumerated
   }?,
   macro.specialPara
}

Processing Model

<model predicate="l" behaviour="block"
 useSourceRendition="true">
<outputRendition>margin-left: 10px; margin-right: 10px; </outputRendition>
</model>
<model predicate="ancestor::p or ancestor::cell"
 behaviour="inline" useSourceRendition="true">
<outputRendition scope="before">content: '‘';</outputRendition>
<outputRendition scope="after">content: '’';</outputRendition>
</model>
<model behaviour="block"
 useSourceRendition="true">
<outputRendition>margin-left: 10px; margin-right: 10px; </outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <q> (quoted)

These search results reproduce every example of the use of <q> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <q> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

1. A Short Example

3. Encoding the Body

5. Names, Codes, and Numbers

10. Analysis

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

1. A Short Example

1. A Short Example

<pb n="474"/>
<div type="chapter" n="38">
 <p>Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were
   alone present. When we got back from church, I went into the kitchen of the
   manor-house, where Mary was cooking the dinner, and John cleaning the knives, and I
   said —</p>
 <p>
  <q>Mary, I have been married to Mr Rochester this morning.</q> The housekeeper and
   her husband were of that decent, phlegmatic order of people, to whom one may at any
   time safely communicate a remarkable piece of news without incurring the danger of
   having one's ears pierced by some shrill ejaculation and subsequently stunned by a
   torrent of wordy wonderment. Mary did look up, and she did stare at me; the ladle
   with which she was basting a pair of chickens roasting at the fire, did for some
   three minutes hang suspended in air, and for the same space of time John's knives
   also had rest from the polishing process; but Mary, bending again over the roast,
   said only —</p>
 <p>
  <q>Have you, miss? Well, for sure!</q>
 </p>
 <p>A short time after she pursued, <q>I seed you go out with the master, but I didn't
     know you were gone to church to be wed</q>; and she basted away. John, when I
   turned to him, was grinning from ear to ear. <q>I telled Mary how it would be,</q>
   he said: <q>I knew what Mr Edward</q> (John was an old servant, and had known his
   master when he was the cadet of the house, therefore he often gave him his Christian
   name) — <q>I knew what Mr Edward would do; and I was certain he would not wait long
     either: and he's done right, for aught I know. I wish you joy, miss!</q> and he
   politely pulled his forelock.</p>
 <p>
  <q>Thank you, John. Mr Rochester told me to give you and Mary this.</q>
 </p>
 <p>I put into his hand a five-pound note. Without waiting to hear more, I left the
   kitchen. In passing the door of that sanctum some time after, I caught the words
   —</p>
 <p>
  <q>She'll happen do better for him nor ony o' t' grand ladies.</q> And again, <q>If
     she ben't one o' th' handsomest, she's noan faàl, and varry good-natured; and i'
     his een she's fair beautiful, onybody may see that.</q>
 </p>
 <p>I wrote to Moor House and to Cambridge immediately, to say what I had done: fully
   explaining also why I had thus acted. Diana and <pb n="475"/> Mary approved the step
   unreservedly. Diana announced that she would just give me time to get over the
   honeymoon, and then she would come and see me.</p>
 <p>
  <q>She had better not wait till then, Jane,</q> said Mr Rochester, when I read her
   letter to him; <q>if she does, she will be too late, for our honeymoon will shine
     our life long: its beams will only fade over your grave or mine.</q>
 </p>
 <p>How St John received the news I don't know: he never answered the letter in which I
   communicated it: yet six months after he wrote to me, without, however, mentioning
   Mr Rochester's name or alluding to my marriage. His letter was then calm, and though
   very serious, kind. He has maintained a regular, though not very frequent
   correspondence ever since: he hopes I am happy, and trusts I am not of those who
   live without God in the world, and only mind earthly things.</p>
</div>

3. Encoding the Body

3.5.2. Quotations and Related Features

<p>
 <q>Who-e debel
   you?</q> — he at last said — <q>you no speak-e, damme, I kill-e.</q> And so
saying, the lighted tomahawk began flourishing about me in the dark.
</p>

3.5.2. Quotations and Related Features

<q who="#Wilson">Spaulding, he came down into the office just this day eight weeks with this very
paper in his hand, and he says:—<q who="#Spaulding">I wish to the Lord, Mr.
   Wilson, that I was a red-headed man.</q>
</q>

3.7.3. Special Kinds of Linking

<q xml:id="Q1a" next="#Q1b">Who-e
debel you?</q> — he at last said — <q xml:id="Q1b" prev="#Q1a">you no speak-e,
damme, I kill-e.</q> And so saying, the lighted tomahawk began flourishing about
me in the dark.

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

<q>My dear <name type="person">Mr.
   Bennet</name>, </q>said his lady to him one day,
<q>have you heard that <name type="place">Netherfield Park</name> is let at last?</q>

5.1. Names and Referring Strings

It being one of the principles of the
<name type="org">Circumlocution Office</name> never, on any account whatsoever, to
give a straightforward answer, <name type="person">Mr Barnacle</name> said,

<q>Possibly.</q>

5.1. Names and Referring Strings

<q>My dear <name type="person">Mr.
   Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day...

5.1. Names and Referring Strings

<q>My dear <name type="person" ref="#BENM1">Mr. Bennet</name>, </q> said <rs type="person" ref="#BENM2">his lady</rs> to him
one day,
<q>have you heard that <name type="place" ref="#NETP1">Netherfield
   Park</name> is let at last?</q>

10. Analysis

10. Analysis

<div type="chapter" n="38">
 <pb n="474"/>
 <p>
  <s n="001">Reader, I married him.</s>
  <s n="002">A quiet wedding we had:</s>
  <s n="003">he and I, the parson and clerk, were alone present.</s>
  <s n="004">When
     we got back from church, I went into the kitchen of the manor-house, where Mary
     was cooking the dinner, and John cleaning the knives, and I said —</s>
 </p>
 <p>
  <q>
   <s n="005">Mary, I have been married to Mr Rochester this morning.</s>
  </q> ...
 </p>
</div>

11. Common Attributes

<bibl>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<desc>

<dataSpec module="tei"
 ident="teidata.point" validUntil="2050-02-25">
 <desc type="deprecationInfo"
  versionDate="2018-09-14" xml:lang="en">Several standards bodies, including NIST in the USA,
   strongly recommend against ending the representation of a number
   with a decimal point. So instead of <q>3.</q> use either <q>3</q>
   or <q>3.0</q>.</desc>
<!-- ... -->
</dataSpec>

<epigraph>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<hi>

<p>Au fronton, on lit cette inscription : <hi rend="uppercase">attends. Tu verras.</hi> Le
notaire encore prétend qu' elle ne saurait être antérieure au XVIII siècle, car, sinon, l'
on eût écrit —<q>tu voiras</q>—. </p>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<p>

<p>Hallgerd was outside. <q>There is blood on your axe,</q> she said. <q>What have you
   done?</q>
</p>
<p>
 <q>I have now arranged that you can be married a second time,</q> replied Thjostolf.
</p>
<p>
 <q>Then you must mean that Thorvald is dead,</q> she said.
</p>
<p>
 <q>Yes,</q> said Thjostolf. <q>And now you must think up some plan for me.</q>
</p>

<p>

<p>我抬起頭，他打開了一扇窗戶，探出頭來。<q>先生？</q>
</p>
<p>
 <q>你要去哪。葛里葉？</q>
</p>
<p>
 <q>去藥劑師那裡，先生。太太要我去，替男孩拿點東西。</q>
</p>
<p>
 <q>你能不能也替我拿點東西？</q>
</p>ㄒㄒ

<p>
 <q>當然能，先生。</q> 忽然間風好像沒那麼刺骨了。 <q>等一下，我把它寫下來。</q>
</p>

<q>

It is spelled <q>Tübingen</q> — to enter the
letter <q>u</q> with an umlaut hold down the <q>option</q> key and press
<q>0 0 f c</q>

<q>

<p>Si quelque serrure allait mal, il l'avait bientôt démontée, rafistolée, huilée, limée,
remontée, en disant :<q>ça me connaît</q>.</p>

<q>

<p>Enfin je me rappelai le pis-aller d’une grande princesse à
qui l’on disait que les paysans n’avaient pas de pain, et qui
répondit : <q>Qu’ils mangent de la brioche.</q>
</p>

<q>

三個魚字疊作 <q>鱻</q>， — 欲拼出此<q>鱻</q>字，可以<q>漢語拼音</q>
輸入<q>xin</q>即可。

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<q>你已經<reg>計劃</reg>我們<reg>下週</reg>旅遊的<reg>計畫</reg>了嗎？</q>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<rs>

<q>My dear <rs type="person">Mr. Bennet</rs>, </q> said <rs type="person">his lady</rs>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>

<rs>

<q>我親愛的 <rs type="person"> 班納特先生</rs>，
</q>一天，<rs type="person">班納特太太</rs> 對她的丈夫說：
<q>你聽說過<rs type="place">尼日斐花園</rs> 終於租出去了嗎?</q>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<bibl>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<desc>

<dataSpec module="tei"
 ident="teidata.point" validUntil="2050-02-25">
 <desc type="deprecationInfo"
  versionDate="2018-09-14" xml:lang="en">Several standards bodies, including NIST in the USA,
   strongly recommend against ending the representation of a number
   with a decimal point. So instead of <q>3.</q> use either <q>3</q>
   or <q>3.0</q>.</desc>
<!-- ... -->
</dataSpec>

<epigraph>

<epigraph>
 <bibl>Deut. Chap. 5.</bibl>
 <q>11 Thou ſhalt not take the name of the Lord thy God in vaine, for the Lord
   will not hold him guiltleſſe which ſhall take his name in vaine.</q>
</epigraph>

<figDesc>

<figure>
 <graphic url="chap3fig2.png"/>
 <head>Dick Kennedy </head>
 <figDesc>Gravure de E. Riou représentant un jeune homme assis sur une chaise, les
   pieds sur une autre et tenant à la main une canne. En arrière plan, une théière, et
   l'inscription <q>Map of Africa</q> .</figDesc>
</figure>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<hi>

<p>Au fronton, on lit cette inscription : <hi rend="uppercase">attends. Tu verras.</hi> Le
notaire encore prétend qu' elle ne saurait être antérieure au XVIII siècle, car, sinon, l'
on eût écrit —<q>tu voiras</q>—. </p>

<label>

<list type="gloss">
 <label>一</label>
 <item>今天晚上，很好的月光。 我不見他，已是三十多年；今天見了，精神分外爽快。...</item>
 <label>二</label>
 <item>今天全沒月光，我知道不妙。早上小心出門，趙貴翁的眼色便怪：似乎怕我，似乎想害我。還有七八個人，交頭接耳的議論我，...</item>
 <label>三</label>
 <item>...我翻開歷史一查，這歷史沒有年代，歪歪斜斜的每葉上都寫著“仁義道德”几個字。我橫豎睡不著，仔細看了半夜，才從字縫里看出字來，滿本都寫著兩個字是<q xml:lang="och">喫人</q>！書上寫著這許多字，佃戶說了這許多話，卻都笑吟吟的睜著怪眼看我。我也是人，他們想要吃我了！ </item>
 <label>六</label>
 <item>黑漆漆的，不知是日是夜。趙家的狗又叫起來了。 獅子似的凶心，兔子的怯弱，狐狸的狡猾，…… </item>
</list>

<p>

<p>Hallgerd was outside. <q>There is blood on your axe,</q> she said. <q>What have you
   done?</q>
</p>
<p>
 <q>I have now arranged that you can be married a second time,</q> replied Thjostolf.
</p>
<p>
 <q>Then you must mean that Thorvald is dead,</q> she said.
</p>
<p>
 <q>Yes,</q> said Thjostolf. <q>And now you must think up some plan for me.</q>
</p>

<p>

<p>我抬起頭，他打開了一扇窗戶，探出頭來。<q>先生？</q>
</p>
<p>
 <q>你要去哪。葛里葉？</q>
</p>
<p>
 <q>去藥劑師那裡，先生。太太要我去，替男孩拿點東西。</q>
</p>
<p>
 <q>你能不能也替我拿點東西？</q>
</p>ㄒㄒ

<p>
 <q>當然能，先生。</q> 忽然間風好像沒那麼刺骨了。 <q>等一下，我把它寫下來。</q>
</p>

<q>

It is spelled <q>Tübingen</q> — to enter the
letter <q>u</q> with an umlaut hold down the <q>option</q> key and press
<q>0 0 f c</q>

<q>

<p>Si quelque serrure allait mal, il l'avait bientôt démontée, rafistolée, huilée, limée,
remontée, en disant :<q>ça me connaît</q>.</p>

<q>

<p>Enfin je me rappelai le pis-aller d’une grande princesse à
qui l’on disait que les paysans n’avaient pas de pain, et qui
répondit : <q>Qu’ils mangent de la brioche.</q>
</p>

<q>

三個魚字疊作 <q>鱻</q>， — 欲拼出此<q>鱻</q>字，可以<q>漢語拼音</q>
輸入<q>xin</q>即可。

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<q>你已經<reg>計劃</reg>我們<reg>下週</reg>旅遊的<reg>計畫</reg>了嗎？</q>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<rs>

<q>My dear <rs type="person">Mr. Bennet</rs>, </q> said <rs type="person">his lady</rs>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>

<rs>

<q>我親愛的 <rs type="person"> 班納特先生</rs>，
</q>一天，<rs type="person">班納特太太</rs> 對她的丈夫說：
<q>你聽說過<rs type="place">尼日斐花園</rs> 終於租出去了嗎?</q>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

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<quote>

<quote> (quotation) contains a phrase or passage attributed by the narrator or author to some agency external to the text. [3.3.3. Quotation 4.3.1. Grouped Texts]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.notated

@notation

att.typed

@type

@subtype

Member of

model.biblPart model.quoteLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope cit corr del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic sp speaker stage term title unclear

drama: actor castList role roleDesc set

figures: cell figDesc figure

header: change distributor edition extent licence rendition tagUsage

linking: ab seg

textstructure: argument body div docAuthor docDate docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig p pb q quote ref reg rs sic sp stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

If a bibliographic citation is supplied for the source of a quotation, the two may be grouped using the cit element.

Example

Lexicography has shown little sign of being affected by the
work of followers of J.R. Firth, probably best summarized in his
slogan, <quote>You shall know a word by the company it
keeps</quote>
<ref>(Firth, 1957)</ref>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.specialPara"/>
</content>

Schema Declaration

element quote { macro.specialPara }

Processing Model

<model predicate="ancestor::p"
 behaviour="inline" useSourceRendition="true">
<desc>If it is inside a paragraph then it is inline, otherwise it is block
 level</desc>
<outputRendition scope="before">content: '‘';</outputRendition>
<outputRendition scope="after">content: '’';</outputRendition>
</model>
<model behaviour="block"
 useSourceRendition="true">
<desc>If it is inside a paragraph then it is inline, otherwise it is block
 level</desc>
<outputRendition>margin-left: 10px; margin-right: 10px; </outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <quote> (quotation)

These search results reproduce every example of the use of <quote> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <quote> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.5.2. Quotations and Related Features

<p>Few dictionary makers are likely to
forget Dr. Johnson's description of the lexicographer as <quote>a harmless
   drudge.</quote>
</p>

11. Common Attributes

att.global.source

<p>
<!-- ... --> As Willard McCarty (<bibl xml:id="mcc_2012">2012, p.2</bibl>) tells us, <quote source="#mcc_2012">‘Collaboration’ is a problematic and should be a contested
   term.</quote>
<!-- ... -->
</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<cit>

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

<cit>

<cit>
 <quote>Regarde de tous tes yeux, regarde</quote>
 <bibl>Jules Verne, Michel Strogof</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>to horrify</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>horrifier</quote>
 </cit>
 <cit type="example">
  <quote>she was horrified at the expense.</quote>
  <cit type="translation" xml:lang="en">
   <quote>elle était horrifiée par la dépense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit>
 <quote>棋開始了。上千人不再出聲兒。只有自願服務的人一會兒緊一會兒慢地用話傳出棋步，外邊兒自願服務的人就變動著棋子兒。</quote>
 <bibl>阿城，《棋王》。</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="zh">
  <quote>使驚嚇</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="zh">
   <quote>成本把她嚇呆了。</quote>
  </cit>
 </cit>
</entry>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>to horrify</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="en">
   <quote>she was horrified at the expense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit type="example">
 <quote xml:lang="mix">Ka'an yu tsa'a Pedro.</quote>
 <media url="soundfiles-gen:S_speak_1s_on_behalf_of_Pedro_01_02_03_TS.wav"
  mimeType="audio/wav"/>
 <cit type="translation">
  <quote xml:lang="en">I'm speaking on behalf of Pedro.</quote>
 </cit>
 <cit type="translation">
  <quote xml:lang="es">Estoy hablando de parte de Pedro.</quote>
 </cit>
</cit>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<quote>

Lexicography has shown little sign of being affected by the
work of followers of J.R. Firth, probably best summarized in his
slogan, <quote>You shall know a word by the company it
keeps</quote>
<ref>(Firth, 1957)</ref>

<quote>

C'est sûrement ça
qu'on appelle la glorieuse liberté des enfants de Dieu. <quote>Aime et fais tout ce que tu
voudras.</quote>Mais moi, ça me démolit.

<quote>

孟懿子問孝。子曰：<quote>無違。</quote>
<ref>(論語：卷一：為政第二)</ref>

17. The TEI simplePrint schema

att.global.source

<p>
<!-- ... --> As Willard McCarty (<bibl xml:id="mcc_2012">2012, p.2</bibl>) tells us, <quote source="#mcc_2012">‘Collaboration’ is a problematic and should be a contested
   term.</quote>
<!-- ... -->
</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

<cit>

<cit>
 <quote>and the breath of the whale is frequently attended with such an insupportable smell,
   as to bring on disorder of the brain.</quote>
 <bibl>Ulloa's South America</bibl>
</cit>

<cit>

<cit>
 <quote>Regarde de tous tes yeux, regarde</quote>
 <bibl>Jules Verne, Michel Strogof</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>to horrify</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>horrifier</quote>
 </cit>
 <cit type="example">
  <quote>she was horrified at the expense.</quote>
  <cit type="translation" xml:lang="en">
   <quote>elle était horrifiée par la dépense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit>
 <quote>棋開始了。上千人不再出聲兒。只有自願服務的人一會兒緊一會兒慢地用話傳出棋步，外邊兒自願服務的人就變動著棋子兒。</quote>
 <bibl>阿城，《棋王》。</bibl>
</cit>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="zh">
  <quote>使驚嚇</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="zh">
   <quote>成本把她嚇呆了。</quote>
  </cit>
 </cit>
</entry>

<cit>

<entry>
 <form>
  <orth>horrifier</orth>
 </form>
 <cit type="translation" xml:lang="en">
  <quote>to horrify</quote>
 </cit>
 <cit type="example">
  <quote>elle était horrifiée par la dépense</quote>
  <cit type="translation" xml:lang="en">
   <quote>she was horrified at the expense.</quote>
  </cit>
 </cit>
</entry>

<cit>

<cit type="example">
 <quote xml:lang="mix">Ka'an yu tsa'a Pedro.</quote>
 <media url="soundfiles-gen:S_speak_1s_on_behalf_of_Pedro_01_02_03_TS.wav"
  mimeType="audio/wav"/>
 <cit type="translation">
  <quote xml:lang="en">I'm speaking on behalf of Pedro.</quote>
 </cit>
 <cit type="translation">
  <quote xml:lang="es">Estoy hablando de parte de Pedro.</quote>
 </cit>
</cit>

<front>

<front>
 <epigraph>
  <quote>Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla
     pendere, et cum illi pueri dicerent: <q xml:lang="grc">Σίβυλλα τί
       θέλεις</q>; respondebat illa: <q xml:lang="grc">ὰποθανεῖν θέλω.</q>
  </quote>
 </epigraph>
 <div type="dedication">
  <p>For Ezra Pound <q xml:lang="it">il miglior fabbro.</q>
  </p>
 </div>
</front>

<front>

<front>
 <div type="dedication">
  <p>à la mémoire de Raymond Queneau</p>
 </div>
 <div type="avertissement">
  <p>L'amitié, l'histoire et la littérature m'ont fourni quelques-uns
     des.personnages de ce livre. Toute autre ressemblance avec des
     individus vivants ou ayant réellement ou fictivement existé ne
     saurait être que coïncidence.</p>
  <epigraph>
   <quote>Regarde de tous tes yeux, regarde <bibl>(Jules Verne, Michel
         Strogoff )</bibl>
   </quote>
  </epigraph>
 </div>
 <div type="preambule">
  <head>PRÉAMBULE</head>
  <epigraph>
   <quote>
    <q>L'œil suit les chemins qui lui ont été ménagés dans l'oeuvre
    <bibl>(Paul Klee, Pädagosisches Skizzenbuch)</bibl>
    </q>
   </quote>
  </epigraph>
  <p> Au départ, l'art du puzzle semble un art bref, un art mince, tout
     entier contenu dans un maigre enseignement de la Gestalttheorie :
     ...</p>
 </div>
</front>

<front>

<front>
 <epigraph>
  <quote>小燕子其實也無所愛，只是沉浸在朦朧而飄忽的夏夜夢里罷了。 </quote>
 </epigraph>
 <div type="dedication">
  <p>《憶》第三十五首</p>
 </div>
</front>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<label>

<list type="gloss">
 <label>March 1757.</label>
 <item>I wrote some critical observations upon Plautus.</item>
 <label>March 8th.</label>
 <item>I wrote a long dissertation upon some lines of Virgil.</item>
 <label>June.</label>
 <item>I saw Mademoiselle Curchod — <quote xml:lang="la">Omnia vincit amor, et nos cedamus
     amori.</quote>
 </item>
 <label>August.</label>
 <item>I went to Crassy, and staid two days.</item>
</list>

<quote>

Lexicography has shown little sign of being affected by the
work of followers of J.R. Firth, probably best summarized in his
slogan, <quote>You shall know a word by the company it
keeps</quote>
<ref>(Firth, 1957)</ref>

<quote>

C'est sûrement ça
qu'on appelle la glorieuse liberté des enfants de Dieu. <quote>Aime et fais tout ce que tu
voudras.</quote>Mais moi, ça me démolit.

<quote>

孟懿子問孝。子曰：<quote>無違。</quote>
<ref>(論語：卷一：為政第二)</ref>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<ref>

<ref> (reference) defines a reference to another location, possibly modified by additional text or comment. [3.7. Simple Links and Cross-References 17.1. Links]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cReferencing

@cRef

att.cmc

@generatedBy

att.internetMedia

@mimeType

att.pointing

@targetLang

@target

@evaluate

att.typed

@type

@subtype

Member of

model.ptrLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope cit corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg relatedItem resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence publicationStmt rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The target and cRef attributes are mutually exclusive.

Example

See especially <ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2">the second
sentence</ref>

Show all ⚓︎

Example

See also <ref target="#locution">s.v. <term>locution</term>
</ref>.

Show all ⚓︎

Schematron

<sch:rule context="tei:ref">
<sch:report test="@target and @cRef">Only one of the attributes @target and @cRef may be supplied on <sch:name/>.</sch:report>
</sch:rule>

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element ref { macro.paraContent }

Processing Model

<model behaviour="inline"
 predicate="not(@target)"/>
<model predicate="not(text())"
 behaviour="link">
<param name="content" value="@target"/>
<param name="uri" value="@target"/>
</model>
<model behaviour="link">
<param name="uri" value="@target"/>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <ref> (reference)

These search results reproduce every example of the use of <ref> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <ref> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

5. Names, Codes, and Numbers

7. Bibliographic Citations

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.6. Notes

<p>...some text <ref target="#n7"
  rendition="simple:superscript">7</ref> .... <note xml:id="n7">a note about some text</note>
</p>

3.7.1. Simple Cross References

See especially <ref target="#SEC12">section
12 on page 34</ref>.

3.7.1. Simple Cross References

See especially <ref target="#SEC12"/>.

3.7.1. Simple Cross References

... see especially <ref target="#SEC12"/>.
...
<div xml:id="SEC12">
 <head>Concerning Identifiers</head>
<!-- ... -->
</div>

3.7.1. Simple Cross References

... this is discussed in <ref target="#pspec">the paragraph on links</ref> ...
<p xml:id="pspec">Links may be
made to any kind of element ...</p>

3.7.1. Simple Cross References

Returning to <ref target="#ABCD">the point
where I dozed off</ref>, I noticed that <ref target="#EFGH">three words</ref> had
been circled in red by a previous reader

5. Names, Codes, and Numbers

5.2. Formulae, Codes, and Special Characters

<p>Further discussion of <ref target="http://www.tei-c.org/">the Text Encoding
   Initiative website</ref> may be found at <ref>http://www.tei-c.org/</ref>
</p>

7. Bibliographic Citations

7. Bibliographic Citations

<p>Perec citing, amongst others <ref target="#MK_73">Sturm und Drang, 1973</ref>,
concludes ... </p>

11. Common Attributes

att.internetMedia

<ref mimeType="application/tei+xml; charset=UTF-8"
 target="https://raw.githubusercontent.com/TEIC/TEI/dev/P5/Source/guidelines-en.xml"/>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

<addrLine>

<addrLine>
 <ref target="tel:+1-201-555-0123">(201) 555 0123</ref>
</addrLine>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<quote>

Lexicography has shown little sign of being affected by the
work of followers of J.R. Firth, probably best summarized in his
slogan, <quote>You shall know a word by the company it
keeps</quote>
<ref>(Firth, 1957)</ref>

<quote>

孟懿子問孝。子曰：<quote>無違。</quote>
<ref>(論語：卷一：為政第二)</ref>

<ref>

See especially <ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2">the second
sentence</ref>

<ref>

See also <ref target="#locution">s.v. <term>locution</term>
</ref>.

<ref>

Cf. tout particulièrement <ref target="#SEC12">la section 12, page 34</ref>.

<ref>

Cf. tout particulièrement
<ref cRef="B1/234">le vers 234 du Livre I</ref>

<ref>

<ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2"> 關於第二行，</ref> 請參考 <ref>下列
<term>慣用語</term>
</ref>.

17. The TEI simplePrint schema

att.internetMedia

<ref mimeType="application/tei+xml; charset=UTF-8"
 target="https://raw.githubusercontent.com/TEIC/TEI/dev/P5/Source/guidelines-en.xml"/>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<editionStmt>

<editionStmt>
 <p>Première édition électronique, Nancy, <date> 2002</date>, réalisée dans le cadre de la
   base <ref target="http://www.frantext.fr/">FRANTEXT</ref> .</p>
</editionStmt>

<editorialDecl>

<encodingDesc>
 <editorialDecl>
  <p>EEBO-TCP is a partnership between the Universities of Michigan and Oxford
     and the publisher ProQuest to create accurately transcribed and encoded
     texts based on the image sets published by ProQuest via their Early English
     Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of
     EEBO-TCP is to encode one copy (usually the first edition) of every
     monographic English-language title published between 1473 and 1700 available
     in EEBO.</p>
  <p>EEBO-TCP aimed to produce large quantities of textual data within the usual
     project restraints of time and funding, and therefore chose to create
     diplomatic transcriptions (as opposed to critical editions) with
     light-touch, mainly structural encoding based on the Text Encoding
     Initiative (http://www.tei-c.org).</p>
  <p>The EEBO-TCP project was divided into two phases. The 25,363 texts created
     during Phase 1 of the project have been released into the public domain as
     of 1 January 2015. Anyone can now take and use these texts for their own
     purposes, but we respectfully request that due credit and attribution is
     given to their original source.</p>
  <p>Users should be aware of the process of creating the TCP texts, and
     therefore of any assumptions that can be made about the data.</p>
  <p>Text selection was based on the New Cambridge Bibliography of English
     Literature (NCBEL). If an author (or for an anonymous work, the title)
     appears in NCBEL, then their works are eligible for inclusion. Selection was
     intended to range over a wide variety of subject areas, to reflect the true
     nature of the print record of the period. In general, first editions of a
     works in English were prioritized, although there are a number of works in
     other languages, notably Latin and Welsh, included and sometimes a second or
     later edition of a work was chosen if there was a compelling reason to do
     so.</p>
  <p>Image sets were sent to external keying companies for transcription and
     basic encoding. Quality assurance was then carried out by editorial teams in
     Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text
     was proofread for accuracy and those which did not meet QA standards were
     returned to the keyers to be redone. After proofreading, the encoding was
     enhanced and/or corrected and characters marked as illegible were corrected
     where possible up to a limit of 100 instances per text. Any remaining
     illegibles were encoded as <gap>s. Understanding these processes
     should make clear that, while the overall quality of TCP data is very good,
     some errors will remain and some readable characters will be marked as
     illegible. Users should bear in mind that in all likelihood such instances
     will never have been looked at by a TCP editor.</p>
  <p>The texts were encoded and linked to page images in accordance with level 4
     of the TEI in Libraries guidelines.</p>
  <p>Copies of the texts have been issued variously as SGML (TCP schema; ASCII
     text with mnemonic sdata character entities); displayable XML (TCP schema;
     characters represented either as UTF-8 Unicode or text strings within
     braces); or lossless XML (TEI P5, characters represented either as UTF-8
     Unicode or TEI g elements).</p>
  <p>Keying and markup guidelines are available at the <ref target="http://www.textcreationpartnership.org/docs/.">Text Creation
       Partnership web site</ref>.</p>
 </editorialDecl>
</encodingDesc>

<addrLine>

<addrLine>
 <ref target="tel:+1-201-555-0123">(201) 555 0123</ref>
</addrLine>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="enm">
 <head xml:lang="en">Vocabulary</head>
 <headLabel xml:lang="en">Middle English</headLabel>
 <headItem xml:lang="en">New English</headItem>
 <label>nu</label>
 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
 <item xml:lang="en">blooms</item>
 <label>med</label>
 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
 <item xml:lang="en">ewe</item>
 <label>lhouth</label>
 <item xml:lang="en">lows</item>
 <label>sterteth</label>
 <item xml:lang="en">bounds, frisks (cf. <cit>
   <ref>Chaucer, K.T.644</ref>
   <quote>a courser, <term>sterting</term>as the fyr</quote>
  </cit>
 </item>
 <label>verteth</label>
 <item xml:lang="la">pedit</item>
 <label>murie</label>
 <item xml:lang="en">merrily</item>
 <label>swik</label>
 <item xml:lang="en">cease</item>
 <label>naver</label>
 <item xml:lang="en">never</item>
</list>

<label>

<list type="gloss" xml:lang="fro">
 <head xml:lang="en">Vocabulaire</head>
 <headLabel xml:lang="fr">Ancien français</headLabel>
 <headItem xml:lang="fr">Français moderne</headItem>
 <label>amerté</label>
 <item xml:lang="fr">amertume</item>
 <label>barquer</label>
 <item xml:lang="fr">conduire une barque</item>
 <label>biberon</label>
 <item xml:lang="fr">goulot d'un vase.</item>
 <label>bugle</label>
 <item xml:lang="fr">jeune boeuf</item>
 <label>cestui</label>
 <item xml:lang="fr">celui-ci</item>
 <label>chaitiveté</label>
 <item xml:lang="fr">captivité</item>
 <label>duire</label>
 <item xml:lang="fr">conduire</item>
 <label>dangier</label>
 <item xml:lang="fr">puissance, pouvoir</item>
 <label>sangler</label>
 <item xml:lang="la">singularis</item>
 <label>vespre </label>
 <item xml:lang="fr">tombée du jour (cf. <cit>
   <ref>Lexique de Godefroy</ref>
   <quote>de hautes vespres : tard dans la soirée.</quote>
  </cit>)</item>
</list>

<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
 <label>与</label>
 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
 <item xml:lang="zh-TW">軍隊</item>
 <label>疏远</label>
 <item xml:lang="zh-TW">疏遠</item>
 <label>后汉</label>
 <item xml:lang="zh-TW">後漢<cit>
   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
  </cit>
 </item>
 <label>叹息</label>
 <item xml:lang="zh-TW">嘆息</item>
 <label>认为</label>
 <item xml:lang="zh-TW">認為</item>
 <label>诚实</label>
 <item xml:lang="zh-TW">誠實</item>
 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
</list>

<quote>

Lexicography has shown little sign of being affected by the
work of followers of J.R. Firth, probably best summarized in his
slogan, <quote>You shall know a word by the company it
keeps</quote>
<ref>(Firth, 1957)</ref>

<quote>

孟懿子問孝。子曰：<quote>無違。</quote>
<ref>(論語：卷一：為政第二)</ref>

<ref>

See especially <ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2">the second
sentence</ref>

<ref>

See also <ref target="#locution">s.v. <term>locution</term>
</ref>.

<ref>

Cf. tout particulièrement <ref target="#SEC12">la section 12, page 34</ref>.

<ref>

Cf. tout particulièrement
<ref cRef="B1/234">le vers 234 du Livre I</ref>

<ref>

<ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2"> 關於第二行，</ref> 請參考 <ref>下列
<term>慣用語</term>
</ref>.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<reg>

<reg> (regularization) contains a reading which has been regularized or normalized in some sense. [3.5.2. Regularization and Normalization 13. Critical Apparatus]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.editLike

att.typed

@type

@subtype

Member of

model.choicePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

If all that is desired is to call attention to the fact that the copy text has been regularized, reg may be used alone:

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

Show all ⚓︎

Example

It is also possible to identify the individual responsible for the regularization, and, using the choice and orig elements, to provide both the original and regularized readings:

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element reg { macro.paraContent }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

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Example: <reg> (regularization)

These search results reproduce every example of the use of <reg> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <reg> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

... for his Nose was as <reg>sharp</reg> as a
Pen and
<reg>he</reg>
<corr resp="#Theobald">babbl'd</corr> of green fields

4. Editorial Interventions

... for his Nose was as <choice>
 <orig>sharpe</orig>
 <reg>sharp</reg>
</choice> as a Pen, and
<choice>
 <orig>a</orig>
 <reg>he</reg>
</choice>
<choice>
 <corr resp="#Theobald">babbl'd</corr>
 <sic>Table</sic>
</choice> of green fields

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

<name type="person" ref="#WADLM1">
 <choice>
  <orig>Walter de la Mare</orig>
  <reg>de la Mare, Walter</reg>
 </choice>
</name> was born at <name ref="https://en.wikipedia.org/wiki/Charlton,_London"
 type="place">Charlton</name>,
in <name type="place">Kent</name>, in 1873.

11. Common Attributes

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<l>
 <reg>Maître</reg> Corbeau sur un arbre perché,
</l>
<l>
 <reg>Tenait</reg> en son bec un fromage.
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<reg>

<q>你已經<reg>計劃</reg>我們<reg>下週</reg>旅遊的<reg>計畫</reg>了嗎？</q>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

17. The TEI simplePrint schema

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Ainsi lecteur, je suis<choice>
  <orig>moy-mesmes</orig>
  <reg>moi-même</reg>
 </choice> la matière de mon livre : ce n'est pas raison que tu emploies ton loisir en un <choice>
  <orig>subject</orig>
  <reg>sujet</reg>
 </choice>si frivole et si vain.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<orig>

<l>妹子是被大哥<choice>
  <orig>喫</orig>
  <reg>吃</reg>
 </choice> 了，母親知道沒有，我可不得而知。</l>
<l>母親想也知道；不過哭的時候，卻 <choice>
  <orig>并</orig>
  <reg>並</reg>
 </choice>沒有說明，大約也以為應當的了。</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<orig>

<l>But this will be a <choice>
  <orig>meere</orig>
  <reg>mere</reg>
 </choice> confusion</l>
<l>And hardly shall we all be <choice>
  <orig>vnderstoode</orig>
  <reg>understood</reg>
 </choice>
</l>

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<q>Please <reg>knock</reg> if an <reg>answer</reg> is <reg>required</reg>
</q>

<reg>

<l>
 <reg>Maître</reg> Corbeau sur un arbre perché,
</l>
<l>
 <reg>Tenait</reg> en son bec un fromage.
</l>

<reg>

<l>
 <choice>
  <orig>Maistre</orig>
  <reg resp="#LB">Maître</reg>
 </choice>Corbeau sur un arbre perché,
</l>
<l>
 <choice>
  <orig>Tenoit</orig>
  <reg resp="#LB">Tenait</reg>
 </choice> en son bec un fromage.
</l>

<reg>

<q>你已經<reg>計劃</reg>我們<reg>下週</reg>旅遊的<reg>計畫</reg>了嗎？</q>

<reg>

<q>你已經 <choice>
  <reg>計劃</reg>
  <orig>計畫</orig>
 </choice> 我們 <choice>
  <reg>下週</reg>
  <orig>下周</orig>
 </choice> 旅遊的 <choice>
  <reg>計畫</reg>
  <orig>計劃</orig>
 </choice>了嗎？
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

<reg>

<q>Please <choice>
  <reg resp="#LB">knock</reg>
  <orig>cnk</orig>
 </choice> if an <choice>
  <reg>answer</reg>
  <orig>nsr</orig>
 </choice> is <choice>
  <reg>required</reg>
  <orig>reqd</orig>
 </choice>
</q>

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<relatedItem>

<relatedItem> contains or references some other bibliographic item which is related to the present one in some specified manner, for example as a constituent or alternative version of it. [3.12.2.7. Related Items]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

target target⚓︎
points to the related bibliographic element by means of an absolute or relative URI reference.

Status
Optional

Datatype
teidata.pointer

Member of

model.biblPart

Contained by

core: bibl

header: notesStmt

May contain

core: bibl listBibl ref

header: biblFull

Note

If the target attribute is used to reference the related bibliographic item, the element must be empty.

Example

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

Show all ⚓︎

Example

<relatedItem type="otherForm"
 target="http://www.example.com/bibliography.xml#Shirley1655"/>

Show all ⚓︎

Schematron

<sch:rule context="tei:relatedItem">
<sch:report test="@target and count( child::* ) > 0">If the @target attribute on <sch:name/> is used, the relatedItem element must be empty</sch:report>
<sch:assert test="@target or child::*">A relatedItem element should have either a @target attribute or a child element to indicate the related bibliographic item</sch:assert>
</sch:rule>

Content model

<content>
 <alternate minOccurs="0" maxOccurs="1">
  <classRef key="model.biblLike"/>
  <classRef key="model.ptrLike"/>
 </alternate>
</content>

Schema Declaration

element relatedItem
{
   attribute target { teidata.pointer }?,
   ( model.biblLike | model.ptrLike )?
}

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <relatedItem>

These search results reproduce every example of the use of <relatedItem> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <relatedItem> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<relatedItem>

<relatedItem type="otherForm"
 target="http://www.example.com/bibliography.xml#Shirley1655"/>

17. The TEI simplePrint schema

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
    <term type="genre">Plays -- England -- 16th century</term>
    <term type="genre">Plays -- England -- 17th century</term>
    <term type="genre">Comedies -- England -- 16th century</term>
    <term type="genre">Comedies -- England -- 17th century</term>
    <term type="genre">Tragedies -- England -- 16th century</term>
    <term type="genre">Tragedies -- England -- 17th century</term>
   </keywords>
  </textClass>
 </profileDesc>
 <revisionDesc>
  <change when="2010-08-31">Header normalised</change>
 </revisionDesc>
</teiHeader>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<relatedItem>

<relatedItem type="otherForm"
 target="http://www.example.com/bibliography.xml#Shirley1655"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <resp> (responsibility)

These search results reproduce every example of the use of <resp> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <resp> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<resp>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>transcribed from original ms</resp>
 <persName>Claus Huitfeldt</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>Nouvelle édition originale</resp>
 <persName>Geneviève Hasenohr</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>謄寫自原始手稿</resp>
 <persName>徐大明</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

15. The Electronic Title Page

15. The Electronic Title Page

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

17. The TEI simplePrint schema

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<resp>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>transcribed from original ms</resp>
 <persName>Claus Huitfeldt</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>Nouvelle édition originale</resp>
 <persName>Geneviève Hasenohr</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>謄寫自原始手稿</resp>
 <persName>徐大明</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <respStmt> (statement of responsibility)

These search results reproduce every example of the use of <respStmt> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <respStmt> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<resp>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>transcribed from original ms</resp>
 <persName>Claus Huitfeldt</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>Nouvelle édition originale</resp>
 <persName>Geneviève Hasenohr</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>謄寫自原始手稿</resp>
 <persName>徐大明</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

15. The Electronic Title Page

15. The Electronic Title Page

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

17. The TEI simplePrint schema

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">Students' edition</edition>
 <respStmt>
  <resp>Adapted by </resp>
  <name>Elizabeth Kirk</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition>Deuxième édition</edition>
 <respStmt>
  <resp>réalisée par</resp>
  <name>L. F.</name>
 </respStmt>
</editionStmt>

<editionStmt>

<editionStmt>
 <edition n="S2">學生版</edition>
 <respStmt>
  <resp>改編自</resp>
  <name>伊莉莎白．科克</name>
 </respStmt>
</editionStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<resp>

<respStmt>
 <resp ref="http://id.loc.gov/vocabulary/relators/com.html">compiler</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>compilateur</resp>
 <name>Edward Child</name>
</respStmt>

<resp>

<respStmt>
 <resp>編輯</resp>
 <name>林偉</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>transcribed from original ms</resp>
 <persName>Claus Huitfeldt</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>Nouvelle édition originale</resp>
 <persName>Geneviève Hasenohr</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>converti en langage SGML</resp>
 <name>Alan Morrison</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>謄寫自原始手稿</resp>
 <persName>徐大明</persName>
</respStmt>

<respStmt>

<respStmt>
 <resp>轉換成SGML編碼</resp>
 <name>許雁</name>
</respStmt>

<respStmt>

<respStmt>
 <resp>converted to XML encoding</resp>
 <name>Alan Morrison</name>
</respStmt>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<rhyme>

<rhyme> marks the rhyming part of a metrical line. [6.5. Rhyme]

Module
verse

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

label label⚓︎
provides a label (usually a single letter) to identify which part of a rhyme scheme this rhyming string instantiates.

Status
Recommended

Datatype
teidata.word

Note

Within a particular scope, all rhyme elements with the same value for their label attribute are assumed to rhyme with each other. The scope is defined by the nearest ancestor element for which the rhyme attribute has been supplied.

Member of

model.lPart

Contained by

analysis: s w

core: abbr add addrLine author biblScope corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

Show all ⚓︎

Example

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

Show all ⚓︎

Example

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element rhyme { attribute label { teidata.word }?, macro.paraContent }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <rhyme>

These search results reproduce every example of the use of <rhyme> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <rhyme> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<lg rhyme="AABCCBBA">
 <l>The sunlight on the <rhyme label="A">garden</rhyme>
 </l>
 <l>
  <rhyme label="A">Harden</rhyme>s and grows <rhyme label="B">cold</rhyme>,</l>
 <l>We cannot cage the <rhyme label="C">minute</rhyme>
 </l>
 <l>Wi<rhyme label="C">thin it</rhyme>s nets of <rhyme label="B">gold</rhyme>
 </l>
 <l>When all is <rhyme label="B">told</rhyme>
 </l>
 <l>We cannot beg for <rhyme label="A">pardon</rhyme>.</l>
</lg>

11. Common Attributes

<rhyme>

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

<rhyme>

<lg type="quatrain" rhyme="aabccb">
 <l> Les étoiles, points d'or, percent les branches n<rhyme label="a">oires</rhyme> ; </l>
 <l> Le flot huileux et lourd décompose ses m<rhyme label="a">oires</rhyme>
 </l>
 <l> Sur l'océan blê<rhyme label="b">mi</rhyme> ;</l>
 <l>Les nuages ont l'air d'oiseaux prenant la f<rhyme label="c">uite</rhyme>,</l>
 <l>Par moments le vent parle, et dit des mots sans s<rhyme label="c">uite</rhyme>
 </l>
 <l> Comme un homme endor<rhyme label="b">mi</rhyme>.</l>
</lg>

<rhyme>

<lg rhyme="ou">
 <l>故人西辭黃鶴 <rhyme label="lou2">樓</rhyme>，</l>
 <l>煙花三月下揚<rhyme label="jou">州</rhyme>；</l>
 <l>孤帆遠影碧山<rhyme label="jin4">盡</rhyme>，</l>
 <l>唯見長江天際流<rhyme label="liou2">sation</rhyme>。</l>
</lg>

17. The TEI simplePrint schema

<rhyme>

<lg rhyme="abababcc">
 <l>'Tis pity learned virgins ever <rhyme label="a">wed</rhyme>
 </l>
 <l>With persons of no sort of edu<rhyme label="b">cation</rhyme>,</l>
 <l>Or gentlemen, who, though well born and <rhyme label="a">bred</rhyme>,</l>
 <l>Grow tired of scientific conver<rhyme label="b">sation</rhyme>:</l>
 <l>I don't choose to say much on this <rhyme label="a">head</rhyme>,</l>
 <l>I'm a plain man, and in a single <rhyme label="b">station</rhyme>,</l>
 <l>But — Oh! ye lords of ladies inte<rhyme label="c">llectual</rhyme>,</l>
 <l>Inform us truly, have they not hen-<rhyme label="c">peck'd you all</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>Tyger! Tyger! burning <rhyme label="a">bright</rhyme>
 </l>
 <l>In the forests of the <rhyme label="a">night</rhyme>,</l>
 <l>What immortal hand or <rhyme label="b">eye</rhyme>
 </l>
 <l>Could frame thy fearful <rhyme label="b" type="eye-rhyme">symmetry</rhyme>?</l>
</lg>

<rhyme>

<lg>
 <l>"Hark! Lakshman! Hark, again that <rhyme label="a">cry</rhyme>!</l>
 <l>It is, — it is my husband's <rhyme label="b">voice</rhyme>!</l>
 <l>hasten, to his succour <rhyme label="a">fly</rhyme>,</l>
 <l>No more hast thou, dear friend, a <rhyme label="b">choice</rhyme>.</l>
 <l>He calls on thee, perhaps his <rhyme label="c">foes</rhyme>
 </l>
 <l>Environ him on all sides <rhyme label="d">round</rhyme>,</l>
 <l>That wail, — it means death's final <rhyme label="c">throes</rhyme>!</l>
 <l>Why standest thou, as magic-<rhyme label="d">bound</rhyme>?</l>
</lg>

<rhyme>

<lg type="quatrain" rhyme="aabccb">
 <l> Les étoiles, points d'or, percent les branches n<rhyme label="a">oires</rhyme> ; </l>
 <l> Le flot huileux et lourd décompose ses m<rhyme label="a">oires</rhyme>
 </l>
 <l> Sur l'océan blê<rhyme label="b">mi</rhyme> ;</l>
 <l>Les nuages ont l'air d'oiseaux prenant la f<rhyme label="c">uite</rhyme>,</l>
 <l>Par moments le vent parle, et dit des mots sans s<rhyme label="c">uite</rhyme>
 </l>
 <l> Comme un homme endor<rhyme label="b">mi</rhyme>.</l>
</lg>

<rhyme>

<lg rhyme="ou">
 <l>故人西辭黃鶴 <rhyme label="lou2">樓</rhyme>，</l>
 <l>煙花三月下揚<rhyme label="jou">州</rhyme>；</l>
 <l>孤帆遠影碧山<rhyme label="jin4">盡</rhyme>，</l>
 <l>唯見長江天際流<rhyme label="liou2">sation</rhyme>。</l>
</lg>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<role>

<role> (role) contains the name of a dramatic role, as given in a cast list. [7.1.4. Cast Lists]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

gender gender⚓︎
specifies the gender of the role.

Status
Optional

Datatype
1–∞ occurrences of teidata.gender separated by whitespace

Note

Values for this attribute may be locally defined by a project, or they may refer to an external standard.

Member of

model.castItemPart

Contained by

drama: castItem

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

It is important to assign a meaningful ID attribute to the role element, since this ID is referred to by who attributes on many other elements.

Example

<role xml:id="jt">Joan Trash</role>
<roleDesc>A Ginger-bread-woman</roleDesc>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element role
{
   attribute gender { list { teidata.gender+ } }?,
   macro.phraseSeq
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <role> (role)

These search results reproduce every example of the use of <role> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <role> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castItem>

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

<castItem>

<castItem>
 <role>Un marin</role>
 <actor>Henry Courseaux</actor>
</castItem>

<castItem>

<castItem>
 <role>段小樓</role>
 <actor>張豐毅</actor>
</castItem>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<role>

<role xml:id="jt">Joan Trash</role>
<roleDesc>A Ginger-bread-woman</roleDesc>

<role>

<role xml:id="fr_pr">Le professeur Rubeck</role>
<roleDesc>sculpteur</roleDesc>

<role>

<role xml:id="zh-tw_王">鄧肯</role>
<roleDesc>蘇格蘭國王</roleDesc>

17. The TEI simplePrint schema

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castItem>

<castItem>
 <role>Player</role>
 <actor>Mr Milward</actor>
</castItem>

<castItem>

<castItem>
 <role>Un marin</role>
 <actor>Henry Courseaux</actor>
</castItem>

<castItem>

<castItem>
 <role>段小樓</role>
 <actor>張豐毅</actor>
</castItem>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<div n="1">
 <head>T.N.P. 1963</head>
 <note place="foot" n="1">A la création au Festivai d'Avignon en juillet 1962, la
   distribution était légèrement différente : dans l'ordre ci-dessus : Hécube (Annie
   Monnier) ; Iris (Paule Noël) ; Hector (Daniel lvernel) ; Pâris (Jean-Louis Trintignant)
   ; Troïus (Bernard Laïk).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>MARIA MAUBAN </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>CHRISTIANE MINAZZOLLI</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>ALINE BERTRAND</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>JUDITH MAGRE ANNE</castItem>
  <castItem>
   <role>La Paix</role>
   <actor>DOMINIQUE VILAR</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>NOELLE VINCENT</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CLAUDINE MAUGEY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>PIERRE VANECK</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>JEAN VILAR</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor> PASCAL MAZZOTTI </actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>JEAN-FRANÇOIS REMY</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>ROBERT ETCHEVERRY</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARIO PILAR</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>GEORGES GERET</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>PHILIPPE AVRON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>MICHEL GONZALES</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>MAURICE COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>GEORGES RIQUIER</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN MONDAIN</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>LUCIEN ARNAUD</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Bernard Laïk</actor>, <actor>Jean-Pierre Maurin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Christiane Oscar</actor>, <actor>Noëlle Vincent.</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Notables</head>
   <castItem>
    <actor>Jean-Daniel Ehrrnann</actor>
    <actor>Bernard Wawer</actor>
    <actor>Bernard Klein</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jean Dufau</actor>, <actor>Alain Deny</actor>, <actor>Jean-Jacques Leconte</actor>
    <actor>Richard Rein</actor>
   </castItem>
  </castGroup>
 </castList>
</div>
<div n="2">
 <head>Théâtre de la Ville 1971</head>
 <note place="foot" n="2">La pièce a été reprise au Théâtre de la Ville le 22 janvier 1971
   dans une nouvelle mise en scène de Jean Mercure, musique de Marc Wilkinson, scénographie
   et costumes Yannis Kokkos. Elle a été ensuite donnée à partir du 12 juillet dans le
   cadre du 25e Festival d'Avignon, et continuera sa carrière au Théâtre de la Ville à
   partir du 5 novembre 1971 (avec quelques modifications de distribution).</note>
 <castList>
  <castItem>
   <role>Andromaque</role>
   <actor>FRANCINE BERGE </actor>
  </castItem>
  <castItem>
   <role>Hélène</role>
   <actor>ANNIE DUPEREY</actor>
  </castItem>
  <castItem>
   <role>Hécube</role>
   <actor>LOUISE CONTE</actor>
  </castItem>
  <castItem>
   <role> Cassandre </role>
   <actor>ANNE DOAT</actor>
  </castItem>
  <castItem>
   <role>La Paix</role>
   <actor>JANDELINE</actor>
  </castItem>
  <castItem>
   <role>Iris </role>
   <actor>ISA MERCURE</actor>
  </castItem>
  <castItem>
   <role>La petite Polyxène</role>
   <actor>CHRISTIANE SELLAM </actor> ou<actor> VANINA VINITZKY</actor>
  </castItem>
  <castItem>
   <role>Hector</role>
   <actor>JOSE-MARIA FLOTATS</actor>
  </castItem>
  <castItem>
   <role>Ulysse</role>
   <actor>MICHEL DE RE</actor>
  </castItem>
  <castItem>
   <role>Demokos</role>
   <actor>MAURICE CHEVIT</actor>
  </castItem>
  <castItem>
   <role>Priam</role>
   <actor>ANDRE VALTIER</actor>
  </castItem>
  <castItem>
   <role>Pâris</role>
   <actor>DOMINIQUE MAURIN</actor>
  </castItem>
  <castItem>
   <role>Oiax</role>
   <actor>MARCO-PERRIN</actor>
  </castItem>
  <castItem>
   <role>Le Gabier</role>
   <actor>LAFLEUR</actor>
  </castItem>
  <castItem>
   <role>Le Géomètre</role>
   <actor>BERNARD VERON</actor>
  </castItem>
  <castItem>
   <role>Abnéos</role>
   <actor>ANGELO BARDI</actor>
  </castItem>
  <castItem>
   <role>Troïlus</role>
   <actor>PHILIPPE NORMAND</actor>
  </castItem>
  <castItem>
   <role>Olpidès</role>
   <actor>COUSSONNEAU</actor>
  </castItem>
  <castItem>
   <role>Busiris</role>
   <actor>JEAN MERCURE</actor>
  </castItem>
  <castItem>
   <role>Premier Vieillard</role>
   <actor>JEAN-MARIE BON</actor>
  </castItem>
  <castItem>
   <role>Deuxième Vieillard</role>
   <actor>EUGENE BERTHIER</actor>
  </castItem>
  <castGroup>
   <head>Messagers</head>
   <castItem>
    <actor>Jean-Claude Islert</actor>, <actor>Michel Sausin</actor>.</castItem>
  </castGroup>
  <castGroup>
   <head>Servantes troyennes</head>
   <castItem>
    <actor>Dominique Jayr</actor>, <actor>Annie Seurat</actor>,<actor> Hélène
         Augier</actor>
   </castItem>
  </castGroup>
  <castGroup>
   <head>Gardes grecs</head>
   <castItem>
    <actor>Jacques Gaffuri</actor>, <actor>Georges Joannon</actor>
   </castItem>
  </castGroup>
  <castItem>
   <role>Suivant de Busiris</role>
   <actor>Charles Capezzali</actor>
  </castItem>
  <castItem>
   <role>Un marin</role>
   <actor>Henry Courseaux</actor>
  </castItem>
 </castList>
</div>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<role>

<role xml:id="jt">Joan Trash</role>
<roleDesc>A Ginger-bread-woman</roleDesc>

<role>

<role xml:id="fr_pr">Le professeur Rubeck</role>
<roleDesc>sculpteur</roleDesc>

<role>

<role xml:id="zh-tw_王">鄧肯</role>
<roleDesc>蘇格蘭國王</roleDesc>

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<roleDesc>

<roleDesc> (role description) describes a character's role in a drama. [7.1.4. Cast Lists]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.castItemPart

Contained by

drama: castGroup castItem

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<roleDesc>gentlemen of leisure</roleDesc>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element roleDesc { macro.phraseSeq }

Processing Model

<model behaviour="block"/>

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Example: <roleDesc> (role description)

These search results reproduce every example of the use of <roleDesc> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <roleDesc> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

17. The TEI simplePrint schema

11. Common Attributes

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<role>

<role xml:id="jt">Joan Trash</role>
<roleDesc>A Ginger-bread-woman</roleDesc>

<role>

<role xml:id="fr_pr">Le professeur Rubeck</role>
<roleDesc>sculpteur</roleDesc>

<role>

<role xml:id="zh-tw_王">鄧肯</role>
<roleDesc>蘇格蘭國王</roleDesc>

<roleDesc>

<roleDesc>gentlemen of leisure</roleDesc>

<roleDesc>

<roleDesc>valet de chasse</roleDesc>

<roleDesc>

<roleDesc>悠閒的紳士</roleDesc>

17. The TEI simplePrint schema

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

<actor>

<castItem>
 <role>Mathias</role>
 <roleDesc>the Burgomaster</roleDesc>
 <actor ref="https://en.wikipedia.org/wiki/Henry_Irving">Mr. Henry Irving</actor>
</castItem>

<actor>

<castItem>
 <role>Mrs Saunders</role>
 <roleDesc>la logeuse</roleDesc>
 <actor>Sylvia Marriott</actor>
</castItem>

<actor>

<castItem>
 <role>梁山伯</role>
 <roleDesc>窮書生</roleDesc>
 <actor>凌波</actor>
</castItem>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>Walter</role>
  <actor>Mr Frank Hall</actor>
 </castItem>
 <castItem>
  <role>Hans</role>
  <actor>Mr F.W. Irish</actor>
 </castItem>
 <roleDesc>friends of Mathias</roleDesc>
</castGroup>

<castGroup>

<castGroup rend="braced">
 <castItem>
  <role>程蝶衣</role>
  <actor>張國榮</actor>
 </castItem>
 <castItem>
  <role>菊仙</role>
  <actor>鞏俐</actor>
 </castItem>
 <roleDesc>原是妓女，後嫁段小樓為妻</roleDesc>
</castGroup>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<role>

<role xml:id="jt">Joan Trash</role>
<roleDesc>A Ginger-bread-woman</roleDesc>

<role>

<role xml:id="fr_pr">Le professeur Rubeck</role>
<roleDesc>sculpteur</roleDesc>

<role>

<role xml:id="zh-tw_王">鄧肯</role>
<roleDesc>蘇格蘭國王</roleDesc>

<roleDesc>

<roleDesc>gentlemen of leisure</roleDesc>

<roleDesc>

<roleDesc>valet de chasse</roleDesc>

<roleDesc>

<roleDesc>悠閒的紳士</roleDesc>

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<row>

<row> (row) contains one row of a table. [15.1.1. TEI Tables]

Module
figures

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.tableDecoration

@role

@rows

@cols

role role⚓︎

Status
Optional

Legal values are:

data

data cell

label

label cell

sum

row or column sum data

total

table total data

Contained by

figures: table

May contain

figures: cell

Example

<row role="data">
 <cell role="label">Classics</cell>
 <cell>Idle listless and unimproving</cell>
</row>

Show all ⚓︎

Content model

<content>
 <elementRef key="cell" minOccurs="1"
  maxOccurs="unbounded"/>
</content>

Schema Declaration

element row { attribute role { "data" | "label" | "sum" | "total" }?, cell+ }

Processing Model

<model predicate="@role='label'"
 behaviour="row">
<outputRendition>font-weight: bold;</outputRendition>
</model>
<model behaviour="row">
<desc>Insert table row. </desc>
</model>

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Example: <row> (row)

These search results reproduce every example of the use of <row> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <row> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

8. Tables

11. Common Attributes

17. The TEI simplePrint schema

8. Tables

8. Tables

<p>It was indeed coming on amain, for the
burials that same week were in the next adjoining parishes thus:— <table rows="5" cols="4">
  <row role="data">
   <cell role="label">St. Leonard's, Shoreditch</cell>
   <cell>64</cell>
   <cell>84</cell>
   <cell>119</cell>
  </row>
  <row role="data">
   <cell role="label">St. Botolph's, Bishopsgate</cell>
   <cell>65</cell>
   <cell>105</cell>
   <cell>116</cell>
  </row>
  <row role="data">
   <cell role="label">St. Giles's, Cripplegate</cell>
   <cell>213</cell>
   <cell>421</cell>
   <cell>554</cell>
  </row>
 </table>
</p>
<p>This shutting up of houses was at first counted a very cruel and
unchristian method, and the poor people so confined made bitter lamentations. ...
</p>

11. Common Attributes

<cell>

<row>
 <cell role="label">General conduct</cell>
 <cell role="data">Not satisfactory, on account of his great unpunctuality
   and inattention to duties</cell>
</row>

<cell>

<row>
 <cell role="label">Comportement général</cell>
 <cell role="data">Non satisfaisant, à cause de son inexactitude et de son
   inconséquence</cell>
</row>

<cell>

<row>
 <cell role="label">工作評價</cell>
 <cell role="data">不滿意；因為工作拖延、粗心。</cell>
</row>

<row>

<row role="data">
 <cell role="label">Classics</cell>
 <cell>Idle listless and unimproving</cell>
</row>

<row>

<row role="data">
 <cell role="label">Etudes classiques</cell>
 <cell>Inoccupé indolent et sans amélioration</cell>
</row>

<row>

<row role="data">
 <cell role="label">古文</cell>
 <cell>漫無目的且無精進的</cell>
</row>

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

17. The TEI simplePrint schema

<cell>

<row>
 <cell role="label">General conduct</cell>
 <cell role="data">Not satisfactory, on account of his great unpunctuality
   and inattention to duties</cell>
</row>

<cell>

<row>
 <cell role="label">Comportement général</cell>
 <cell role="data">Non satisfaisant, à cause de son inexactitude et de son
   inconséquence</cell>
</row>

<cell>

<row>
 <cell role="label">工作評價</cell>
 <cell role="data">不滿意；因為工作拖延、粗心。</cell>
</row>

<row>

<row role="data">
 <cell role="label">Classics</cell>
 <cell>Idle listless and unimproving</cell>
</row>

<row>

<row role="data">
 <cell role="label">Etudes classiques</cell>
 <cell>Inoccupé indolent et sans amélioration</cell>
</row>

<row>

<row role="data">
 <cell role="label">古文</cell>
 <cell>漫無目的且無精進的</cell>
</row>

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

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<rs>

<rs> (referencing string) contains a general purpose name or referring string. [14.2.1. Personal Names 3.6.1. Referring Strings]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.naming

@role

@nymRef

att.canonical

@ref

att.typed

@type

@subtype

Member of

model.nameLike

Contained by

analysis: s

core: abbr add addrLine address author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<q>My dear <rs type="person">Mr. Bennet</rs>, </q> said <rs type="person">his lady</rs>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element rs { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

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Example: <rs> (referencing string)

These search results reproduce every example of the use of <rs> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <rs> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5.1. Names and Referring Strings

<q>My dear <name type="person">Mr.
   Bennet</name>,</q> said <rs type="person">his lady</rs> to him one day...

5.1. Names and Referring Strings

<q>My dear <name type="person" ref="#BENM1">Mr. Bennet</name>, </q> said <rs type="person" ref="#BENM2">his lady</rs> to him
one day,
<q>have you heard that <name type="place" ref="#NETP1">Netherfield
   Park</name> is let at last?</q>

11. Common Attributes

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<rs>

<q>My dear <rs type="person">Mr. Bennet</rs>, </q> said <rs type="person">his lady</rs>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>

<rs>

<p>La famille s'était alors retirée en banlieue, à <rs type="place">Villemomble</rs>, mais
<rs type="person">Alfred </rs>aimait se rendre à <rs type="place">Paris</rs> et un jour de 1917 alors qu'il sortait de <rs type="place">la maison des
   Arts et Métiers</rs> il était tombé inanimé dans la rue.</p>

<rs>

<q>我親愛的 <rs type="person"> 班納特先生</rs>，
</q>一天，<rs type="person">班納特太太</rs> 對她的丈夫說：
<q>你聽說過<rs type="place">尼日斐花園</rs> 終於租出去了嗎?</q>

17. The TEI simplePrint schema

<dateline>

<front>
 <dateline>Datum in Mexico <date when="1531">primo die Augusti 1531</date>
 </dateline>
 <p> Al muy Magnifico y muy Reverendo Señor el Señor <rs type="person" ref="#IoannesDantiscus">obispo diócesis Colmensis</rs>
 </p>
</front>

<rs>

<q>My dear <rs type="person">Mr. Bennet</rs>, </q> said <rs type="person">his lady</rs>
to him one day,
<q>have you heard that <rs type="place">Netherfield Park</rs> is let at
last?</q>

<rs>

<p>La famille s'était alors retirée en banlieue, à <rs type="place">Villemomble</rs>, mais
<rs type="person">Alfred </rs>aimait se rendre à <rs type="place">Paris</rs> et un jour de 1917 alors qu'il sortait de <rs type="place">la maison des
   Arts et Métiers</rs> il était tombé inanimé dans la rue.</p>

<rs>

<q>我親愛的 <rs type="person"> 班納特先生</rs>，
</q>一天，<rs type="person">班納特太太</rs> 對她的丈夫說：
<q>你聽說過<rs type="place">尼日斐花園</rs> 終於租出去了嗎?</q>

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<s>

<s> (s-unit) contains a sentence-like division of a text. [18.1. Linguistic Segment Categories 8.4.1. Segmentation]

Module
analysis

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.notated

@notation

att.segLike

@function

att.fragmentable

@part

att.metrical

@rhyme

att.typed

@type

@subtype

Member of

model.segLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The s element may be used to mark orthographic sentences, or any other segmentation of a text, provided that the segmentation is end-to-end, complete, and non-nesting. For segmentation which is partial or recursive, the seg should be used instead.

The type attribute may be used to indicate the type of segmentation intended, according to any convenient typology.

Example

<head>
 <s>A short affair</s>
</head>
<s>When are you leaving?</s>
<s>Tomorrow.</s>

Show all ⚓︎

Schematron

<sch:rule context="tei:s">
<sch:report test="tei:s">You may not nest one s element within another: use seg instead</sch:report>
</sch:rule>

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element s { macro.phraseSeq }

Processing Model

<model behaviour="inline"/>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <s> (s-unit)

These search results reproduce every example of the use of <s> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <s> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

10. Analysis

11. Common Attributes

17. The TEI simplePrint schema

10. Analysis

10. Analysis

<div type="chapter" n="38">
 <pb n="474"/>
 <p>
  <s n="001">Reader, I married him.</s>
  <s n="002">A quiet wedding we had:</s>
  <s n="003">he and I, the parson and clerk, were alone present.</s>
  <s n="004">When
     we got back from church, I went into the kitchen of the manor-house, where Mary
     was cooking the dinner, and John cleaning the knives, and I said —</s>
 </p>
 <p>
  <q>
   <s n="005">Mary, I have been married to Mr Rochester this morning.</s>
  </q> ...
 </p>
</div>

10. Analysis

<s n="1">
 <w ana="#NP0">Marley</w>
 <w ana="#VBD">was</w>
 <w ana="#AJ0">dead</w>
 <pc>:</pc>
 <w ana="#TO0">to</w>
 <w ana="#VBB">begin</w>
 <w ana="#PRP">with</w>
 <pc ana="#SENT">.</pc>
</s>

11. Common Attributes

<anchor>

<s>The anchor is he<anchor xml:id="A234"/>re somewhere.</s>
<s>Help me find it.<ptr target="#A234"/>
</s>

<anchor>

<s>L'ancre est i<anchor xml:id="fr_A234"/>ci quelque part.</s>
<s>Aidez-moi à la trouver.<ptr target="#fr_A234"/>
</s>

<anchor>

<s>此錨點指向這<anchor xml:id="zh-tw_A234"/>裡</s>
<s>請搜尋此處<ptr target="#zh-tw_A234"/>
</s>

<pc>

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

<s>

<head>
 <s>A short affair</s>
</head>
<s>When are you leaving?</s>
<s>Tomorrow.</s>

<s>

<s>
 <w>Quand</w>
 <w>partez</w>
 <w>-</w>
 <w>vous</w>
 <w> ?</w>
</s>
<s>
 <w>Demain</w>
 <w>.</w>
</s>

<s>

<s>士何事？”</s>
<s>尚志。 </s>

<seg>

<s>C' était à <seg type="toponyme">Mégara</seg>, faubourg de <seg type="topon">Carthage</seg>, dans les jardins d' <seg type="patronyme">Hamilcar</seg>. </s>

<seg>

<s>
 <seg rend="caps" type="initial-cap">此屬性值表示句首第一個字母大寫</seg>
</s>

<seg>

<s>
 <seg rend="caps" type="initial-cap">So father's only</seg> glory was the ballfield.
</s>

<w>

<s n="1">
 <w ana="#NP0" type="open" lemma="Marley">Marley</w>
 <w ana="#VBD" type="verb" lemma="be">was</w>
 <w ana="#AJ0" type="complement" lemma="die">dead</w>
</s>

17. The TEI simplePrint schema

<anchor>

<s>The anchor is he<anchor xml:id="A234"/>re somewhere.</s>
<s>Help me find it.<ptr target="#A234"/>
</s>

<anchor>

<s>L'ancre est i<anchor xml:id="fr_A234"/>ci quelque part.</s>
<s>Aidez-moi à la trouver.<ptr target="#fr_A234"/>
</s>

<anchor>

<s>此錨點指向這<anchor xml:id="zh-tw_A234"/>裡</s>
<s>請搜尋此處<ptr target="#zh-tw_A234"/>
</s>

<pc>

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

<s>

<head>
 <s>A short affair</s>
</head>
<s>When are you leaving?</s>
<s>Tomorrow.</s>

<s>

<s>
 <w>Quand</w>
 <w>partez</w>
 <w>-</w>
 <w>vous</w>
 <w> ?</w>
</s>
<s>
 <w>Demain</w>
 <w>.</w>
</s>

<s>

<s>士何事？”</s>
<s>尚志。 </s>

<seg>

<s>C' était à <seg type="toponyme">Mégara</seg>, faubourg de <seg type="topon">Carthage</seg>, dans les jardins d' <seg type="patronyme">Hamilcar</seg>. </s>

<seg>

<s>
 <seg rend="caps" type="initial-cap">此屬性值表示句首第一個字母大寫</seg>
</s>

<seg>

<s>
 <seg rend="caps" type="initial-cap">So father's only</seg> glory was the ballfield.
</s>

<w>

<s n="1">
 <w ana="#NP0" type="open" lemma="Marley">Marley</w>
 <w ana="#VBD" type="verb" lemma="be">was</w>
 <w ana="#AJ0" type="complement" lemma="die">dead</w>
</s>

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<salute>

<salute> (salutation) contains a salutation or greeting prefixed to a foreword, dedicatory epistle, or other division of a text, or the salutation in the closing of a letter, preface, etc. [4.2.2. Openers and Closers]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.written

@hand

Member of

model.divWrapper

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: body closer div front group opener

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<salute>To all courteous mindes, that will voutchsafe the readinge.</salute>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element salute { macro.paraContent }

Processing Model

<model predicate="parent::closer"
 behaviour="inline"/>
<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Home

Example: <salute> (salutation)

These search results reproduce every example of the use of <salute> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <salute> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<salute>

<salute>To all courteous mindes, that will voutchsafe the readinge.</salute>

<salute>

<salute>Faites toutes mes amitiés à votre femme et recevez, mon cher ami, l'expression de
mes sentiments affectueux et dévoués. </salute>

<salute>

<salute>致敬啟者</salute>

13. Front and Back Matter

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

17. The TEI simplePrint schema

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<back>

<back>
 <div type="appendix">
  <head>The Golden Dream or, the Ingenuous Confession</head>
  <p>TO shew the Depravity of human Nature, and how apt the Mind is to be misled by Trinkets
     and false Appearances, Mrs. Two-Shoes does acknowledge, that after she became rich, she
     had like to have been, too fond of Money
<!-- .... -->
  </p>
 </div>
<!-- ... -->
 <div type="epistle">
  <head>A letter from the Printer, which he desires may be inserted</head>
  <salute>Sir.</salute>
  <p>I have done with your Copy, so you may return it to the Vatican, if you please;

<!-- ... -->
  </p>
 </div>
 <div type="advert">
  <head>The Books usually read by the Scholars of Mrs Two-Shoes are these and are sold at Mr
     Newbery's at the Bible and Sun in St Paul's Church-yard.</head>
  <list>
   <item n="1">The Christmas Box, Price 1d.</item>
   <item n="2">The History of Giles Gingerbread, 1d.</item>
<!-- ... -->
   <item n="42">A Curious Collection of Travels, selected from the Writers of all Nations,
       10 Vol, Pr. bound 1l.</item>
  </list>
 </div>
 <div type="advert">
  <head>By the KING's Royal Patent, Are sold by J. NEWBERY, at the Bible and Sun in St.
     Paul's Church-Yard.</head>
  <list>
   <item n="1">Dr. James's Powders for Fevers, the Small-Pox, Measles, Colds, &amp;c. 2s.
       6d</item>
   <item n="2">Dr. Hooper's Female Pills, 1s.</item>
<!-- ... -->
  </list>
 </div>
</back>

<back>

<back>
 <div1 type="appendix">
  <head>臺灣現代詩論戰史資料彙編</head>
  <p>現代詩論戰史第一階段</p>
 </div1>
 <div1 type="epistle">
  <head>白先勇致瘂弦洛夫</head>
  <salute>您好，</salute>
  <p>您的副本我已使用完畢，可以歸還了，麻煩您。</p>
 </div1>
 <div1 type="advert">
  <head>本論文提及的專書，可於台灣各大書店詢問訂購。</head>
  <list>
   <item n="1">陳芳明《詩與現實》，台北：洪範，1983。</item>
   <item n="2">洛夫《詩人之鏡》，台北：大業，1969。</item>
   <item n="42">廖炳惠《回顧現代》，台北：麥田，1994。</item>
  </list>
 </div1>
 <div1 type="advert">
  <head>
   <hi rend="center">詩集、詩選</hi>也可於網路書店購得。</head>
  <list>
   <item n="1">余光中《天狼星》，台北：洪範，1976。</item>
   <item n="2">席慕蓉著《無怨的青春》，台北，大地，1983。</item>
  </list>
 </div1>
</back>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<opener>

<opener>
 <dateline>
  <name type="place">杭州西湖</name>
  <date>2008年4月1日</date>
 </dateline>
 <salute>親愛的小張：</salute>
</opener>
<p>很抱歉，我今天有事無法赴約，希望您能諒解...</p>

<opener>

<opener>
 <dateline>
  <name type="place">Great Marlborough Street</name>
  <date>November 11, 1848</date>
 </dateline>
 <salute>My dear Sir,</salute>
</opener>
<p>I am sorry to say that absence from town and other circumstances have prevented me from
earlier enquiring...</p>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<salute>

<salute>To all courteous mindes, that will voutchsafe the readinge.</salute>

<salute>

<salute>Faites toutes mes amitiés à votre femme et recevez, mon cher ami, l'expression de
mes sentiments affectueux et dévoués. </salute>

<salute>

<salute>致敬啟者</salute>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

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<seg>

<seg> (arbitrary segment) represents any segmentation of text below the ‘chunk’ level. [17.3. Blocks, Segments, and Anchors 6.2. Components of the Verse Line 7.2.5. Speech Contents]

Module
linking

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.notated

@notation

att.segLike

@function

att.fragmentable

@part

att.metrical

@rhyme

att.typed

@type

@subtype

att.written

@hand

Member of

model.choicePart model.linePart model.segLike

Contained by

analysis: s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The seg element may be used at the encoder's discretion to mark any segments of the text of interest for processing. One use of the element is to mark text features for which no appropriate markup is otherwise defined. Another use is to provide an identifier for some segment which is to be pointed at by some other element—i.e. to provide a target, or a part of a target, for a <ptr> or other similar element.

Example

<seg>When are you leaving?</seg>
<seg>Tomorrow.</seg>

Show all ⚓︎

Example

<s>
 <seg rend="caps" type="initial-cap">So father's only</seg> glory was the ballfield.
</s>

Show all ⚓︎

Example

<seg type="preamble">
 <seg>Sigmund, <seg type="patronym">the son of Volsung</seg>, was a king in Frankish country.</seg>
 <seg>Sinfiotli was the eldest of his sons ...</seg>
 <seg>Borghild, Sigmund's wife, had a brother ... </seg>
</seg>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element seg { macro.paraContent }

Processing Model

<model behaviour="inline"
 useSourceRendition="true"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <seg> (arbitrary segment)

These search results reproduce every example of the use of <seg> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <seg> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

10. Analysis

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.7.1. Simple Cross References

.... <anchor type="bookmark" xml:id="ABCD"/> .... ....<seg type="target" xml:id="EFGH"> ... </seg> ...

3.7.3. Special Kinds of Linking

<seg type="sentence" ana="#SVO">
 <seg type="lex" ana="#NP1">John</seg>
 <seg type="lex" ana="#VVI">loves</seg>
 <seg type="lex" ana="#NP1">Nancy</seg>
</seg>

3.7.3. Special Kinds of Linking

<seg xml:lang="fr" xml:id="FR1"
 corresp="#EN1">Jean aime Nancy</seg>
<seg xml:lang="en" xml:id="EN1"
 corresp="#FR1">John loves Nancy</seg>

3.7.3. Special Kinds of Linking

<p>
 <title xml:id="shirley">Shirley</title>,
which made its Friday night debut only a month ago, was not listed on <name xml:id="nbc">NBC</name>'s new schedule, although <seg xml:id="network" corresp="#nbc">the network</seg> says <seg xml:id="show" corresp="#shirley">the
   show</seg> still is being considered.
</p>

10. Analysis

10. Analysis

<div type="chapter" n="38">
 <p>
  <seg type="apostrophe">Reader, I married him.</seg> A quiet wedding we had:
   ...</p>
</div>

11. Common Attributes

<seg>

<seg>When are you leaving?</seg>
<seg>Tomorrow.</seg>

<seg>

<seg>Quand partez-vous ?</seg>
<seg>Demain.</seg>

<seg>

<s>C' était à <seg type="toponyme">Mégara</seg>, faubourg de <seg type="topon">Carthage</seg>, dans les jardins d' <seg type="patronyme">Hamilcar</seg>. </s>

<seg>

<seg type="preambule">La magnificence et la galanterie n'ont jamais paru en <seg type="toponyme">France</seg> avec tant d'éclat que <seg type="date">dans les dernières
   années du règne de <seg type="patronyme">Henri second</seg>. </seg>
</seg>

<seg>

<seg>你什麼時候出發?</seg>
<seg>明天。</seg>

<seg>

<s>
 <seg rend="caps" type="initial-cap">此屬性值表示句首第一個字母大寫</seg>
</s>

<seg>

<seg type="preamble">
 <seg>唐太宗李世民， <seg type="patronym">為唐高祖李淵與竇皇后的次子，</seg>是唐朝第二位皇帝。</seg>
 <seg>李承乾為其三子中的長子...</seg>
 <seg>娶長孫氏為妻，長孫皇后是北魏皇族拓跋氏之後...</seg>
</seg>

<seg>

<s>
 <seg rend="caps" type="initial-cap">So father's only</seg> glory was the ballfield.
</s>

<seg>

<seg type="preamble">
 <seg>Sigmund, <seg type="patronym">the son of Volsung</seg>, was a king in Frankish country.</seg>
 <seg>Sinfiotli was the eldest of his sons ...</seg>
 <seg>Borghild, Sigmund's wife, had a brother ... </seg>
</seg>

17. The TEI simplePrint schema

<seg>

<seg>When are you leaving?</seg>
<seg>Tomorrow.</seg>

<seg>

<seg>Quand partez-vous ?</seg>
<seg>Demain.</seg>

<seg>

<s>C' était à <seg type="toponyme">Mégara</seg>, faubourg de <seg type="topon">Carthage</seg>, dans les jardins d' <seg type="patronyme">Hamilcar</seg>. </s>

<seg>

<seg type="preambule">La magnificence et la galanterie n'ont jamais paru en <seg type="toponyme">France</seg> avec tant d'éclat que <seg type="date">dans les dernières
   années du règne de <seg type="patronyme">Henri second</seg>. </seg>
</seg>

<seg>

<seg>你什麼時候出發?</seg>
<seg>明天。</seg>

<seg>

<s>
 <seg rend="caps" type="initial-cap">此屬性值表示句首第一個字母大寫</seg>
</s>

<seg>

<seg type="preamble">
 <seg>唐太宗李世民， <seg type="patronym">為唐高祖李淵與竇皇后的次子，</seg>是唐朝第二位皇帝。</seg>
 <seg>李承乾為其三子中的長子...</seg>
 <seg>娶長孫氏為妻，長孫皇后是北魏皇族拓跋氏之後...</seg>
</seg>

<seg>

<s>
 <seg rend="caps" type="initial-cap">So father's only</seg> glory was the ballfield.
</s>

<seg>

<seg type="preamble">
 <seg>Sigmund, <seg type="patronym">the son of Volsung</seg>, was a king in Frankish country.</seg>
 <seg>Sinfiotli was the eldest of his sons ...</seg>
 <seg>Borghild, Sigmund's wife, had a brother ... </seg>
</seg>

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<set>

<set> (setting) contains a description of the setting, time, locale, appearance, etc., of the action of a play, typically found in the front matter of a printed performance text (not a stage direction). [7.1. Front and Back Matter ]

Module
drama

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

Member of

model.frontPart.drama

Contained by

textstructure: back front

May contain

core: bibl cb cit desc gap head l label lb lg list listBibl milestone note p pb q quote sp stage

drama: castList

figures: figure table

header: biblFull

linking: ab anchor

namesdates: listPerson listPlace

textstructure: floatingText

transcr: fw

Note

Contains paragraphs or phrase level tags.

This element should not be used outside the front or back matter; for similar contextual descriptions within the body of the text, use the stage element.

Example

<set>
 <p>The action takes place on February 7th between the hours of noon and six in the
   afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
   where a strike has been in progress throughout the winter.</p>
</set>

Show all ⚓︎

Example

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

Show all ⚓︎

Example

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.headLike"/>
   <classRef key="model.global"/>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.common"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element set
{
   ( model.headLike | model.global )*, ( ( model.common, model.global* )* )
}

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Example: <set> (setting)

These search results reproduce every example of the use of <set> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <set> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<set>

<set>
 <p>The action takes place on February 7th between the hours of noon and six in the
   afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
   where a strike has been in progress throughout the winter.</p>
</set>

<set>

<set>
 <p>Bel après-midi de printemps en 1899. Madame Claire Roc est assise dans un fauteuil en
   osier et feuillette un magazine [...], on peut entendre des cris joyeux d'enfants. </p>
</set>

<set>

<set>
 <head>Une représentation à l'hôtel de Bourgogne</head>
 <p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
   embelli pour des représentations.</p>
 <p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
   fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
   avec la scène qu'on aperçoit en pan coupé.</p>
</set>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<set>
 <p>故事發生於九月八日正午十二點至三點間，位於台北中正紀念堂附近，有群眾包圍抗議政府的更名政策。</p>
</set>

<set>

<set>
 <head>場景</head>
 <p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

<set>

<set>
 <p>The action takes place on February 7th between the hours of noon and six in the
   afternoon, close to the Trenartha Tin Plate Works, on the borders of England and Wales,
   where a strike has been in progress throughout the winter.</p>
</set>

<set>

<set>
 <p>Bel après-midi de printemps en 1899. Madame Claire Roc est assise dans un fauteuil en
   osier et feuillette un magazine [...], on peut entendre des cris joyeux d'enfants. </p>
</set>

<set>

<set>
 <head>Une représentation à l'hôtel de Bourgogne</head>
 <p>La salle de l'Hôtel de Bourgogne, en 1640. Sorte de hangar de jeu de paume aménagé et
   embelli pour des représentations.</p>
 <p>La salle est un carré long ; on la voit en biais, de sorte qu'un de ses côtés forme le
   fond qui part du premier plan, à droite, et va au dernier plan, à gauche, faire angle
   avec la scène qu'on aperçoit en pan coupé.</p>
</set>

<set>

<front>
 <set>
  <list type="gloss">
   <label>TEMPS</label>
   <item>1640</item>
   <label>LIEU</label>
   <item>La salle de l'Hôtel de Bourgogne</item>
  </list>
 </set>
</front>

<set>

<set>
 <p>故事發生於九月八日正午十二點至三點間，位於台北中正紀念堂附近，有群眾包圍抗議政府的更名政策。</p>
</set>

<set>

<set>
 <head>場景</head>
 <p>在一個秋高氣爽的下午，中正紀念堂前</p>
</set>

<set>

<front>
<!-- <>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>時間：</label>
   <item>2007</item>
   <label>地點：</label>
   <item>台北市中心</item>
  </list>
 </set>
</front>

<set>

<set>
 <head>SCENE</head>
 <p>A Sub-Post Office on a late autumn evening</p>
</set>

<set>

<front>
<!-- <titlePage>, <div type="Dedication">, etc. -->
 <set>
  <list type="gloss">
   <label>TIME</label>
   <item>1907</item>
   <label>PLACE</label>
   <item>East Coast village in England</item>
  </list>
 </set>
</front>

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<sic>

<sic> (Latin for thus or so) contains text reproduced although apparently incorrect or inaccurate. [3.5.1. Apparent Errors]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

Member of

model.choicePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

for his nose was as sharp as
a pen, and <sic>a Table</sic> of green fields.

Show all ⚓︎

Example

If all that is desired is to call attention to the apparent problem in the copy text, sic may be used alone:

I don't know, Juan. It's so far in the past now
— how <sic>we can</sic> prove or disprove anyone's theories?

Show all ⚓︎

Example

It is also possible, using the choice and corr elements, to provide a corrected reading:

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

Show all ⚓︎

Example

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element sic { macro.paraContent }

Processing Model

<model predicate="parent::choice and count(parent::*/*) gt 1"
 behaviour="inline"/>
<model behaviour="inline">
<outputRendition scope="before">content: '{';</outputRendition>
<outputRendition scope="after">content: '}';</outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <sic> (Latin for thus or so)

These search results reproduce every example of the use of <sic> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <sic> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4. Editorial Interventions

... for his Nose was as
<orig>sharpe</orig> as a Pen, and
<orig>a</orig>
<sic>Table</sic> of green fields

4. Editorial Interventions

... for his Nose was as <choice>
 <orig>sharpe</orig>
 <reg>sharp</reg>
</choice> as a Pen, and
<choice>
 <orig>a</orig>
 <reg>he</reg>
</choice>
<choice>
 <corr resp="#Theobald">babbl'd</corr>
 <sic>Table</sic>
</choice> of green fields

11. Common Attributes

att.global.responsibility

Blessed are the
<choice>
 <sic>cheesemakers</sic>
 <corr resp="#editor" cert="high">peacemakers</corr>
</choice>: for they shall be called the children of God.

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

不怨天，不尤人。下學而上達。<choice>
 <sic>我知</sic>
 <corr>知我</corr>
</choice>者，其天乎！

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <sic>a Table</sic> of green fields.

<sic>

Des nuages, des
<sic>cyrrhus</sic>, des nimbus, des cumulus, tant qu'on en veut, et assurément plus que
n'en voulaient le maître et le serviteur.

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent
<sic>prûlées</sic>brûlées à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte
de Rutland.

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<sic>

Ouvrage très
véridique et mirifique du Sieur Marcus Publius Dataficus du digne fils du seigneur comte,
vicomte, duc et archiduc Johannus de Bessinguya<choice>
 <sic> Percepteur</sic>
 <corr>Precepteur</corr>
</choice> du digne fils du seigneur comte, vicomte, duc et archiduc Johannus de
Bessinguya.

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<sic>鰻魚</sic>，太陽一出來，就在街上叫喚。

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<sic>嚴肅</sic>好像冒著煙似的。

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<choice>
 <sic>嚴肅</sic>
 <corr>嚴寒</corr>
</choice> 好像冒著煙似的。

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<choice>
 <sic>鰻魚</sic>
 <corr>饅頭</corr>
</choice>，太陽一出來，就在街上叫喚。

<sic>

I don't know, Juan. It's so far in the past now
— how <sic>we can</sic> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <sic>we can</sic> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

17. The TEI simplePrint schema

att.global.responsibility

Blessed are the
<choice>
 <sic>cheesemakers</sic>
 <corr resp="#editor" cert="high">peacemakers</corr>
</choice>: for they shall be called the children of God.

att.global.responsibility

<!-- in the <text> ... --><lg>
<!-- ... -->
 <l>Punkes, Panders, baſe extortionizing
   sla<choice>
   <sic>n</sic>
   <corr resp="#JENS1_transcriber">u</corr>
  </choice>es,</l>
<!-- ... -->
</lg>
<!-- in the <teiHeader> ... -->
<!-- ... -->
<respStmt xml:id="JENS1_transcriber">
 <resp when="2014">Transcriber</resp>
 <name>Janelle Jenstad</name>
</respStmt>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>Lastly, That, upon his solemn oath to observe all the above
articles, the said man-mountain shall have a daily allowance of
meat and drink sufficient for the support of <choice>
  <sic>1724</sic>
  <corr>1728</corr>
 </choice> of our subjects,
with free access to our royal person, and other marks of our
<choice>
  <orig>favour</orig>
  <reg>favor</reg>
 </choice>.</p>

<choice>

<p>清朝與日本為爭奪北韓半島控制權，爆發歷史上著名的甲午戰爭。 發生於清光緒二十年，西元 <choice>
  <sic>1892</sic>
  <corr>1894</corr>
 </choice>年，雙方水陸大戰，傷亡者<choice>
  <orig>衆</orig>
  <reg>眾</reg>
 </choice>。</p>

<corr>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<corr>

不怨天，不尤人。下學而上達。<choice>
 <sic>我知</sic>
 <corr>知我</corr>
</choice>者，其天乎！

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<corr>

I don't know, Juan. It's so far in the past now —
how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or
disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <sic>a Table</sic> of green fields.

<sic>

Des nuages, des
<sic>cyrrhus</sic>, des nimbus, des cumulus, tant qu'on en veut, et assurément plus que
n'en voulaient le maître et le serviteur.

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent
<sic>prûlées</sic>brûlées à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte
de Rutland.

<sic>

Tel est le
chat Rutterkin des sorcières Margaret et Filippa Flower, qui furent<choice>
 <sic>prûlées</sic>
 <corr>brûlées</corr>
</choice> à Lincoln, le 11 mars 1619, pour avoir envoûté un parent du comte de
Rutland.

<sic>

Ouvrage très
véridique et mirifique du Sieur Marcus Publius Dataficus du digne fils du seigneur comte,
vicomte, duc et archiduc Johannus de Bessinguya<choice>
 <sic> Percepteur</sic>
 <corr>Precepteur</corr>
</choice> du digne fils du seigneur comte, vicomte, duc et archiduc Johannus de
Bessinguya.

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<sic>鰻魚</sic>，太陽一出來，就在街上叫喚。

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<sic>嚴肅</sic>好像冒著煙似的。

<sic>

人們走起路來是快的，嘴裡邊的呼吸，一遇到了<choice>
 <sic>嚴肅</sic>
 <corr>嚴寒</corr>
</choice> 好像冒著煙似的。

<sic>

賣饅頭的老頭，背著木箱子，裡邊裝著熱<choice>
 <sic>鰻魚</sic>
 <corr>饅頭</corr>
</choice>，太陽一出來，就在街上叫喚。

<sic>

I don't know, Juan. It's so far in the past now
— how <sic>we can</sic> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <sic>we can</sic> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

I don't know, Juan. It's so far in the past now
— how <choice>
 <sic>we can</sic>
 <corr>can we</corr>
</choice> prove or disprove anyone's theories?

<sic>

for his nose was as sharp as
a pen, and <choice>
 <sic>a Table</sic>
 <corr>a' babbld</corr>
</choice> of green fields.

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<signed>

<signed> (signature) contains the closing salutation, etc., appended to a foreword, dedicatory epistle, or other division of a text. [4.2.2. Openers and Closers]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.written

@hand

Member of

model.divBottomPart model.divTopPart

Contained by

core: lg list

drama: castList

figures: figure table

textstructure: back body closer div front group opener postscript

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<signed>Thine to command <name>Humph. Moseley</name>
</signed>

Show all ⚓︎

Example

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element signed { macro.paraContent }

Processing Model

<model behaviour="block"
 predicate="parent::closer">
<outputRendition> text-align: right; </outputRendition>
</model>
<model behaviour="inline">
<outputRendition> font-style: italic; </outputRendition>
</model>

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Example: <signed> (signature)

These search results reproduce every example of the use of <signed> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <signed> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.cmc

<post type="written" generatedBy="human">
<!-- ... main content of posting ... -->
 <signed generatedBy="template">
  <gap reason="signatureContent"/>
  <time generatedBy="template">12:01, 12. Jun. 2009 (CEST)</time>
 </signed>
</post>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<signed>

<signed>Thine to command <name>Humph. Moseley</name>
</signed>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

<signed>

<signed>votre fidèle amante, <name>Manon Lescaut.</name>
</signed>

<signed>

<signed>
 <name>李敖</name>，于台北。

</signed>

13. Front and Back Matter

13.1.3. Liminal Elements

<div type="dedication">
 <head>To the Right Honourable <name>JOHN Lord Viscount BRACLY</name>, Son and Heir
   apparent to the Earl of Bridgewater, &amp;c.</head>
 <salute>MY LORD,</salute>
 <p>THis <hi>Poem</hi>, which receiv'd its first occasion of Birth from your Self,
   and others of your Noble Family .... and as in this representation your
   attendant <name>Thyrsis</name>, so now in all reall expression</p>
 <closer>
  <salute>Your faithfull, and most humble servant</salute>
  <signed>
   <name>H. LAWES.</name>
  </signed>
 </closer>
</div>

17. The TEI simplePrint schema

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.cmc

<post type="written" generatedBy="human">
<!-- ... main content of posting ... -->
 <signed generatedBy="template">
  <gap reason="signatureContent"/>
  <time generatedBy="template">12:01, 12. Jun. 2009 (CEST)</time>
 </signed>
</post>

<closer>

<div type="letter">
 <p> perhaps you will favour me with a sight of it when convenient.</p>
 <closer>
  <salute>I remain, &amp;c. &amp;c.</salute>
  <signed>H. Colburn</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> N'y voyez que le signe de l'intérêt que je que je porte à une profession qui fut la
   mienne. Je désire en effet, insérer votre article dans un ouvrage sur la presse
   française contemporaine. </p>
 <closer>
  <salute>Veuillez agréer, je vous prie, Monsieur, l'assurance de mes sentiments les
     meilleurs. </salute>
  <signed> Françoise Giroud</signed>
 </closer>
</div>

<closer>

<div type="letter">
 <p> 不久，我們就能再見面。</p>
 <closer>
  <salute>祝事事順心</salute>
  <signed>謝甯</signed>
 </closer>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <placeName>Rimaone</placeName>
   <date when="2006-11-21">21 Nov 06</date>
  </dateline>
  <salute>Dear Susan,</salute>
 </opener>
 <p>Thank you very much for the assistance splitting those
   logs. I'm sorry about the misunderstanding as to the size of
   the task. I really was not asking for help, only to borrow the
   axe. Hope you had fun in any case.</p>
 <closer>
  <salute>Sincerely yours,</salute>
  <signed>Seymour</signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>The collision occured on <date when="2001-07-06">06 Jul 01</date>.</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1942">Printemps 1942 </date>
  </dateline>
  <salute>Cher ami, </salute>
 </opener>
 <p>Le printemps vient maintenant. J'espère que là où tu es le climat à cette saison n'est
   pas encore pénible. C'est le moment des travaux des champs ; peut-être arrivera-t-on à
   quelque chose pour toi. S'il n'y a pas moyen de te faire venir en France, faut-il faire
   des démarches pour essayer de te faire quitter l'Europe ? Écris-le-moi. </p>
 <p>[...] </p>
 <closer>
  <salute> Crois à mon amitié fraternelle. </salute>
  <signed>Simone Weil </signed>
 </closer>
 <postscript>
  <label>P.S.</label>
  <p>Voici la traduction de quelques vers grecs d'Eschyle. Ils sont prononcés par
     Prométhée, le dieu qui, d'après les croyances des Grecs, avait sauvé les hommes de la
     destruction, avait volé le feu pour le leur donner et leur avait appris le langage, le
     nombre, l'astronomie, les métiers et les arts. Il en fut puni et fut cloué sur un
     rocher. La tragédie d'Eschyle commence par la scène où on le cloue ; il se tait
     pendant ce temps, puis, quand ses bourreaux sont partis, il dit : [...]</p>
 </postscript>
</div>

<postscript>

<div type="letter">
 <opener>
  <dateline>
   <date when="1911-03-26">辛亥三月二十六</date>
  </dateline>
  <salute>意映卿卿如晤：</salute>
 </opener>
 <p>吾今以此書與汝永別矣！吾作此書，淚珠和筆墨齊下，不能竟書，而欲擱筆！又恐汝不察吾衷，謂吾忍舍汝而死，謂吾不知汝之不欲吾死也，故遂忍悲為汝言之。...</p>
 <closer>
  <signed>夜四鼓<name>意洞</name>手書</signed>
 </closer>
</div>

<signed>

<signed>Thine to command <name>Humph. Moseley</name>
</signed>

<signed>

<closer>
 <signed>Sign'd and Seal'd,
 <list>
   <item>John Bull,</item>
   <item>Nic. Frog.</item>
  </list>
 </signed>
</closer>

<signed>

<signed>votre fidèle amante, <name>Manon Lescaut.</name>
</signed>

<signed>

<signed>
 <name>李敖</name>，于台北。

</signed>

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<sp>

<sp> (speech) contains an individual speech in a performance text, or a passage presented as such in a prose or verse text. [3.13.2. Core Tags for Drama 3.13. Passages of Verse or Drama 7.2.2. Speeches and Speakers]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.ascribed.directed

@toWhom

att.ascribed

@who

att.placement

@place

att.written

@hand

Member of

model.divPart

Contained by

core: item note q quote stage

drama: castList set

figures: cell figure

header: change licence

textstructure: argument body div epigraph postscript

May contain

core: cb cit gap l lb lg list milestone note p pb q quote speaker stage

figures: figure table

linking: ab anchor

namesdates: listPerson listPlace

textstructure: floatingText

transcr: fw

Note

The who attribute on this element may be used either in addition to the speaker element or as an alternative.

Example

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="0" maxOccurs="1">
   <elementRef key="speaker"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <sequence minOccurs="1"
   maxOccurs="unbounded">
   <alternate minOccurs="1" maxOccurs="1">
    <elementRef key="lg"/>
    <classRef key="model.lLike"/>
    <classRef key="model.pLike"/>
    <classRef key="model.listLike"/>
    <classRef key="model.stageLike"/>
    <classRef key="model.attributable"/>
   </alternate>
   <alternate minOccurs="1" maxOccurs="1">
    <classRef key="model.global"
     minOccurs="0" maxOccurs="unbounded"/>
    <elementRef key="q"/>
   </alternate>
  </sequence>
 </sequence>
</content>

Schema Declaration

element sp
{
   model.global*,
   ( ( speaker, model.global* )? ),
   (
      (
         (
            lg
          | model.lLike
          | model.pLike
          | model.listLike
          | model.stageLike
          | model.attributable
         ),
         ( model.global* | q )
      )+
   )
}

Processing Model

<model behaviour="block"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <sp> (speech)

These search results reproduce every example of the use of <sp> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <sp> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<sp>
 <speaker>Vladimir</speaker>
 <p>Pull on your trousers.</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>You want me to pull off my trousers?</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>Pull <hi>on</hi> your trousers.</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>
  <stage>(realizing his trousers are down)</stage>. True</p>
</sp>
<stage>He pulls up his trousers</stage>
<sp>
 <speaker>Vladimir</speaker>
 <p>Well? Shall we go?</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>Yes, let's go.</p>
</sp>
<stage>They do not move.</stage>

3.3. Textual Components

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

3.3. Textual Components

<div>
 <sp>
  <speaker>First voice</speaker>
  <lg type="stanza" part="I">
   <l>But why drives on that ship so fast</l>
   <l>Withouten wave or wind?</l>
  </lg>
 </sp>
 <sp>
  <speaker>Second Voice</speaker>
  <lg type="stanza" part="F">
   <l>The air is cut away before.</l>
   <l>And closes from behind.</l>
  </lg>
 </sp>
<!-- ... -->
</div>

3.3. Textual Components

<div>
 <sp who="#OPI">
  <speaker>The reverend Doctor Opimian</speaker>
  <p>I do not think I have named a single unpresentable fish.</p>
 </sp>
 <sp who="#GRM">
  <speaker>Mr Gryll</speaker>
  <p>Bream, Doctor: there is not much to be said for bream.</p>
 </sp>
 <sp who="#OPI">
  <speaker>The Reverend Doctor Opimian</speaker>
  <p>On the contrary, sir, I think there is much to be said for him. In the first
     place....</p>
  <p>Fish, Miss Gryll -- I could discourse to you on fish by the hour: but for the
     present I will forbear.</p>
 </sp>
</div>

11. Common Attributes

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

<sp>

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>

<sp>

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>

<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

<sp>

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>

<sp>

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<speaker>

<speaker> contains a specialized form of heading or label, giving the name of one or more speakers in a dramatic text or fragment. [3.13.2. Core Tags for Drama]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.placement

@place

att.written

@hand

Contained by

core: sp

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

This element may be used to transcribe which character is speaking in a dramatic text as indicated by the source text; the who attribute of an sp element may be used to point to another element (typically a role) which provides information about the character speaking. Either or both may be used.

Example

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element speaker { macro.phraseSeq }

Processing Model

<model behaviour="block">
<outputRendition> font-style:italic; </outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

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Example: <speaker>

These search results reproduce every example of the use of <speaker> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <speaker> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<sp>
 <speaker>Vladimir</speaker>
 <p>Pull on your trousers.</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>You want me to pull off my trousers?</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>Pull <hi>on</hi> your trousers.</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>
  <stage>(realizing his trousers are down)</stage>. True</p>
</sp>
<stage>He pulls up his trousers</stage>
<sp>
 <speaker>Vladimir</speaker>
 <p>Well? Shall we go?</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>Yes, let's go.</p>
</sp>
<stage>They do not move.</stage>

3.3. Textual Components

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

3.3. Textual Components

<div>
 <sp>
  <speaker>First voice</speaker>
  <lg type="stanza" part="I">
   <l>But why drives on that ship so fast</l>
   <l>Withouten wave or wind?</l>
  </lg>
 </sp>
 <sp>
  <speaker>Second Voice</speaker>
  <lg type="stanza" part="F">
   <l>The air is cut away before.</l>
   <l>And closes from behind.</l>
  </lg>
 </sp>
<!-- ... -->
</div>

3.3. Textual Components

<div>
 <sp who="#OPI">
  <speaker>The reverend Doctor Opimian</speaker>
  <p>I do not think I have named a single unpresentable fish.</p>
 </sp>
 <sp who="#GRM">
  <speaker>Mr Gryll</speaker>
  <p>Bream, Doctor: there is not much to be said for bream.</p>
 </sp>
 <sp who="#OPI">
  <speaker>The Reverend Doctor Opimian</speaker>
  <p>On the contrary, sir, I think there is much to be said for him. In the first
     place....</p>
  <p>Fish, Miss Gryll -- I could discourse to you on fish by the hour: but for the
     present I will forbear.</p>
 </sp>
</div>

11. Common Attributes

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

<sp>

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>

<sp>

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

17. The TEI simplePrint schema

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>

<sp>

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>

<sp>

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

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<stage>

<stage> (stage direction) contains any kind of stage direction within a dramatic text or fragment. [3.13.2. Core Tags for Drama 3.13. Passages of Verse or Drama 7.2.4. Stage Directions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.ascribed.directed

@toWhom

att.ascribed

@who

att.cmc

@generatedBy

att.placement

@place

att.written

@hand

type type⚓︎
indicates the kind of stage direction.

Status
Recommended

Datatype
0–∞ occurrences of teidata.enumerated separated by whitespace

Suggested values include:

setting

describes a setting.

entrance

describes an entrance.

exit

describes an exit.

business

describes stage business.

novelistic

is a narrative, motivating stage direction.

delivery

describes how a character speaks.

modifier

gives some detail about a character.

location

describes a location.

mixed

more than one of the above

Note

If the value mixed is used, it must be the only value. Multiple values may however be supplied if a single stage direction performs multiple functions, for example is both an entrance and a modifier.

Member of

model.stageLike

Contained by

core: add corr del desc head hi item l lg note orig p q quote ref reg sic sp stage title unclear

drama: castList set

figures: cell figDesc figure

header: change licence rendition tagUsage

linking: ab seg

textstructure: argument body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig p pb q quote ref reg rs sic sp stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: ab anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The who attribute may be used to indicate more precisely the person or persons participating in the action described by the stage direction.

Example

<stage type="setting">A curtain being drawn.</stage>
<stage type="setting">Music</stage>
<stage type="entrance">Enter Husband as being thrown off his horse and falls.</stage>
<!-- Middleton : Yorkshire Tragedy -->
<stage type="exit">Exit pursued by a bear.</stage>
<stage type="business">He quickly takes the stone out.</stage>
<stage type="delivery">To Lussurioso.</stage>
<stage type="novelistic">Having had enough, and embarrassed for the family.</stage>
<!-- Lorraine Hansbury : a raisin in in the sun -->
<stage type="modifier">Disguised as Ansaldo.</stage>
<stage type="entrance modifier">Enter Latrocinio disguised as an empiric</stage>
<!-- Middleton: The Widow -->
<stage type="location">At a window.</stage>
<stage rend="inline" type="delivery">Aside.</stage>

Show all ⚓︎

Example

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.specialPara"/>
</content>

Schema Declaration

element stage
{
   attribute type
   {
      list
      {
         (
            "setting"
          | "entrance"
          | "exit"
          | "business"
          | "novelistic"
          | "delivery"
          | "modifier"
          | "location"
          | "mixed"
          | teidata.enumerated
         )*
      }
   }?,
   macro.specialPara
}

Processing Model

<model behaviour="block">
<outputRendition>font-style: italic;</outputRendition>
</model>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <stage> (stage direction)

These search results reproduce every example of the use of <stage> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <stage> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

3. Encoding the Body

3.3. Textual Components

<sp>
 <speaker>Vladimir</speaker>
 <p>Pull on your trousers.</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>You want me to pull off my trousers?</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>Pull <hi>on</hi> your trousers.</p>
</sp>
<sp>
 <speaker>Vladimir</speaker>
 <p>
  <stage>(realizing his trousers are down)</stage>. True</p>
</sp>
<stage>He pulls up his trousers</stage>
<sp>
 <speaker>Vladimir</speaker>
 <p>Well? Shall we go?</p>
</sp>
<sp>
 <speaker>Estragon</speaker>
 <p>Yes, let's go.</p>
</sp>
<stage>They do not move.</stage>

3.3. Textual Components

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

11. Common Attributes

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<stage>

<stage type="setting">A curtain being drawn.</stage>
<stage type="setting">Music</stage>
<stage type="entrance">Enter Husband as being thrown off his horse and falls.</stage>
<!-- Middleton : Yorkshire Tragedy -->
<stage type="exit">Exit pursued by a bear.</stage>
<stage type="business">He quickly takes the stone out.</stage>
<stage type="delivery">To Lussurioso.</stage>
<stage type="novelistic">Having had enough, and embarrassed for the family.</stage>
<!-- Lorraine Hansbury : a raisin in in the sun -->
<stage type="modifier">Disguised as Ansaldo.</stage>
<stage type="entrance modifier">Enter Latrocinio disguised as an empiric</stage>
<!-- Middleton: The Widow -->
<stage type="location">At a window.</stage>
<stage rend="inline" type="delivery">Aside.</stage>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<stage>

<stage type="setting">La scène est dans une place de ville.</stage>
<stage type="exit">, s'en allant.</stage>
<stage type="business">(Arnolphe ôte par trois fois le chapeau de dessus la tête d'Alain.)</stage>
<stage type="delivery">, à <name>Georgette</name>.</stage>
<stage type="setting">(Tous étant rentrés.)</stage>
<stage type="delivery">, riant.</stage>
<stage type="delivery">, lui montrant le logis d'<name>AGNÈS</name>.</stage>
<stage type="delivery">, à part.</stage>
<stage type="business">(Frappant à la porte.)</stage>
<stage type="delivery">, assis.</stage>
<stage type="business">(Il se lève.)</stage>

<stage>

<stage type="setting">電梯開門</stage>
<stage type="setting">指揮聲</stage>
<stage type="entrance">小陳和小王騎車回來</stage>
<stage type="exit">搬家工人把家具搬進電梯</stage>
<stage type="business">小玉清點家具數量</stage>
<stage type="delivery">將簽收單交給搬家工人</stage>
<stage type="novelistic">家具佔去出入口，小玉顯得有些不好意思。</stage>
<stage type="modifier">小陳眼睛為之一亮</stage>
<stage type="location">電梯口</stage>
<stage rend="inline" type="delivery">悄悄話</stage>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>

<castList>

<castList>
 <castGroup>
  <head rend="braced">Mendicants</head>
  <castItem>
   <role>Aafaa</role>
   <actor>Femi Johnson</actor>
  </castItem>
  <castItem>
   <role>Blindman</role>
   <actor>Femi Osofisan</actor>
  </castItem>
  <castItem>
   <role>Goyi</role>
   <actor>Wale Ogunyemi</actor>
  </castItem>
  <castItem>
   <role>Cripple</role>
   <actor>Tunji Oyelana</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Si Bero</role>
  <roleDesc>Sister to Dr Bero</roleDesc>
  <actor>Deolo Adedoyin</actor>
 </castItem>
 <castGroup>
  <head rend="braced">Two old women</head>
  <castItem>
   <role>Iya Agba</role>
   <actor>Nguba Agolia</actor>
  </castItem>
  <castItem>
   <role>Iya Mate</role>
   <actor>Bopo George</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>Dr Bero</role>
  <roleDesc>Specialist</roleDesc>
  <actor>Nat Okoro</actor>
 </castItem>
 <castItem>
  <role>Priest</role>
  <actor>Gbenga Sonuga</actor>
 </castItem>
 <castItem>
  <role>The old man</role>
  <roleDesc>Bero's father</roleDesc>
  <actor>Dapo Adelugba</actor>
 </castItem>
</castList>
<stage type="mix">The action takes place in and around the home surgery of
Dr Bero, lately returned from the wars.</stage>

<castList>

<castList>
 <castGroup>
  <head rend="braced">楊延輝</head>
  <castItem>
   <role>少年楊延輝</role>
   <actor>李少春</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>周信芳</actor>
  </castItem>
  <castItem>
   <role>中年楊延輝</role>
   <actor>譚富英</actor>
  </castItem>
  <castItem>
   <role>老年楊延輝</role>
   <actor>馬連良</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>鐵鏡公主</role>
  <roleDesc>遼國公主，嫁楊延輝為妻</roleDesc>
  <actor>梅蘭芳</actor>
 </castItem>
 <castGroup>
  <head rend="braced">楊家兄弟</head>
  <castItem>
   <role>楊延昭</role>
   <actor>馬盛龍</actor>
  </castItem>
  <castItem>
   <role>楊宗保</role>
   <actor>姜妙香</actor>
  </castItem>
 </castGroup>
 <castItem>
  <role>蕭太后</role>
  <roleDesc>遼景宗耶律賢的皇后</roleDesc>
  <actor>芙蓉草</actor>
 </castItem>
 <castItem>
  <role>四夫人</role>
  <actor>高玉倩</actor>
 </castItem>
 <castItem>
  <role>佘太君</role>
  <roleDesc>楊延輝的母親</roleDesc>
  <actor>馬富祿</actor>
 </castItem>
</castList>
<stage type="mix">場景交換於遼國廷內與飛虎峽宋營之間。</stage>

<speaker>

<div type="Act" n="I">
 <head>ACT I</head>
 <div type="Scene" n="1">
  <head>SCENE I</head>
  <stage rendition="#italic">Enter Barnardo and Francisco, two Sentinels, at
     several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
<!-- ... -->
 </div>
</div>

<stage>

<stage type="setting">A curtain being drawn.</stage>
<stage type="setting">Music</stage>
<stage type="entrance">Enter Husband as being thrown off his horse and falls.</stage>
<!-- Middleton : Yorkshire Tragedy -->
<stage type="exit">Exit pursued by a bear.</stage>
<stage type="business">He quickly takes the stone out.</stage>
<stage type="delivery">To Lussurioso.</stage>
<stage type="novelistic">Having had enough, and embarrassed for the family.</stage>
<!-- Lorraine Hansbury : a raisin in in the sun -->
<stage type="modifier">Disguised as Ansaldo.</stage>
<stage type="entrance modifier">Enter Latrocinio disguised as an empiric</stage>
<!-- Middleton: The Widow -->
<stage type="location">At a window.</stage>
<stage rend="inline" type="delivery">Aside.</stage>

<stage>

<l>Behold. <stage n="*" place="margin">Here the vp<lb/>per part of the <hi>Scene</hi> open'd; when
   straight appear'd a Heauen, and all the <hi>Pure Artes</hi> sitting on
   two semi<lb/>circular ben<lb/>ches, one a<lb/>boue another: who sate thus till the rest of the
 <hi>Prologue</hi> was spoken, which being ended, they descended in
   order within the <hi>Scene,</hi> whiles the Musicke plaid</stage> Our
Poet knowing our free hearts</l>

<stage>

<stage type="setting">La scène est dans une place de ville.</stage>
<stage type="exit">, s'en allant.</stage>
<stage type="business">(Arnolphe ôte par trois fois le chapeau de dessus la tête d'Alain.)</stage>
<stage type="delivery">, à <name>Georgette</name>.</stage>
<stage type="setting">(Tous étant rentrés.)</stage>
<stage type="delivery">, riant.</stage>
<stage type="delivery">, lui montrant le logis d'<name>AGNÈS</name>.</stage>
<stage type="delivery">, à part.</stage>
<stage type="business">(Frappant à la porte.)</stage>
<stage type="delivery">, assis.</stage>
<stage type="business">(Il se lève.)</stage>

<stage>

<stage type="setting">電梯開門</stage>
<stage type="setting">指揮聲</stage>
<stage type="entrance">小陳和小王騎車回來</stage>
<stage type="exit">搬家工人把家具搬進電梯</stage>
<stage type="business">小玉清點家具數量</stage>
<stage type="delivery">將簽收單交給搬家工人</stage>
<stage type="novelistic">家具佔去出入口，小玉顯得有些不好意思。</stage>
<stage type="modifier">小陳眼睛為之一亮</stage>
<stage type="location">電梯口</stage>
<stage rend="inline" type="delivery">悄悄話</stage>

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<subst>

<subst> (substitution) groups one or more deletions (or surplus text) with one or more additions when the combination is to be regarded as a single intervention in the text. [12.3.1.5. Substitutions]

Module
transcr

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.dimensions

@unit

@quantity

@extent

@scope

att.transcriptional

@status

@cause

@seq

att.editLike

att.placement

@place

att.written

@hand

Member of

model.pPart.editorial

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

core: add cb del lb milestone pb

linking: anchor

transcr: fw

Example

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

Show all ⚓︎

Example

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

Show all ⚓︎

Example

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

Show all ⚓︎

Example

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

Show all ⚓︎

Schematron

<sch:rule context="tei:subst">
<sch:assert test="child::tei:add and (child::tei:del or child::tei:surplus)">
 <sch:name/> must have at least one child add and at least one child del or surplus</sch:assert>
</sch:rule>

Content model

<content>
 <alternate minOccurs="1"
  maxOccurs="unbounded">
  <elementRef key="add"/>
  <elementRef key="surplus"/>
  <elementRef key="del"/>
  <classRef key="model.milestoneLike"/>
 </alternate>
</content>

Schema Declaration

element subst { ( add | surplus | del | model.milestoneLike )+ }

Processing Model

<model behaviour="inline"/>

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Example: <subst> (substitution)

These search results reproduce every example of the use of <subst> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <subst> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<l>And towards our distant rest began to trudge,</l>
<l>
 <subst>
  <del>Helping the worst amongst us</del>
  <add>Dragging the worst amongt us</add>
 </subst>, who’d no boots
</l>
<l>But limped on, blood–shod. All went lame; <subst>
  <del status="shortEnd">half–</del>
  <add>all</add>
 </subst> blind;</l>
<l>Drunk with fatigue ; deaf even to the hoots</l>
<l>Of tired, outstripped <del>fif</del> five–nines that dropped behind.</l>

11. Common Attributes

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

17. The TEI simplePrint schema

<subst>

... are all included. <del hand="#RG">It is</del>
<subst>
 <add>T</add>
 <del>t</del>
</subst>he expressed

<subst>

that he and his Sister Miſs D — <lb/>who always lived with him, wd. be <subst>
 <del>very</del>
 <lb/>
 <add>principally</add>
</subst> remembered in her Will.

<subst>

<ab>τ<subst>
  <add place="above">ῶν</add>
  <del>α</del>
 </subst>
συνκυρόντ<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
ἐργαστηρί<subst>
  <add place="above">ων</add>
  <del>α</del>
 </subst>
</ab>

<subst>

<subst>
 <del>
  <gap reason="illegible" quantity="5"
   unit="character"/>
 </del>
 <add>apple</add>
</subst>

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<supplied>

<supplied> (supplied) signifies text supplied by the transcriber or editor for any reason; for example because the original cannot be read due to physical damage, or because of an obvious omission by the author or scribe. [12.3.3.1. Damage, Illegibility, and Supplied Text]

Module
transcr

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.dimensions

@unit

@quantity

@extent

@scope

att.editLike

reason reason⚓︎
one or more words indicating why the text has had to be supplied, e.g. overbinding, faded-ink, lost-folio, omitted-in-original.

Status
Optional

Datatype
1–∞ occurrences of teidata.enumerated separated by whitespace

Member of

model.choicePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The <damage>, gap, del, unclear and supplied elements may be closely allied in use. See section 12.3.3.2. Use of the gap, del, damage, unclear, and supplied Elements in Combination for discussion of which element is appropriate for which circumstance.

Example

I am dr Sr yr
<supplied reason="illegible"
 source="#amanuensis_copy">very humble Servt</supplied>
Sydney Smith

Show all ⚓︎

Example

<supplied reason="omitted-in-original">Dedication</supplied> to the duke of Bejar

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element supplied
{
   attribute reason { list { teidata.enumerated+ } }?,
   macro.paraContent
}

Processing Model

<model predicate="parent::choice"
 behaviour="inline"/>
<model predicate="@reason='damage'"
 behaviour="inline">
<outputRendition scope="before">content:"<";</outputRendition>
<outputRendition scope="after">content:">";</outputRendition>
</model>
<model predicate="@reason='illegible' or not(@reason)"
 behaviour="inline">
<outputRendition scope="before">content:"[";</outputRendition>
<outputRendition scope="after">content:"]";</outputRendition>
</model>
<model predicate="@reason='omitted'"
 behaviour="inline">
<outputRendition scope="before">content:"(";</outputRendition>
<outputRendition scope="after">content:")";</outputRendition>
</model>
<model behaviour="inline">
<outputRendition scope="before">content:"{";</outputRendition>
<outputRendition scope="after">content:"}";</outputRendition>
</model>

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Example: <supplied> (supplied)

These search results reproduce every example of the use of <supplied> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <supplied> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

<add>Dragging the worst among<supplied resp="#ED">s</supplied>t us</add>

11. Common Attributes

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<supplied>

I am dr Sr yr
<supplied reason="illegible"
 source="#amanuensis_copy">very humble Servt</supplied>
Sydney Smith

<supplied>

Je reste votre ts he de svt <supplied reason="illegible"
 source="#amanuensis_copy">très humble et très dévoué serviteur
</supplied>Jean Martin

<supplied>

回首向來蕭瑟處，歸<supplied reason="faded-ink"
 source="#amanuensis_copy">去，</supplied>
也無風雨也無晴。

<supplied>

<supplied reason="omitted-in-original">Dedication</supplied> to the duke of Bejar

17. The TEI simplePrint schema

<head>

<div type="subsection">
 <head place="margin">Secunda conclusio</head>
 <p>
  <lb n="1251"/>
  <hi rend="large">Potencia: habitus: et actus: recipiunt speciem ab obiectis<supplied>.</supplied>
  </hi>
  <lb n="1252"/>Probatur sic. Omne importans necessariam habitudinem ad proprium
   [...]
 </p>
</div>

<supplied>

I am dr Sr yr
<supplied reason="illegible"
 source="#amanuensis_copy">very humble Servt</supplied>
Sydney Smith

<supplied>

Je reste votre ts he de svt <supplied reason="illegible"
 source="#amanuensis_copy">très humble et très dévoué serviteur
</supplied>Jean Martin

<supplied>

回首向來蕭瑟處，歸<supplied reason="faded-ink"
 source="#amanuensis_copy">去，</supplied>
也無風雨也無晴。

<supplied>

<supplied reason="omitted-in-original">Dedication</supplied> to the duke of Bejar

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Example: <surface>

These search results reproduce every example of the use of <surface> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <surface> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

11. Common Attributes

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<surface>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<zone>

<surface ulx="14.54" uly="16.14" lrx="0"
 lry="0">
 <graphic url="stone.jpg"/>
 <zone points="4.6,6.3 5.25,5.85 6.2,6.6 8.19222,7.4125 9.89222,6.5875 10.9422,6.1375 11.4422,6.7125 8.21722,8.3125 6.2,7.65"/>
</surface>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<facsimile>
 <surface>
  <graphic xml:id="page1T"
   url="thumbs/page1.png"/>
  <graphic xml:id="page1" url="page1.png"/>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<facsimile>

<facsimile>
 <graphic url="page1.png"/>
 <surface>
  <graphic url="page2-highRes.png"/>
  <graphic url="page2-lowRes.png"/>
 </surface>
 <graphic url="page3.png"/>
 <graphic url="page4.png"/>
</facsimile>

<facsimile>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1">
  <surface>
   <graphic url="page1.png"/>
  </surface>
  <surface>
   <graphic url="page2-highRes.png"/>
   <graphic url="page2-lowRes.png"/>
  </surface>
 </surfaceGrp>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<surface>

<facsimile>
 <surface ulx="0" uly="0" lrx="200" lry="300">
  <graphic url="Bovelles-49r.png"/>
 </surface>
</facsimile>

<zone>

<surface ulx="14.54" uly="16.14" lrx="0"
 lry="0">
 <graphic url="stone.jpg"/>
 <zone points="4.6,6.3 5.25,5.85 6.2,6.6 8.19222,7.4125 9.89222,6.5875 10.9422,6.1375 11.4422,6.7125 8.21722,8.3125 6.2,7.65"/>
</surface>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

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<table>

<table> (table) contains text displayed in tabular form, in rows and columns. [15.1.1. TEI Tables]

Module
figures

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.typed

@type

@subtype

rows rows⚓︎
(rows) indicates the number of rows in the table.

Status
Optional

Datatype
teidata.count

Note

If no number is supplied, an application must calculate the number of rows.

Rows should be presented from top to bottom.

cols cols⚓︎
(columns) indicates the number of columns in each row of the table.

Status
Optional

Datatype
teidata.count

Note

If no number is supplied, an application must calculate the number of columns.

Within each row, columns should be presented left to right.

Member of

model.listLike

Contained by

core: add corr del desc head hi item l note orig p q quote ref reg sic sp stage title unclear

drama: castList set

figures: cell figDesc figure

header: abstract change licence rendition sourceDesc tagUsage

linking: ab seg

textstructure: argument back body div docEdition epigraph imprimatur postscript salute signed titlePart trailer

transcr: supplied

verse: rhyme

May contain

core: cb gap graphic head lb milestone note pb

figures: figure formula row

linking: anchor

textstructure: argument byline closer dateline docAuthor docDate epigraph postscript salute signed trailer

transcr: fw

Note

Contains an optional heading and a series of rows.

Any rendition information should be supplied using the global rend attribute, at the table, row, or cell level as appropriate.

Example

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.headLike"/>
   <classRef key="model.global"/>
  </alternate>
  <alternate minOccurs="1" maxOccurs="1">
   <sequence minOccurs="1"
    maxOccurs="unbounded">
    <elementRef key="row"/>
    <classRef key="model.global"
     minOccurs="0" maxOccurs="unbounded"/>
   </sequence>
   <sequence minOccurs="1"
    maxOccurs="unbounded">
    <classRef key="model.graphicLike"/>
    <classRef key="model.global"
     minOccurs="0" maxOccurs="unbounded"/>
   </sequence>
  </alternate>
  <sequence minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.divBottom"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element table
{
   attribute rows { teidata.count }?,
   attribute cols { teidata.count }?,
   (
      ( model.headLike | model.global )*,
      (
         ( ( row, model.global* )+ )
       | ( ( model.graphicLike, model.global* )+ )
      ),
      ( ( model.divBottom, model.global* )* )
   )
}

Processing Model

<model behaviour="table">
<outputRendition> font-size: smaller; background-color: #F0F0F0; </outputRendition>
</model>

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Example: <table> (table)

These search results reproduce every example of the use of <table> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <table> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

8. Tables

11. Common Attributes

17. The TEI simplePrint schema

8. Tables

8. Tables

<p>It was indeed coming on amain, for the
burials that same week were in the next adjoining parishes thus:— <table rows="5" cols="4">
  <row role="data">
   <cell role="label">St. Leonard's, Shoreditch</cell>
   <cell>64</cell>
   <cell>84</cell>
   <cell>119</cell>
  </row>
  <row role="data">
   <cell role="label">St. Botolph's, Bishopsgate</cell>
   <cell>65</cell>
   <cell>105</cell>
   <cell>116</cell>
  </row>
  <row role="data">
   <cell role="label">St. Giles's, Cripplegate</cell>
   <cell>213</cell>
   <cell>421</cell>
   <cell>554</cell>
  </row>
 </table>
</p>
<p>This shutting up of houses was at first counted a very cruel and
unchristian method, and the poor people so confined made bitter lamentations. ...
</p>

11. Common Attributes

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

17. The TEI simplePrint schema

<table>

<table rows="4" cols="4">
 <head>Poor Men's Lodgings in Norfolk (Mayhew, 1843)</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">Dossing Cribs or Lodging Houses</cell>
  <cell role="data">Beds</cell>
  <cell role="data">Needys or Nightly Lodgers</cell>
 </row>
 <row role="data">
  <cell role="label">Bury St Edmund's</cell>
  <cell role="data">5</cell>
  <cell role="data">8</cell>
  <cell role="data">128</cell>
 </row>
 <row role="data">
  <cell role="label">Thetford</cell>
  <cell role="data">3</cell>
  <cell role="data">6</cell>
  <cell role="data">36</cell>
 </row>
 <row role="data">
  <cell role="label">Attleboro'</cell>
  <cell role="data">3</cell>
  <cell role="data">5</cell>
  <cell role="data">20</cell>
 </row>
 <row role="data">
  <cell role="label">Wymondham</cell>
  <cell role="data">1</cell>
  <cell role="data">11</cell>
  <cell role="data">22</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>Persistance de la neige dans les Alpes suisses (Denzler). </head>
 <row>
  <cell role="label">A l'altitude de</cell>
  <cell role="data">650 m.</cell>
  <cell role="data">1300m.</cell>
  <cell role="data">1950m.</cell>
  <cell role="data">2700m.</cell>
 </row>
 <row>
  <cell role="label">la neige reste</cell>
  <cell role="data">77 jours.</cell>
  <cell role="data"> 200 jours.</cell>
  <cell role="data"> 245 jours.</cell>
  <cell role="data"> 365 jours.</cell>
 </row>
</table>

<table>

<table rows="4" cols="4">
 <head>台北飯店提供住房數目(2008年雙十國慶 )</head>
 <row role="label">
  <cell role="data"/>
  <cell role="data">經濟客房</cell>
  <cell role="data">標準客房</cell>
  <cell role="data">高級客房</cell>
 </row>
 <row role="data">
  <cell role="label">圓山大飯店</cell>
  <cell role="data">203</cell>
  <cell role="data">168</cell>
  <cell role="data">66</cell>
 </row>
 <row role="data">
  <cell role="label">凱撒大飯店</cell>
  <cell role="data">216</cell>
  <cell role="data">140</cell>
  <cell role="data">32</cell>
 </row>
 <row role="data">
  <cell role="label">喜來登大飯店</cell>
  <cell role="data">197</cell>
  <cell role="data">160</cell>
  <cell role="data">50</cell>
 </row>
 <row role="data">
  <cell role="label">君悅大飯店</cell>
  <cell role="data">177</cell>
  <cell role="data">130</cell>
  <cell role="data">22</cell>
 </row>
</table>

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<TEI>

<TEI> (TEI document) contains a single TEI-conformant document, combining a single TEI header with one or more members of the model.resource class. Multiple TEI elements may be combined within a TEI (or teiCorpus) element. [4. Default Text Structure 16.1. Varieties of Composite Text]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

version version⚓︎

Status
Optional

Member of

model.describedResource

Contained by

core: teiCorpus

textstructure: TEI

May contain

header: teiHeader

textstructure: TEI text

transcr: facsimile

Note

As with all elements in the TEI scheme (except <egXML>) this element is in the TEI namespace (see 5.7.2. Namespaces). Thus, when it is used as the outermost element of a TEI document, it is necessary to specify the TEI namespace on it. This is customarily achieved by including http://www.tei-c.org/ns/1.0 as the value of the XML namespace declaration (xmlns), without indicating a prefix, and then not using a prefix on TEI elements in the rest of the document. For example: <TEI version="4.8.1" xml:lang="it" xmlns="http://www.tei-c.org/ns/1.0">.

Example

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

Show all ⚓︎

Example

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <elementRef key="teiHeader"/>
  <alternate minOccurs="1" maxOccurs="1">
   <sequence minOccurs="1" maxOccurs="1">
    <classRef key="model.resource"
     minOccurs="1" maxOccurs="unbounded"/>
    <elementRef key="TEI" minOccurs="0"
     maxOccurs="unbounded"/>
   </sequence>
   <elementRef key="TEI" minOccurs="1"
    maxOccurs="unbounded"/>
  </alternate>
 </sequence>
</content>

Schema Declaration

element TEI
{
   attribute version { text }?,
   ( teiHeader, ( ( model.resource+, TEI* ) | TEI+ ) )
}

Processing Model

<model behaviour="document"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <TEI> (TEI document)

These search results reproduce every example of the use of <TEI> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <TEI> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

2. The Structure of a TEI simplePrint Document

11. Common Attributes

12. Composite and Floating Texts

17. The TEI simplePrint schema

2. The Structure of a TEI simplePrint Document

2. The Structure of a TEI simplePrint Document

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

11. Common Attributes

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

<teiCorpus xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[header information for the corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[header information for first text]-->
  </teiHeader>
  <text>
<!--[first text in corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[header information for second text]-->
  </teiHeader>
  <text>
<!--[second text in corpus]-->
  </text>
 </TEI>
</teiCorpus>

17. The TEI simplePrint schema

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <teiCorpus> (TEI corpus)

These search results reproduce every example of the use of <teiCorpus> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <teiCorpus> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

12. Composite and Floating Texts

17. The TEI simplePrint schema

11. Common Attributes

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

12. Composite and Floating Texts

12. Composite and Floating Texts

<teiCorpus xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[header information for the corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[header information for first text]-->
  </teiHeader>
  <text>
<!--[first text in corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[header information for second text]-->
  </teiHeader>
  <text>
<!--[second text in corpus]-->
  </text>
 </TEI>
</teiCorpus>

17. The TEI simplePrint schema

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

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<term>

<term> (term) contains a single-word, multi-word, or symbolic designation which is regarded as a technical term. [3.4.1. Terms and Glosses]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cReferencing

@cRef

att.canonical

@ref

att.cmc

@generatedBy

att.pointing

@targetLang

@target

@evaluate

att.sortable

@sortKey

att.typed

@type

@subtype

Member of

model.emphLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent keywords language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice cit corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q quote ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

This element should only be used in the TEI Header

Example

<keywords>
 <term>huntin</term>
 <term>shootin</term>
 <term>fishin</term>
</keywords>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.phraseSeq"/>
</content>

Schema Declaration

element term { macro.phraseSeq }

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <term> (term)

These search results reproduce every example of the use of <term> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <term> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

15. The Electronic Title Page

17. The TEI simplePrint schema

11. Common Attributes

att.sortable

David's other principal backer, Josiah
ha-Kohen <index indexName="NAMES">
 <term sortKey="Azarya_Josiah_Kohen">Josiah ha-Kohen b. Azarya</term>
</index> b. Azarya, son of one of the last gaons of Sura was David's own first
cousin.

att.sortable

Je me suis
procuré une <term>clef anglaise</term> pour dévisser les écrous qui attachent le canot à
la coque du Nautilus. Ainsi tout est prêt.

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
   <biblFull>
    <titleStmt>
     <title>THE TEMPEST.</title>
     <author>Shakespeare, William, 1564-1616</author>
     <editor role="editor">Lee, Sidney, Sir, 1859-1926</editor>
    </titleStmt>
    <extent>xxxv, 908 p. : facsims. ; 39 cm.</extent>
    <publicationStmt>
     <publisher>Clarendon Press</publisher>
     <pubPlace>Oxford</pubPlace>
     <date>1902</date>
    </publicationStmt>
   </biblFull>
  </sourceDesc>
 </fileDesc>
 <encodingDesc>
  <classDecl>
   <taxonomy xml:id="OTASH">
    <bibl>University of Oxford Text Archive Subject Headings</bibl>
   </taxonomy>
   <taxonomy xml:id="LCSH">
    <bibl>Library of Congress Subject Headings</bibl>
   </taxonomy>
  </classDecl>
 </encodingDesc>
 <profileDesc>
  <creation>
   <date notAfter="1623"/>
  </creation>
  <langUsage>
   <language ident="eng">English</language>
  </langUsage>
  <textClass>
   <keywords scheme="#LCSH">
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 <item xml:lang="en">wood</item>
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 <item xml:lang="en">now</item>
 <label>lhude</label>
 <item xml:lang="en">loudly</item>
 <label>bloweth</label>
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 <item xml:lang="en">meadow</item>
 <label>wude</label>
 <item xml:lang="en">wood</item>
 <label>awe</label>
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 <item xml:lang="en">lows</item>
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 <label>naver</label>
 <item xml:lang="en">never</item>
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<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
 <item xml:lang="zh-TW">個</item>
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 <item xml:lang="zh-TW">與</item>
 <label>军队</label>
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   <ref>出師表</ref>
   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
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<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<ref>

See also <ref target="#locution">s.v. <term>locution</term>
</ref>.

<ref>

<ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2"> 關於第二行，</ref> 請參考 <ref>下列
<term>慣用語</term>
</ref>.

<term>

<keywords>
 <term>huntin</term>
 <term>shootin</term>
 <term>fishin</term>
</keywords>

15. The Electronic Title Page

15.3. The Profile Description

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17. The TEI simplePrint schema

att.sortable

David's other principal backer, Josiah
ha-Kohen <index indexName="NAMES">
 <term sortKey="Azarya_Josiah_Kohen">Josiah ha-Kohen b. Azarya</term>
</index> b. Azarya, son of one of the last gaons of Sura was David's own first
cousin.

att.sortable

Je me suis
procuré une <term>clef anglaise</term> pour dévisser les écrous qui attachent le canot à
la coque du Nautilus. Ainsi tout est prêt.

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 <label>wude</label>
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 <label>lhude</label>
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<label>

<list type="gloss" xml:lang="zh">
 <head xml:lang="zh">字彙</head>
 <headLabel xml:lang="zh-CN">簡體中文</headLabel>
 <headItem xml:lang="zh-TW">繁體中文</headItem>
 <label>尘</label>
 <item xml:lang="zh-TW">塵</item>
 <label>业</label>
 <item xml:lang="zh-TW">業</item>
 <label>处</label>
 <item xml:lang="zh-TW">處</item>
 <label>个</label>
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 <item xml:lang="zh-TW">與</item>
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 <label>后汉</label>
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   <quote>亲近小人，疏远贤臣，这是<term>后汉</term>所以倾覆衰败的原因</quote>
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 <label>诚实</label>
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 <label>获得</label>
 <item xml:lang="zh-TW">獲得</item>
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<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<note>

And yet it is not only
in the great line of Italian renaissance art, but even in the
painterly <note place="bottom" type="gloss"
 resp="#MDMH-1">
 <term xml:lang="de">Malerisch</term>. This word has, in the German, two
distinct meanings, one objective, a quality residing in the object,
the other subjective, a mode of apprehension and creation. To avoid
confusion, they have been distinguished in English as
<mentioned>picturesque</mentioned> and
<mentioned>painterly</mentioned> respectively.
</note> style of the
Dutch genre painters of the seventeenth century that drapery has this
psychological significance.

<!-- elsewhere in the document -->
<respStmt xml:id="MDMH-1">
 <resp>translation from German to English</resp>
 <name>Hottinger, Marie Donald Mackie</name>
</respStmt>

<ref>

See also <ref target="#locution">s.v. <term>locution</term>
</ref>.

<ref>

<ref target="http://www.natcorp.ox.ac.uk/Texts/A02.xml#s2"> 關於第二行，</ref> 請參考 <ref>下列
<term>慣用語</term>
</ref>.

<term>

<keywords>
 <term>huntin</term>
 <term>shootin</term>
 <term>fishin</term>
</keywords>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

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<text>

<text> (text) contains a single text of any kind, whether unitary or composite, for example a poem or drama, a collection of essays, a novel, a dictionary, or a corpus sample. [4. Default Text Structure 16.1. Varieties of Composite Text]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

att.written

@hand

Member of

model.resource

Contained by

core: teiCorpus

textstructure: TEI group

May contain

core: cb gap lb milestone note pb

figures: figure

linking: anchor

textstructure: back body front group

transcr: fw

Note

This element should not be used to represent a text which is inserted at an arbitrary point within the structure of another, for example as in an embedded or quoted narrative; the floatingText is provided for this purpose.

Example

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

Show all ⚓︎

Example

The body of a text may be replaced by a group of nested texts, as in the following schematic:

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

Show all ⚓︎

Schematron

<sch:rule context="tei:term | tei:biblFull">
<sch:report test="ancestor::tei:text">Error: The element <sch:name/> is not permitted outside the header</sch:report>
</sch:rule>

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="0" maxOccurs="1">
   <elementRef key="front"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
  <alternate minOccurs="1" maxOccurs="1">
   <elementRef key="body"/>
   <elementRef key="group"/>
  </alternate>
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <sequence minOccurs="0" maxOccurs="1">
   <elementRef key="back"/>
   <classRef key="model.global"
    minOccurs="0" maxOccurs="unbounded"/>
  </sequence>
 </sequence>
</content>

Schema Declaration

element text
{
   model.global*,
   ( ( front, model.global* )? ),
   ( body | group ),
   model.global*,
   ( ( back, model.global* )? )
}

Processing Model

<model behaviour="body">
<outputRendition> max-width: 80%; margin: auto; font-family: Verdana, Tahoma,
 Geneva, Arial, Helvetica, sans-serif; </outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <text> (text)

These search results reproduce every example of the use of <text> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <text> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

2. The Structure of a TEI simplePrint Document

11. Common Attributes

12. Composite and Floating Texts

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

2. The Structure of a TEI simplePrint Document

2. The Structure of a TEI simplePrint Document

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- [ TEI Header information ] -->
 </teiHeader>
 <text>
  <front>
<!-- [ front matter ... ] -->
  </front>
  <body>
<!-- [ body of text ... ] -->
  </body>
  <back>
<!-- [ back matter ... ] -->
  </back>
 </text>
</TEI>

11. Common Attributes

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<group>

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<text>

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

<text>

<text>
 <front>
<!-- Vorspann für die gesamte Gruppierung -->
 </front>
 <group>
  <text>
<!-- erster Text -->
  </text>
  <text>
<!-- zweiter Text -->
  </text>
 </group>
</text>

12. Composite and Floating Texts

12. Composite and Floating Texts

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ header information for the composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ front matter for the composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ front matter of first text ]-->
    </front>
    <body>
<!--[ body of first text ]-->
    </body>
    <back>
<!--[ back matter of first text ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ front matter of second text]-->
    </front>
    <body>
<!--[ body of second text ]-->
    </body>
    <back>
<!--[ back matter of second text ]-->
    </back>
   </text>
<!--[ more texts or groups of texts here ]-->
  </group>
  <back>
<!--[ back matter for the composite ]-->
  </back>
 </text>
</TEI>

12. Composite and Floating Texts

<teiCorpus xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[header information for the corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[header information for first text]-->
  </teiHeader>
  <text>
<!--[first text in corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[header information for second text]-->
  </teiHeader>
  <text>
<!--[second text in corpus]-->
  </text>
 </TEI>
</teiCorpus>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<text>
<!-- ...-->
 <pb facs="#page1"/>
<!-- text contained on page 1 -->
 <pb facs="#page2"/>
<!-- text contained on page 2 -->
<!-- ...-->
</text>

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

att.global.linking

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

<group>

<text>
<!-- Section on Alexander Pope starts -->
 <front>
<!-- biographical notice by editor -->
 </front>
 <group>
  <text>
<!-- first poem -->
  </text>
  <text>
<!-- second poem -->
  </text>
 </group>
</text>
<!-- end of Pope section-->

<group>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préliminaire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préliminaire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préliminaire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annexe du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annexe du texte composite ]-->
  </back>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- header for corpus -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- header for first text -->
  </teiHeader>
  <text>
<!-- content of first text -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- header for second text -->
  </teiHeader>
  <text>
<!-- content of second text -->
  </text>
 </TEI>
<!-- more TEI elements here -->
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[en-tête du corpus]-->
 </teiHeader>
 <TEI>
  <teiHeader>
<!--[en-tête du premier texte]-->
  </teiHeader>
  <text>
<!--[premier texte du corpus]-->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!--[en-tête du deuxième texte]-->
  </teiHeader>
  <text>
<!--[deuxième texte du corpus]-->
  </text>
 </TEI>
</teiCorpus>

<teiCorpus>

<teiCorpus version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!-- 該文集的總header -->
 </teiHeader>
 <TEI>
  <teiHeader>
<!-- 第一個文章的header -->
  </teiHeader>
  <text>
<!-- 第一個文章的內容 -->
  </text>
 </TEI>
 <TEI>
  <teiHeader>
<!-- 第二個文章的header -->
  </teiHeader>
  <text>
<!-- 第二個文章的內容 -->
  </text>
 </TEI>
<!-- 其他TEI元素 -->
</teiCorpus>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
<!--[ en-tête du texte composite ]-->
 </teiHeader>
 <text>
  <front>
<!--[ partie préfatoire du texte composite ]-->
  </front>
  <group>
   <text>
    <front>
<!--[ partie préfatoire du premier texte ]-->
    </front>
    <body>
<!--[ corps du premier texte ]-->
    </body>
    <back>
<!--[ annexe du premier texte ]-->
    </back>
   </text>
   <text>
    <front>
<!--[ partie préfatoire du deuxième texte ]-->
    </front>
    <body>
<!--[ corps du deuxième texte ]-->
    </body>
    <back>
<!--[ annex du deuxième texte ]-->
    </back>
   </text>
<!--[ encore de textes, simples ou composites ]-->
  </group>
  <back>
<!--[ annex du texte composite ]-->
  </back>
 </text>
</TEI>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<text>

<text>
 <front>
<!-- front matter for the whole group -->
 </front>
 <group>
  <text>
<!-- first text -->
  </text>
  <text>
<!-- second text -->
  </text>
 </group>
</text>

<text>

<text>
 <front>
<!-- Vorspann für die gesamte Gruppierung -->
 </front>
 <group>
  <text>
<!-- erster Text -->
  </text>
  <text>
<!-- zweiter Text -->
  </text>
 </group>
</text>

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<time>

<time> (time) contains a phrase defining a time of day in any format. [3.6.4. Dates and Times]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.calendarSystem

@calendar

att.canonical

@ref

att.cmc

@generatedBy

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

att.dimensions

@unit

@quantity

@extent

@scope

att.editLike

att.typed

@type

@subtype

Member of

model.dateLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition tagUsage

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address cb choice corr date del email expan foreign gap graphic hi lb measure milestone name note num orig pb q ref reg rs sic term time title unclear

figures: figure formula

gaiji: g

header: idno

linking: anchor seg

tagdocs: code

transcr: fw subst supplied

verse: rhyme

character data

Example

As he sat smiling, the
quarter struck — <time when="11:45:00">the quarter to twelve</time>.

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element time { ( text | model.gLike | model.phrase | model.global )* }

Processing Model

<model behaviour="inline"/>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <time> (time)

These search results reproduce every example of the use of <time> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <time> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

5. Names, Codes, and Numbers

11. Common Attributes

17. The TEI simplePrint schema

5. Names, Codes, and Numbers

5. Names, Codes, and Numbers

<l>specially when it's nine below zero</l>
<l>and <time when="15:00:00">three o'clock in the afternoon</time>
</l>

11. Common Attributes

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.cmc

<post type="written" generatedBy="human">
<!-- ... main content of posting ... -->
 <signed generatedBy="template">
  <gap reason="signatureContent"/>
  <time generatedBy="template">12:01, 12. Jun. 2009 (CEST)</time>
 </signed>
</post>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">September 24th, 1996 at 3:25 in the morning</date>
 <time when="1999-01-04T20:42:00-05:00">Jan 4 1999 at 8 pm</time>
 <time when="14:12:38">fourteen twelve and 38 seconds</time>
 <date when="1962-10">October of 1962</date>
 <date when="--06-12">June 12th</date>
 <date when="---01">the first of the month</date>
 <date when="--08">August</date>
 <date when="2006">MMVI</date>
 <date when="0056">AD 56</date>
 <date when="-0056">56 BC</date>
</p>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">24 septembre 1996 à 3h 25 du matin</date>
 <time when="1999-01-04T20:42:00-05:00">4 janvier 1999 à 8h de l'après-midi.</time>
 <time when="14:12:38">14 h 12 minutes et 38 secondes</time>
 <date when="1962-10">octobre 1962</date>
 <date when="--06-12">12 juin</date>
 <date when="---01">premier du mois</date>
 <date when="--08">Août</date>
 <date when="2006">MMVI</date>
 <date when="0056">56 ap. J.-C.</date>
 <date when="-0056">56 av. J.-C.</date>
</p>

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<time dur="PT45M">forty-five minutes</time>

<time dur="PT45M">quarante-cinq minutes</time>

<time dur="PT0.02S">20 ms</time>

<time dur-iso="PT0,75H">three-quarters of an hour</time>

<time dur-iso="PT0,75H">trois quarts d'une heure</time>

<time dur-iso="PT0.02S">20 ms</time>

<time>

As he sat smiling, the
quarter struck — <time when="11:45:00">the quarter to twelve</time>.

<time>

Bonsoir, il est <time when="00:00:00">minuit</time> ici, l'heure de dormir, et chez vous
à Paris, il est seulement <time when="07:00:00">7 h.</time> Je te
rapporterai plein de souvenirs pour te faire partager cette
expérience unique.

<time>

下班火車將於 <time when="11:45:00">差一刻十二點</time>出發。

17. The TEI simplePrint schema

att.cmc

<post type="standard" generatedBy="human"
 indentLevel="2" synch="#t00394407" who="#WU00005582">
 <p> Kurze Nachfrage: Die Hieros für den Goldnamen stammen
   auch von Beckerath gem. Literatur ? Grüße —</p>
 <signed generatedBy="template"
  rend="inline">
  <gap reason="signatureContent"/>
  <time generatedBy="template">18:50, 22. Okt. 2008 (CEST)</time>
 </signed>
</post>

att.cmc

<post type="written" generatedBy="human">
<!-- ... main content of posting ... -->
 <signed generatedBy="template">
  <gap reason="signatureContent"/>
  <time generatedBy="template">12:01, 12. Jun. 2009 (CEST)</time>
 </signed>
</post>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">September 24th, 1996 at 3:25 in the morning</date>
 <time when="1999-01-04T20:42:00-05:00">Jan 4 1999 at 8 pm</time>
 <time when="14:12:38">fourteen twelve and 38 seconds</time>
 <date when="1962-10">October of 1962</date>
 <date when="--06-12">June 12th</date>
 <date when="---01">the first of the month</date>
 <date when="--08">August</date>
 <date when="2006">MMVI</date>
 <date when="0056">AD 56</date>
 <date when="-0056">56 BC</date>
</p>

att.datable.w3c

<p>
 <date when="1945-10-24">24 Oct 45</date>
 <date when="1996-09-24T07:25:00Z">24 septembre 1996 à 3h 25 du matin</date>
 <time when="1999-01-04T20:42:00-05:00">4 janvier 1999 à 8h de l'après-midi.</time>
 <time when="14:12:38">14 h 12 minutes et 38 secondes</time>
 <date when="1962-10">octobre 1962</date>
 <date when="--06-12">12 juin</date>
 <date when="---01">premier du mois</date>
 <date when="--08">Août</date>
 <date when="2006">MMVI</date>
 <date when="0056">56 ap. J.-C.</date>
 <date when="-0056">56 av. J.-C.</date>
</p>

att.datable.w3c

<opener>
 <dateline>
  <placeName>Dorchester, Village,</placeName>
  <date when="1828-03-02">March 2d. 1828.</date>
 </dateline>
 <salute>To
   Mrs. Cornell,</salute> Sunday <time when="12:00:00">noon.</time>
</opener>

<time dur="PT45M">forty-five minutes</time>

<time dur="PT45M">quarante-cinq minutes</time>

<time dur="PT0.02S">20 ms</time>

<time dur-iso="PT0,75H">three-quarters of an hour</time>

<time dur-iso="PT0,75H">trois quarts d'une heure</time>

<time dur-iso="PT0.02S">20 ms</time>

<time>

As he sat smiling, the
quarter struck — <time when="11:45:00">the quarter to twelve</time>.

<time>

Bonsoir, il est <time when="00:00:00">minuit</time> ici, l'heure de dormir, et chez vous
à Paris, il est seulement <time when="07:00:00">7 h.</time> Je te
rapporterai plein de souvenirs pour te faire partager cette
expérience unique.

<time>

下班火車將於 <time when="11:45:00">差一刻十二點</time>出發。

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<title>

<title> (title) contains a title for any kind of work. [3.12.2.2. Titles, Authors, and Editors 2.2.1. The Title Statement 2.2.5. The Series Statement]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.canonical

@ref

att.cmc

@generatedBy

att.datable

@period

att.datable.w3c

@when

@notBefore

@notAfter

@from

@to

att.typed

@type

@subtype

level level⚓︎
indicates the bibliographic level for a title, that is, whether it identifies an article, book, journal, series, or unpublished material.

Status
Optional

Datatype
teidata.enumerated

Legal values are:

a

(analytic) the title applies to an analytic item, such as an article, poem, or other work published as part of a larger item.

m

(monographic) the title applies to a monograph such as a book or other item considered to be a distinct publication, including single volumes of multi-volume works

j

(journal) the title applies to any serial or periodical publication such as a journal, magazine, or newspaper

s

(series) the title applies to a series of otherwise distinct publications such as a collection

u

(unpublished) the title applies to any unpublished material (including theses and dissertations unless published by a commercial press)

Note

The level of a title is sometimes implied by its context: for example, a title appearing directly within an <analytic> element is ipso facto of level ‘a’, and one appearing within a <series> element of level ‘s’. For this reason, the level attribute is not required in contexts where its value can be unambiguously inferred. Where it is supplied in such contexts, its value should not contradict the value implied by its parent element.

type type⚓︎
classifies the title according to some convenient typology.

Status
Optional

Datatype
teidata.enumerated

Sample values include:

main

main title

sub

(subordinate) subtitle, title of part

alt

(alternate) alternate title, often in another language, by which the work is also known

short

abbreviated form of title

desc

(descriptive) descriptive paraphrase of the work functioning as a title

Note

This attribute is provided for convenience in analysing titles and processing them according to their type; where such specialized processing is not necessary, there is no need for such analysis, and the entire title, including subtitles and any parallel titles, may be enclosed within a single title element.

Member of

model.emphLike

Contained by

analysis: s

core: abbr add addrLine author bibl biblScope corr date del desc editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg resp rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell figDesc

header: catDesc change classCode creation distributor edition extent language licence rendition seriesStmt tagUsage titleStmt

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The attributes key and ref, inherited from the class att.canonical may be used to indicate the canonical form for the title; the former, by supplying (for example) the identifier of a record in some external library system; the latter by pointing to an XML element somewhere containing the canonical form of the title.

Example

<title>Information Technology and the Research Process: Proceedings of
a conference held at Cranfield Institute of Technology, UK,
18–21 July 1989</title>

Show all ⚓︎

Example

<title>Hardy's Tess of the D'Urbervilles: a machine readable
edition</title>

Show all ⚓︎

Example

<title type="full">
 <title type="main">Synthèse</title>
 <title type="sub">an international journal for
   epistemology, methodology and history of
   science</title>
</title>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element title
{
   attribute level { "a" | "m" | "j" | "s" | "u" }?,
   attribute type { teidata.enumerated }?,
   macro.paraContent
}

Processing Model

<modelSequence predicate="parent::titleStmt/parent::fileDesc">
<model predicate="preceding-sibling::title"
 behaviour="text">
 <param name="content" value="' — '"/>
</model>
<model behaviour="inline">
 <outputRendition>color: red; font-size: 2em;</outputRendition>
</model>
</modelSequence>
<model predicate="not(@level) and parent::bibl"
 behaviour="inline"/>
<modelSequence predicate="@level='m' or not(@level)">
<model behaviour="inline">
 <outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="ancestor::biblFull"
 behaviour="text">
 <param name="content" value="', '"/>
</model>
</modelSequence>
<modelSequence predicate="@level='s' or @level='j'">
<model behaviour="inline">
 <outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="following-sibling::* and ( ancestor::biblFull)"
 behaviour="text">
 <param name="content" value="', '"/>
</model>
</modelSequence>
<modelSequence predicate="@level='u' or @level='a'">
<model behaviour="inline">
 <outputRendition>font-style: italic;</outputRendition>
</model>
<model predicate="following-sibling::* and ( ancestor::biblFull)"
 behaviour="text">
 <param name="content" value="'. '"/>
</model>
</modelSequence>
<model behaviour="inline">
<outputRendition>font-style: italic;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

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Example: <title> (title)

These search results reproduce every example of the use of <title> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <title> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3. Encoding the Body

7. Bibliographic Citations

11. Common Attributes

13. Front and Back Matter

15. The Electronic Title Page

17. The TEI simplePrint schema

3. Encoding the Body

3.5.1. Changes of Typeface, etc.

<p>On the one hand the
<title>Nibelungenlied</title> is associated with the new rise of romance of
twelfth-century France, the <foreign>romans d'antiquité</foreign>, the romances of
Chrétien de Troyes, ...</p>

3.5.3. Foreign Words or Expressions

<p>John has real <foreign xml:lang="fr">savoir-faire</foreign>.</p>
<p>Have you read <title xml:lang="de">Die Dreigroschenoper</title>?</p>

3.7.3. Special Kinds of Linking

<p>
 <title xml:id="shirley">Shirley</title>,
which made its Friday night debut only a month ago, was not listed on <name xml:id="nbc">NBC</name>'s new schedule, although <seg xml:id="network" corresp="#nbc">the network</seg> says <seg xml:id="show" corresp="#shirley">the
   show</seg> still is being considered.
</p>

7. Bibliographic Citations

7. Bibliographic Citations

He was a member of Parliament for Warwickshire
in 1445, and died March 14, 1470 (according to <bibl>
 <author>Kittredge</author>,
<title>Harvard Studies</title> 5. 88ff
</bibl>).

7. Bibliographic Citations

<bibl xml:id="MK_73">Sturm, U. &amp; Drang, F. : <title>Musikalische
   Katastrophe</title>. (Berlin, W. de Gruyter, 1973)</bibl>

7. Bibliographic Citations

<bibl xml:id="MK73">
 <author>Sturm, U.</author>
 <author>Drang, F.</author>
 <title xml:lang="de" level="m">Musikalische Katastrophe</title>
 <pubPlace>Berlin</pubPlace>
 <publisher>W. de Gruyter</publisher>
 <date>1973</date>
</bibl>

11. Common Attributes

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Methuen</publisher>, <date>1937</date>
 </bibl>
 <bibl xml:id="stapledon1968">
  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
 </head>
 <listBibl xml:base="https://romantic-circles.org/sites/default/files/imported/editions/southey_letters/XML/">
  <bibl>
   <ref target="letterEEd.26.3.xml">
    <title>Robert Southey to Grosvenor Charles Bedford</title>, <date when="1792-04-03">3 April 1792</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.57.xml">
    <title>Robert Southey to Anna Seward</title>, <date when="1793-09-18">18 September 1793</date>.
   </ref>
  </bibl>
  <bibl>
   <ref target="letterEEd.26.85.xml">
    <title>Robert Southey to Robert Lovell</title>, <date from="1794-04-05" to="1794-04-06">5-6 April, 1794</date>.
   </ref>
  </bibl>
 </listBibl>
</div>

<teiHeader>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>THE TEMPEST.</title>
   <author>Shakespeare, William, 1564-1616</author>
  </titleStmt>
  <publicationStmt>
   <distributor>
    <name>University of Oxford Text Archive</name>
    <address>
     <addrLine>Oxford University Computing Services</addrLine>
     <addrLine>13 Banbury Road</addrLine>
     <addrLine>Oxford</addrLine>
     <addrLine>OX2 6NN</addrLine>
    </address>
    <email>ota@oucs.ox.ac.uk</email>
   </distributor>
   <idno type="ota">http://ota.ox.ac.uk/id/5725</idno>
   <idno type="isbn10">1106027248</idno>
   <idno type="isbn13">9781106027245</idno>
   <availability status="free">
    <licence target="http://creativecommons.org/licenses/by-sa/3.0/"> Distributed by the University of Oxford under a Creative Commons
         Attribution-ShareAlike 3.0 Unported License </licence>
   </availability>
  </publicationStmt>
  <sourceDesc>
   <bibl>Revised version of <relatedItem type="older"
     target="http://ota.ox.ac.uk/id/0119"/>
   </bibl>
   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
       [et al.] ; with introductions by Stanley Wells. -- Oxford : Clarendon
       Press, 1986. -- (Oxford Shakespeare). -- ISBN 0-19-812926-2</bibl>
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<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
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  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
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<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
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  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
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     des chartes)</name>
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  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
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     nationale des chartes)</name>
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<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
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<seriesStmt>
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  <resp>ed. by</resp>
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 <biblScope unit="volume">1.2</biblScope>
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<seriesStmt>

<seriesStmt>
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  <name>珍．崗妲</name>
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 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
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<biblFull>

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   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
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</sourceDesc>

<change>

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  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
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  <name>R.T.</name>
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<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
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 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
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<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
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<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
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   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

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   <p>A peu pres, le document TEI le plus court envisageable.</p>
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<title>

<title>Information Technology and the Research Process: Proceedings of
a conference held at Cranfield Institute of Technology, UK,
18–21 July 1989</title>

<title>

<title>La vie mode d'emploi. Romans.</title>

<title>

<title>Analyser les textes de communication</title>

<title>

<title>Mélanges de linguistique française et de philologie et littérature médiévales
offerts à Monsieur Paul Imbs.</title>

<title>

<title>Les fleurs du Mal de Charles Baudelaire : une édition électronique</title>

<title>

<p>quand il rentre de ses chantiers de maçonnerie il dit rien, il pose son cul sur une
chaise, toujours au même endroit, et il lit <title>l'Humanité.</title>
</p>

<title>

<title>毛語錄</title>

<title>

<title>嚐書：視界與舌尖之外</title>

<title>

<title> 蒼天有淚—無語問蒼天，台北，1997年12月1日。</title>

<title>

<title>大般若波羅蜜多經：OCR辨識版本</title>

<title>

<title>Hardy's Tess of the D'Urbervilles: a machine readable
edition</title>

<title>

<title type="full">
 <title type="main">Synthèse</title>
 <title type="sub">an international journal for
   epistemology, methodology and history of
   science</title>
</title>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

15. The Electronic Title Page

15. The Electronic Title Page

<titleStmt>
 <title>Two stories by Edgar Allen Poe </title>
 <author>Poe, Edgar Allen (1809-1849)</author>
 <respStmt>
  <resp>TEI encoding</resp>
  <name>James D. Benson</name>
 </respStmt>
 <respStmt>
  <resp>Funding </resp>
  <name>Getty Foundation</name>
 </respStmt>
</titleStmt>

15. The Electronic Title Page

<sourceDesc>
 <bibl>
  <author>CNN Network News</author>
  <title>News headlines</title>
  <date>12 Jun 1989</date>
 </bibl>
</sourceDesc>

15.3. The Profile Description

<profileDesc>
 <settingDesc>
  <listPlace>
   <head>Houses mentioned in <title>Pride and Prejudice</title>
   </head>
   <place xml:id="NETF1">
    <p>
     <name>Netherfield Park</name>: home of the Bingleys</p>
   </place>
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    <p>
     <name>Pemberley</name>: home of Mr Darcy</p>
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17. The TEI simplePrint schema

att.edition

<listBibl>
 <bibl xml:id="stapledon1937">
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  <author>Olaf Stapledon</author>,
 <title>Starmaker</title>, <publisher>Dover</publisher>, <date>1968</date>
 </bibl>
</listBibl>
<!-- ... -->
<p>Looking into the future aeons from the supreme moment of
the cosmos, I saw the populations still with all their
strength maintaining the<pb n="411" edRef="#stapledon1968"/>essentials of their ancient culture,
still living their personal lives in zest and endless
novelty of action, … I saw myself still
preserving, though with increasing difficulty, my lucid
con-<pb n="291" edRef="#stapledon1937"/>sciousness;</p>

att.global.source

<p>
<!-- ... -->
 <quote source="#chicago_15_ed">Grammatical theories are in flux, and the more we learn, the
   less we seem to know.</quote>
<!-- ... -->
</p>
<!-- ... -->
<bibl xml:id="chicago_15_ed">
 <title level="m">The Chicago Manual of Style</title>,
<edition>15th edition</edition>. <pubPlace>Chicago</pubPlace>: <publisher>University of
   Chicago Press</publisher> (<date>2003</date>), <biblScope unit="page">p.147</biblScope>.

</bibl>

att.global

<div type="bibl">
 <head>Selections from <title level="m">The Collected Letters of Robert Southey. Part 1: 1791-1797</title>
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   <bibl>Revised version of <relatedItem type="older"
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   <bibl>The texts were originally prepared by Trevor Howard-Hill for use in
       his single volume concordances to Shakespeare (OUP, 1969f). They have
       since been reformatted to modern standards and carefully proofread by
       staff of Oxford University Press' Shakespeare Department for use in the
       new "Old Spelling" Oxford Shakespeare, under the general editorship of Dr
       Stanley Wells: <title>The complete works / William Shakespeare</title>;
       general editors, Stanley Wells and Gary Taylor ; editors Stanley Wells ...
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<fileDesc>
 <titleStmt>
  <title>The shortest possible TEI document</title>
 </titleStmt>
 <publicationStmt>
  <p>Distributed as part of TEI P5</p>
 </publicationStmt>
 <sourceDesc>
  <p>No print source exists: this is an original digital text</p>
 </sourceDesc>
</fileDesc>

<fileDesc>

<teiHeader>
 <fileDesc>
  <titleStmt>
   <title>Le document TEI minimal</title>
  </titleStmt>
  <publicationStmt>
   <p>Distribué comme partie de TEI P5</p>
  </publicationStmt>
  <sourceDesc>
   <p>Aucune source : ce document est né numérique</p>
  </sourceDesc>
 </fileDesc>
</teiHeader>

<titleStmt>

<titleStmt>
 <title>Capgrave's Life of St. John Norbert: a machine-readable transcription</title>
 <respStmt>
  <resp>compiled by</resp>
  <name>P.J. Lucas</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Le sanctoral du lectionnaire de l'office dominicain (1254-1256)</title>
 <funder>2008—..., École nationale des chartes</funder>
 <principal>Anne-Élisabeth Urfels-Capot</principal>
 <respStmt>
  <resp>responsable des publications</resp>
  <name>Olivier Canteaut (École nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp> 2009—..., Éditeur électronique : du TEI à l'écran</resp>
  <name ref="vincent.jolivet@enc.sorbonne.fr">Vincent Jolivet (École nationale
     des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2009, Éditeur scientifique</resp>
  <name ref="pascale.bourgain@enc.sorbonne.fr">Pascale Bourgain (École
     nationale des chartes)</name>
 </respStmt>
 <respStmt>
  <resp>2008, Conversion du document bureautique vers TEI</resp>
  <name ref="frederic.glorieux@enc.sorbonne.fr">Frédéric Glorieux (École
     nationale des chartes)</name>
 </respStmt>
</titleStmt>

<titleStmt>

<titleStmt>
 <title>Taisho Tripitaka, Electronic version, No. 251 般若波羅蜜多心經</title>
 <respStmt>
  <resp>電子化</resp>
  <name>中華電子佛典協會</name>
 </respStmt>
</titleStmt>

<seriesStmt>

<seriesStmt>
 <title>Machine-Readable Texts for the Study of Indian Literature</title>
 <respStmt>
  <resp>ed. by</resp>
  <name>Jan Gonda</name>
 </respStmt>
 <biblScope unit="volume">1.2</biblScope>
 <idno type="ISSN">0 345 6789</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>Babel</title>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Jacques Dubois</name>
 </respStmt>
 <respStmt>
  <resp>directeur de collection</resp>
  <name>Hubert Nyssen</name>
 </respStmt>
 <idno type="ISSN">1140-3853</idno>
</seriesStmt>

<seriesStmt>

<seriesStmt>
 <title>《印度文學研究》的電腦可讀文件</title>
 <respStmt>
  <resp>編者</resp>
  <name>珍．崗妲</name>
 </respStmt>
 <idno type="ISSN">0 345 6789</idno>
 <biblScope unit="volume">1.2</biblScope>
</seriesStmt>

<sourceDesc>

<sourceDesc>
 <bibl>
  <title level="a">The Interesting story of the Children in the Wood</title>. In
 <author>Victor E Neuberg</author>, <title>The Penny Histories</title>.
 <publisher>OUP</publisher>
  <date>1968</date>. </bibl>
</sourceDesc>

<biblFull>

<sourceDesc>
 <biblFull>
  <titleStmt>
   <title>Buxom Joan of Lymas's love to a jolly sailer: or, The maiden's
       choice: being love for love again. To an excellent new play-house
       tune.</title>
   <author>Congreve, William, 1670-1729.</author>
  </titleStmt>
  <extent>1 sheet ([1] p.) : music. </extent>
  <publicationStmt>
   <publisher>printed for P[hilip]. Brooksby, at the Golden-ball, in
       Pye-corner.,</publisher>
   <pubPlace>London: :</pubPlace>
   <date>[between 1693-1695]</date>
  </publicationStmt>
  <notesStmt>
   <note>Attributed to William Congreve by Wing.</note>
   <note>Date of publication and publisher's name from Wing.</note>
   <note>Verse: "A soldier and a sailer ..."</note>
   <note>Printed in two columns.</note>
   <note>Reproduction of original in the British Library.</note>
  </notesStmt>
 </biblFull>
</sourceDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="LDB">Lou Burnard</editor>
 <respStmt xml:id="BZ">
  <resp>copy editing</resp>
  <name>Brett Zamir</name>
 </respStmt>
</titleStmt>
<!-- ... -->
<revisionDesc status="published">
 <change who="#BZ" when="2008-02-02"
  status="public">Finished chapter 23</change>
 <change who="#BZ" when="2008-01-02"
  status="draft">Finished chapter 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#LDB">Added examples to section 3</change>
 <change when="1991-11-11" who="#MSM">Deleted chapter 10</change>
</revisionDesc>

<change>

<titleStmt>
 <title> ... </title>
 <editor xml:id="fr_GK">G.K.</editor>
 <respStmt xml:id="fr_RT">
  <resp>copie</resp>
  <name>R.T.</name>
 </respStmt>
</titleStmt>
<revisionDesc>
 <change who="#fr_RT" when="2008-02-02">Fin du chapitre 23</change>
 <change who="#fr_RT" when="2008-01-02">FIn du chapitre 2</change>
 <change n="P2.2" when="1991-12-21"
  who="#fr_GK">Ajout d'exemples dans la section 3</change>
 <change when="1991-11-11" who="#fr_MSM">Suppression du chapitre 10</change>
</revisionDesc>

<listBibl>

<listBibl>
 <head>Works consulted</head>
 <bibl>Blain, Clements and Grundy: Feminist Companion to
   Literature in English (Yale, 1990)
 </bibl>
 <biblStruct>
  <analytic>
   <title>The Interesting story of the Children in the Wood</title>
  </analytic>
  <monogr>
   <title>The Penny Histories</title>
   <author>Victor E Neuberg</author>
   <imprint>
    <publisher>OUP</publisher>
    <date>1968</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>Liste des ouvrages cités</head>
 <bibl>Les Petits Romantiques </bibl>
 <biblStruct>
  <analytic>
   <title>La poésie en prose</title>
  </analytic>
  <monogr>
   <title>Aloysius Bertrand, "inventeur" du poème en prose</title>
   <author>Bert Guégand</author>
   <imprint>
    <publisher>PUN</publisher>
    <date>2000</date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<listBibl>

<listBibl>
 <head>參考書籍</head>
 <bibl>潘定衡、楊朝文: 蚩尤的傳說 (貴陽：貴州民族出版社，1989 ) </bibl>
 <biblStruct>
  <analytic>
   <title>中國古史的傳說時代 </title>
  </analytic>
  <monogr>
   <title>苗族蚩尤神话，與逐鹿之戰。</title>
   <author>吳曉東</author>
   <imprint>
    <publisher>北京：民族文學研究 </publisher>
    <date> 1998 </date>
   </imprint>
  </monogr>
 </biblStruct>
</listBibl>

<relatedItem>

<bibl xml:id="Shirley1953">
 <author>Shirley, James</author>
 <title type="main">The gentlemen of Venice</title>
 <pubPlace>New York</pubPlace>
 <publisher>Readex Microprint</publisher>
 <date>1953</date>
 <extent>1 microprint card, 23 x 15 cm.</extent>
 <relatedItem type="otherForm">
  <bibl>
   <author>Shirley, James</author>
   <title type="main">The gentlemen of Venicd</title>
   <title type="sub">a tragi-comedie presented at the private house in
       Salisbury Court by Her Majesties servants</title>
   <pubPlace>London</pubPlace>
   <publisher>H. Moseley</publisher>
   <date>1655</date>
   <extent>78 p.</extent>
  </bibl>
 </relatedItem>
</bibl>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>The shortest TEI Document Imaginable</title>
   </titleStmt>
   <publicationStmt>
    <p>First published as part of TEI P2, this is the P5
         version using a namespace.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>This is about the shortest TEI document imaginable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="2.9.1" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>A TEI Document containing four page images </title>
   </titleStmt>
   <publicationStmt>
    <p>Unpublished demonstration file.</p>
   </publicationStmt>
   <sourceDesc>
    <p>No source: this is an original work.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <facsimile>
  <graphic url="page1.png"/>
  <graphic url="page2.png"/>
  <graphic url="page3.png"/>
  <graphic url="page4.png"/>
 </facsimile>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>Le document TEI le plus court possible.</title>
   </titleStmt>
   <publicationStmt>
    <p>D'abord publié comme faisant partie de la TEI P2.</p>
   </publicationStmt>
   <sourceDesc>
    <p>Aucune source : il s'agit d'un document original.</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>A peu pres, le document TEI le plus court envisageable.</p>
  </body>
 </text>
</TEI>

<TEI>

<TEI version="3.3.0" xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title>TEI中文指引</title>
   </titleStmt>
   <publicationStmt>
    <p>將與TEI 中文在地化計劃等文件一同出版</p>
   </publicationStmt>
   <sourceDesc>
    <p>譯自TEI P5 英文指引</p>
   </sourceDesc>
  </fileDesc>
 </teiHeader>
 <text>
  <body>
   <p>這是TEI P5的中文指引...</p>
  </body>
 </text>
</TEI>

<title>

<title>Information Technology and the Research Process: Proceedings of
a conference held at Cranfield Institute of Technology, UK,
18–21 July 1989</title>

<title>

<title>La vie mode d'emploi. Romans.</title>

<title>

<title>Analyser les textes de communication</title>

<title>

<title>Mélanges de linguistique française et de philologie et littérature médiévales
offerts à Monsieur Paul Imbs.</title>

<title>

<title>Les fleurs du Mal de Charles Baudelaire : une édition électronique</title>

<title>

<p>quand il rentre de ses chantiers de maçonnerie il dit rien, il pose son cul sur une
chaise, toujours au même endroit, et il lit <title>l'Humanité.</title>
</p>

<title>

<title>毛語錄</title>

<title>

<title>嚐書：視界與舌尖之外</title>

<title>

<title> 蒼天有淚—無語問蒼天，台北，1997年12月1日。</title>

<title>

<title>大般若波羅蜜多經：OCR辨識版本</title>

<title>

<title>Hardy's Tess of the D'Urbervilles: a machine readable
edition</title>

<title>

<title type="full">
 <title type="main">Synthèse</title>
 <title type="sub">an international journal for
   epistemology, methodology and history of
   science</title>
</title>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

§

Home

<titlePage>

<titlePage> (title page) contains the title page of a text, appearing within the front or back matter. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

type type⚓︎
classifies the title page according to any convenient typology.

Status
Optional

Datatype
teidata.enumerated

Note

This attribute allows the same element to be used for volume title pages, series title pages, etc., as well as for the ‘main’ title page of a work.

Member of

model.frontPart

Contained by

textstructure: back front

May contain

core: cb gap graphic lb milestone note pb

figures: figure

linking: anchor

textstructure: argument byline docAuthor docDate docEdition docImprint docTitle epigraph imprimatur titlePart

transcr: fw

Example

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

Show all ⚓︎

Content model

<content>
 <sequence minOccurs="1" maxOccurs="1">
  <classRef key="model.global"
   minOccurs="0" maxOccurs="unbounded"/>
  <classRef key="model.titlepagePart"/>
  <alternate minOccurs="0"
   maxOccurs="unbounded">
   <classRef key="model.titlepagePart"/>
   <classRef key="model.global"/>
  </alternate>
 </sequence>
</content>

Schema Declaration

element titlePage
{
   attribute type { teidata.enumerated }?,
   (
      model.global*,
      model.titlepagePart,
      ( model.titlepagePart | model.global )*
   )
}

Processing Model

<model behaviour="block"
 useSourceRendition="true">
<outputRendition> text-align: center;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

§

Home

Example: <titlePage> (title page)

These search results reproduce every example of the use of <titlePage> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <titlePage> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

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<titlePart>

<titlePart> (title part) contains a subsection or division of the title of a work, as indicated on a title page. [4.6. Title Pages]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.typed

@type

@subtype

type type⚓︎
(type) specifies the role of this subdivision of the title.

Status
Optional

Datatype
teidata.enumerated

Suggested values include:

main

(main) main title of the work [Default]

sub

(subordinate) subtitle of the work

alt

(alternate) alternative title of the work

short

(short) abbreviated form of title

desc

(descriptive) descriptive paraphrase of the work

Member of

model.pLike.front model.titlepagePart

Contained by

textstructure: back docTitle front titlePage

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element titlePart
{
   attribute type
   {
      "main" | "sub" | "alt" | "short" | "desc" | teidata.enumerated
   }?,
   macro.paraContent
}

Processing Model

<model behaviour="block"
 useSourceRendition="true"/>

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Example: <titlePart> (title part)

These search results reproduce every example of the use of <titlePart> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <titlePart> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<docTitle>

<docTitle>
 <titlePart type="main">The DUNCIAD, VARIOURVM.</titlePart>
 <titlePart type="sub">WITH THE PROLEGOMENA of SCRIBLERUS.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">LES CHOSES</titlePart>
 <titlePart type="sub">Une histoire des années soixante.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">食物的歷史</titlePart>
 <titlePart type="sub">透視人類的飲食與文明 </titlePart>
</docTitle>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<lb>

<titlePart rend="italic">
 <lb/>L'auteur susdict supplie les Lecteurs
<lb/>benevoles, soy reserver à rire au
soi-<lb break="no"/>xante &amp; dixhuytiesme livre.

</titlePart>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<titlePart>

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">Cinq semaines en ballon.</titlePart>
 <titlePart type="desc">Voyage de découvertes en Afrique par 3 anglais.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">千年一嘆 </titlePart>
 <titlePart type="desc">這是一份真實的考察日記，記錄余秋雨在 20 世紀最後幾個月的數萬里行程。余秋雨與鳳凰電視台一行於 1999 年 9 月 27 日啟程，尋訪世界的古老文明。旅程開始時，5 輛吉普車從香港海運至埃及亞歷山大港，人員乘坐飛機至希臘雅典，考察完希臘本土和克利特島後至開羅，與吉普車會合，然後由吉普車走完全程，直至返回香港。</titlePart>
</docTitle>

13. Front and Back Matter

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">PARADISE REGAIN'D. A POEM In IV
  <hi>BOOKS</hi>.</titlePart>
  <titlePart>To which is added <title>SAMSON AGONISTES</title>.</titlePart>
 </docTitle>
 <byline>The Author <docAuthor>JOHN MILTON</docAuthor>
 </byline>
 <docImprint>
  <name>LONDON</name>, Printed by <name>J.M.</name> for <name>John
     Starkey</name> at the <name>Mitre</name> in <name>Fleetstreet</name>, near
 <name>Temple-Bar.</name>
 </docImprint>
 <docDate>MDCLXXI</docDate>
</titlePage>

13.1.1. Title Page

<titlePage>
 <docTitle>
  <titlePart type="main">Lives of the Queens of England, from the Norman
     Conquest;</titlePart>
  <titlePart type="sub">with anecdotes of their courts.</titlePart>
 </docTitle>
 <titlePart>Now first published from Official Records and other authentic documents
   private as well as public.</titlePart>
 <docEdition>New edition, with corrections and additions</docEdition>
 <byline>By <docAuthor>Agnes Strickland</docAuthor>
 </byline>
 <epigraph>
  <q>The treasures of antiquity laid up in old historic rolls, I opened.</q>
  <bibl>BEAUMONT</bibl>
 </epigraph>
 <docImprint>Philadelphia: Blanchard and Lea</docImprint>
 <docDate>1860.</docDate>
</titlePage>

17. The TEI simplePrint schema

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Travels into Several Remote Nations of the World, in Four
     Parts.</titlePart>
 </docTitle>
 <byline> By <docAuthor>Lemuel Gulliver</docAuthor>, First a Surgeon,
   and then a Captain of several Ships</byline>
</titlePage>

<docAuthor>

<titlePage>
 <docTitle>
  <titlePart>Le quart livre de faicts et dict Heroiques du bon
     Pantagruel</titlePart>
 </docTitle>
 <byline>Composé par <docAuthor>M. François Rabelais</docAuthor> docteur en Medicine.</byline>
</titlePage>

<docTitle>

<docTitle>
 <titlePart type="main">The DUNCIAD, VARIOURVM.</titlePart>
 <titlePart type="sub">WITH THE PROLEGOMENA of SCRIBLERUS.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">LES CHOSES</titlePart>
 <titlePart type="sub">Une histoire des années soixante.</titlePart>
</docTitle>

<docTitle>

<docTitle>
 <titlePart type="main">食物的歷史</titlePart>
 <titlePart type="sub">透視人類的飲食與文明 </titlePart>
</docTitle>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<lb>

<titlePart rend="italic">
 <lb/>L'auteur susdict supplie les Lecteurs
<lb/>benevoles, soy reserver à rire au
soi-<lb break="no"/>xante &amp; dixhuytiesme livre.

</titlePart>

<lb>

<titlePart>
 <lb/>With Additions, ne-<lb break="no"/>ver before Printed.
</titlePart>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Autumn Haze</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Is it a dragonfly or a maple leaf</l>
  <l>That settles softly down upon the water?</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>Souvenir de la nuit du 4</titlePart>
  </docTitle>
 </front>
 <body>
  <l>Il avait dans sa poche une toupie en buis.</l>
 </body>
</text>

<text>

<text>
 <front>
  <docTitle>
   <titlePart>憶江南</titlePart>
  </docTitle>
 </front>
 <body>
  <l>江南好，</l>
  <l>風景舊曾諳。</l>
  <l>日出江花紅胜火，</l>
  <l>春來江水綠如藍，</l>
  <l>能不憶江南。</l>
 </body>
</text>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">THOMAS OF Reading.</titlePart>
  <titlePart type="alt">OR, The sixe worthy yeomen of the West.</titlePart>
 </docTitle>
 <docEdition>Now the fourth time corrected and enlarged</docEdition>
 <byline>By T.D.</byline>
 <figure>
  <head>TP</head>
  <p>Thou shalt labor till thou returne to duste</p>
  <figDesc>Printers Ornament used by TP</figDesc>
 </figure>
 <docImprint>Printed at <name type="place">London</name> for <name>T.P.</name>
  <date>1612.</date>
 </docImprint>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main"> Histoire du Roi de Bohême</titlePart>
  <titlePart type="sub"> et de ses sept châteaux </titlePart>
 </docTitle>
 <titlePart>Pastiche.</titlePart>
 <byline>Par <docAuthor>Charles Nodier</docAuthor>
 </byline>
 <epigraph>
  <q>O imitatores, servum pecus! </q>
  <bibl>Horat., Epist. I. XIX, 19.</bibl>
 </epigraph>
 <docImprint>
  <name>PARIS</name>, <name>Delangle Frères</name> Éditeurs-libraires,
 <name>Place de la Bourse</name>
 </docImprint>
 <docDate>MDCCCXXX</docDate>
</titlePage>

<titlePage>

<titlePage>
 <docTitle>
  <titlePart type="main">紅樓夢</titlePart>
  <titlePart type="alt">又名石頭記</titlePart>
 </docTitle>
 <docEdition>清乾隆四十九年甲辰（1784年）夢覺主人序本正式題為《紅樓夢》，在此之前，此書一般都題為《石頭記》。</docEdition>
 <byline>曹雪芹</byline>
 <figure>
  <head>HL</head>
  <p>紅樓夢圖詠</p>
  <figDesc>清光緒刊本的《紅樓夢》插圖，改琦畫。</figDesc>
 </figure>
 <docImprint>最早的抄本出現於清朝乾隆中期的 <date>甲戌年（1754年）。</date>
 </docImprint>
</titlePage>

<titlePart>

<docTitle>
 <titlePart type="main">THE FORTUNES
   AND MISFORTUNES Of the FAMOUS
   Moll Flanders, &amp;c.
 </titlePart>
 <titlePart type="desc">Who was BORN in NEWGATE,
   And during a Life of continu'd Variety for
   Threescore Years, besides her Childhood, was
   Twelve Year a <hi>Whore</hi>, five times a <hi>Wife</hi> (wherof
   once to her own Brother) Twelve Year a <hi>Thief,</hi>
   Eight Year a Transported <hi>Felon</hi> in <hi>Virginia</hi>,
   at last grew <hi>Rich</hi>, liv'd <hi>Honest</hi>, and died a
 <hi>Penitent</hi>.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">Cinq semaines en ballon.</titlePart>
 <titlePart type="desc">Voyage de découvertes en Afrique par 3 anglais.</titlePart>
</docTitle>

<titlePart>

<docTitle>
 <titlePart type="main">千年一嘆 </titlePart>
 <titlePart type="desc">這是一份真實的考察日記，記錄余秋雨在 20 世紀最後幾個月的數萬里行程。余秋雨與鳳凰電視台一行於 1999 年 9 月 27 日啟程，尋訪世界的古老文明。旅程開始時，5 輛吉普車從香港海運至埃及亞歷山大港，人員乘坐飛機至希臘雅典，考察完希臘本土和克利特島後至開羅，與吉普車會合，然後由吉普車走完全程，直至返回香港。</titlePart>
</docTitle>

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<trailer>

<trailer> contains a closing title or footer appearing at the end of a division of a text. [4.2.4. Content of Textual Divisions 4.2. Elements Common to All Divisions]

Module
textstructure

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.placement

@place

att.typed

@type

@subtype

att.written

@hand

Member of

model.divBottomPart

Contained by

core: lg list

drama: castGroup

figures: figure table

textstructure: back body div front group postscript

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Example

<trailer>Explicit pars tertia</trailer>

Show all ⚓︎

Example

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

Show all ⚓︎

From EEBO A87070

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <elementRef key="lg"/>
  <classRef key="model.gLike"/>
  <classRef key="model.phrase"/>
  <classRef key="model.inter"/>
  <classRef key="model.lLike"/>
  <classRef key="model.global"/>
 </alternate>
</content>

Schema Declaration

element trailer
{
   (
      text
    | lg
    | model.gLike
    | model.phrase
    | model.inter
    | model.lLike
    | model.global
   )*
}

Processing Model

<model behaviour="block">
<outputRendition>color: green;</outputRendition>
</model>

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.

P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <trailer>

These search results reproduce every example of the use of <trailer> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <trailer> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

13. Front and Back Matter

17. The TEI simplePrint schema

11. Common Attributes

<body>

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<head>

<div1 n="I" type="book">
 <head>三國演義</head>
 <div2 type="section">
  <head>第一回 宴桃園豪杰三結義 斬黃巾英雄首立功</head>
  <p>滾滾長江東逝水，浪花淘盡英雄。是非成敗轉頭空。 青山依舊在，几度夕陽紅。 白發漁樵江渚上，慣看秋月春風。一壺濁酒喜相逢。古今多少事，都付笑談中。</p>
  <p>話說天下大勢，分久必合，合久必分。周末七國分爭，并入于秦。...</p>
  <trailer>三人救了董卓回寨。卓問三人現居何職。玄德曰：白身。...畢竟董卓性命如何，且听下文分解。</trailer>
 </div2>
</div1>

<trailer>

<trailer>Explicit pars tertia</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>Explicit pars tertia</trailer>

<trailer>

<trailer>畢竟董卓性命如何，且聽下文分解。</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

13. Front and Back Matter

13.2.2. Specialized Front and Back Matter

<back>
 <div type="epilogue">
  <head>Epilogue, spoken by Prospero.</head>
  <sp>
   <l>Now my Charmes are all ore-throwne,</l>
   <l>And what strength I have's mine owne</l>
   <l>As you from crimes would pardon'd be,</l>
   <l>Let your Indulgence set me free.</l>
  </sp>
  <stage>Exit</stage>
 </div>
 <set>
  <p>The Scene, an un-inhabited Island.</p>
 </set>
 <castList>
  <head>Names of the Actors.</head>
  <castItem>Alonso, K. of Naples</castItem>
  <castItem>Sebastian, his Brother.</castItem>
  <castItem>Prospero, the right Duke of Millaine.</castItem>
<!-- etc -->
 </castList>
 <trailer>FINIS</trailer>
</back>

17. The TEI simplePrint schema

<body>

<body>
 <l>Nu scylun hergan hefaenricaes uard</l>
 <l>metudæs maecti end his modgidanc</l>
 <l>uerc uuldurfadur sue he uundra gihuaes</l>
 <l>eci dryctin or astelidæ</l>
 <l>he aerist scop aelda barnum</l>
 <l>heben til hrofe haleg scepen.</l>
 <l>tha middungeard moncynnæs uard</l>
 <l>eci dryctin æfter tiadæ</l>
 <l>firum foldu frea allmectig</l>
 <trailer>primo cantauit Cædmon istud carmen.</trailer>
</body>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div1 n="I" type="book">
 <head>In the name of Christ here begins the first book of the ecclesiastical history of
   Georgius Florentinus, known as Gregory, Bishop of Tours.</head>
 <div2 type="section">
  <head>In the name of Christ here begins Book I of the history.</head>
  <p>Proposing as I do ...</p>
  <p>From the Passion of our Lord until the death of Saint Martin four hundred and twelve
     years passed.</p>
  <trailer>Here ends the first Book, which covers five thousand, five hundred and ninety-six
     years from the beginning of the world down to the death of Saint Martin.</trailer>
 </div2>
</div1>

<head>

<div type="chapitre">
 <head>Les Mille et une Nuits</head>
 <p>LES chroniques des Sassaniens, anciens rois de Perse, qui avaient étendu leur empire
   dans les Indes, [...]</p>
 <div type="histoire">
  <head>Histoire du Vizir puni</head>
  <p>IL était autrefois un roi, poursuivit-il, qui avait un<lb/> fils qui aimait
     passionnément la chasse. Il lui permettait<lb/> de prendre souvent ce divertissement ;
     [...] </p>
 </div>
</div>
<trailer>
 <hi rend="majuscule">fin du tome premier.</hi>
</trailer>

<head>

<div1 n="I" type="book">
 <head>三國演義</head>
 <div2 type="section">
  <head>第一回 宴桃園豪杰三結義 斬黃巾英雄首立功</head>
  <p>滾滾長江東逝水，浪花淘盡英雄。是非成敗轉頭空。 青山依舊在，几度夕陽紅。 白發漁樵江渚上，慣看秋月春風。一壺濁酒喜相逢。古今多少事，都付笑談中。</p>
  <p>話說天下大勢，分久必合，合久必分。周末七國分爭，并入于秦。...</p>
  <trailer>三人救了董卓回寨。卓問三人現居何職。玄德曰：白身。...畢竟董卓性命如何，且听下文分解。</trailer>
 </div2>
</div1>

<trailer>

<trailer>Explicit pars tertia</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

<trailer>

<trailer>Explicit pars tertia</trailer>

<trailer>

<trailer>畢竟董卓性命如何，且聽下文分解。</trailer>

<trailer>

<trailer>
 <l>In stead of FINIS this advice <hi>I</hi> send,</l>
 <l>Let Rogues and Thieves beware of <lb/>
  <hi>Hamans</hi> END.</l>
</trailer>

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<unclear>

<unclear> (unclear) contains a word, phrase, or passage which cannot be transcribed with certainty because it is illegible or inaudible in the source. [12.3.3.1. Damage, Illegibility, and Supplied Text 3.5.3. Additions, Deletions, and Omissions]

Module
core

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.dimensions

@unit

@quantity

@extent

@scope

att.editLike

hand hand⚓︎

Status
Optional

reason reason⚓︎
indicates why the material is hard to transcribe.

Status
Optional

Datatype
1–∞ occurrences of teidata.enumerated separated by whitespace

Suggested values include:

illegible

(illegible)

inaudible

(inaudible)

faded

(faded)

background_noise

(background noise)

eccentric_ductus

(eccentric ductus) indicates illegibility due to an unusual, awkward, or incompetent execution of a glyph or glyphs

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

Show all ⚓︎

Note

One or more words may be used to describe the reason; usually each word will refer to a single cause.

agent agent⚓︎
Where the difficulty in transcription arises from damage, categorizes the cause of the damage, if it can be identified.

Status
Optional

Datatype
teidata.enumerated

Sample values include:

rubbing

damage results from rubbing of the leaf edges

mildew

damage results from mildew on the leaf surface

smoke

damage results from smoke

Member of

model.choicePart model.linePart model.pPart.transcriptional

Contained by

analysis: pc s w

core: abbr add addrLine author bibl biblScope choice corr date del editor email expan foreign head hi item l label lg measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

analysis: c pc s w

core: abbr add address bibl cb choice cit corr date del desc email expan foreign gap graphic hi l label lb lg list listBibl measure milestone name note num orig pb q quote ref reg rs sic stage term time title unclear

drama: castList

figures: figure formula table

gaiji: g

header: biblFull idno

linking: anchor seg

namesdates: listPerson listPlace

tagdocs: code

textstructure: floatingText

transcr: fw subst supplied

verse: rhyme

character data

Note

The same element is used for all cases of uncertainty in the transcription of element content, whether for written or spoken material. For other aspects of certainty, uncertainty, and reliability of tagging and transcription, see chapter 22. Certainty, Precision, and Responsibility.

The <damage>, gap, del, unclear and supplied elements may be closely allied in use. See section 12.3.3.2. Use of the gap, del, damage, unclear, and supplied Elements in Combination for discussion of which element is appropriate for which circumstance.

The hand attribute points to a definition of the hand concerned, as further discussed in section 12.3.2.1. Document Hands.

Example

<u> ...and then <unclear reason="background-noise">Nathalie</unclear> said ... </u>

Show all ⚓︎

Content model

<content>
 <macroRef key="macro.paraContent"/>
</content>

Schema Declaration

element unclear
{
   attribute hand { text }?,
   attribute reason
   {
      list
      {
         (
            "illegible"
          | "inaudible"
          | "faded"
          | "background_noise"
          | "eccentric_ductus"
          | teidata.enumerated
         )+
      }
   }?,
   attribute agent { teidata.enumerated }?,
   macro.paraContent
}

Processing Model

<model behaviour="inline">
<outputRendition scope="after">content: ' [?] ';</outputRendition>
</model>

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Example: <unclear> (unclear)

These search results reproduce every example of the use of <unclear> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <unclear> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

4. Editorial Interventions

11. Common Attributes

17. The TEI simplePrint schema

4. Editorial Interventions

4.2. Omissions, Deletions, and Additions

One hundred &amp; twenty good regulars joined <unclear>to me <gap extent="2 words"
  reason="indecipherable"/> and </unclear> instantly, would aid me signally in an
enterprise against Wilmington.

11. Common Attributes

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

<unclear>

and from time to time invited in like manner
his att<unclear>ention</unclear>

<unclear>

<u> ...and then <unclear reason="background-noise">Nathalie</unclear> said ... </u>

17. The TEI simplePrint schema

<unclear>

<div>
 <head>Rx</head>
 <p>500 mg <unclear reason="illegible">placebo</unclear>
 </p>
</div>

<unclear>

<add place="inspace">Envoyez-moi une épreuve <unclear cert="medium">W</unclear>
 <gap reason="inDéchiffrable"/>
</add>

<unclear>

and from time to time invited in like manner
his att<unclear>ention</unclear>

<unclear>

<u> ...and then <unclear reason="background-noise">Nathalie</unclear> said ... </u>

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<w>

<w> (word) represents a grammatical (not necessarily orthographic) word. [18.1. Linguistic Segment Categories 18.4.2. Lightweight Linguistic Annotation]

Module
analysis

Attributes

att.global

@xml:id

@n

@xml:lang

@xml:base

@xml:space

att.global.analytic

@ana

att.global.facs

@facs

att.global.linking

@corresp

@next

@prev

att.global.rendition

@rendition

att.global.responsibility

@cert

@resp

att.global.source

@source

att.cmc

@generatedBy

att.linguistic

@lemma

@lemmaRef

att.notated

@notation

att.segLike

@function

att.fragmentable

@part

att.metrical

@rhyme

att.typed

@type

@subtype

Member of

model.linePart model.segLike

Contained by

analysis: s w

core: abbr add addrLine author bibl biblScope corr date del editor email expan foreign head hi item l label measure name note num orig p pubPlace publisher q quote ref reg rs sic speaker stage term time title unclear

drama: actor castItem role roleDesc

figures: cell

header: change distributor edition extent licence

linking: ab seg

textstructure: byline closer dateline docAuthor docDate docEdition docImprint imprimatur opener salute signed titlePart trailer

transcr: fw supplied zone

verse: rhyme

May contain

analysis: c pc w

core: abbr add cb choice corr del expan gap hi lb milestone note orig pb q reg sic unclear

figures: figure

gaiji: g

linking: anchor seg

transcr: fw subst supplied

verse: rhyme

character data

Example

<s n="1">
 <w ana="#NP0" type="open" lemma="Marley">Marley</w>
 <w ana="#VBD" type="verb" lemma="be">was</w>
 <w ana="#AJ0" type="complement" lemma="die">dead</w>
</s>

Show all ⚓︎

Content model

<content>
 <alternate minOccurs="0"
  maxOccurs="unbounded">
  <textNode/>
  <classRef key="model.gLike"/>
  <elementRef key="seg"/>
  <elementRef key="w"/>
  <elementRef key="m"/>
  <elementRef key="c"/>
  <elementRef key="pc"/>
  <classRef key="model.global"/>
  <classRef key="model.lPart"/>
  <classRef key="model.hiLike"/>
  <classRef key="model.pPart.edit"/>
 </alternate>
</content>

Schema Declaration

element w
{
   (
      text
    | model.gLike
    | seg
    | w
    | m
    | c
    | pc
    | model.global
    | model.lPart
    | model.hiLike
    | model.pPart.edit
   )*
}

Processing Model

<model behaviour="inline"/>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <w> (word)

These search results reproduce every example of the use of <w> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <w> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

10. Analysis

11. Common Attributes

17. The TEI simplePrint schema

10. Analysis

10. Analysis

<s n="1">
 <w ana="#NP0">Marley</w>
 <w ana="#VBD">was</w>
 <w ana="#AJ0">dead</w>
 <pc>:</pc>
 <w ana="#TO0">to</w>
 <w ana="#VBB">begin</w>
 <w ana="#PRP">with</w>
 <pc ana="#SENT">.</pc>
</s>

10. Analysis

...<w ana="#VBD" lemma="be"
 lemmaRef="http://www.myLexicon.com/be">was</w> ...

11. Common Attributes

att.linguistic

<w lemma="wife">wives</w>

att.linguistic

<w lemma="Arznei">Artzeneyen</w>

att.linguistic

<w type="動詞" lemma="hit">hitt<m type="字尾">ing</m>
</w>

att.linguistic

<w type="verb" lemma="hit"
 lemmaRef="http://www.example.com/lexicon/hitvb.xml">hitt<m type="suffix">ing</m>
</w>

att.linguistic

<w type="verb" lemma="nage"
 lemmaRef="http://www.example.com/lexicon/hitvb.xml">nag<m type="suffix">er</m>
</w>

<c>

<phr>
 <c>M</c>
 <c>O</c>
 <c>A</c>
 <c>I</c>
 <w>doth</w>
 <w>sway</w>
 <w>my</w>
 <w>life</w>
</phr>

<pc>

<phr>
 <w>do</w>
 <w>you</w>
 <w>understand</w>
 <pc type="interrogative">?</pc>
</phr>

<pc>

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

<s>

<s>
 <w>Quand</w>
 <w>partez</w>
 <w>-</w>
 <w>vous</w>
 <w> ?</w>
</s>
<s>
 <w>Demain</w>
 <w>.</w>
</s>

<w>

<s n="1">
 <w ana="#NP0" type="open" lemma="Marley">Marley</w>
 <w ana="#VBD" type="verb" lemma="be">was</w>
 <w ana="#AJ0" type="complement" lemma="die">dead</w>
</s>

17. The TEI simplePrint schema

att.linguistic

<w lemma="wife">wives</w>

att.linguistic

<w lemma="Arznei">Artzeneyen</w>

att.linguistic

<w type="動詞" lemma="hit">hitt<m type="字尾">ing</m>
</w>

att.linguistic

<w type="verb" lemma="hit"
 lemmaRef="http://www.example.com/lexicon/hitvb.xml">hitt<m type="suffix">ing</m>
</w>

att.linguistic

<w type="verb" lemma="nage"
 lemmaRef="http://www.example.com/lexicon/hitvb.xml">nag<m type="suffix">er</m>
</w>

<c>

<phr>
 <c>M</c>
 <c>O</c>
 <c>A</c>
 <c>I</c>
 <w>doth</w>
 <w>sway</w>
 <w>my</w>
 <w>life</w>
</phr>

<pc>

<phr>
 <w>do</w>
 <w>you</w>
 <w>understand</w>
 <pc type="interrogative">?</pc>
</phr>

<pc>

<s>
 <w pos="PPER" msd="1.Pl.*.Nom">Wir</w>
 <w pos="VVFIN" msd="1.Pl.Pres.Ind">fahren</w>
 <w pos="APPR" msd="--">in</w>
 <w pos="ART" msd="Def.Masc.Akk.Sg.">den</w>
 <w pos="NN" msd="Masc.Akk.Sg.">Urlaub</w>
 <pc pos="$." msd="--" join="left">.</pc>
</s>

<s>

<s>
 <w>Quand</w>
 <w>partez</w>
 <w>-</w>
 <w>vous</w>
 <w> ?</w>
</s>
<s>
 <w>Demain</w>
 <w>.</w>
</s>

<w>

<s n="1">
 <w ana="#NP0" type="open" lemma="Marley">Marley</w>
 <w ana="#VBD" type="verb" lemma="be">was</w>
 <w ana="#AJ0" type="complement" lemma="die">dead</w>
</s>

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P5: Guidelines for Electronic Text Encoding and Interchange

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Example: <zone>

These search results reproduce every example of the use of <zone> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <zone> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

11. Common Attributes

14. Encoding a Digital Facsimile

17. The TEI simplePrint schema

11. Common Attributes

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<zone>

<surface ulx="14.54" uly="16.14" lrx="0"
 lry="0">
 <graphic url="stone.jpg"/>
 <zone points="4.6,6.3 5.25,5.85 6.2,6.6 8.19222,7.4125 9.89222,6.5875 10.9422,6.1375 11.4422,6.7125 8.21722,8.3125 6.2,7.65"/>
</surface>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

14. Encoding a Digital Facsimile

14. Encoding a Digital Facsimile

<facsimile>
 <surface ulx="1" uly="1" lrx="4" lry="4">
  <graphic url="page1.png" xml:id="page1"/>
  <zone xml:id="topHalfP1" ulx="1" uly="1"
   lrx="2" lry="4"/>
 </surface>
</facsimile>
<text>
 <body>
<!-- ... -->
  <pb facs="#page1"/>
  <head facs="#topHalfP1">Text of Heading</head>
<!-- ...-->
 </body>
</text>

17. The TEI simplePrint schema

<facsimile>
 <surface ulx="0" uly="0" lrx="400" lry="280">
  <zone points="220,100 300,210 170,250 123,234">
   <graphic url="handwriting.png"/>
  </zone>
 </surface>
</facsimile>

<graphic>

<facsimile>
 <surfaceGrp n="leaf1" xml:id="spi001">
  <surface xml:id="spi001r">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001r.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001r.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001r.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001r.jpg"/>
  </surface>
  <surface xml:id="spi001v">
   <graphic type="normal"
    subtype="thumbnail" url="spi/thumb/001v.jpg"/>
   <graphic type="normal" subtype="low-res"
    url="spi/normal/lowRes/001v.jpg"/>
   <graphic type="normal"
    subtype="high-res" url="spi/normal/highRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="low-res" url="spi/contrast/lowRes/001v.jpg"/>
   <graphic type="high-contrast"
    subtype="high-res" url="spi/contrast/highRes/001v.jpg"/>
   <zone xml:id="spi001v_detail01">
    <graphic type="normal"
     subtype="thumbnail" url="spi/thumb/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="low-res"
     url="spi/normal/lowRes/001v-detail01.jpg"/>
    <graphic type="normal"
     subtype="high-res"
     url="spi/normal/highRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="low-res"
     url="spi/contrast/lowRes/001v-detail01.jpg"/>
    <graphic type="high-contrast"
     subtype="high-res"
     url="spi/contrast/highRes/001v-detail01.jpg"/>
   </zone>
  </surface>
 </surfaceGrp>
</facsimile>

<zone>

<surface ulx="14.54" uly="16.14" lrx="0"
 lry="0">
 <graphic url="stone.jpg"/>
 <zone points="4.6,6.3 5.25,5.85 6.2,6.6 8.19222,7.4125 9.89222,6.5875 10.9422,6.1375 11.4422,6.7125 8.21722,8.3125 6.2,7.65"/>
</surface>

<zone>

<facsimile>
 <surface ulx="50" uly="20" lrx="400"
  lry="280">
  <zone ulx="0" uly="0" lrx="500" lry="321">
   <graphic url="graphic.png"/>
  </zone>
 </surface>
</facsimile>

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att.canonical

att.canonical provides attributes that can be used to associate a representation such as a name or title with canonical information about the object being named or referenced. [14.1.1. Linking Names and Their Referents]

Module
tei

Members
att.naming [att.personal [name] author editor pubPlace rs] actor bibl biblFull catDesc date distributor docAuthor docTitle publisher resp respStmt term time title

Attributes

ref ref⚓︎
(reference) provides an explicit means of locating a full definition or identity for the entity being named by means of one or more URIs.

Status
Optional

Datatype
1–∞ occurrences of teidata.pointer separated by whitespace

<name ref="http://viaf.org/viaf/109557338"
 type="person">Seamus Heaney</name>

⚓︎

Note

The value must point directly to one or more XML elements or other resources by means of one or more URIs, separated by whitespace. If more than one is supplied the implication is that the name identifies several distinct entities.

Example

In this contrived example, a canonical reference to the same organisation is provided in four different ways.

<author n="1">
 <name ref="http://nzetc.victoria.ac.nz/tm/scholarly/name-427308.html"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="2">
 <name ref="nzvn:427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="3">
 <name ref="./named_entities.xml#o427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

<author n="4">
 <name key="name-427308"
  type="organisation">New Zealand Parliament, Legislative Council</name>
</author>

⚓︎

The first presumes the availability of an internet connection and a processor that can resolve a URI (most can). The second requires, in addition, a prefixDef that declares how the nzvm prefix should be interpreted. The third does not require an internet connection, but does require that a file named named_entities.xml be in the same directory as the TEI document. The fourth requires that an entire external system for key resolution be available.

Note

The key attribute is more flexible and general-purpose, but its use in interchange requires that documentation about how the key is to be resolved be sent to the recipient of the TEI document. In contrast values of the ref attribute are resolved using the widely accepted protocols for a URI, and thus less documentation, if any, is likely required by the recipient in data interchange.

These guidelines provide no semantic basis or suggested precedence when both key and ref are provided. For this reason simultaneous use of both is not recommended unless documentation explaining the use is provided, probably in an ODD customizaiton, for interchange.

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att.editLike

att.editLike provides attributes describing the nature of an encoded scholarly intervention or interpretation of any kind. [3.5. Simple Editorial Changes 11.3.1. Origination 14.3.2. The Person Element 12.3.1.1. Core Elements for Transcriptional Work]

Module
tei

Members
att.transcriptional [add del subst] corr date expan gap name person place reg supplied time unclear

Attributes

Note

The members of this attribute class are typically used to represent any kind of editorial intervention in a text, for example a correction or interpretation, or to date or localize manuscripts etc.

Each pointer on the source (if present) corresponding to a witness or witness group should reference a bibliographic citation such as a <witness>, <msDesc>, or bibl element, or another external bibliographic citation, documenting the source concerned.

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att.global.rendition

att.global.rendition provides rendering attributes common to all elements in the TEI encoding scheme. [1.3.1.1.3. Rendition Indicators]

Module
tei

Members
att.global [TEI ab abbr abstract actor add addrLine address anchor argument author availability back bibl biblFull biblScope body byline c castGroup castItem castList catDesc catRef category cb cell change char charDecl choice cit classCode classDecl closer code corr creation date dateline del desc distributor div docAuthor docDate docEdition docImprint docTitle edition editionStmt editor editorialDecl email encodingDesc epigraph expan extent facsimile figDesc figure fileDesc floatingText foreign formula front fw g gap glyph graphic group head hi idno imprimatur item keywords l label langUsage language lb lg licence list listBibl listChange listPerson listPlace listPrefixDef localProp mapping measure milestone name namespace note notesStmt num opener orig p particDesc pb pc person place postscript prefixDef profileDesc projectDesc pubPlace publicationStmt publisher q quote ref refsDecl reg relatedItem rendition resp respStmt revisionDesc rhyme role roleDesc row rs s salute samplingDecl seg seriesStmt set settingDesc sic signed sourceDesc sp speaker stage subst supplied surface table tagUsage tagsDecl taxonomy teiCorpus teiHeader term text textClass time title titlePage titlePart titleStmt trailer unclear unicodeProp unihanProp w xenoData zone]

Attributes

rendition rendition⚓︎
points to a description of the rendering or presentation used for this element in the source text.

Status
Optional

Datatype
1–∞ occurrences of teidata.pointer separated by whitespace

Suggested values include:

simple:allcaps

all capitals

simple:blackletter

black letter or gothic typeface

simple:bold

bold typeface

simple:bottombraced

marked with a brace under the bottom of the text

simple:boxed

border around the text

simple:centre

centred

simple:cursive

cursive typeface

simple:display

block display

simple:doublestrikethrough

strikethrough with double line

simple:doubleunderline

underlined with double line

simple:dropcap

initial letter larger or decorated

simple:float

floated out of main flow

simple:hyphen

with a hyphen here (eg in line break)

simple:inline

inline rendering

simple:justify

justified text

simple:italic

italic typeface

simple:larger

larger type

simple:left

aligned to the left or left-justified

simple:leftbraced

marked with a brace on the left side of the text

simple:letterspace

larger-than-normal spacing between letters, usually for emphasis

simple:literal

fixed-width typeface, spacing preserved

simple:normalstyle

upright shape and default weight of typeface

simple:normalweight

normal typeface weight

simple:right

aligned to the right or right-justified

simple:rightbraced

marked with a brace to the right of the text

simple:rotateleft

rotated to the left

simple:rotateright

rotated to the right

simple:smallcaps

small caps

simple:smaller

smaller type

simple:strikethrough

strike through

simple:subscript

subscript

simple:superscript

superscript

simple:topbraced

marked with a brace above the text

simple:typewriter

fixed-width typeface, like typewriter

simple:underline

underlined with single line

simple:wavyunderline

underlined with wavy line

<head rendition="#ac #sc">
 <lb/>To The <lb/>Duchesse <lb/>of <lb/>Newcastle, <lb/>On Her
<lb/>
 <hi rendition="#normal">New Blazing-World</hi>.
</head>
<!-- elsewhere... -->
<rendition xml:id="sc" scheme="css">font-variant: small-caps</rendition>
<rendition xml:id="normal" scheme="css">font-variant: normal</rendition>
<rendition xml:id="ac" scheme="css">text-align: center</rendition>

⚓︎

Note

The rendition attribute is used in a very similar way to the class attribute defined for XHTML but with the important distinction that its function is to describe the appearance of the source text, not necessarily to determine how that text should be presented on screen or paper.

If rendition is used to refer to a style definition in a formal language like CSS, it is recommended that it not be used in conjunction with rend. Where both rendition and rend are supplied, the latter is understood to override or complement the former.

Each URI provided should indicate a rendition element defining the intended rendition in terms of some appropriate style language, as indicated by the scheme attribute.

Schematron

<sch:rule context="tei:*[@rendition]">
<sch:let name="results"
 value="for $val in tokenize(normalize-space(@rendition),'\s+') return starts-with($val,'simple:') or (starts-with($val,'#') and //tei:rendition[@xml:id=substring($val,2)])"/>
<sch:assert test="every $x in $results satisfies $x"> Error: Each of the rendition
values in "<sch:value-of select="@rendition"/>" must point to a local ID or to a
token in the Simple scheme (<sch:value-of select="$results"/>)</sch:assert>
</sch:rule>

Schematron

<sch:rule context="tei:*[@corresp]">
<sch:let name="results"
 value="for $t in tokenize(normalize-space(@corresp),'\s+') return starts-with($t,'#') and not(id(substring($t,2)))"/>
<sch:report test="some $x in $results satisfies $x"> Error: Every local pointer in
"<sch:value-of select="@corresp"/>" must point to an ID in this document
(<sch:value-of select="$results"/>)</sch:report>
</sch:rule>

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att.placement

att.placement provides attributes for describing where on the source page or object a textual element appears. [3.5.3. Additions, Deletions, and Omissions 12.3.1.4. Additions and Deletions]

Module
tei

Members
att.transcriptional [add del subst] div figure fw head label note postscript sp speaker stage trailer

Attributes

place place⚓︎
specifies where this item is placed.

Status
Recommended

Datatype
1–∞ occurrences of teidata.enumerated separated by whitespace

Legal values are:

above

above the line

below

below the line

top

at the top of the page

top-right

at the top right of the page

top-left

at the top left of the page

top-centre

at the top center of the page

bottom-right

at the bottom right of the page

bottom-left

at the bottom left of the page

bottom-centre

at the bottom centre of the page

bottom

at the foot of the page

tablebottom

underneath a table

margin-right

in the right-hand margin

margin

in the outer margin

margin-inner

in the inner margin

margin-left

in the left-hand margin

opposite

on the opposite, i.e. facing, page.

overleaf

on the other side of the leaf.

overstrike

superimposed on top of the current context

end

at the end of the volume.

divend

at the end the current division.

parend

at the end the current paragraph.

inline

within the body of the text.

inspace

in a predefined space, for example left by an earlier scribe.

block

formatted as an indented paragraph

<add place="margin">[An addition written in the margin]</add>
<add place="bottom opposite">[An addition written at the
foot of the current page and also on the facing page]</add>

⚓︎

<note place="bottom">Ibid, p.7</note>

⚓︎

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att.pointing

att.pointing provides a set of attributes used by all elements which point to other elements by means of one or more URI references. [1.3.1.1.2. Language Indicators 3.7. Simple Links and Cross-References]

Module
tei

Members
catRef licence note ref term

Attributes

targetLang targetLang⚓︎
specifies the language of the content to be found at the destination referenced by target, using a ‘language tag’ generated according to BCP 47.

Status
Optional

Datatype
teidata.language

Schematron

<sch:rule context="tei:*[not(self::tei:schemaSpec)][@targetLang]">
<sch:assert test="@target">@targetLang should only be used on <sch:name/> if @target is specified.</sch:assert>
</sch:rule>

<linkGrp xml:id="pol-swh_aln_2.1-linkGrp">
 <ptr xml:id="pol-swh_aln_2.1.1-ptr"
  target="pol/UDHR/text.xml#pol_txt_1-head" type="tuv" targetLang="pl"/>
 <ptr xml:id="pol-swh_aln_2.1.2-ptr"
  target="swh/UDHR/text.xml#swh_txt_1-head" type="tuv" targetLang="sw"/>
</linkGrp>

⚓︎

In the example above, the <linkGrp> combines pointers at parallel fragments of the Universal Declaration of Human Rights: one of them is in Polish, the other in Swahili.

Note

The value must conform to BCP 47. If the value is a private use code (i.e., starts with x- or contains -x-), a language element with a matching value for its ident attribute should be supplied in the TEI header to document this value. Such documentation may also optionally be supplied for non-private-use codes, though these must remain consistent with their (IETF)Internet Engineering Task Force definitions.

target target⚓︎
specifies the destination of the reference by supplying one or more URI References.

Status
Optional

Datatype
1–∞ occurrences of teidata.pointer separated by whitespace

Schematron

<sch:rule context="tei:*[@target]">
<sch:let name="results"
 value="for $t in tokenize(normalize-space(@target),'\s+') return starts-with($t,'#') and not(id(substring($t,2)))"/>
<sch:report test="some $x in $results satisfies $x"> Error: Every local pointer
in "<sch:value-of select="@target"/>" must point to an ID in this document
(<sch:value-of select="$results"/>)</sch:report>
</sch:rule>

Note

One or more syntactically valid URI references, separated by whitespace. Because whitespace is used to separate URIs, no whitespace is permitted inside a single URI. If a whitespace character is required in a URI, it should be escaped with the normal mechanism, e.g. TEI%20Consortium.

evaluate evaluate⚓︎
(evaluate) specifies the intended meaning when the target of a pointer is itself a pointer.

Status
Optional

Datatype
teidata.enumerated

Legal values are:

all

if the element pointed to is itself a pointer, then the target of that pointer will be taken, and so on, until an element is found which is not a pointer.

one

if the element pointed to is itself a pointer, then its target (whether a pointer or not) is taken as the target of this pointer.

none

no further evaluation of targets is carried out beyond that needed to find the element specified in the pointer's target.

Note

If no value is given, the application program is responsible for deciding (possibly on the basis of user input) how far to trace a chain of pointers.

Schematron

<sch:rule context="tei:*[not(self::tei:schemaSpec)][@targetLang]">
<sch:assert test="@target">@targetLang should only be used on <sch:name/> if @target is specified.</sch:assert>
</sch:rule>

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att.dimensions

att.dimensions provides attributes for describing the size of physical objects.

Module
tei

Members
add date del gap subst supplied time unclear

Attributes

unit unit⚓︎
names the unit used for the measurement

Status
Optional

Datatype
teidata.enumerated

Legal values are:

chars

characters

lines

lines

pages

pages

words

words

cm

centimetres

mm

millimetre

in

inches

quantity quantity⚓︎
specifies the length in the units specified

Status
Optional

Datatype
teidata.numeric

extent extent⚓︎
indicates the size of the object concerned using a project-specific vocabulary combining quantity and units in a single string of words.

Status
Optional

Datatype
teidata.text

<gap extent="5 words"/>

⚓︎

<height extent="half the page"/>

⚓︎

scope scope⚓︎
where the measurement summarizes more than one observation, specifies the applicability of this measurement.

Status
Optional

Datatype
teidata.enumerated

Sample values include:

all

measurement applies to all instances.

most

measurement applies to most of the instances inspected.

range

measurement applies to only the specified range of instances.

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att.global.linking

att.global.linking provides a set of attributes for hypertextual linking. [17. Linking, Segmentation, and Alignment]

Module
linking

Members
att.global [TEI ab abbr abstract actor add addrLine address anchor argument author availability back bibl biblFull biblScope body byline c castGroup castItem castList catDesc catRef category cb cell change char charDecl choice cit classCode classDecl closer code corr creation date dateline del desc distributor div docAuthor docDate docEdition docImprint docTitle edition editionStmt editor editorialDecl email encodingDesc epigraph expan extent facsimile figDesc figure fileDesc floatingText foreign formula front fw g gap glyph graphic group head hi idno imprimatur item keywords l label langUsage language lb lg licence list listBibl listChange listPerson listPlace listPrefixDef localProp mapping measure milestone name namespace note notesStmt num opener orig p particDesc pb pc person place postscript prefixDef profileDesc projectDesc pubPlace publicationStmt publisher q quote ref refsDecl reg relatedItem rendition resp respStmt revisionDesc rhyme role roleDesc row rs s salute samplingDecl seg seriesStmt set settingDesc sic signed sourceDesc sp speaker stage subst supplied surface table tagUsage tagsDecl taxonomy teiCorpus teiHeader term text textClass time title titlePage titlePart titleStmt trailer unclear unicodeProp unihanProp w xenoData zone]

Attributes

corresp corresp⚓︎
(corresponds) points to elements that correspond to the current element in some way.

Status
Optional

Datatype
1–∞ occurrences of teidata.pointer separated by whitespace

<group>
 <text xml:id="t1-g1-t1" xml:lang="mi">
  <body xml:id="t1-g1-t1-body1">
   <div type="chapter">
    <head>He Whakamaramatanga mo te Ture Hoko, Riihi hoki, i nga Whenua Maori, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
 <text xml:id="t1-g1-t2" xml:lang="en">
  <body xml:id="t1-g1-t2-body1"
   corresp="#t1-g1-t1-body1">
   <div type="chapter">
    <head>An Act to regulate the Sale, Letting, and Disposal of Native Lands, 1876.</head>
    <p>…</p>
   </div>
  </body>
 </text>
</group>

⚓︎

In this example a group contains two texts, each containing the same document in a different language. The correspondence is indicated using corresp. The language is indicated using xml:lang, whose value is inherited; both the tag with the corresp and the tag pointed to by the corresp inherit the value from their immediate parent.

<!-- In a placeography called "places.xml" --><place xml:id="LOND1"
 corresp="people.xml#LOND2 people.xml#GENI1">
 <placeName>London</placeName>
 <desc>The city of London...</desc>
</place>
<!-- In a literary personography called "people.xml" -->
<person xml:id="LOND2"
 corresp="places.xml#LOND1 #GENI1">
 <persName type="lit">London</persName>
 <note>
  <p>Allegorical character representing the city of <placeName ref="places.xml#LOND1">London</placeName>.</p>
 </note>
</person>
<person xml:id="GENI1"
 corresp="places.xml#LOND1 #LOND2">
 <persName type="lit">London’s Genius</persName>
 <note>
  <p>Personification of London’s genius. Appears as an
     allegorical character in mayoral shows.
  </p>
 </note>
</person>

⚓︎

In this example, a place element containing information about the city of London is linked with two person elements in a literary personography. This correspondence represents a slightly looser relationship than the one in the preceding example; there is no sense in which an allegorical character could be substituted for the physical city, or vice versa, but there is obviously a correspondence between them.

next next⚓︎
points to the next element of a virtual aggregate of which the current element is part.

Status
Optional

Datatype
teidata.pointer

Note

It is recommended that the element indicated be of the same type as the element bearing this attribute.

prev prev⚓︎
(previous) points to the previous element of a virtual aggregate of which the current element is part.

Status
Optional

Datatype
teidata.pointer

Note

It is recommended that the element indicated be of the same type as the element bearing this attribute.

TEI Guidelines . This page generated on 2025-01-24T20:01:06Z.